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Avid Congratulates Its Many Customers Nominated for the 57Th Annual GRAMMY(R) Awards
December 10, 2014 Avid Congratulates Its Many Customers Nominated for the 57th Annual GRAMMY(R) Awards Award Nominees Created With the Company's Industry-Leading Music Solutions Include Beyonce's Beyonce, Ed Sheeran's X, and Pharrell Williams' Girl BURLINGTON, Mass., Dec. 10, 2014 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID) today congratulated its many customers recognized as award nominees for the 57th Annual GRAMMY® Awards for their outstanding achievements in the recording arts. The world's most prestigious ceremony for music excellence will honor numerous artists, producers and engineers who have embraced Avid EverywhereTM, using the Avid MediaCentral Platform and Avid Artist Suite creative tools for music production. The ceremony will take place on February 8, 2015 at the Staples Center in Los Angeles, California. Avid audio professionals created Record of the Year and Song of the Year nominees Stay With Me (Darkchild Version) by Sam Smith, Shake It Off by Taylor Swift, and All About That Bass by Meghan Trainor; and Album of the Year nominees Morning Phase by Beck, Beyoncé by Beyoncé, X by Ed Sheeran, In The Lonely Hour by Sam Smith, and Girl by Pharrell Williams. Producer Noah "40" Shebib scored three nominations: Album of the Year and Best Urban Contemporary Album for Beyoncé by Beyoncé, and Best Rap Song for 0 To 100 / The Catch Up by Drake. "This is my first nod for Album Of The Year, and I'm really proud to be among such elite company," he said. "I collaborated with Beyoncé at Jungle City Studios where we created her track Mine using their S5 Fusion. -
Sports Eye Protection for Men, Women & Youth
2017 ® Our vision is protecting yours. Sports Eye Protection for Men, Women & Youth ® BANGERZ® SPORTZ, A DIVISION OF HALO Sports®, IS A RECOGNIZED LEADER IN THE natIONAL MOVEMENT to EDUCate AND PROMOTE THE AWARENESS OF EYE SAFETY FOR SCHOLASTIC, RECreatIONAL, AND EXTREME sports. BANGERZ® SPORTZ ENGINEERS PRODUCTS to HELP PROTECT THE EYE FROM THE IMpaCT OF A BALL OR OTHER sport GEAR, AS WELL AS AN OPPONENT’S HANDS OR ELBOWS that POSE A threat to AN athLETE’S VISUAL SAFETY. WE OFFER A COMPLETE SELECTION OF sport SPECIFIC EYEGUARDS AND HIGH IMpaCT EYEWEAR WITH shatter RESIstant NON-PRESCRIPTION LENSES FOR ACTIVE PEOPLE OF ALL AGES. FOR OVER 30 YEARS HALO Sports® HAS EARNED ITS LEGENDARY REPUtatION FOR CRAFTING CertIFIED PROTECTIVE EYEWEAR. OUR RECS SPECS® BRAND IS THE NUMBER ONE SELLING COLLECTION OF ASTM APPROVED PRESCRIP- TION sport GOGGLES IN THE WORLD BANGERZ® SPORTZ... OUR VISION IS PROTECTING YOURS WHY WEAR BANGERZ SPORTZ EYE PROTECTION? HERE ARE THE FACTS • AN ESTIMateD 2.4 MILLION EYE INJURIES OCCUR IN THE US EACH YEAR • MORE THAN 600,000 ARE DOCUMENTED EYE INJURIES RELateD to sports AND RECreatION • 42,000 OF THESE INJURIES ARE OF A SEVERITY that REQUIRES EMERGENCY ROOM attentION • IT IS ESTIMATED that EACH YEAR 13,500 LEGALLY BLINDING sports EYE INJURIES OCCUR • NEARLY 1 MILLION AMERICANS HAVE LOST SOME DEGREE OF SIGHT DUE to EYE INJURY • EYE INJURY IS THE LEADING CAUSE OF MONOCULAR BLINDNESS • Sports PartICIpants USING EYEWEAR OR SUNWEAR that DOES NOT CONFORM to ASTM PROTECTION stanDARDS ARE at A FAR MORE SEVERE RISK OF EYE INJURY THAN partICIpants USING NO EYE PROTECTION at ALL. -
Khalid Teenage Dream Album Download DOWNLOAD ALBUM: Passenger – Songs for the Drunk and Broken Hearted (Deluxe) ZIP
