2020 Crossing the Divide
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The Anchor, Volume 99.11: November 18, 1986
Hope College Hope College Digital Commons The Anchor: 1986 The Anchor: 1980-1989 11-18-1986 The Anchor, Volume 99.11: November 18, 1986 Hope College Follow this and additional works at: https://digitalcommons.hope.edu/anchor_1986 Part of the Library and Information Science Commons Recommended Citation Repository citation: Hope College, "The Anchor, Volume 99.11: November 18, 1986" (1986). The Anchor: 1986. Paper 24. https://digitalcommons.hope.edu/anchor_1986/24 Published in: The Anchor, Volume 99, Issue 11, November 18, 1986. Copyright © 1986 Hope College, Holland, Michigan. This News Article is brought to you for free and open access by the The Anchor: 1980-1989 at Hope College Digital Commons. It has been accepted for inclusion in The Anchor: 1986 by an authorized administrator of Hope College Digital Commons. For more information, please contact [email protected]. Nov. 18,1986 Inside: Football in Playoffs, p. 12 I Live Bruce, p. 8 English Pilgrimage, p. 10 Women run MOI and Vous, p.3 toNationals Freeze Frame, p.4 Story on page 13. The Hope College Anchor 99 Volume 99 To com fun the afflicted and to afflict the com fortable. Number 11 At Issue: Minorities at Hope Congratulations DarTopp An Interview with Al Gonzales by Theresa McPherson What will Topp miss most other when it comes to career News Editor about Hope College? "I will promotions and changes. For Asst. Director of Multicultural Life greatly miss the people here. I now, I will be commuting, stay- Dar Topp, Director of the love the involvement I have been ing in a dorm room at the Univer- by Theresa McPherson dent might find it extremely im- Career Center and Co-Director of able to have with students. -
Black Women in Primetime Soap Opera: Examining Representation Within Genre Television
Black Women in Primetime Soap Opera: Examining Representation within Genre Television by Courtney Suggs A Thesis Submitted in Partial Fulfillment of Requirements for the Degree of Master of Science in Media Studies Middle Tennessee State University December 2019 Dissertation Committee: Dr. Katie Foss, Chair Dr. Sanjay Asthana Dr. Sally Ann Cruikshank ABSTRACT Using textual genre analysis, this research studied representation in primetime soap operas Scandal, How To Get Away with Murder, and Empire. Two hundred and eighty- three episodes were viewed to understand how black female identity is represented in primetime soap and how genre influences those representation. Using Collins (2009) theory of controlling images, this study found that black female protagonists were depicted as jezebels and matriarchs. The welfare mother stereotype was updated by portrayals of black woman as hard working. Soap opera conventions such as heavy talk helped provide context to stereotypical portrayals while conventions such as melodrama lead to reactive characterization. ii TABLE OF CONTENTS CHAPTER I: INTRODUCTION……………………………………………….….....1 Background……………………………………………………...………........3 CHAPTER II: LITERATURE REVIEW.....................................................................9 Black Women in Scripted Television…...........................................................9 Television Effects on Viewers……………………………………………....14 CHAPTER III: THEORETICAL FRAMEWORK………………………………....18 Representation Theory……………………………………………………...18 Genre Theory……………………………………………………………….19 -
8 Ten Thousand Cheers for Jesus! 111
