09/30/21 ELCS6005: Raging Broom of Madness: Futurism and Modernity | University College London

ELCS6005: Raging Broom of Madness: View Online Futurism and Modernity

Not all books listed are in the UCL Library. You may need to use the library at the Estorick Gallery or the Art History Library at the Victoria and Albert Museum. I can issue students letters for these institutions on request.

Altshuler B, ‘Chapter 2 Cubism Meets the Public’, The avant-garde in exhibition: new art in the 20th century (Harry N Abrams 1994)

——, ‘Chapter 5 The Last Futurist Exhibition, Petrograd, December 1915-January 1916’, The avant-garde in exhibition: new art in the 20th century (Harry N Abrams 1994)

——, ‘Les Peintres Futuristes Italiens, Paris, 1912’, Salon to biennial: exhibitions that made art history : 1863-1959 (Phaidon 2008)

Antliff M and Leighten PD, Cubism and Culture, vol World of art (Thames & Hudson 2001) Antonello PP, ‘Beyond Futurism: Bruno Munari’s “Useless Machines”’, Futurism and the technological imagination, vol Avant garde critical studies (Rodopi 2009)

Apollinaire G, ‘L’anti-Tradition Futuriste’, Marinetti e i futuristi, vol Strumenti di studio (1 ed, Garzanti 1994)

Apollonio U, Futurist Manifestos, vol [The world of art library ; modern movements] (Thames and Hudson 1973)

Balla G and others, Balla, Depero: Ricostruzione Futurista Dell’universo (Fonte d’Abisso edizioni 1989)

Balla G and Depero F, ‘Futurist Reconstruction of the Universe’, Futurist manifestos, vol [The world of art library ; modern movements] (Thames and Hudson 1915)

Banham R, ‘Arts in Society: “Fiat: The Phantom of Order”’ (18AD) 72 New society 86

——, Theory and Design in the First Machine Age (2nd ed, MIT Press 1980)

——, ‘Sant’Elia’, Design by choice, vol Ideas in architecture (Academy 1981)

Bartram A, Futurist Typography and the Liberated Text (British Library 2005)

‘Beinecke Rare Book and Manuscript Library’

Benjamin W, ‘The Work of Art in the Age of Mechanical Reproduction’, Illuminations (Cape 1970)

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Berger J, ‘Cubism’, The moment of Cubism: and other essays (Weidenfeld and Nicolson 1969)

Berghaus G, Futurism and Politics: Between Anarchist Rebellion and Fascist Reaction, 1909-1944 (Berghahn Books 1996)

Berghaus G, ‘Futurism, Dada, and Surrealism’, International futurism in arts and literature, vol European cultures (Walter de Gruyter 2000)

Berghaus G, International Futurism in Arts and Literature, vol European cultures (Walter de Gruyter 2000)

——, International Futurism in Arts and Literature, vol European cultures (Walter de Gruyter 2000)

——, Futurism and the Technological Imagination, vol Avant garde critical studies (Rodopi 2009)

Berghaus G, ‘Futurism and the Technological Imagination: Poised between Machine Cult and Machine Angst’, Futurism and the technological imagination, vol Avant garde critical studies (Rodopi 2009)

Berghaus G and Society for Italian Studies, The Genesis of Futurism: Marinetti’s Early Career and Writings 1899-1909, vol Occasional papers (Society for Italian Studies 1995)

Berman M, All That Is Solid Melts into Air (Simon and Schuster 1982)

Bishop C, ‘Bring the Noise’ Tate Etc. 30

Blum CS, The Other Modernism: F.T. Marinetti’s Futurist Fiction of Power (University of California Press 1996)

Boccioni U and others, ‘Futurist Painting: Technical Manifesto’, Futurist manifestos, vol [The world of art library ; modern movements] (Thames and Hudson 1910)

——, ‘Manifesto of Futurist Painters’, Futurist manifestos, vol [The world of art library ; modern movements] (Thames and Hudson 1910)

Boccioni U and Fezzi E, Umberto Boccioni, vol Collana disegnatori italiani (A Martello 1973)

Bourke J, An Intimate History of Killing: Face-to-Face Killing in Twentieth-Century Warfare (Basic Books 1999)

Braun E and others, Italian Art in the 20th Century: Painting and Sculpture 1900-1988 (Royal Academy of Arts 1989)

Braun M, Picturing Time (University of Chicago Press 1992)

Carra C, ‘The Painting of Sounds, Noises and Smells (11 August 1913)’, Futurist manifestos

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, vol [The world of art library ; modern movements] (Thames and Hudson 1973)

‘Centre Pompidou’

