DOCSLIB.ORG

Themed Spaces, Immersive Popular Culture Exhibition, and Museum Pedagogy

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication 8-11-2015 "Hello Shoppers?" - Themed Spaces, Immersive Popular Culture Exhibition, and Museum Pedagogy Ian Peters Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Recommended Citation Peters, Ian, ""Hello Shoppers?" - Themed Spaces, Immersive Popular Culture Exhibition, and Museum Pedagogy." Dissertation, Georgia State University, 2015. https://scholarworks.gsu.edu/communication_diss/60 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “HELLO SHOPPERS?” – THEMED SPACES, IMMERSIVE POPULAR CULTURE EXHIBITION, AND MUSEUM PEDAGOGY by IAN PETERS Under the Direction of Ted Friedman, PhD ABSTRACT This dissertation explores popular culture-related themed space exhibitions and immersive mu- seum pedagogy through the emerging post-museum, media convergence culture, and Deborah L. Per- ry’s museum-oriented “What Makes Learning Fun” framework. These exhibitions utilize popular media like Star Wars, Doctor Who, and the films of Hayao Miyazaki as a means of engaging audiences with brand and subject-specific pedagogy. By bringing fictional worlds to life through environmental stimuli (sets, sounds, objects, media segments), these exhibitions use popular texts as a means of facilitating the educational goals of the institution by having visitors engage in “work as play.” Learning becomes encompassed in the “fun” and “play” that is experienced with theme parks and games. Oftentimes edu- cational programs are developed for these exhibitions that are frequently tied to specific national and regional educational requirements. In the post-museum, visitors are assigned interpretive powers where meaning is produced through their own personal experience. As Eilean Hooper-Greenhill argues, the use of visual media helps transcend usual classifications of high and low culture. This study argues that fan- dom within a themed space exhibition enhances this aspect, and the act of play enhances visitor inter- pretation. These key issues are examined through three main examples: The Doctor Who Experience (addressing public service vs. corporate profits), Star Wars Identities: The Exhibition (roleplaying as ped- agogy and Alberta, Canada’s CALM program), and the Ghibli Museum (Japanese history, national identi- ty, and self-discovery). These exhibits act as sites where the tension between branding and pedagogy operate, and illustrate how popular texts and education are localized for different audiences. The close examination of these themed spaces leads to a better understanding of contemporary media culture and its social/cultural applications on an international scale. INDEX WORDS: Post-Museum, Themed Space, Fandom, Museum, Exhibit, Exhibition, New Media, Brand- ing, Japan, Britain, Alberta, Canada, Ghibli, Miyazaki, Doctor Who, Star Wars, BBC, BBC World- wide, Theme Park, Theming, Play, National Identity, Pedagogy, Education, What Makes Learning Fun “HELLO SHOPPERS?” – THEMED SPACES, IMMERSIVE POPULAR CULTURE EXHIBITION, AND MUSEUM PEDAGOGY by IAN PETERS A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the College of Arts and Sciences Georgia State University 2015 Copyright by Ian Michael Peters 2015 “HELLO SHOPPERS?” – THEMED SPACES, IMMERSIVE POPULAR CULTURE EXHIBITION, AND MUSEUM PEDAGOGY by IAN PETERS Committee Chair: Ted Friedman Committee: Alison Trope Sharon Shahaf Ethan Tussey Electronic Version Approved: Office of Graduate Studies College of Arts and Sciences Georgia State University August 2015 iv DEDICATION This dissertation is dedicated to my beautiful wife Kelly and our amazing and brilliant daughter Sarah. Her timely arrival in the final year of this project helped me to once again look at the world through the eyes of a child. v ACKNOWLEDGEMENTS This project would not have been possible without the continual guidance of my advisor and Dissertation Chair, Dr. Ted Friedman. His unending enthusiasm and passion for all things academic were constant inspirations for me during my time at Georgia State University, and his advice was invaluable in every stage of this dissertation’s creation. I also would like to thank Dr. Alison Trope, Clinical Professor of Communication and Director of Undergraduate Studies at USC Annenberg School for Communication and Journalism. Her work on theming in museums served as an inspiration for this project, and her guid- ance and feedback during the completion of this manuscript was invaluable. Dr. Sharon Shahaf, who also served on my Dissertation Committee, is the person responsible for introducing me to global