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CRAFT OF POETRY FALL 2017 EN 4303/6303 M 5-7:50 p.m. Dr. Catherine Pierce Course Description: This workshop is predicated on the idea that in order to become a truly accomplished poet, you must cultivate three levels of awareness: 1) An awareness of yourself as a writer. What are your goals? What are your aesthetic obsessions? Your thematic ones? 2) An awareness of the poetic tradition that has preceded you. Whose work do you emulate? Whose do you reject, and why? What forms might you embrace and/or reinvent? 3) An awareness of current literary trends and voices. Where do you fit in? Or don’t you fit in? And what do you admire about your contemporaries? Throughout the semester, in addition to working hard on writing your own poems and critiquing your peers’, you will work on projects designed to help you increase these important levels of awareness. Questions? Email [email protected] Requirements: Your poems are the central focus of our class. You will be asked to hone your current writing skills, and also to push outside of your writing “comfort zone” in order to explore new possibilities, both thematic and stylistic, for your work. To put it simply, we will write—and revise—a lot. At the end of the semester, you will turn in a portfolio consisting of the original and revised versions of all poems. Other requirements include: a poetry analysis, in which you’ll write a short(ish) paper discussing a poem aesthetically very different from your own; a literary magazine presentation (just as it’s important to be well-versed in literary history and poetic tradition, it’s also vital to be engaged with the current literary scene); an Artist’s Statement due at the end of the semester; a book review of a recently published poetry collection; and attendance at as many readings as possible. Texts: Weep Up, Maggie Smith Gilt, Raena Shirali Silencer, Marcus Wicker The Best American Poetry 2017, ed. David Lehman and Natasha Trethewey The Making of a Poem, Mark Strand and Eavan Boland Subscription to a literary magazine (I’ll provide an extensive list to choose from) Other readings that I’ll distribute .

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1 Lewis Skillman Klatt 1330 Logan Street SE Professor, English Department Grand Rapids, MI 49506 Calvin University (616) 204-2901 3201 Burton Street SE [email protected] Grand Rapids, MI 49546-4404 www.lsklatt.org (616) 526-7530 EDUCATION Ph.D., English, University of Georgia, Athens, GA M.A.L.A., St. John’s College, Annapolis, MD M.Div., Gordon-Conwell Theological Seminary, Boston, MA B.A., English, Wittenberg University, Springfield, OH DISSERTATION THE GOD IS BLUE: A COLLECTION OF ORIGINAL POEMS WITH A MANIFESTO The introductory essay traces the idea of poetic energy as it is discussed in the American literary tradition and as it is manifest in my own aesthetic. AWARDS AND HONORS (Selected) Artist Fellow, The Hermitage Artist Retreat, Sarasota County, Florida, 2020-2021 Presidential Award for Exemplary Teaching, 2018 Poet Laureate of Grand Rapids, Michigan, 2014-2017 Winner, 2010 Iowa Poetry Prize (University of Iowa Press), Cloud of Ink Winner, 2008 Juniper Prize (University of Massachusetts Press), Interloper Finalist, 2016 Saturnalia Books Poetry Prize, Saturnalia Books, The Wilderness After Which Finalist, 2016 Green Rose Prize, New Issues Poetry & Prose, The Wilderness After Which Finalist, 2016 Snowbound Chapbook Award, Tupelo Press, The Corporation 2 Finalist, 2014 Green Rose Prize, New Issues Poetry & Prose, The Wilderness After Which Finalist, 2013 New Measures Poetry Prize, Free Verse Editions, Sunshine Wound Finalist, 2013 Green Rose Prize, New Issues Poetry & Prose, Sunshine Wound Finalist, 2013 Wabash Poetry Prize, Sycamore
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