Strong Shoes for Rough Roads by Neil Verwey Strong Shoes for Rough Roads © 2009 by Neil Verwey, Japan Mission Japan Mission 7-40 Monzen Cho, Ikoma, Nara, Japan 630-0266 Tel: (0)743-73-1754 Fax: (0)743-73-1681 E-mail: [email protected] Japan Mission’s Website: www.japanmission.org Published by ICM Press 983-2 Tawaraguchi-cho, Ikoma Nara, Japan 630-0243 Cover design by SonShine Works ISBN 978-0-900748-51-6 Scripture taken from the New King James Version. Copyright © 1982 by Thomas Nelson, Inc. unless otherwise noted. Used by permission. All rights reserved. Other translations quoted: New American Standard Bible (NASB), © 1995 by The Lockman Foundation New International Version (NIV), © 1984 by International Bible Society. Printed in South Africa by Anker Printers, Pretoria Japan Mission Japan Mission was founded by Neil and Peggy Verwey in 1957. It is a faith mission endeavouring to reach the seeking ones among the 127 million Japanese people. Japan Mission is interdenominational, not forming churches, but rather linking those reached through many avenues of ministry to already existing evangelical churches which believe and teach the fundamental doctrines of the Bible. The main emphasis of the work is to aid Japan’s approximately 7,800 churches, which have an average attendance of about 35 people. Because of their small congregations, the pastors are often in need of assistance with literature and their evangelistic programs. Areas of Outreach • Bibles & Literature • English Evangelism • Audio Visual Outreach • Hospital Evangelism & -
The Calm Year Is Our Women’S Leader- Beneath the Storm Ship Forum Here at Lifeway in Nashville, Tenn
Guest Editorial A WOMAN’S GUIDE TO INTIMACY When fall arrives, my ® WITH GOD mind turns to a busy season ourney of training women’s ministry J leaders. One of those training events I look forward to each The Calm year is our Women’s Leader- Beneath the Storm ship Forum here at LifeWay in Nashville, Tenn. If you lead women in your church, then you Redemptive Scars know that can be a blessing and a challenge Evidence of God’s at the same time. I’d like to invite you to join Life-Changing Love leaders from across the country that totally understand! This year’s forum will take place November 14-16, and our focus is “Filling Up and Pouring Out…Together!” This year’s guests include Angela Thomas, Margaret Feinberg, Esther Burroughs, and Vicki Courtney. Travis Cottrell will lead our worship and provide a wonderful concert on Friday night. Romans 15:13 tells us: “Now may the God of hope fi ll you with all joy and peace as you believe in Him so that you may overfl ow with hope by the power of the Holy Spirit.” If we don’t fi ll up, we can’t pour out effectively, and if we are full, then we MUST pour back into the lives of others. At this year’s forum you’ll fi nd out about: • Reaching for discipleship • Building community • Ministering out of the overfl ow • Connecting the generations of women I’d like to challenge older leaders with this question: What younger leader are you going to commit to bring with you? (And that actually includes YOU, no matter what age you are!) SEPTEMBER 2013 U.S.A. -
Our Lady of the Sacred Heart Church Newsletter Holy Thursday & Good
Our Lady of the Sacred Heart Church Newsletter Holy Thursday & Good Friday My Dear Parishioners, Tonight we remember the celebration of the very first Mass in history, which we call the Last Supper. The Last Supper happened within the context of a Passover Seder, which was and is still a highly ritualized meal. The Evangelists, we notice, did not record everything about that meal. What they recorded was what was different and unique about the meal. What was different was when Our Blessed Savior took bread, blessed and broke it, and said “this is my body.” What was also different was when He took the cup, blessed it, and said “this is my blood.” They also recorded a very special and unique command to the Apostles, “do this in memory of Me.” In giving the Apostles the command “do this in memory of Me,” He was giving His