Mary Jo Bang
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
![Celebrating the Best American Poetry 2018 at Villanova[3]](https://docslib.b-cdn.net/cover/0056/celebrating-the-best-american-poetry-2018-at-villanova-3-450056.webp)
Celebrating the Best American Poetry 2018 at Villanova[3]
Celebrating the Best American Poetry 2018 at Villanova February 6, 2019 5:00 Connelly Center Cinema 6:15 (St. David’s Room) Reception and Book Signing Villanova University is honored to host the regional launch of the thirtieth anniversary edition of The Best American Poetry, guest edited by Dana Gioia, David Lehman, general editor. For three decades, the Best American Poetry has served as an annual occasion to recognize new work by American authors; inclusion is one of the great honors established and emerging poets may receive. The anthology was officially launched at New York University, in September 2018, but Villanova now brings together six of the anthology’s authors, along with David Lehman, for an evening of reading, discussion, and fellowship on our campus. David Lehman will chair the event, which will feature short readings from six poets: Maryann Corbett, Ernest Hilbert, Mary Jo Salter, Adrienne Su, Ryan Wilson, and Villanova’s own James Matthew Wilson. The public is warmly invited to this special evening to celebrate the achievement of contemporary letters and to join us for food and conversation afterwards. This event is sponsored by the Honors Program, the Villanova Center for Liberal Education, the Department of English, and the Department of Humanities. For more information, contact James Matthew Wilson, at [email protected] About the poets Maryann Corbett was born in Washington, DC, and grew up in northern Virginia. She earned a BA from the College of William and Mary and an MA and PhD from the University of Minnesota. She has published three books of poetry: Breath Control (2012); Credo for the Checkout Line in Winter (2013), which was a finalist for the Able Muse Book Prize; and Mid Evil (2014), the winner of the Richard Wilbur Award. -
Clothes Playbill
Ticketing Services Provided By WHITE HORSE THEATER COMPANY PRESENTS..... White Horse Theater website & the contents of this playbill (excluding the front cover) are designed, produced and maintained by Right Side of NY. www.WhiteHorseTheater.com February 5 to 21, 2010 ❖ Hudson Guild Theatre “Life ended for me when Zelda and I crashed. If she could get well, I would be happy again. Otherwise, never.” - SPECIAL POST-SHOW DISCUSSION ON F. Scott Fitzgerald* SUNDAY, FEB 14TH! With Renowned Williams Scholar Dr. Annette J. Saddik "I determined to find an impersonal escape, a world in which I and Nancy Milford, author of Zelda could express myself and walk without the help of somebody who was always far from me." - Zelda Fitzgerald** Moderated by Jennifer-Scott Mobley, Ph.D. Candidate in Theater History & Criticism, CUNY Graduate Center Clothes for a Summer Hotel, Mr. Williams’ highly theatrical and evocative “ghost play”, imagines an ethereal final meeting Dr. Saddik is an Associate Professor in the English between the restless ghosts of literary great F. Scott Fitzgerald Department at New York City College of Technology and his wife Zelda. Set on a windy hilltop at the gates of the Asheville, NC asylum where Zelda was institutionalized before her (CUNY), a teacher in the Ph.D. Program in Theatre at the death by fire in 1948, a desperate Scott pleads for CUNY Graduate Center and the author of Contemporary reconciliation while Zelda blames him for her failed writing American Drama and The Politics of Reputation: The career and ensuing madness. Taking extraordinary liberties with time and place, Clothes fuses the past, present and future as Critical Reception of Tennessee Williams’ Later Plays. -
Hoosier Teachers Badly Need Pay Raise, Says~!Aculty Union
Hoosier teachers badly need pay raise, says~!aculty union By Rkk CalU W i The newsletter said that al of political science and former pea- widening hfcGmvar « to * IUPUI'i faculty umuqj^r thcal though union members understand sident of Local 3990 said that since ^Jd cC aevae said that a dm ads of are tear tabs 1990 of the American Federation of 1967 the average purchamng power salary dippagt has put IU tael Teachers, u y t that Hoosier teach the legislature last year because of of teachers m Indiana has de- among the Big Ten m faculty talar* ers badly need a raise in their salar thejrim economic predictions for creased by 20| ies is they are to keep up with the Indiana* state budget He added that while die salaries He said that this la I increasing cost of living But they see no reason not to on non-agricultural A newsletter released by the un give faculty members a much lar ion last month said the 3 5 percent ger salary increase now that the ec ahead of the consumer price inde* sector to RJPUI and is average salary increase expected onomy has substantially improv in the leal 10 years, the marg this year is far below that which is ed average faculty itfvenu actually needed Patrick J McGeever. professor IU School of Nursing celebrates anniversary By Aubrey M. Woods • A May 13 Nursing Recogru The IU School of Nursing has non Ceremony. planned serveral events to com In addition, two awards named memorate its 70th anniversary this for the current Dean of the School year. -
