Colonial Concert Series Announcement
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Montana Kaimin, May 4, 1979 Associated Students of the University of Montana
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 5-4-1979 Montana Kaimin, May 4, 1979 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, May 4, 1979" (1979). Montana Kaimin, 1898-present. 6834. https://scholarworks.umt.edu/studentnewspaper/6834 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Aber Day Kegger picket proposed by labor council By MARK ELLSWORTH Max Weiss, a legal counselor at Lawry said there would be no Montana Kalmfn Reporter the University of Montana, said the "line to cross" that could cause problem with a secondary boycott trouble. He said the picket is a A meeting Wednesday night is that those involved can be held potentially "explosive issue," but between the Aber Day Kegger liable for any loss of business by the group is “trying to keep it as promoters and the Missoula the third party. cool as it can." Trades and Labor Council took But in some instances, Weiss Amid all the rising sentiment place to discuss a possible picket said, if the boycott is “in against Coors, there is still no at the kegger site to protest formational in nature, and peace word that MLAC is planning to serving Coors beer. -
Dulsoc March Newsletter
Volume 2015, Issue 3 !!!!!!!!!! March 2015 THE CENTRAL INDIANA FOLK MUSIC & MOUNTAIN DULCIMER SOCIETY NEWSLETTER March 2015 Meeting Sunday, March 8, 2015, 1:00 - 5:00 PM. Bethlehem Lutheran Church 52nd & Central Indianapolis, IN 1:00 - 2:00 Board Meeting, Beginner’s Jam 2:00 - 3:00 Performance Hour 3:00 - 4:00 Big Band Practice 4:00 - 5:00 Sharing Circle _______________________________________________________________________________________ 2015 Board Members President: David Tucker!!! [email protected] Vice President: Gary Reiter!!! [email protected] Secretary: Amy Raab!!!! [email protected] Treasurer: Barry Levitt!! ! ! [email protected] Music Coordinator: Cathy Platt!! [email protected] 317-485-5010 Member-at-Large: Connie Temm!! [email protected] Past President: Gary Reiter!!! [email protected] Newsletter Editor: Susie Kraeszig!! [email protected] Webmaster: Myrna Gray!!! [email protected] March Musical Theme Song of the Month Insert “Liza Jane“ “Childhood” Please add to your songbooks. Our website: www.indianafolkmusic.org March Snacks courtesy of Lew Mastin and Susie Kraeszig. Thank you! A Message From Our President, Dave Tucker Spring has sprung. Or more accurately, by the time our March meeting convenes, we will have sprung forward for daylight savings time, meaning that at least one absent minded member will show up for Performance Hour just in time for Big Band Practice. If you enjoy listening to music as much as you enjoy playing it with the Folk Music Society, I have some suggestions for you on new music. The Punch Brothers resemble a traditional string band -- guitar, banjo, mandolin, fiddle and standup bass. Lead by the virtuoso mandolin player, Chris Thile, the Punch Brothers stay true to the traditional string band format, while using their enormous talents to also make music like a jazz quintet or a classical ensemble. -
Commencement Concert 2018
Commencement Concert 2018 Wittenberg Collegiate Center Auditorium Friday, May 11, 2018 4:00 and 7:30 pm Please turn off cell phones and other electronic devices before the concert. The United States copyright law prohibits audio and/or video recording of this concert by individuals. PROGRAM Wind Symphony Prof. Miles Wurster, conductor In This Broad Earth Steven Bryant Symphonic Suite from Robin Hood: Prince of Thieves Michael Kamen Arranged by Paul Lavender Hosanna Ringers Prof. Craig Hirschmann, conductor The Bare Necessities (from Disney’s The Jungle Book) Arranged by Kevin McChesney Over the Rainbow Music by Harold Arlen Lyrics by E.Y. Harburg Arranged by Tammy Waldrop Audience led in singing by Jennifer Haugen Somewhere Over the Rainbow, way up high, There’s a land that I heard of once in a lullaby. Somewhere Over the Rainbow skies are blue, And the dreams that you dare to dream really do come true. Someday I’ll wish upon a star and Wake up where the clouds are far behind me. Where troubles melt like lemon drops, Away above the chimney tops, that’s where you’ll find me. Somewhere Over the Rainbow bluebirds fly, Birds fly Over the Rainbow, Why then, oh why can’t I? Baby Elephant Walk Henry Mancini Arranged by Sondra K. Tucker An offering designated for student financial assistance will be taken. Thank you for your generous support. Alumni Recognition Mr. Stephen Balza, director of alumni relations Männerchor Prof. Craig Hirschmann, conductor Shenandoah Scottish Lullaby Arranged by Alice Parker and Robert Shaw Oh, Shenandoah, I long to hear you, Oh, Shenandoah, I’m bound to leave you, Way-hay, you rolling river, Way-hay, you rolling river, Oh, Shenandoah, I long to hear you, Oh, Shenandoah, I’ll not deceive you, Away we’re bound to go, Away we’re bound to go, ‘Cross the wide Missouri. -