Coen E and Metropolitan Museum of Art (New York, N.Y.), Umberto Boccioni (Metropolitan Museum of Art 1988)

Cooper H and others, Medardo Rosso: Second Impressions (Yale University Press 2003)

Danchev A, 100 Artists’ Manifestos: [from the Futurists to the Stuckists], vol Penguin modern classics (Penguin 2011)

Dondi L and De Maria L, Marinetti E I Futuristi, vol Strumenti di studio (1 ed, Garzanti 1994)

Doordan DP, Building Modern Italy: Italian Architecture, 1914-1936 (Princeton Architectural Press 1988)

Dottori G and Duranti M, Gerardo Dottori: Catalogo Generale Ragionato (Effe 2006)

Elia A D’, L’universo Futurista: Una Mappa, Dal Quadro Alla Cravatta, vol Nuova biblioteca Dedalo (Edizioni Dedalo 1988)

‘Estorick Collection’

Facos M and Hirsh SL, Art, Culture, and National Identity in Fin-de-Siècle Europe (Cambridge University Press 2003)

Foster H, Art since 1900: Modernism, Antimodernism, Postmodernism (Thames & Hudson 2004)

Fraquelli S and others, Radical Light: Italy’s Divisionist Painters, 1891-1910 (National Gallery Company 2008)

Fraser M and Kerr J, ‘Motopia: Cities, Cars and Architecture’, Autopia: cars and culture (Reaktion 2002)

‘Futurism and the Past Project’

‘Getty Museum (Los Angeles)’

Gherado D, ‘Chapter 6 Inventing the Palazzo Del Corte in Ferrara’, Donatello among the Blackshirts: history and modernity in the visual culture of Fascist Italy (Cornell University Press 2005)

Gilloch G and Benjamin W, Myth and Metropolis: Walter Benjamin and the City (Polity Press, in association with Blackwell Publishers 1996)

Golding J, Boccioni, Unique Forms of Continuity in Space, vol Tate modern masterpieces (Tate Gallery 1985)

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Gramsci A, ‘Marinetti the Revolutionary?’, Selections from cultural writings (Lawrence and Wishart)

Greene V, Deutsche Guggenheim Berlin and Solomon R. Guggenheim Museum, Divisionism, Neo-Impressionism: Arcadia & Anarchy (Guggenheim Museum 2007)

‘Guggenheim (NYC)’

Hanson AC and others, Severini Futurista, 1912-1917 (Yale University Art Gallery 1995)

Howlett J and Mengham R, The Violent Muse: Violence and the Artistic Imagination in Europe, 1910-1939 (Manchester University Press 1994)

Hulten P, Futurism and Futurisms (Thames and Hudson 1992)

Hultén P, Palazzo Grassi and Futurismo & futurismi (Exhibition) (1986 : Venice, Italy), Futurism & Futurisms (Thames and Hudson 1987)

Humphreys R and Tate Gallery, Futurism, vol Movements in modern art (Tate Gallery 1999)

Kern S, The Culture of Time and Space, 1880-1918: With a New Preface (Harvard University Press 2003)

Kolocotroni V, Goldman J and Taxidou O, Modernism (Paperback, Edinburgh University Press 2004)

Korner A, ‘Chapter 10 Conclusions and Epilogue: Modernity, the Political Power of Culture and the Collapse of Liberal Democracy’, Politics of culture in liberal Italy: from unification to fascism, vol Routledge studies in modern European history (Routledge 2009)

Le Bon G, The Crowd: A Study of the Popular Mind (Ernest Benn 1896)

Levi E, ‘Futurist Influences on Early Twentieth-Century Music’, International futurism in arts and literature, vol European cultures (Walter de Gruyter 2000)

Lista G and Estorick Collection, Futurism & Photography (Merrell 2001)

Lunn F, ‘City of Angles. Kirchner’ [2003] RA: The magazine for the friends of the Royal Academy

Lynton N, The Story of Modern Art (2nd ed, Phaidon 1989)

Lyttelton A and Parmée D, Italian Fascisms, from Pareto to Gentile, vol Roots of the Right, readings in fascist, racist and elitist ideology (Cape 1973)

Malvano L, ‘De « La Fiumana dell’Umanità Assetata Di Giustizia » à La Foule Consensuelle Du Fascisme : à Propos de La Représentation de La Foule En Peinture’ [1AD] Laboratoire italien 95

Marchio R, ‘The Vortex in the Machine: Futurism in England’, International futurism in arts

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and literature, vol European cultures (Walter de Gruyter 2000)