CONFERENCE 2016 RICHMOND MARRIOTT 500 EAST BROAD STREET RICHMOND, VA the 2015 Plutarch Award
BIOGRAPHERS INTERNATIONAL SEVENTH JUNE 35 ANNUAL CONFERENCE 2016 RICHMOND MARRIOTT 500 EAST BROAD STREET RICHMOND, VA The 2015 Plutarch Award Biographers International Organization is proud to present the Plutarch Award for the best biography of 2015, as chosen by you. Congratulations to the ten nominees for the Best Biography of 2015: The 2016 BIO Award Recipient: Claire Tomalin Claire Tomalin, née Delavenay, was born in London in 1933 to a French father and English mother, studied at Cambridge, and worked in pub- lishing and journalism, becoming literary editor of the New Statesman, then of the (British) Sunday Times, while bringing up her children. In 1974, she published The Life and Death of Mary Wollstonecraft, which won the Whitbread First Book Prize. Since then she has written Shelley and His World, 1980; Katherine Mansfield: A Secret Life, 1987; The Invisible Woman: The Story of Nelly Ternan and Charles Dickens, 1991 (which won the NCR, Hawthornden, and James Tait Black prizes, and is now a film);Mrs. Jordan’s Profession, 1994; Jane Austen: A Life, 1997; Samuel Pepys: The Unequalled Self, 2002 (winner of the Whitbread Biography and Book of the Year prizes, Pepys Society Prize, and Rose Crawshay Prize from the Royal Academy). Thomas Hardy: The Time-Torn Man, 2006, and Charles Dickens: A Life, 2011, followed. She has honorary doctorates from Cambridge and many other universities, has served on the Committee of the London Library, is a trustee of the National Portrait Gallery, and is a vice-president of the Royal Literary Fund, the Royal Society of Literature, and English PEN. -
Yes, Virginia, Rock and Roll Is Dead, and Flesht<>
Yes, Virginia, Rock and Roll is dead, and Flesht<>nes is its potent spirit. The brain-child of Playhouse of the Ridic:ulous alumni ./ Sterling Blak, (Mario Montez, Taylor Mead, and Charles Ludlahm were his classmates), and fellow avant-gardist Larry Lean, (son of famed L.A. session-man Mel Moore), Fleshtones is Rock and Roll in the boldest of colors; the rightful l:eirs to Professor Longhair and The Velvet Underground ••• the fulfillment of rock's promise of long ago, and a triumph for hard rockers everywhere. Egged on by their bone-crunching bant L, vocalists Blak and Lean bend and twist the musical express:'.on of ecstacy and despair to their most tormented limits. Those to be held personally responsible are fat-1.:at drummer Walt 'twhammy" Douglas (who parlayed a ho-hum bat·:;ing average into one of the most impressive slugging records in ·rock history), power-bassist Marko Roxx (his name tells the tale), ' guitarists Chance Fleeting (who's searing leads ,Uld .relentless rhythms on such instant classics as "Rock and Ro:Ll Hell" and "Bitch Boy" assure his niche in rock's Hall of F:Lame), and Mario David (his solo at the end of the catharti·! masterpiece, "No More", makes it clear once and for all that Jimi and Robin are nice names for girls). But mostly credit is due composer-vocalist Lean ( a high-yellow baby Jean Genet with the voice of Carmen McRae gone mad), and lyricist-vocalist Blak (a tantalizing flash of pure terror guaranteed to drive psycho-drama out of the clos~t with a single blood-freezing scream). -
The Anorexic Aesthetic: an Analysis of the Poetics of Glück, Dickinson
The Anorexic Aesthetic: An Analysis of the Poetics of Glück, Dickinson, and Bidart Alexandra Haley Rigl Submitted to the Department of English, Vanderbilt University, in partial fulfillment of the requirements for Honors in the Major, April 11, 2014 Table of Contents Introduction.....................................................................................1 I. Louise Glück.....................................................................................................5 II. Emily Dickinson: The Ascetic Aesthetic as a Historical Analog of the Anorexic Aesthetic..........................................................................................................28 III. Frank Bidart: Enacting Anorexia in Persona ..................................................53 Conclusion.......................................................................................................69 Selected Bibliography.....................................................................................71 1 The Anorexic Aesthetic in Poetry “And so the poet may come to have a ‘vested interest’ in his handicaps; these handicaps may become an integral part of his method; and in so far as his style grows out of a disease, his loyalty to it may reinforce the disease.” Kenneth Burke Discussing the correlation between the mind and body, scholar Kenneth Burke identifies a peculiar yet profound imitation of life in art, specifically drawing a connection between artist and disease in such a way that suggests a nosological classification of a writer’s form -