very first priests the power to confect the Eucharist. He did so that we would always have the Holy Eucharist and have the opportunity to share in that beautiful promise that He made us and is recorded in the Gospel of John “he who eats My flesh and drinks My blood has My life in him, and I will raise him on the Last Day.” So, as we celebrate the institution of the Holy Eucharist, it is most appropriate today and tonight that we remember and offer up prayers of thanksgiving for all of those priests, living and dead, through whose hands we have received the Bread of Life. Our Blessed Savior chose to celebrate the Last Supper the night before His Crucifixion. -
Jewish Giants of Music
AMERICAN JEWISH HISTORICAL SOCIETY Fall 2004/Winter 2005 Jewish Giants of Music Also: George Washington and the Jews Yiddish “Haven to Home” at the Theatre Library of Congress Posters Milken Archive of American Jewish Music th Anniversary of Jewish 350 Settlement in America AMERICAN JEWISH HISTORICAL SOCIETY Fall 2004/Winter 2005 ~ OFFICERS ~ CONTENTS SIDNEY LAPIDUS President KENNETH J. BIALKIN 3 Message from Sidney Lapidus, 18 Allan Sherman Chairman President AJHS IRA A. LIPMAN LESLIE POLLACK JUSTIN L. WYNER Vice Presidents 8 From the Archives SHELDON S. COHEN Secretary and Counsel LOUISE P. ROSENFELD 12 Assistant Treasurer The History of PROF. DEBORAH DASH MOORE American Jewish Music Chair, Academic Council MARSHA LOTSTEIN Chair, Council of Jewish 19 The First American Historical Organizations Glamour Girl GEORGE BLUMENTHAL LESLIE POLLACK Co-Chairs, Sports Archive DAVID P. SOLOMON, Treasurer and Acting Executive Director BERNARD WAX Director Emeritus MICHAEL FELDBERG, PH.D. Director of Research LYN SLOME Director of Library and Archives CATHY KRUGMAN Director of Development 20 HERBERT KLEIN Library of Congress Director of Marketing 22 Thanksgiving and the Jews ~ BOARD OF TRUSTEES ~ of Pennsylvania, 1868 M. BERNARD AIDINOFF KENNETH J. BIALKIN GEORGE BLUMENTHAL SHELDON S. COHEN RONALD CURHAN ALAN M. EDELSTEIN 23 George Washington RUTH FEIN writes to the Savannah DAVID M. GORDIS DAVID S. GOTTESMAN 15 Leonard Bernstein’s Community – 1789 ROBERT D. GRIES DAVID HERSHBERG Musical Embrace MICHAEL JESSELSON DANIEL KAPLAN HARVEY M. KRUEGER SAMUEL KARETSKY 25 Jews and Baseball SIDNEY LAPIDUS PHILIP LAX in the Limelight IRA A. LIPMAN NORMAN LISS MARSHA LOTSTEIN KENNETH D. MALAMED DEBORAH DASH MOORE EDGAR J. -
The Key of the Mysteries
THE KEY OF THE MYSTERIES (LA CLEF DES GRANDS MYSTÈRES) BY ELIPHAS LEVI THE KEY OF THE MYSTERIES ACCORDING TO ENOCH, ABRAHAM, HERMES TRISMEGISTUS AND SOLOMON BY ELIPHAS LEVI TRANSLATED, WITH AN INTRODUCTION, BY ALEISTER CROWLEY “Religion says: ‘Believe and you will un- derstand.’ Science comes to say to you: ‘Un- derstand and you will believe.’ “At that moment the whole of science will change front; the spirit, so long dethroned and forgotten, will take its ancient place; it will be demonstrated that the old traditions are all true, that the whole of paganism is only a system of corrupted and misplaced truths, that it is sufficient to cleanse them, so to say, and to put them back again in their place, to see them shine with all their rays. In a word, all ideas will change, and since on all sides a multitude of the elect cry in concert, ‘Come, Lord, come!’ why should you blame the men who throw themselves forward into that majestic future, and pride themselves on having foreseen it?” (J. De Maistre, Soirées de St. Petersbourg.) TRANSLATOR’S NOTE IN the biographical and critical essay which Mr. Waite prefixes to his Mysteries of Magic he says: ‘A word must be added of the method of this digest, which claims to be something more than translation and has been infinitely more laborious. I believe it to be in all respects faithful, and where it has been necessary or possible for it to be literal, there also it is invariably literal.’ We agree that it is either more or less than translation, and the following examples selected at haz- ard in the course of half-an-hour will enable the reader to judge whether Mr. -
