High Society Women and the Third Reich
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Eva Braun Hitler's Odontological Identification-A Forensic Enigma?
J Forensic Sci, Apr. 1974, Vol. 19, No. 2 R. F. Sognnaes, ~ M.A., M.S., D.M.D., Ph.D. Eva Braun Hitler's Odontological Identification-A Forensic Enigma? Through generous cooperation by custodians of several museums, libraries, and govern- ment archive centers, the author has had occasion to explore various historical dental relics and reports covering the evolution of dental art and science over a period ranging from the time of George Washington to that of Adolf Hitler [1,2]. When the Berlin dentist, Dr. Hugo Johannes Blaschke, who cared for Germany's wartime leaders, was captured and interrogated by American army officers in 1945, he prepared descriptions and diagrams of the dental condition of Adolf Hitler, as well as of Martin Bormann and of Eva Braun, Hitler's longtime female companion whom he married just before the end of the war. By comparing American and Soviet reports it has been shown elsewhere that data attributed to a 1945 Russian autopsy report cited in 1968 by Bezymenski [3-5] are in harmony with Hitler's 1944 head and jaw X-rays which, after much search and research, were located through the cooperation of the Captured Record Branch of the U.S. Na- tional Archives and Records Service [2]. This discovery was followed by a detailed comparison with other dental data, as reported at the 6th International Conference on Forensic Sciences in Edinburgh in 1972 and subsequently published in early 1973 by Sognnaes and Str6m [6]. Similarly, the dental data elicited regarding Martin Bormann's dental condition, based on dental diagrams prepared by Dr. -
American Intelligence and the Question of Hitler's Death
American Intelligence and the Question of Hitler’s Death Undergraduate Research Thesis Presented in partial fulfillment of the requirements for graduation with honors research distinction in History in the Undergraduate colleges of The Ohio State University by Kelsey Mullen The Ohio State University November 2014 Project Advisor: Professor Alice Conklin, Department of History Project Mentor: Doctoral Candidate Sarah K. Douglas, Department of History American Intelligence and the Question of Hitler’s Death 2 Introduction The fall of Berlin marked the end of the European theatre of the Second World War. The Red Army ravaged the city and laid much of it to waste in the early days of May 1945. A large portion of Hitler’s inner circle, including the Führer himself, had been holed up in the Führerbunker underneath the old Reich Chancellery garden since January of 1945. Many top Nazi Party officials fled or attempted to flee the city ruins in the final moments before their destruction at the Russians’ hands. When the dust settled, the German army’s capitulation was complete. There were many unanswered questions for the Allies of World War II following the Nazi surrender. Invading Russian troops, despite recovering Hitler’s body, failed to disclose this fact to their Allies when the battle ended. In September of 1945, Dick White, the head of counter intelligence in the British zone of occupation, assigned a young scholar named Hugh Trevor- Roper to conduct an investigation into Hitler’s last days in order to refute the idea the Russians promoted and perpetuated that the Führer had escaped.1 Major Trevor-Roper began his investigation on September 18, 1945 and presented his conclusions to the international press on November 1, 1945. -
27. December 1945 (The Recorders Continue)