To Elektra EKL-264 Mono / EKS-7264 Stereo "The BLUES Project"
DAVE RAY: Dave "Snaker" Ray, whose ambition is to be a doctor, started playing guitar while a sophomore in high school. He origin ally began with blues (Leadbelly) to keep his fingers nimble fo r what he thought would be a classical-flamenco guitarist career. "After an adagio by Sor and a hacked-up Farruca, I began playing Led better's stuff exclusively, " Dave reports. He began playing the 12-string guitar when a senior in high school, and lists as early influences, Elvis' Sun label recordings, Bo Diddley, Muddy Waters, early Chicago, and, of course, Leadbelly. " I sing the blues because it's a medium not as demanding as literatu re or serious music, and free enough to permit a total statement of personality and. self, " Dave states. "I play blues because 1 feel it's important to me to express myself and because I feel it's a significant form of music which hasn't had enough dispersement. As far as white men playing blues, that's all who do play blues. the new Negroes are too busy (doing other things). " Discography: Blues, Rags and Hollers (Elektra EKL 240). Dave Ray may soon be heard, with John Koerner and Tony Glover, on Elektra EKL 267. ERIC VON SCHMIDT: E ric w rites: "B orn 1931; began singing in 1948; first influences were Leadbelly, Josh White and Jelly Roll Morton — then Library of Congress material and field recordings. Worked as magazine illustrator, then painter until 1952... two years in the army, and then to Florida, where I worked as a frame-maker and built a 27-foot ketch which was almost called the 'John Hurt'. -
Wednesday, November 4 the Englert Theatre Hancher University of Iowa 2 CHRIS THILE
“…the most remarkable mandolinist in the world.” —Independent (London) Chris Thile Wednesday, November 4 The Englert Theatre Hancher University of Iowa 2 CHRIS THILE Multiple Grammy Award-winner and MacArthur Fellow Chris Thile, a member of Punch Brothers and Nickel Creek, is a mandolin virtuoso, composer, and vocalist. With his broad outlook that encompasses classical, rock, jazz, and bluegrass, Thile transcends the borders of conventionally circumscribed genres, creating a distinctly American canon and a new musical aesthetic for performers and audiences alike. As a soloist, Thile has released five albums including his most recent released in 2013, Bach: Partitas and Sonatas, Vol.1, which was produced by renowned bassist Edgar Meyer. In February 2013, Thile won a Grammy for his work on The Goat Rodeo Sessions, collaborating with Yo-Yo Ma, Edgar Meyer, and Stuart Duncan. Then, in September 2014, Thile and Meyer released their latest album collaboration, Bass + Mandolin, which won the Grammy for Best Contemporary Instrumental Album. Punch Brothers released their latest album, The Phosphorescent Blues, in January 2015. On this new program, Thile performs solo violin works by J.S. Bach on the mandolin, as well as his own compositions and contemporary music. Selections will be announced from the stage. 3 Las Cafeteras Meets Iowa at the Corner of Art and Activism Las Cafeteras participated in a range of activities during their weeklong residency with Hancher, which focused on celebrating diversity, building and strengthening communities, and sharing the Latino cultural traditions of Son Jarocho. In advance of their September 25th Club Hancher performance, the group visited with third and fourth graders at Lucas Elementary, English Language Learners at City High School, and theatre, arts management, history, and rhetoric students at the University of Iowa. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Exploring the Bluegrass Nation As an Imagined Community
NOTIONS OF NATION: EXPLORING THE BLUEGRASS NATION AS AN IMAGINED COMMUNITY A Thesis by JORDAN L. LANEY Submitted to the Graduate School at Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2013 Department of Appalachian Studies NOTIONS OF NATIONS: EXPLORING THE BLUEGRASS NATION AS AN IMAGINED COMMUNITY A Thesis by JORDAN LANEY May 2013 APPROVED BY: Nancy S. Love Chairperson, Thesis Committee David Haney Member, Thesis Committee Fred Hay Member, Thesis Committee Patricia D. Beaver Director, Center for Appalachian Studies Edelma D. Huntley Dean, Cratis Williams Graduate School Copyright by Jordan L. Laney 2013 All Rights Reserved Abstract NOTIONS OF NATIONS: EXPLORING THE BLUEGRASS NATION AS AN IMAGINED COMMUNITY Jordan L. Laney B.F.A., Goddard College M.A., Appalachian State University Chairperson: Nancy S. Love While bluegrass music has been a topic of conversation within the discipline