Ann-Kathrin Deininger and Jasmin Leuchtenberg
STRATEGIC IMAGINATIONS Women and the Gender of Sovereignty in European Culture STRATEGIC IMAGINATIONS WOMEN AND THE GENDER OF SOVEREIGNTY IN EUROPEAN CULTURE EDITED BY ANKE GILLEIR AND AUDE DEFURNE Leuven University Press This book was published with the support of KU Leuven Fund for Fair Open Access Published in 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). Selection and editorial matter © Anke Gilleir and Aude Defurne, 2020 Individual chapters © The respective authors, 2020 This book is published under a Creative Commons Attribution Non-Commercial Non-Derivative 4.0 Licence. Attribution should include the following information: Anke Gilleir and Aude Defurne (eds.), Strategic Imaginations: Women and the Gender of Sovereignty in European Culture. Leuven, Leuven University Press. (CC BY-NC-ND 4.0) ISBN 978 94 6270 247 9 (Paperback) ISBN 978 94 6166 350 4 (ePDF) ISBN 978 94 6166 351 1 (ePUB) https://doi.org/10.11116/9789461663504 D/2020/1869/55 NUR: 694 Layout: Coco Bookmedia, Amersfoort Cover design: Daniel Benneworth-Gray Cover illustration: Marcel Dzama The queen [La reina], 2011 Polyester resin, fiberglass, plaster, steel, and motor 104 1/2 x 38 inches 265.4 x 96.5 cm © Marcel Dzama. Courtesy the artist and David Zwirner TABLE OF CONTENTS ON GENDER, SOVEREIGNTY AND IMAGINATION 7 An Introduction Anke Gilleir PART 1: REPRESENTATIONS OF FEMALE SOVEREIGNTY 27 CAMILLA AND CANDACIS 29 Literary Imaginations of Female Sovereignty in German Romances -
Ing the Needs O/ the 960.05 Music & Record Jl -1Yz Gî01axiï0h Industry Oair 13Sní1s CIL7.: D102 S3lbs C,Ft1io$ K.'J O-Z- I
Dedicated To Serving The Needs O/ The 960.05 Music & Record jl -1yZ GÎ01Axiï0H Industry OAIr 13SNí1S CIL7.: d102 S3lbS C,ft1iO$ k.'J o-z- I August 23, 1969 60c In the opinion of the editors, this week the following records are the SINGLE 1'1('It-.%" OE 111/î 11'1î1îA MY BALLOON'S GOING UP (AssortedBMI), 411) Atlantic WHO 2336 ARCHIE BELL AND WE CAN MAKE IT THE DRELLS IN THE RAY CHARLES The Isley Brotiers do more Dorothy Morrison, who led Archie Bell and the Drells Ray Charles should stride of their commercial thing the shouting on "0h Happy will watch "My Balloon's back to chart heights with on "Black Berries Part I" Day," steps out on her Going Up" (Assorted, BMI) Jimmy Lewis' "We Can (Triple 3, BMI) and will own with "All God's Chil- go right up the chart. A Make It" (Tangerine -blew, WORLD pick the coin well (T Neck dren Got (East Soul" -Mem- dancing entry for the fans BMI), a Tangerine produc- 906). phis, BMI) (Elektra 45671). (Atlantic 2663). tion (ABC 11239). PHA'S' 111' THE U lî lî /í The Hardy Boys, who will The Glass House is the Up 'n Adam found that it Wind, a new group with a he supplying the singing first group from Holland - was time to get it together. Wind is a new group with a for TV's animated Hardy Dozier - Holland's Invictus They do with "Time to Get Believe" (Peanut Butter, Boys, sing "Love and Let label. "Crumbs Off the It Together" (Peanut But- BMI), and they'll make it Love" (Fox Fanfare, BMI) Table" (Gold Forever, BMI( ter, BMI(, a together hit way up the list on the new (RCA 74-0228). -
Radar, Bikini Run Slated at Bent's Camp Feb. 14