1 Creative Expression in Writing (EGL 32 W)
Creative Expression in Writing (EGL 32 W) - Preliminary Syllabus Instructor: Brittany Perham Term: Fall 2015 Required Materials 1. Great American Prose Poems: From Poe to the Present, edited by David Lehman ISBN-13: 978-0743243506 Available at Powell’s Books here: GAPP Available at Amazon.com here: GAPP 2. Short Takes: Brief Encounters with Contemporary Nonfiction, edited by Judith Kitchen ISBN-13: 978-0393326000 Available at Powell’s Books here: Short Takes Available at Amazon.com here: Short Takes 3. Sudden Fiction: American Short-Short Stories, edited by Robert Shepard & James Thomas ISBN-13: 978-0879052652 Available at Powell’s Books here: Sudden Fiction Available at Amazon.com here: Sudden Fiction 4. Online reading (posted online in the form of links) 5. Handouts (posted online in the form of .pdf files) The Online Community The fabulous thing about the Online Writers’ Studio is that it brings together like-minded people from all over the world. Together we will form a community of writers who will challenge and support each other. This is your class. Grading Most students enroll in this course under the non-graded (NGR) or the Credit/No Credit (i.e. pass/fail) options. If you would prefer to be graded, or if you must receive a letter grade to meet the requirements of your academic program, participation will serve as the basis of your grade. In order to receive an A, you must turn in all three pieces of writing for workshop, fulfill your responsibilities as workshop member, and participate thoughtfully in class discussion. If you complete less than 60% of the course work on time, you will receive an F. -
Scottie Fitzgerald: the Ts Ewardship of Literary Memory University Libraries--University of South Carolina)
University of South Carolina Scholar Commons Irvin Department of Rare Books & Special Rare Books & Special Collections Publications Collections 10-2007 Scottie Fitzgerald: The tS ewardship of Literary Memory University Libraries--University of South Carolina) Follow this and additional works at: https://scholarcommons.sc.edu/rbsc_pubs Part of the Library and Information Science Commons Recommended Citation University of South Carolina, "University of South Carolina Libraries - Scottie Fitzgerald: The tS ewardship of Literary Memory, October-December, 2007". http://scholarcommons.sc.edu/rbsc_pubs/17/ This Catalog is brought to you by the Irvin Department of Rare Books & Special Collections at Scholar Commons. It has been accepted for inclusion in Rare Books & Special Collections Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Scottie Fitzgerald The Stewardship of Literary Memory Scottie at 6 Pleasant Avenue. Montgomery, Alabama. ca. 1977. It was the Sayre residence when F. Scott Fitzgerald courted Zelda Sayre in 1917. Scottie considered purchasing this house and restoring jt . Scottie Fitzgerald: The Stewardship of Literary Memory An exhibition from the Matthew J. & Arlyn Bruccoli Collection ofF. Scott Fitzgerald Thomas Cooper Library, University of South Carolina October-December 2007 Catalogue by Matthew J. Bruccoli Curated by Jeffrey Makala Columbia, S.C. 2007 Catalogue produced by University Publications and designed by Kimberley Massey. CD produced by Edwin C. Breland. Copyright © 2007 by The University of South Carolina and the Matthew J. and Arlyn Bruccoli Collection of F. Scon Fitzgerald 2 Compiler's Note Frances Scott Fitzgerald was utterly unexpected. It would be meaningless to claim that "She was like nobody else." She was a great lady and the most generous friend I ever had. -
School of Unlikeness: the Creative Writing Workshop and American Poetry