of Appalachian Studies, research concerning the emergence of the community in cyberspace is relatively rare. Appalachian music’s role as a transnational facilitator is groundbreaking in areas of social networking, and as a member of the bluegrass community, I am fascinated by the communication that results now that members of that community can connect to friends in Europe, Japan, and France as easily as to next door neighbors. Noting that music is what brings these individuals together, this study addresses ways in which the bluegrass community embodies an imagined community and uses political language to gather in cyberspace. The study is not meant to discredit the direct ties the music has to Appalachia, but rather to applaud and understand the work of enthusiasts in the field who have found ways to mobilize the music through the Internet. -
Ringing Bell Or Smoke Machine: Technology and Authenticity in the Punch Brothers’ “Familiarity”
Ringing Bell or Smoke Machine: Technology and Authenticity in the Punch Brothers’ “Familiarity” Kevin Laskey MUS 568 Professor Matthew Barnson th May 18 , 2015 In June 1933, John Lomax and his son Alan departed Washington, D.C. in an old Ford automobile, embarking on a cross-country trip. In the trunk was a 350-pound Dictaphone recorder, provided by the American Council of Learned Societies and the Library of Congress’s Archive of American Folk Song. Under the auspices of these groups, the Lomaxes were to travel across the United States and document the nation’s musical culture.1 Unlike academically-trained anthropologists, the Lomaxes did not exactly document this musical culture as they found it. John and Alan were looking for what they considered authentic American folk music, uncorrupted by the commerce and technology of modern society. According to music historian Karl Hagstrom Miller, when the Lomaxes met a local musician on their trip, they “…didn’t ask, 'Share the songs that you enjoy singing.' [They] asked for them to find songs that fit into [their] idea of old time folk songs.”2 In particular, they looked to record “the Negro who had the least contact with jazz, the radio, and with the white man… [who] heard only the idiom of their own race.”3 For that reason, the Lomaxes looked for folk materials on the outskirts of American musical culture—jails in particular. The “discovery” that the Lomaxes were most excited about on their 1933 trip was a singer and guitarist named Huddie Ledbetter—better known as “Lead Belly”—an inmate at Louisiana’s Angola Prison. -
The Doobie Brothers Best of the Doobies - Volume II Mp3, Flac, Wma
The Doobie Brothers Best Of The Doobies - Volume II mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Best Of The Doobies - Volume II Country: US Released: 1981 Style: Pop Rock, Classic Rock MP3 version RAR size: 1693 mb FLAC version RAR size: 1630 mb WMA version RAR size: 1529 mb Rating: 4.4 Votes: 953 Other Formats: AHX MP1 AAC MIDI VOX MP2 MP3 Tracklist Hide Credits Little Darling (I Need You) A1 Written-By – Brian Holland, Lamont Dozier, Edward Holland, Jr.* Echoes Of Love A2 Written-By – Earl Randle, Patrick Simmons, Willie Mitchell You Belong To Me A3 Written-By – Carly Simon, Michael McDonald One Step Closer A4 Written-By – Carlene Carter, John McFee, Keith Knudsen What A Fool Believes A5 Written-By – Kenny Loggins, Michael McDonald Dependin' On You B1 Written-By – Michael McDonald, Patrick Simmons Here To Love You B2 Written-By – Michael McDonald One By One B3 Written-By – Bobby Lakind, Michael McDonald Real Love B4 Written-By – Michael McDonald, Patrick Henderson Minute By Minute B5 Written-By – Lester Abrams, Michael McDonald Companies, etc. Copyright (c) – Warner Bros. Records Phonographic Copyright (p) – Warner Bros. Records Licensed To – Columbia House Manufactured By – Columbia House Credits Bass, Vocals – Willie Weeks Congas, Vocals – Bobby Lakind Drums, Vibraphone, Marimba – Chet McCracken Drums, Vocals – Keith Knudsen Engineer – Donn Landee (tracks: A1 to A3, A5 to B2, B5), Jim Isaacson (tracks: A4, B3, B4) Guitar, Vocals – John McFee, Patrick Simmons Keyboards, Synthesizer, Vocals – Michael McDonald Mastered By – Bobby Hata Producer – Ted Templeman Saxophone, Organ, Vocals – Cornelius Bumpus Notes Timings: Program 1: 17:30 Program 2: 19:17 Other versions Category Artist Title (Format) Label Category Country Year The Doobie Best Of The Doobies Warner Bros. -
Punch Brothers