Chapter 27 December 1945 he five recorders meet with me again in the evening at my living Tquarters. “We left off last time with the failure of the Ardennes Offensive, which Allied forces called the Battle of the Bulge. Who would like to start?” I ask. “I’ll do it,” says Reynitz. “But first everyone should be aware that Hitler had a split personality. He lived in two worlds—reality and fan- tasy.” Everyone looks at Reynitz. “In the real world, Hitler dismissed from his mind military re- verses. When I was on the headquarters train, he refused to look at bombed German cities or wounded German soldiers. As far as I know, he never saw a concentration camp. He usually shut his mind to any- thing unpleasant. 283 Witness to Barbarism “In the fantasy world, Hitler predicted that if the Russians came too close, the Allies would certainly join his troops in the fight against the Russians because the Allies hated Communism as much as the Germans. If the Allies chose not to fight with us but fought the Rus- sians directly, we would wait until they became exhausted, then come out of the National Redoubt in the Alps, to make victory ours. This was his constant hope. The hope was dashed when Himmler sent only half of the 80,000 SS troops he had ordered,” Reynitz recalls. “Hitler was a dreamer, wasn’t he?” “Yes, and worse than that, he was a liar,” Reynitz continues. “Goebbels was on the radio almost every day telling how the un- conditional surrender demanded by the Allies would mean disaster. -
Appendix 1: Sample Docum Ents
APPENDIX 1: SAMPLE DOCUMENTS Figure 1.1. Arrest warrant (Haftbefehl) for Georg von Sauberzweig, signed by Morgen. Courtesy of Bundesarchiv Berlin-Lichterfelde 129 130 Appendix 1 Figure 1.2. Judgment against Sauberzweig. Courtesy of Bundesarchiv Berlin-Lichterfelde Appendix 1 131 Figure 1.3. Hitler’s rejection of Sauberzweig’s appeal. Courtesy of Bundesarchiv Berlin-Lichterfelde 132 Appendix 1 Figure 1.4. Confi rmation of Sauberzweig’s execution. Courtesy of Bundesarchiv Berlin- Lichterfelde Appendix 1 133 Figure 1.5. Letter from Morgen to Maria Wachter. Estate of Konrad Morgen, courtesy of the Fritz Bauer Institut APPENDIX 2: PHOTOS Figure 2.1. Konrad Morgen 1938. Estate of Konrad Morgen, courtesy of the Fritz Bauer Institut 134 Appendix 2 135 Figure 2.2. Konrad Morgen in his SS uniform. Estate of Konrad Morgen, courtesy of the Fritz Bauer Institut 136 Appendix 2 Figure 2.3. Karl Otto Koch. Courtesy of the US National Archives Appendix 2 137 Figure 2.4. Karl and Ilse Koch with their son, at Buchwald. Corbis Images Figure 2.5. Odilo Globocnik 138 Appendix 2 Figure 2.6. Hermann Fegelein. Courtesy of Yad Vashem Figure 2.7. Ilse Koch. Courtesy of Yad Vashem Appendix 2 139 Figure 2.8. Waldemar Hoven. Courtesy of Yad Vashem Figure 2.9. Christian Wirth. Courtesy of Yad Vashem 140 Appendix 2 Figure 2.10. Jaroslawa Mirowska. Private collection NOTES Preface 1. The execution of Karl Otto Koch, former commandant of Buchenwald, is well documented. The execution of Hermann Florstedt, former commandant of Majdanek, is disputed by a member of his family (Lindner (1997)). -
Appendix: More on Methodology
Appendix: More on Methodology Over the years my fi rst monograph, The Nature of Fascism (1991), has been charged by some academic colleagues with essentialism, reductionism, ‘revisionism’, a disinterest in praxis or material realities, and even a philosophical idealism which trivializes the human suffering caused by Hitler’s regime. It is thus worth offering the more methodologically self-aware readers, inveterately sceptical of the type of large-scale theorizing (‘metanarration’) that forms the bulk of Part One of this book, a few more paragraphs to substantiate my approach and give it some sort of intellectual pedigree. It can be thought of as deriving from three lines of methodological inquiry – and there are doubtless others that are complementary to them. One is the sophisticated (but inevitably contested) model of concept formation through ‘idealizing abstraction’1 which was elaborated piece-meal by Max Weber when wrestling with a number of the dilemmas which plagued the more epistemologically self-aware academics engaged in the late nineteenth-century ‘Methodenstreit’. This was a confl ict over methodology within the German human sciences that anticipated many themes of the late twentieth-century debate over how humanities disciplines should respond to postmodernism and the critical turn.2 The upshot of this line of thinking is that researchers must take it upon themselves to be as self-conscious as possible in the process of constructing the premises and ‘ideal types’ which shape the investigation of an area of external reality. Nor should they ever lose sight of the purely heuristic nature of their inquiry, and hence its inherently partial, incomplete nature. -