Marinetti FT, ‘Le Futurisme’ (20AD) 55th year, 3rd Series Le Figaro 1

——, ‘Battle Weight + Smell’, Selected poems and related prose (Yale University Press 2002)

Marinetti FT, ‘The Founding and Manifesto of Futurism 1909’, Modernism (Paperback, Edinburgh University Press 2004)

Marinetti FT, ‘Electric War’, Critical writings (Farrar, Straus, and Giroux 2006)

——, ‘War, the Sole Cleanser of the World’, Critical writings (Farrar, Straus, and Giroux 2006)

Marinetti FT and others, Selected Poems and Related Prose (Yale University Press 2002)

Marinetti FT and others, ‘Against Passeist Venice’, Futurism: an anthology (Yale University Press 2009)

Marinetti FT and Berghaus G, Critical Writings (Farrar, Straus, and Giroux 2006)

Markov V, Russian Futurism : A History (MacGibbon & Kee 1969)

Martin MW, ‘Futurism, Unanimism and Apollinaire’ 28 Art Journal 258

——, Futurist Art and Theory 1909-1915 (Clarendon P 1968)

‘MART (Rovereto)’

Mattioli G, Fergonzi F and Peggy Guggenheim Collection, The Mattioli Collection: Masterpieces of the Italian Avant-Garde : Catalogue Raisonné (Skira 2003)

McClelland JS, The Crowd and the Mob: From Plato to Canetti (Unwin Hyman 1989)

Meyer E da C, The Work of Antonio Sant’Elia: Retreat into the Future, vol Yale publications in the history of art (Yale University Press 1995)

Miall N and Supported by the RA Exhibition Patrons Group, Kirchner: Expressionaism and the City: Dresden and Berlin 1905-1918: Sackler Wing 28 June – 21 September 2003: An Introduction to the Exhibition for Teachers and Students (Royal Academy of Arts, Education Department 2003)

Michalski S, Public Monuments: Art in Political Bondage, 1870-1997, vol Essays in art and culture (Reaktion Books 1998)

Miller J and Estorick Collection, On the Move: Visualising Action (Estorick Foundation 2010)

Milner J, Estorick Collection and Hatton Gallery, A Slap in the Face!: Futurists in Russia

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(Philip Wilson 2007)

‘Modernist Journals Project’:

‘MoMA (NYC)’

‘Museo Del Novecento (Milan)’

Nead L, The Haunted Gallery: Painting, Photography, Film c.1900 (Yale University Press 2007)

Orban CE, The Culture of Fragments: Word and Images in Futurism and Surrealism, vol Text (Rodopi 1997)

Ottinger D and others, Futurism (Centre Pompidou 2009)

Pelizzari MA, ‘Chapter 5 Italian Modernities’, Photography and Italy, vol Exposures (Reaktion Books 2011)

——, Photography and Italy, vol Exposures (Reaktion Books 2011)

Perloff M, ‘Manifesto as Art’, The futurist moment: avant-garde, avant guerre, and the language of rupture (University of Chicago Press 1986)

——, The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture (University of Chicago Press 1986)

——, The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture (University of Chicago Press 1986)

Perloff N and Pultz A, Tango with Cows: Book Art of the Russian Avant-Garde, 1910-1917 (Getty Research Institute 2009)

Piantoni G and others, Italies, 1880-1910: L’art Italien à L'épreuve de La Modernité (Édition de la Réunion des musées nationaux 2001)

Poggi C, In Defiance of Painting: Cubism, Futurism, and the Invention of Collage (Yale University Press 1992)

——, ‘Metallized Flesh: Futurism and the Masculine Body’ (1997) 4 Modernism/modernity 19

——, ‘Chapter 2 La Folla/follia’, Inventing futurism: the art and politics of artificial optimism (Princeton University Press 2009)

——, ‘Chapter 3 Umberto Boccion’e The City Rises’, Inventing futurism: the art and politics of artificial optimism (Princeton University Press 2009)

——, ‘Chapter 7 Return of the Repressed: Vicissitudes of the Futurist Machine Aesthetic under Fascism’, Inventing futurism: the art and politics of artificial optimism (Princeton University Press 2009)

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——, Inventing Futurism: The Art and Politics of Artificial Optimism (Princeton University Press 2009)

——, Inventing Futurism: The Art and Politics of Artificial Optimism (Princeton University Press 2009)

——, Inventing Futurism: The Art and Politics of Artificial Optimism (Princeton University Press 2009)

Poggioli R, The Theory of the Avant-Garde (Belknap 1968)

Regnani G, ‘Futurism and Photography’, Futurism and the technological imagination, vol Avant garde critical studies (Rodopi 2009)