WELLS FARGO JAZZ PUNCH BROTHERS PUNCH BROTHERS TD Arena at College of Charleston May 27 at 7:00pm SPONSORED BY WELLS FARGO Chris Thile, mandolin Chris Eldridge, guitar Paul Kowert, double bass Noam Pikelny, banjo Gabe Witcher, violin PUNCH BROTHERS: The title of ideas of one guy into a band presenting the unified idea of five the newest Punch Brothers recording, guys. I had a very clear vision for The Blind Leaving the Blind borrowed from one of their new songs, is and I’m very proud how that turned out, but the reason to put more an exhortation than a taunt. Who’s yourself in this kind of situation is to have the opportunity to Feeling Young Now? contains some of the present a real sense of community to other people. When there most exhilaratingly direct, sonically daring are five dudes up there doing something as a unit that encourages performances the group has ever recorded. people to participate, that’s where Punch Brothers is exhibiting As the five members, ranging in age from a lot of growth. We can actually bring a sense of real musical their mid-20s to early 30s, have matured camaraderie, creative camaraderie, to people who come to our together on the road and in the studio, their approach to writing shows and those who listen to the records.” and performing has, conversely, become looser, simpler, and, Each of the individual musicians has crammed plenty of solo in a sense, more unaffectedly youthful. In fact, the title song work and/or other collaborations in between Punch Brothers —featuring rumbling bass, skittering violin, and wailing multi- commitments. -
Steely Dan & the Doobie Brothers Announce Co
STEELY DAN & THE DOOBIE BROTHERS ANNOUNCE CO-HEADLINE NORTH AMERICAN SUMMER TOUR Citi Presale Begins January 10; General On Sale Starts January 12 at LiveNation.com Los Angeles, CA (January 8, 2018) –Steely Dan and The Doobie Brothers announced today their co-headline North American 2018 summer tour kicking off May 10 in Charlotte, NC and wrapping July 14 in Bethel, NY. Promoted by Live Nation, the legendary bands will travel to 30+ cities across the U.S. and Canada including Los Angeles, Chicago, Houston, Nashville, and Toronto. Tickets for the tour go on sale to the general public beginning Friday, January 12 at 8am local time in most cities on Live Nation.com. Please see below for full tour itinerary and details. Citi® is the official presale credit card for the Steely Dan and The Doobie Brothers tour. As such, Citi® cardmembers will have access to purchase U.S. presale tickets beginning Wednesday, January 10 at 10am local time until Thursday, January 11 at 10pm local time through Citi’s Private Pass® program. For complete presale details visit www.citiprivatepass.com. Founded in 1972, Steely Dan has sold more than 40 million albums worldwide and helped define the soundtrack of the ‘70s with hits such as “Reelin’ in the Years,” “Rikki Don’t Lose That Number,” “F.M.,” “Peg,” “Hey Nineteen,” “Deacon Blues,” and “Babylon Sisters,” from their seven platinum albums issued between 1972 and 1980 – including 1977’s sold-out tours (that continue through today). In 2000 they released the multi-Grammy winning (including “Album of the Year”) Two Against Nature, and released the acclaimed follow- up Everything Must Go in 2003. -
Kauffman Adds Event
Kauffman adds event ACOUSTIC QUINTET PUNCH BROTHERS JOINS THE 2018-2019 KAUFFMAN CENTER PRESENTS SERIES The genre-bending group will perform September 9 in Muriel Kauffman Theatre Kansas City, MO – Today, the Kauffman Center for the Performing Arts announced Punch Brothers will perform September 9 in Muriel Kauffman Theatre, as part of the 2018-2019 Kauffman Center Presents series. Punch Brothers are the acoustic quintet of mandolinist Chris Thile, guitarist Chris Eldridge, bassist Paul Kowert, banjoist Noam Pikelny and violinist Gabe Witcher. Says the Washington Post, “With enthusiasm and experimentation, Punch Brothers take bluegrass to its next evolutionary stage, drawing equal inspiration from the brain and the heart.” The band combines instrumental wizardry with playful storytelling, pushing genre boundaries to make music like no one else. Tickets for the event range from $29 to $59 plus applicable fees and go on sale to the public at 10 a.m. Friday, March 2. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222, via the Kauffman Center mobile app, or online at www.kauffmancenter.org. ABOUT PUNCH BROTHERS Punch Brothers formed in 2006. The band’s first Nonesuch record, Punch, was released in 2008 and combined elements of their many musical interests. In 2009, they began a residency at NYC’s intimate club, Living Room, trying out new songs and ultimately spawning the GRAMMY-nominated Antifogmatic (2010). In 2012, the band releasedWho’s Feeling Young Now?, which Q praised for its “astonishing, envelope-pushing vision,” while Rolling Stone said, “The acoustic framework dazzles – wild virtuosity used for more than just virtuosity.” The band’s most recent album, the T Bone Burnett-produced, The Phosphorescent Blues (released in 2015 on Nonesuch Records), addresses with straight-up poignancy and subversive humor the power and the pitfalls of our super-connected world.