media studies. Her class inspired me to begin researching Japanese culture, which not only had a major influ- ence on this project but also led to my designing two classes on anime at Georgia State University. This project, and my graduate career, would be vastly different had it not been for her guidance during my course work. I also want to thank Dr. Ethan Tussey, whose expertise in new media studies, industry stud- ies, and game studies was invaluable in the shaping of this project. Thanks also go to Dr. Paul Booth for giving me the opportunity to present a (reasonably) finished version of Chapter 3 on a panel with Drs. Lincoln Geraghty and Kyle Moody at the 2015 SCMS Conference. I met Paul when we were co-panelists at the Walking in Eternity conference at the University of Hertfordshire in 2013, which celebrated Doctor Who’s 50th anniversary. This was the first time I presented any of my dissertation research in public, and Paul has been a continual source of support and inspiration since. A number of individuals, museums, and corporations were kind enough to share materials with me when I contacted them, and provide a nice boost in my morale by expressing their fascination with my topic. Special thanks to Mike Steger, the Director of Marketing & Communications at Telus World of Science in Edmonton, Alberta, for personally walking me through Star Wars Identities and for sharing the exhibition’s supplementary educational materials. I also owe thanks to X3 Productions, the Montréal vi Science Centre, BBC Worldwide and the Doctor Who Experience (with my daughter’s godfather Mark Gladwell serving as my UK shipping contact), the Boston Museum of Science, and the Discovery Center in Santa Ana for giving me access to educational materials pertaining to a variety of themed space exhi- bitions. It goes without saying that I need to thank my friends and family. I would like to thank my par- ents, Ed and Sheryl, for their continued love and support throughout my studies. They are also the pri- marily influence behind this project since they ensured that museums were an important part of my life from an early age. In 1992 they took me to see the Star Trek: Federation Science exhibit at the Boston Museum of Science, and that fun family outing turned out to have an unforeseen and lasting impact on my personal and professional development. I also need to thank my mom for forcing me to lug firewood for her before school every day during the 5th grade. While that manual labor was unappreciated at the time, it was my first real introduction to “working behind the scenes” in museum education as I was helping her prepare materials for the day’s lessons on colonial life at the Concord Museum. Additional thanks go to my sister Lucia for her frequent cat pictures, which were needed during the long hours of isolation that all dissertation writers endure. Similarly, I have to thank Dr. Jeremy Groskopf for his fre- quent advice and Dr. Katharine Zakos for commiserating with me as we both struggled to finish our re- spective projects on time. Special thanks go to my wife, Kelly. I would not have had the strength to com- plete this monumental task without her never-ending love, support, and patience. Lastly, I want to thank Hasbro for producing such a diverse line of Star Wars rebel pilot action figures. These figures served as a continual source of inspiration throughout the writing process, and the veritable fleet that covered my desk at the end of this project indicates just how valuable they were in helping me get through the final push. vii TABLE OF CONTENTS ACKNOWLEDGEMENTS .......................................................................................................... v 1 INTRODUCTION ...............................................................................................................1 1.1 Immersion, Spectatorship, Interactivity, and Theming – How Museums and Theme Parks Transcend the Everyday ...................................................................................................... 22 1.2 “Hello Shoppers!” – Education, Branding, and Popular Media “Tut” Shows .............. 28 1.3 Methodology ......................................................................................................... 35 1.4 Chapter Breakdown and Science Fiction World Building .......................................... 37 2 PUBLIC SERVICE VS. PROFIT: FANDOM MEETS PEDAGOGY, DOCTOR WHO EXHIBITIONS AS EVOLVING POST-MUSEUMS, AND IMMERSIVE NOSTALGIA ............................................................... 45
Recommended publications
  • Smithsonian Institution Archives (SIA)