Rhodes C, Primitivism and Modern Art, vol World of art series (Thames & Hudson 1994)

Robinson SB and Balla G, Giacomo Balla, Divisionism and Futurism, 1871-1912, vol Studies in the fine arts. The Avant-garde (UMI Research Press 1981)

——, Giacomo Balla, Divisionism and Futurism, 1871-1912, vol Studies in the fine arts. The Avant-garde (UMI Research Press 1981)

Rosso M and others, Medardo Rosso (Richter 2004)

Ruskin J, The Stones of Venice (Smith, Elder, and Co 1873)

Russolo L, ‘The Art of Noises’, Futurist manifestos, vol [The world of art library ; modern movements] (Thames and Hudson 1973)

Ryynanen M, ‘Aesthetcs and Mobility: Learning from Venice’ (2005) 3 Contemporary Aesthetics

Sant’Elia A, ‘Manifesto of Futurist Architecture (11 July 1914)’, Futurist manifestos, vol [The world of art library ; modern movements] (Thames and Hudson 1973)

Scharf A, Art and Photography. [With Illustrations.] (Allen Lane, The Penguin Press 1968)

——, Art and Photography (Penguin 1974)

Schnapp J and Harrison R, ‘A Conversation with Professor Jeffrey Schnapp about the Phenomenon of Crowds, November 29, 2005 5:00 - 6:00pm’

Schnapp JT, ‘The Fabric of Modern Times’ (1997) 24 Critical Inquiry 191

——, ‘The Romance of Caffeine and Aluminum’ (2001) 28 Critical Inquiry 244

Schnapp JT, Iris & B. Gerald Cantor Center for Visual Arts at Stanford University and

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Wolfsonian-Florida International University, Revolutionary Tides: The Art of the Political Poster 1914-1989 (Skira in association with the Iris & B Gerald Cantor Center for Visual Arts at Stanford University 2005)

Schnapp JT and Tiews M, Crowds (Stanford University Press 2006)

Schnapp JT (Jeffrey T, ‘Propeller Talk’ (1994) 1 Modernism/modernity 153

Scott BK and Broe ML, The Gender of Modernism: A Critical Anthology (Indiana University Press 1990)

Severini G, The Life of a Painter: The Autobiography of Gino Severini (Princeton University Press 1995)

——, Gino Severini: From Futurism to Classicism (Hayward Gallery 1999)

Severini G, Fonti D and Auditorium Parco della Musica (Rome, Italy), Luce + Velocità + Rumore: La Città Futurista Di Gino Severini (Skira 2005)

Severini G, Fonti D and Peggy Guggenheim Collection, Gino Severini: La Danza, 1909-1916 (Skira 2001)

Spackman B, ‘Chapter 1 Rhetorics of Virility: D’Annunzio, Marinetti, Mussolini, Benjamin’, Fascist virilities: rhetoric, ideology, and social fantasy in Italy (University of Minnesota Press 1996)

‘Tate Modern’

Thompson M, The White War: Life and Death on the Italian Front, 1915-1919 (Faber 2008)

Timms E and Kelley D, Unreal City: Urban Experience in Modern European Literature and Art (Manchester University Press 1985)

Tisdall C and Bozzolla A, Futurism, vol [The world of art library] (Thames and Hudson 1977)

Tobia B, Una Patria per Gli Italiani: Spazi, Itinerari, Monumenti nell’Italia Unita (1870-1900), vol Quadrante (1a ed, Laterza 1991)

Turner C, ‘Imagination Takes Flight’ Tate Arts and Culture

Venturi L, Gino Severini (De Luca 1961)

Veroli P, ‘Loie Fuller’s Serpentine Dance and Futurism’, Futurism and the technological imagination, vol Avant garde critical studies (Rodopi 2009)

Virilio P, War and Cinema: The Logistics of Perception (Verso 1989)

Webber A, The European Avant-Garde 1900-1940, vol Cultural history of literature series (Polity Press 2004)

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White, 1940- JJ, Literary Futurism : Aspects of the First Avantgarde (Clarendon 1990)

White JJ, ‘Futurism and German Expressionism’, International futurism in arts and literature , vol European cultures (Walter de Gruyter 2000)

Whyte IB, ‘Futurist Architecture’, International futurism in arts and literature, vol European cultures (Walter de Gruyter 2000)

Wilson S and others, Paris: Capital of the Arts, 1900-1968 (Royal Academy of Arts 2002)

Woollen P, ‘Automobiles and Art’, Autopia: cars and culture (Reaktion 2002)

‘Yale University, Modernism Lab’

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