khalid teenage dream album download DOWNLOAD ALBUM: Passenger – Songs for the Drunk and Broken Hearted (Deluxe) ZIP. DOWNLOAD Passenger Songs for the Drunk and Broken Hearted (Deluxe) ZIP & MP3 File. Ever Trending Star drops this amazing song titled “Passenger – Songs for the Drunk and Broken Hearted (Deluxe) Album“, its available for your listening pleasure and free download to your mobile devices or computer. You can Easily Stream & listen to this new “ FULL ALBUM: Passenger – Songs for the Drunk and Broken Hearted (Deluxe) Zip File” free mp3 download” 320kbps, cdq, itunes, datafilehost, zip, torrent, flac, rar zippyshare fakaza Song below. DOWNLOAD ZIP/MP3. Full Album Tracklist. 1. Sword from the Stone (03:21) 2. Tip of My Tongue (03:01) 3. What You’re Waiting For (02:37) 4. The Way That I Love You (02:39) 5. Remember to Forget (03:38) 6. Sandstorm (05:01) 7. A Song for the Drunk and Broken Hearted (03:59) 8. Suzanne (04:15) 9. Nothing Aches Like a Broken Heart (04:16) 10. London in the Spring (03:01) 11. London in the Spring (Acoustic) (02:56) 12. Nothing Aches Like a Broken Heart (Acoustic) (03:17) 13. Suzanne (Acoustic) (04:05) 14. A Song for the Drunk and Broken Hearted (Acoustic) (03:56) 15. Sandstorm (Acoustic) (04:10) 16. Remember to Forget (Acoustic) (03:36) 17. The Way That I Love You (Acoustic) (02:37) 18. What You’re Waiting For (Acoustic) (02:36) 19. Tip of My Tongue (Acoustic) (03:00) 20. Sword from the Stone (Acoustic) (03:33) Songs for the Drunk and Broken Hearted (Deluxe) Album by Passenger. -
Of 4 We Can't Stop - Miley Cyrus
We Can't Stop - Miley Cyrus We Can't Stop - Miley Cyrus (4/4 - Capo 4th fret) --------------------------- Suggested Picking Pattern: (Travis Pick) ------------------------- _ _ _ | | | | | | | e|-*-------*-----| B|-----*-------*-| G|---------------| D|-*-*---*---*---| A|-*-----*-------| E|-*-----*-------| | | Root note of the chord Examples: -------- C Em Am _ _ _ _ _ _ _ _ _ | | | | | | | | | | | | | | | | | | | | | e|-0-------0-----| |-0-------0-----| |-0-------0-----| B|-----1-------1-| |-----0-------0-| |-----1-------1-| G|---------------| |---------------| |---2-------2---| D|---2-------2---| |---2-------2---| |-0-----0-------| A|-3-----3-------| |---------------| |---------------| E|---------------| |-0-----0-------| |---------------| Chords: C, C, Em, Em, Am, Am, F, F (throughout) C ' It’s our party we can do what we want Em ' It’s our party we can say what we want Am ' It’s our party we can love who we want F ' We can kiss who we want we can screw who we want C C Red cups and sweaty bodies everywhere Em ' Hands in the air like we don’t care Am ' Cause we came to have so much fun now F ' Got somebody here might get some now C C If you’re not ready to go home Em ' Can I get a hell no Am ' Cause we gonna go all night F ' Till we see the sunlight alright Page 1 of 4 We Can't Stop - Miley Cyrus C ' So la da da di we like to party Em ' Dancing with Miley Am ' Doing whatever we want F ' This is our house, this is our rules C ' And we can’t stop Em ' And we won’t stop Am ' Can’t you see it’s we who own the night F ' Can’t you see it we -
In the Transition from Stage to Arena, Live Music Is Remade
Intimate live girls Halligan, B Title Intimate live girls Authors Halligan, B Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/33518/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Intimate Live Girls Benjamin Halligan Keywords: aura, intimacy, kissing, authenticity, liveness, social media, spectacle, Miley Cyrus, Katy Perry, Terry Richardson, Peter Gabriel Abstract: The arena concert requires a particular type of liveness of performance in order to transcend impersonal mass entertainment. Liveness here looks to authenticity and happenstance, privileges personal communications and seeks to live in the moment, and in this way the live performance then meets and matches or even surpasses the virtual life of the artist or group. The concert must be both mass spectacle and an individual and singular experience for those witnessing and participating in it. Without these latter essential attributes, which can be read as the auratic and authentic replacing the virtual, the arena concert falls short of ontological expectations of live music. In recent years the mise-en-scène of the arena concert has become calibrated to female artists with, seemingly, a concomitant feminisation of the event. In this, the space is often given over to intimacy, empathy, and presented as an insight into the life, and even philosophy, of the performer. -