    Smithsonian Institution Archives (SIA)

    SMITHSONIAN OPPORTUNITIES FOR RESEARCH AND STUDY 2020 Office of Fellowships and Internships Smithsonian Institution Washington, DC The Smithsonian Opportunities for Research and Study Guide Can be Found Online at http://www.smithsonianofi.com/sors-introduction/ Version 2.0 (Updated January 2020) Copyright © 2020 by Smithsonian Institution Table of Contents Table of Contents .................................................................................................................................................................................................. 1 How to Use This Book .......................................................................................................................................................................................... 1 Anacostia Community Museum (ACM) ........................................................................................................................................................ 2 Archives of American Art (AAA) ....................................................................................................................................................................... 4 Asian Pacific American Center (APAC) .......................................................................................................................................................... 6 Center for Folklife and Cultural Heritage (CFCH) ...................................................................................................................................... 7 Cooper-Hewitt,
  • Quest: the History of Spaceflight Quarterly

    Quest: the History of Spaceflight Quarterly

    Celebrating the Silver Anniversary of Quest: The History of Spaceflight Quarterly 1992 - 2017 www.spacehistory101.com Celebrating the Silver Anniversary of Quest: The History of Spaceflight Quarterly Since 1992, 4XHVW7KH+LVWRU\RI6SDFHIOLJKW has collected, documented, and captured the history of the space. An award-winning publication that is the oldest peer reviewed journal dedicated exclusively to this topic, 4XHVW fills a vital need²ZKLFKLVZK\VRPDQ\ SHRSOHKDYHYROXQWHHUHGRYHUWKH\HDUV Astronaut Michael Collins once described Quest, its amazing how you are able to provide such detailed content while making it very readable. Written by professional historians, enthusiasts, stu- dents, and people who’ve worked in the field 4XHVW features the people, programs, politics that made the journey into space possible²human spaceflight, robotic exploration, military programs, international activities, and commercial ventures. What follows is a history of 4XHVW, written by the editors and publishers who over the past 25 years have worked with professional historians, enthusiasts, students, and people who worked in the field to capture a wealth of stories and information related to human spaceflight, robotic exploration, military programs, international activities, and commercial ventures. Glen Swanson Founder, Editor, Volume 1-6 Stephen Johnson Editor, Volume 7-12 David Arnold Editor, Volume 13-22 Christopher Gainor Editor, Volume 23-25+ Scott Sacknoff Publisher, Volume 7-25 (c) 2019 The Space 3.0 Foundation The Silver Anniversary of Quest 1 www.spacehistory101.com F EATURE: THE S ILVER A NNIVERSARY OF Q UEST From Countdown to Liftoff —The History of Quest Part I—Beginnings through the University of North Dakota Acquisition 1988-1998 By Glen E.
  • Alter Ego #78 Trial Cover

    Alter Ego #78 Trial Cover

    TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc.
  • Dr Who Pdf.Pdf

    Dr Who Pdf.Pdf

    DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e.
  • Space and Defense Issue