I Was Hitler's Neighbour
52-54_MH_InHitler'sMunich_Layout 1 26/04/2012 13:15 Page 20 In Hitler’s Munich As a boy growing up in Munich Edgar Feuchtwanger witnessed the rise of Germany’s dictator at extraordinarily close range. I was Hitler’s Neighbour ibraries have been filled with books about The foundation stone for Attack), threatened revenge when they came to power, Hitler and the Third Reich and as an the House of German Art is as they did a little over two years later. For the Nazis my paraded through Munich, academic historian I have made my own October 15th, 1933. uncle Lion was public enemy number one among the contribution. I am also one of the dwin - Weimar intelligentsia. Nevertheless my parents only dling band of survivors of that period and left Germany following Kristallnacht in November my vantage point was a particularly close 1938, when my father’s brief incarceration in Dachau oLne. I was born in Munich in 1924. In 1929, when I made it plain that the situation was life-threatening. was five, Hitler moved into a large apartment about Until my teens Hitler’s comings and goings were thus 100 yards from where I lived on Grillparzer Strasse in part of daily life. I witnessed, from the opposite side o f a similar flat with my parents. Social Democrat propa - the road, his transformation into the Great Dictator. ganda in the election campaigns of the early 1930s When Hitler first moved into our neighbourhood proclaimed: ‘Hitler says he is a friend of the workers, his housekeeper was his half-sister, Angela Raubal. -
Whose Hi/Story Is It? the U.S. Reception of Downfall
Whose Hi/story Is It? The U.S. Reception of Downfall David Bathrick Before I address the U.S. media response to the fi lm Downfall, I would like to mention a methodological problem that I encountered time and again when researching this essay: whether it is possible to speak of reception in purely national terms in this age of globalization, be it a foreign fi lm or any other cultural artifact. Generally speaking, Bernd Eichinger’s large-scale production Downfall can be considered a success in America both fi nancially and critically. On its fi rst weekend alone in New York City it broke box-offi ce records for the small repertory movie theater Film Forum, grossing $24,220, despite its consider- able length, some two and a half hours, and the fact that it was shown in the original with subtitles. Nationally, audience attendance remained unusually high for the following twelve weeks, compared with average fi gures for other German fi lms made for export markets.1 Downfall, which grossed $5,501,940 to the end of October 2005, was an unequivocal box-offi ce hit. One major reason for its success was certainly the content. Adolf Hit- ler, in his capacity as star of the silver screen, has always been a suffi cient This article originally appeared in Das Böse im Blick: Die Gegenwart des Nationalsozialismus im Film, ed. Margrit Frölich, Christian Schneider, and Karsten Visarius (Munich: edition text und kritik, 2007). 1. The only more recent fi lm to earn equivalent revenue was Nirgendwo in Afrika. -
William Russell Philp Collection
http://oac.cdlib.org/findaid/ark:/13030/tf6489n7zd No online items Inventory of the William Russell Philp collection Finding aid prepared by Hoover Institution Library and Archives Staff Hoover Institution Library and Archives © 2003, 2016 434 Galvez Mall Stanford University Stanford, CA 94305-6003 [email protected] URL: http://www.hoover.org/library-and-archives Inventory of the William Russell 68007 1 Philp collection Title: William Russell Philp collection Date (inclusive): 1933-1952 Collection Number: 68007 Contributing Institution: Hoover Institution Library and Archives Language of Material: In English and German Physical Description: 8 manuscript boxes, 5 oversize boxes, 2 oversize folders, 3 folios(11.3 Linear Feet) Abstract: The William