School of Unlikeness: The Creative Writing Workshop and American Poetry Sarah Cohen A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Brian Reed, Chair Jeanne Heuving Jessica Burstein Program Authorized to Offer Degree: English University of Washington Abstract School of Unlikeness: American Poetry and the Creative Writing Workshop Sarah Cohen Chair of the Supervisory Committee: Associate Professor Brian Reed English This dissertation is a study of the creative writing workshop as a shaping institution of American poetry in the twentieth century. It takes as its starting point the observation that in the postwar period the rise of academic creative writing programs introduced profound material changes into the lives of American poets, as poetry became professionalized within the larger institution of the university. It goes on to argue that poets responded to these changes in ways that are directly legible in their work, producing a variety of poetic interrogations of the cultural and psychological effects of the reflexive professional self-fashioning that became, partially through the workshop, the condition of modern literary life. In other words, as poets became students and teachers, their classroom and career experiences occasioned new kinds of explorations of identity, performance, vocation, authority, and the cultural status of poets and poetry. The cluster of concerns linked to the evolving institution of "creative writing" shows stylistically diverse works to be united, and also resonates with and helps to clarify the major debates within the poetry world over the past decades between the camps of the "mainstream" and the "avant- garde" or, as Robert Lowell put it in 1959, "the cooked and the raw." My dissertation examines a variety of iterations of the relationship between workshop culture and poetic production through case studies of the poets Robert Lowell, Sylvia Plath, Anne Sexton, Theodore Roethke, Richard Hugo, and Jorie Graham. -
A History of the Conferences of Deans of Women, 1903-1922
A HISTORY OF THE CONFERENCES OF DEANS OF WOMEN, 1903-1922 Janice Joyce Gerda A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2004 Committee: Michael D. Coomes, Advisor Jack Santino Graduate Faculty Representative Ellen M. Broido Michael Dannells C. Carney Strange ii „ 2004 Janice Joyce Gerda All Rights Reserved iii ABSTRACT Michael D. Coomes, Advisor As women entered higher education, positions were created to address their specific needs. In the 1890s, the position of dean of women proliferated, and in 1903 groups began to meet regularly in professional associations they called conferences of deans of women. This study examines how and why early deans of women formed these professional groups, how those groups can be characterized, and who comprised the conferences. It also explores the degree of continuity between the conferences and a later organization, the National Association of Deans of Women (NADW). Using evidence from archival sources, the known meetings are listed and described chronologically. Seven different conferences are identified: those intended for deans of women (a) Of the Middle West, (b) In State Universities, (c) With the Religious Education Association, (d) In Private Institutions, (e) With the Association of Collegiate Alumnae, (f) With the Southern Association of College Women, and (g) With the National Education Association (also known as the NADW). Each of the conferences is analyzed using seven organizational variables: membership, organizational structure, public relations, fiscal policies, services and publications, ethical standards, and affiliations. Individual profiles of each of 130 attendees are provided, and as a group they can be described as professional women who were both administrators and scholars, highly-educated in a variety of disciplines, predominantly unmarried, and active in social and political causes of the era. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry Permalink https://escholarship.org/uc/item/2kb1h96x Author Smith, Matthew Bingham Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry By Matthew Bingham Smith A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in French in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michael Lucey, Chair Professor Mairi McLaughlin Professor Ann Smock Professor Lyn Hejinian Summer 2015 Abstract Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry by Matthew Bingham Smith Doctor of Philosophy in French University of California, Berkeley Professor Michael Lucey, Chair My dissertation offers a transnational perspective on the lively dialogue between French and American poetry since the 1970s. Focusing on the institutions and practices that mediate this exchange, I show how American and French poets take up, challenge or respond to shifts in the poetic field tied to new cross-cultural networks of circulation. In so doing, I also demonstrate how poets imagine and realize a diverse set of competing publics. This work is divided into three chapters. After analyzing in my introduction the web of poets and institutions that have enabled and sustained this exchange, I show in my first chapter how collaborations between writers and translators have greatly impacted recent poetry in a case study of two American works: Andrew Zawack’s Georgia (2009) and Bill Luoma’s My Trip to New York City (1994).