“Nothing Breaks Like a Heart” Featuring Miley Cyrus Single and Video Available Globally Now Listen: Watch
Mark Ronson Returns with Brand New Single and Video “Nothing Breaks Like A Heart” Featuring Miley Cyrus Single and Video Available Globally Now Listen: http://smarturl.it/NBLAH Watch http://smarturl.it/NBLAH/youtube Newest Single and Follow Up To “Uptown Funk,” Highest-Ranking Song of the Century on Billboard’s Hot 100 Chart [New York – November 29, 2018] On the heels of releasing several collaborative hit tracks this year, today, five-time Grammy Award-winning artist and producer Mark Ronson returns with a brand new single of his own “Nothing Breaks Like A Heart” featuring Miley Cyrus. LISTEN/WATCH the accompanying video available now everywhere. “Nothing Breaks Like A Heart” was co-written by Ronson with RCA label mate Miley Cyrus, along with Ilsey Juber, Thomas Brenneck, The Picard Brothers, and Conor Rayne Syzmanski. The track was produced by Ronson and co-produced by the Picard Brothers, with additional production by Jamie XX and recorded at Rick Rubin’s Shangri La Studios. “Nothing Breaks Like A Heart” is the first single from Mark Ronson’s forthcoming studio album coming next year. The high-energy video was filmed in Kiev, Ukraine and directed by WAFLA (We Are From LA) and executive-produced by Romain Gravas (M.I.A, Jay-Z, Kanye West, Jamie XX), a two-time MTV Video Music Awards recipient. “Nothing Breaks Like A Heart” is Ronson’s first pop single as a recording artist since “Uptown Funk” which became a cultural and musical phenomenon. “Uptown Funk” won two Grammy Awards in 2015 including “Record of the Year.” Its video has been streamed over 3 billion times, and the single held the #1 spot on the Billboard Hot 100 Chart for 14 consecutive weeks, and is the highest-ranking song of this century and the 4th highest track of all time on the Billboard Hot 100. -
Hear Me Roar
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2020 Hear Me Roar Abigail R. Seethoff University of Montana, Missoula Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Alternative and Complementary Medicine Commons, American Film Studies Commons, American Popular Culture Commons, Christianity Commons, Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Dietetics and Clinical Nutrition Commons, Endocrine System Commons, Environmental Public Health Commons, Environmental Studies Commons, Hormones, Hormone Substitutes, and Hormone Antagonists Commons, Nonfiction Commons, Other Film and Media Studies Commons, Other Pharmacology, Toxicology and Environmental Health Commons, Pain Management Commons, Poetry Commons, Psychiatric and Mental Health Commons, Rhetoric Commons, Social Media Commons, Speech and Rhetorical Studies Commons, Visual Studies Commons, Women's Health Commons, and the Women's Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Seethoff, Abigail R., "Hear Me Roar" (2020). Graduate Student Theses, Dissertations, & Professional Papers. 11687. https://scholarworks.umt.edu/etd/11687 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks -
Feminism and Popular Culture: Investigating the Postfeminist Mystique by Rebecca Munford and Melanie Waters
blogs.lse.ac.uk http://blogs.lse.ac.uk/lsereviewofbooks/2014/03/07/book-review-feminism-and-popular-culture-investigating-the-postfeminist- mystique-by-rebecca-munford-and-melanie-waters/ Book Review: Feminism and Popular Culture: Investigating the Postfeminist Mystique by Rebecca Munford and Melanie Waters Is feminism undead? Feminism and Popular Culture seeks to map the fraught and often unpredictable relationship between popular culture, feminism and postfeminism. From the shadowy city spaces of Mad Men and Homeland to the dystopic suburbia of The Stepford Wives and American Horror Story, the authors trace the maniacal career women, hysterical housewives and amnesiac daughters who roam the postfeminist landscape. Through recourse to these