Russell Philp collection consists of intelligence reports, interrogation reports, maps, and photographs relating to Adolf Hitler, the German military structure, national socialism, various aspects of German society during and immediately after World War II, various military campaigns of World War II (particularly preparation for the invasion of Normandy), denazification, and post-war reconstruction in Germany. source: Philp, William Russell, 1892-1970 Hoover Institution Library & Archives Access The collection is open for research; materials must be requested at least two business days in advance of intended use. Publication Rights For copyright status, please contact the Hoover Institution Library & Archives. Acquisition Information Materials were acquired by the Hoover Institution Library & Archives in 1968. Preferred Citation [Identification of item], William Russell Philp collection, [Box no., Folder no. or title], Hoover Institution Library & Archives. Biographical Note 1892 Born, Whitby, Ontario, Canada August 24 1916 Graduated, University of Nebraska 1916-1917 Served on the Mexican border 1917 Commissioned Second Lieutenant of Field Artillery, Regular Army 1917-1919 Served in France during World War I with the 17th Field Artillery, Second U.S. -
Grubbing out the Führerbunker: Ruination, Demolition and Berlin's Difficult Subterranean Heritage
Grubbing out the Führerbunker: Ruination, demolition and Berlin’s difficult subterranean heritage BENNETT, Luke <http://orcid.org/0000-0001-6416-3755> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/24085/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version BENNETT, Luke (2019). Grubbing out the Führerbunker: Ruination, demolition and Berlin’s difficult subterranean heritage. Geographia Polonica, 92 (1). Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Grubbing out the Führerbunker: Ruination, demolition and Berlin’s difficult subterranean heritage Luke Bennett Reader in Space, Place & Law, Department of the Natural & Built Environment, Sheffield Hallam University, Norfolk 306, Howard St, Sheffield, S1 1WB, United Kingdom. [email protected] Abstract This article presents a case study examining the slow-death of the Berlin Führerbunker since 1945. Its seventy year longitudinal perspective shows how processes of ruination, demolition and urban renewal in central Berlin have been affected by materially and politically awkward relict Nazi subterranean structures. Despite now being a buried pile of rubble, the Führerbunker’s continued resonance is shown to be the product of a heterogeneous range of influences, spanning wartime concrete bunkers’ formidable material resistance, their affective affordances and evolving cultural attitudes towards ruins, demolition, memory, memorialisation, tourism and real estate in the German capital. Keywords Ruin – Demolition – Bunkers – Subterranean – Berlin – Nazism – Heritage – Materiality 1 On 30th April 1945 Adolf Hitler committed suicide in the Führerbunker, a reinforced concrete structure buried 8.5 metres beneath the ministerial gardens flanking the Reich Chancellery in central Berlin. -
F O U N D E D 1 8 6 0 Cover19-20.Qxp 1 8/16/19 2:39 PM Page 1
Cover19-20.qxp_1 8/16/19 2:39 PM Page 1 Bard FOUNDED 1 8 6 0 2019–20 Cover19-20.qxp_1 8/16/19 2:39 PM Page 3 Bard College Catalogue 2019–20 The first order of business in college is to figure out your place in the world and in your life and career. College life starts with introspection, as opposed to a public, collective impetus. We try to urge students to think about their place in the world and to develop a desire to participate from inside themselves. —Leon Botstein, President, Bard College The Bard College Catalogue is published by the Bard Publications Office. Cover: The Richard B. Fisher Center for the Perfoming Arts at Bard College Back cover: The Gabrielle H. Reem and Herbert J. Kayden Center for Science and Computation Photos: Peter Aaron ’68/Esto Bard College PO Box 5000 Annandale-on-Hudson, NY 12504-5000 Phone: 845-758-6822 Website: bard.edu Email: [email protected] CONTENTS Mission 1 