    Space and Defense Issue

    SPACE and DEFENSE Volume Nine Number One Spring 2016 Attack on the Brain: Neurowars and Neurowarfare Armin Krishnan Volume Five Number One Brazil Space: SGDC Satellite Sum Gills Vilar Lopes mer 2011 Mexico Aerospace: The Querétaro Cluster Mónica Casalet REVIEW: Crowded Orbits Coalitions in Space:Deron Jackson Where Networks are PowerPublisher’s Corner: Space Policy’s SALT Moment Ambassadorby James Roger G. ClayHarrison Moltz The 2010 National Space Policy: Down to Earth? by Joan Johnson-Freese Space & Defense Journal of the United States Air Force Academy Eisenhower Center for Space and Defense Studies Publisher Ambassador Roger Harrison, [email protected] Inaugural Director and Co-founder, Eisenhower Center for Space and Defense Studies Editor Dr. Damon Coletta U.S. Air Force Academy, USA Associate Editors Mr. Deron Jackson Dr. Peter Hays Director, Eisenhower Center George Washington University, USA U.S. Air Force Academy, USA Ms. Jonty Kasku-Jackson National Security Space Institute, USA Dr. Schuyler Foerster U.S. Air Force Academy, USA Thank You to Our Reviewers Andrew Aldrin Joanne Gabrynowicz United Launch Alliance, USA University of Mississippi, USA James Armor Jason Healey ATK, USA Atlantic Council, USA William Barry Theresa Hitchens NASA Headquarters, USA United Nations, Switzerland Daniel Blinder Wade Huntley UNSAM-CONICET, Argentina Independent Researcher, USA Dean Cheng Ram Jakhu Heritage Foundation, USA McGill University, Canada, USA Robert Callahan Dana Johnson NORAD-NORTHCOM, USA Department of State, USA Robert Carriedo Roger Launius U.S. Air Force Academy, USA National Air and Space Museum Frans von der Dunk John Logsdon University of Nebraska, USA George Washington University, USA Paul Eckart Agnieszka Lukaszczyk Boeing, USA Secure World Foundation, Belgium Andrew Erickson Molly Macauley Naval War College, USA Resources for the Future, USA Laura Delgado Lopez Dimitrios Stroikos Secure World Foundation, USA London School of Economics, United Kingdom Adam Lowther Brent Talbot SANDS, Kirtland AFB, USA U.S.
  • Tenth Planet of How 1986 Would Ben Leaves a Uranium Fuel Rod Recovered

    Tenth Planet of How 1986 Would Ben Leaves a Uranium Fuel Rod Recovered

    THE TENTH PIANET Seven Who fans out of ten positions of power in this brave would probably suggest The Tenth new world - perhaps the most Some of the technological Planet 4 to be the missing episode accurate prediction made in The elements seem ridiculous today. they would most like to see Tenth Planet of how 1986 would Ben leaves a uranium fuel rod recovered. This is somewhat actually turn out to be. lying around in a corridor, and at surprising given that most fans no time does anyone caution him have probably not seen The Tenth against radioactivity. It seems Planet 1-3, unavailable on BBC somewhat over-literal of the Video or (to our knowledge) UK production team to resolve that the Gold, and as such have little idea twinned nature of the planets of the quality of the production. should be shown by giving We recently viewed a fan Mondas land-masses equivalent to produced copy, cornpnsmg our own but...upside down. episodes one to three, plus the Unfortunately, in order for the soundtrack to episode four married characters to realise this within 24 with loosely appropriate images hours, when Mondas appears on The near-realism of the script is from the first three episodes, the screen, it is seen turning at about carried into the set design, which John Cura telesnaps and such film one revolution every two seconds, is, for the most part, convincing footage as survives. 43 200 times faster than its "twin" rather than spectacular. The main Earth! Nevertheless, the space set, the tracking room, follows the The tenor of the piece is very tracking aspect of the story is familiar pattern of rows of desks similar to The War Machines, the convincingly done, and as such it lined up behind one another.
  • Ruffins-Book.Pdf