figures, they attept to illuminate postfeminism’s obsessive resuscitation of seemingly outdated models of femininity and ask why these should today be gilded with new appeal. Jade Montserrat recommends the book to pop culture fans and scholars alike. Feminism and Popular Culture: Investigating the Postfeminist Mystique. Rebecca Munford and Melanie Waters. September 2013. I.B. Tauris. Find this book: As International Women’s Day 2014 is now upon us, Rebecca Munford and Melanie Waters’ Feminism and Popular Culture: Investigating the Postfeminist Mystique is certainly timely. Aiming to analyse post-feminism’s ‘historical slippages and haunted temporalities’, the authors re-visit Betty Friedan and Gloria Steinem and seek to cover the ways in which popular culture ‘negotiates debates within and about feminism’. In this reviewer’s opinion it demands reading by as wide an audience as possible, encouraging a shared consciousness on the issues. Feminism & Popular Culture is different from others texts in the literature in that it emphasizes the impact of the postfeminist Gothic throughout. -
Shock and Awe: How Far Is Too Far?
PAGE 12B PRESS & DAKOTAN n FRIDAY, JANUARY 10, 2014 Shock And Awe: How Far Is Too Far? biggest-selling album with “The Mar- From Miley To Beyonce, Pop Stars shall Mathers LP 2,” where the clos- est thing to a sex song is “Love Are Pushing Limits Of Taste Game,” a hateful screed against an unfaithful ex. BY MIKAEL WOOD eration of kiddie-culture stars come And Lorde and Macklemore & © 2014, Los Angeles Times of age. Ryan Lewis both had huge hits with But for listeners who count on songs about economic woes. In LOS ANGELES — The record-in- artists to push limits, last year’s “Royals,” Lorde described not being dustry score-keepers at Nielsen wave of obscenity felt like a course able to relate to visions of “gold SoundScan recently confirmed correction after the conservatism teeth, Grey Goose, tripping in the something many music fans had of the early 2010s. bathroom”; the latters’ “Thrift Shop” probably already assumed: Robin Cyrus pushed plenty. In wake of is about finding a mink coat for 99 Thicke’s “Blurred Lines” — the the VMAs, she extended the cents. cheeky disco-funk jam with the naughty streak with the clip for her But perhaps that class con- controversial, nudity-enhanced chart-topping power ballad “Wreck- sciousness was part of what fueled video — was the biggest-selling sin- ing Ball” — it depicts a naked the ribaldry that otherwise flour- gle of 2013, with 6.5 million copies Cyrus astride just such an imple- ished. Even the most adventurous sold. ment of destruction — and her evening in, after all, comes cheaper The tune, nominated for record album “Bangerz,” on which the for- than a night on the town. -
Anonymous Tip, Facebook Search Lead to Arrest of Loomis Peeping
10 QUESTIONS BROOKS’ FAVORITE THINGS Emily Spiegel, CCSGA Vice President for Student Concerns, talks about off-campus parties, CC Con- Macademia nuts, tank tops, and (mostly) naked 18 fessions, mental health issues at CC, cutting off her hair, and cucumbers. celebs: It’s Brooks, bitch. Life News 5 FRIDAY Week 2, Block 2 October 11, 2013 catalystnewspaper.com Volume 44 • No. 5 CATALYST e independent student newspaper of Colorado College NEWS 2THECOMMENT & DEBATE 9 SPORTS 11 LIFE 16 CAMPUS CRIME AnonymousJesse Paul A man whotip, police Facebook in Loomis Hall bathrooms search last week. leadpolice to spokesman arrest Barbara of Miller Loomis said. suspect Peeping and showed him imagesTom CC sur- Editor-in-Chief incidentsallege was behindearlier Jason Newton, Campus Resource Of�i- page“Of�icer and trackNewton him veillance cameras. thistwo blockPeeping told Tom an cer, conducted a follow-up investigation was able to �ind his “He admitted to being at the college and identi�ied Andrew James Browning, and stated that he was just walking 24, as the man who allegedly spied on down and arrest around,” Newton wrote in a probable arresting of�icer that he was “being fuck- two female students in Loomis, Campus him earlier today.” cause af�idavit. in’Campus stupid” Safetywhen heannounced watched Mondayfemale stu- af- CollegeSafety said. Campus Safety received a tip Newton went to Court documents say that Browning ternoondents showering that the Colorado in Loomis. Springs Police that“On the Thursday male in thelast photos week, that Colorado CC re- Browning’s last was then transported back to a police inknown southeast address, Colo- Suspect Andrew Browning substation where he was mirandized 1220 Norwood Ave. -