Division of Social Studies 155 Anthropology 156 History of Bard 2 Economics 163 Economics and Finance 169 Learning at Bard 18 Historical Studies 170 Curriculum 19 Philosophy 185 Academic Programs and Political Studies 193 Concentrations 24 Religion 202 Academic Requirements and Sociology 208 Regulations 26 Specialized Degree Programs 30 Interdivisional Programs and Concentrations 213 Admission 32 Africana Studies 213 American Studies 214 Academic Calendar 35 Asian Studies 215 Classical Studies 216 Division of the Arts 37 Environmental and Urban Studies 217 Art History and Visual Culture 37 Experimental Humanities 222 Dance 47 French Studies 223 -
List of Significant Historical Characters in Der Untergang / the Downfall
list of significant historical characters in Der Untergang / The Downfall Adolf Hitler (played by Bruno Ganz) Traudl Humps Junge (played by Alexandra Maria Lara): Hitler’s youngest personal secretary, 1942-1945. Released an autobiography in 2002 and appeared in the documentary Im toten Winkel / Blind Spot, also in 2002. She died in Munich that same year. Eva Braun (played by Juliane Köhler): Hitler’s girlfriend and, very briefly, his wife. Committed suicide together with Hitler in April 1945. Hermann Fegelein (played by Thomas Kretschmann): Obergruppenführer or General in SS. Part of Hitler’s inner circle, due in part to marriage to Eva Braun’s sister and service as Himmler’s adjutant starting 1943. Fled bunker in April 1945 but was caught. Circumstances of death uncertain, but most likely executed in April 1945. Alfred Jodl (played by Christian Redl): A top officer in the Wehrmacht High Command. Signed the unconditional surrender in May 1945. Hanged October 1946 after Nuremberg Trial. Magda Goebbels (played by Corinna Harfouch): Joseph Goebbels’s wife. Had some role in the murder of their six children in Hitler’s bunker. Died May 1, 1945 along with Joseph Goebbels. Joseph Goebbels (played by Ulrich Matthes): Propaganda Minister, architect of Kristallnacht, directed book burnings. Died May 1, 1945 outside the bunker in an unconfirmed manner. Albert Speer (played by Heino Ferch): Hitler’s architect, also Minister of Armaments and War Production. Known as “the Nazi who said sorry.” At Nuremberg, sentenced to 20 years at Spandau. Released 1966, published two autobiographies. Died 1981 in London. Wilhelm Mohnke (played by André Hennicke): High-ranking General in the SS. -
Please Download Issue 1-2 2015 Here
B A L A scholarly journal and news magazine. April 2015. Vol. VIII:1–2. From TIC the Centre for Baltic and East European Studies (CBEES), Södertörn University. The story of Papusza, W a Polish Roma poet O RLDS A pril 2015. V ol. VIII BALTIC :1–2 WORLDSbalticworlds.com Special section Gender & post-Soviet discourses Special theme Voices on solidarity S pecial section: pecial Post- S oviet gender discourses. gender oviet Lost ideals, S pecial theme: pecial shaken V oices on solidarity solidarity on oices ground also in this issue Illustration: Karin Sunvisson RUS & MAGYARS / EsTONIA IN EXILE / DIPLOMACY DURING WWII / ANNA WALENTYNOWICZ / HIJAB FASHION Sponsored by the Foundation BALTIC for Baltic and East European Studies WORLDSbalticworlds.com in this issue editorial Times of disorientation he prefix “post-” in “post-Soviet” write in their introduction that “gender appears or “post-socialist Europe” indicates as a conjunction between the past and the pres- that there is a past from which one ent, where the established present seems not to seeks to depart. In this issue we will recognize the past, but at the same time eagerly Tdiscuss the more existential meaning of this re-enacts the past discourses of domination.” “departing”. What does it means to have all Another collection of shorter essays is con- that is rote, role, and rules — and seemingly nected to the concept of solidarity. Ludger self-evident — rejected and cast away? What Hagedorn has gathered together different Papusza. is it to lose the basis of your identity when the voices, all adding insights into the meaning of society of which you once were a part ceases solidarity.