    Ruffins-Book.Pdf

    Mythos. Memory. and History 507 CHAPTER 17 tory within the United States. There were both Native American and occasional European slaves at some points in American history, but slavery was an overwhelmingly African American experience. 2 That enslavement has fueled a powerful debate over the fundamental civil rights and appropriate governmental relationships laid out in docu­ Mythos, Memory, and ments such as the Declaration of Independence, the United States Constitution, and the Constitution's Bill of Rights, to name only the History: African American most important. While conflict among ethnic groups and classes may characterize many aspects of American history, the Civil War had to be Preservation Efforts. , fought to resolve the issues relevant to Afro-Americans. Moreover, no 1820-1990 other ethnic group has been victimized by state constitutional amend­ ments denying them the right to vote and to share public facilities, as were African American people in the late-nineteenth-century South. FATH DAVIS RUFFINS While discrimination existed within many areas of American life against certain religious groups and people of foreign origins, at the same time segregation laws were formally enacted in many states for the specific purpose of controlling the social and political access and economic opportunities of one ethnic group: African Americans. Fur­ n 1968 a major television network aired thermore, the modern civil rights movement, which changed Ameri­ an extraordinarily popular documentary can life and has proven inspirational to activists around the world, entitled Black History: Lost, Stolen, or was initiated and led by African Americans. In these ways (and in IStrayed? Narrated by Bill Cosby, this others too detailed to mention) the history of Black people is deeply program sought to show the public the state of historical research and intertwined with the more general history of this country.
  • Summer 2013 the Arizona Aerospace Foundation Newsletter Pima Air

    Summer 2013 the Arizona Aerospace Foundation Newsletter Pima Air

    Pima Air & Space Museum and Titan Missile Museum The Arizona Aerospace Foundation Newsletter Spring - Summer 2013 CONTENTS BOARD OF TRUSTEES 3 ......... From the Chairman’s Desk Chairman Count Ferdinand von Galen, 4 ......... From the Vice Chairman Boyd P. Drachman, Vice Chairman 5 ......... Surprise Party for Count von Galen George E. Henderson, Treasurer 6 ......... Executive Director’s Notes Sandra C. Maxfield, Secretary 8 ......... Deterrence and the Ultimate Weapon: Titan II Gary L. Abrams 50 Years Later Kim Acorn 11 ....... SLFCS! Rick Barrett 12 ....... THEN & NOW Chanda S. Budhabhatti, FAeSI 14 ....... Titan Missile Museum—Special Tours and Graham Dorland Programs William J. Fishkind, M.D. 15 ....... Titan Missile Museum Calendar of Events LtGen. Robert B. Johnston, USMC (Ret) 16 ...... Experience of a Lifetime Tom Murphy 17 ....... Arizona Aerospace Foundation—New Trustees Michael Rusing 18 ....... 2nd Annual Great Paper Airplane Fly-Off Peter H. Smith 20 ....... Avro Shackleton Michael A. Stilb 22 ....... Aircraft Recently Placed on Display John Tallichet Maj. Gen. Russell L. Violett, USAF (Ret) 24 ....... Currently in Restoration Bert Zaccaria 26 ....... Recent Acquisitions 28 ....... Exhibits—Phoenix Mars Military Advisor Col. Kevin Blanchard 29 ....... Hangar 4 Aircraft Moves 30 ....... Capital Improvements—Restoration Wash Pad AMARG Advisor Col. Robert Lepper 31 ....... 390th Memorial Museum—The Future 390th 32 ....... Recent Happenings 33 ....... Snow Day KEY STAFF 34 ....... Huey Forum Yvonne C. Morris 34 ....... Turn Your Smartphone Into A Smart Guide Executive Director 36 ....... Education Programs & Happenings Mary E. Emich Director of Marketing, Sales & Visitor Services 38 ....... Soarin’ Saturdays 39 ....... Pima Air & Space Museum Calendar of Events Wil Harri Director of Finance & Administration 40 ....... PASM Docent Receives FAA’s Wright Brothers Master Pilot Award Scott Marchand Director of Collections & Restoration 41 ......
  • Starlog Magazine Issue

    Starlog Magazine Issue

    'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws:
  • Doctor Who 1 Doctor Who

    Doctor Who 1 Doctor Who

    Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC.
  • The Proto-Filmic Monstrosity of Late Victorian Literary Figures