Supplemental Information [PDF:402KB]
Entertainment Business Supplemental Information Fiscal year and three months ended March 31, 2014 May 14, 2014 Sony Corporation Pictures Segment 1 ■ Pictures Segment Aggregated U.S. Dollar Information 1 ■ Motion Pictures 1 - Motion Pictures Box Office for films released in North America - Select films to be released in the U.S. - Top DVD and Blu-rayTM titles released - DVD and Blu-rayTM titles to be released ■ Television Productions 3 - Television Series with an original broadcast on a U.S. network - Television Series with a new season to premiere on a U.S. network from April 1, 2014 onward - Select Television Series in U.S. off-network syndication - Television Series with an original broadcast on a non-U.S. network ■ Media Networks 5 - Television and Digital Channels Music Segment 7 ■ Recorded Music 7 - Top 10 best-selling recorded music releases - Upcoming releases ■ Music Publishing 8 - Number of songs in the music publishing catalog owned and administered as of March 31, 2014 Cautionary Statement Statements made in this supplemental information with respect to Sony’s current plans, estimates, strategies and beliefs and other statements that are not historical facts are forward-looking statements. Forward-looking statements include, but are not limited to, those statements using such words as “may,” “will,” “should,” “plan,” “expect,” “anticipate,” “estimate” and similar words, although some forward- looking statements are expressed differently. Sony cautions investors that a number of important risks and uncertainties could cause actual results to differ materially from those discussed in the forward-looking statements, and therefore investors should not place undue reliance on them. -
Global Superstar Miley Cyrus to Launch the Bangerz Tour on Valentine’S Day 2014
GLOBAL SUPERSTAR MILEY CYRUS TO LAUNCH THE BANGERZ TOUR ON VALENTINE’S DAY 2014 Highly Anticipated Tour Includes 38 Dates Throughout The United States and Canada Tickets On Sale November 16 At www.livenation.com November 6, 2013 (Los Angeles, CA) – Global superstar Miley Cyrus announced today the details behind the BANGERZ TOUR. The highly anticipated tour, produced and promoted by Live Nation, kicks off on Valentine's Day February 14, 2014 in Vancouver, BC at Pepsi Live @ Rogers Arena and will visit 38 cities throughout the United States and Canada including New York City, Los Angeles, Toronto, Chicago, Washington DC and Miami. Tickets for the BANGERZ TOUR go on sale Saturday, November 16 at www.livenation.com. American Express® Card Members can purchase tickets before the general public beginning Tuesday, November 11 at 10 AM local time through Friday, November 15 at 10 PM local time. Fans will have additional opportunities to purchase tickets early by signing up for a Facebook RSVP at (insert website here). Tickets for the general public go on sale Saturday, November 16. Additional details are available at www.livenation.com. Details for the BANGERZ TOUR follow Miley's surprise appearance on Saturday Night Live where she announced to fans that she would be launching a tour soon. The announcement on Saturday Night Live comes on the heels of her well-received appearance on the show (re-airing November 9) as both host and musical performer on October 5 that was part of a series of headline-making appearances that supported the release of her new album, Bangerz, on RCA Records.