    The Proto-Filmic Monstrosity of Late Victorian Literary Figures

    Bamberger Studien zu Literatur, 14 Kultur und Medien “Like some damned Juggernaut” The proto-filmic monstrosity of late Victorian literary figures Johannes Weber 14 Bamberger Studien zu Literatur, Kultur und Medien Bamberger Studien zu Literatur, Kultur und Medien hg. von Andrea Bartl, Hans-Peter Ecker, Jörn Glasenapp, Iris Hermann, Christoph Houswitschka, Friedhelm Marx Band 14 2015 “Like some damned Juggernaut” The proto-filmic monstrosity of late Victorian literary figures Johannes Weber 2015 Bibliographische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliographie; detaillierte bibliographische Informationen sind im Internet über http://dnb.d-nb.de/ abrufbar. Diese Arbeit hat der Fakultät Geistes- und Kulturwissenschaften der Otto-Friedrich- Universität Bamberg als Dissertation vorgelegen. 1. Gutachter: Prof. Dr. Christoph Houswitschka 2. Gutachter: Prof. Dr. Jörn Glasenapp Tag der mündlichen Prüfung: 28. Januar 2015 Dieses Werk ist als freie Onlineversion über den Hochschulschriften-Server (OPUS; http://www.opus-bayern.de/uni-bamberg/) der Universitätsbibliothek Bamberg erreichbar. Kopien und Ausdrucke dürfen nur zum privaten und sons- tigen eigenen Gebrauch angefertigt werden. Herstellung und Druck: Docupoint, Magdeburg Umschlaggestaltung: University of Bamberg Press, Anna Hitthaler Umschlagbild: Screenshot aus Vampyr (1932) © University of Bamberg Press Bamberg 2015 http://www.uni-bamberg.de/ubp/ ISSN: 2192-7901 ISBN: 978-3-86309-348-8 (Druckausgabe) eISBN: 978-3-86309-349-5 (Online-Ausgabe) URN: urn:nbn:de:bvb:473-opus4-267683 Danksagung Mein besonderer Dank gilt meinem Bruder Christian für seinen fachkundigen Rat und die tatkräftige Unterstützung in allen Phasen dieser Arbeit. Ich danke meinem Doktorvater Prof. Dr. Christoph Houswitschka für viele wichtige Denkanstöße und Freiräume.
  • Diary of the Doctor Who Role-Playing Games, Issue

    Diary of the Doctor Who Role-Playing Games, Issue

    VILLAINS ISSUE The fanzine devoted to Doctor Who Gaming ISSUE # 14 CONTINUITY„THIS IN GAMINGMACHINE - KILLSCH FASCISTS‰ ADVENTURE MODULE NEW FASA„MORE VILLAIN THAN STATS MONEY‰ - CREATING ADVENTURE GOOD VILLAINS MODULE and MORE...ICAGO TARDIS 2011 CON REPORT 1 EDITOR’S NOTES CONTENTS Hi there, Some of our issues feature a special theme, so we EDITOR’S NOTES 2 welcome you to our “Villains Issue”. This is a fanzine that REVIEW: The Brilliant Book 2012 3 concentrates on helping GMs create memorable and ef‐ Angus Abranson Leaving Cubicle 7 4 fective villains in their game. Villain motivations, villain Face to Face With Evil 5 tools and more can be found in these pages. Neil Riebe Not One, But Two, Episodes Recovered 11 even gives us retro FASA stats for Androgums, who can Why Are Your Doing This?! 12 be used as villains or standard characters. Hopefully Gamer Etiquette 105 14 there will be something fun for you to use in your next The Villain’s Toolkit 15 adventure. Continuity in Gaming 16 A review of the Chicago TARDIS 2012 convention New FASA Villain Stats: Androgums 18 is included in this issue, where our staff did a session on REVIEW: Everything I Need to Know I Learned From Doctor Who RPGs and also ran an adventure using the Dungeons & Dragons 23 Cubicle 7 DWAiTS rules as well. Staff member Eric Fettig MODULE: “This Machine Kills Fascists” 24 made it his first official Doctor Who convention (having EVENT REPORT: Chicago TARDIS 2011 Con 28 attended many gaming conventions before that) and Viewpoint of a First Time Who Con Attendee 43 gives us a look from his first timer’s perspective.