NORTH WOODS TRADER Saturday, Feb. 14, 2015 Page 2 FEATURED RESTAURANT LODGE RESTAURANT On the Famous Cisco Chain of Lakes Radar, bikini run slated Bloody Mary Bar every Saturday and Sunday at Bent’s Camp Feb. 14 Nightly specials including Old-Fashioned Chicken Dinner • Prime Rib • Broasted Chicken Ribs & Wings • Homemade Pizzas This week’s featured Our House Specialty: Canadian Walleye served 7 different ways establishment is Bent’s Famous Friday Fish Fry & Fresh Salad Bar on Fridays! Camp Lodge Restaurant, located on the Cisco Chain of OPEN 6 DAYS A WEEK 11 A.M. TO CLOSE ~ CLOSED TUESDAYS Lakes in Land O’ Lakes. www.bents-camp.com The annual Radar Run (715) 547-3487 benefitting the Frosty Snow- 6882 Helen Creek Rd., 10 miles west of Land O’ Lakes on Cty. B mobile Club of Land O’ Lakes is set Saturday, Feb. 14, from 10 a.m. to 3 p.m. The bikini run will take place at Bent’s Camp at 3 p.m. Live music with Taylor Davis will begin at 4 p.m. There also will be an outdoor ice bar, food, raffles and more. Bent’s Camp, established in 1896, features cabin rentals, a bait shop, gift shop and a lodge restaurant with a full bar. Amy and Craig Kusick bought the business in April of 2011 with the goal of mak- ing Bent’s Camp a great place to visit year after year. Located on the Cisco Chain of Lakes, Bent’s Lake, a bar and restaurant, cabin rentals, bait The restaurant was built Camp offers impressive views of Mamie shop and gift shop. -
Pendulum (1965) Pendulum Staff
Lesley University DigitalCommons@Lesley Pendulum Special Collections and Archives Spring 1965 Pendulum (1965) Pendulum Staff Follow this and additional works at: https://digitalcommons.lesley.edu/pendulum Recommended Citation Staff, Pendulum, "Pendulum (1965)" (1965). Pendulum. 6. https://digitalcommons.lesley.edu/pendulum/6 This Article is brought to you for free and open access by the Special Collections and Archives at DigitalCommons@Lesley. It has been accepted for inclusion in Pendulum by an authorized administrator of DigitalCommons@Lesley. For more information, please contact [email protected]. PENDULUM65 ~ LH . I 1 1 f .P4 ; 1965 ~ r. I LESLEY COLLEGE LIB'RARY 29 Everett Street Cambridge, MA 02238 Spring 1965 Lesley College Cambridge, Massachusetts Ll-/ I . ftf /1h~ Cover by Janina Herter, '66 EDITORIAL BOARD Juanita L. Johnston, Editor Eileen Cutler, Assistant Editor Celeste Amenta, Prose Editor Joan Teachout, Poetry Editor Pamela Wilson, Art Editor STAFF Meryl Rubin, Business Manager Brenda Hunt , Advertising Manager Joan Schackman , Circulation Manager Gloria Knell , Publicity Manager Jonina Herter, Layout Editor Judith Kaye, Typing and Proofreading PENDULUM , founded by the Friends of the Livingston Stebbins Library, is published once a year, and contains prose , verse , and graphic art by und ergraduates and alumnae of Lesley College. Subscription rates: $2.00 per issue, $3.50 for two issues. NUMBER ONE VOLUME SIX ;l~AY2 4 1979 CONTENTS Title Author Page A Madder Tea Party Cleo Nikora 7 Ah, Youth! Patricia Egan 11 The Wapshot Scandal Joan Knight 12 snow sherry rosner 14 Out of Bounds Elaine Frankel 17 Black Against White Joan Teachout 19 A Tease Laurie Abrams 22 The Wapshot Scandal Jonina Herter 23 To Catch A Butterfly Abbie-Jane Poore 24 Composition Jill Resnick 25 Remnants Sherry Stadtman 27 Hunger in A Farewell to Arms Pamela Wilson 29 Spring Jonina Herter 31 Puddles Laurie Abrams 32 One Year Later Joan Teachout 33 Hissing Tales Patricia Egan 36 Joy Jonina Herter 37 Time Judy Johnson 38 The Trodden Ways Elaine Frankel 41 To T. -
Universidade Federal Do Rio Grande Do Sul Faculdade De Biblioteconomia E Comunicação Departamento De Comunicação Comunicaç
1 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL FACULDADE DE BIBLIOTECONOMIA E COMUNICAÇÃO DEPARTAMENTO DE COMUNICAÇÃO COMUNICAÇÃO SOCIAL – HABILITAÇÃO PUBLICIDADE E PROPAGANDA FERNANDA FAGUNDES XAVIER GLADIADORES DE TERNO, GERENCIAMENTO DE CRISES E IMAGEM: escândalos e ocultações da política na série Scandal PORTO ALEGRE 2016 2 FERNANDA FAGUNDES XAVIER GLADIADORES DE TERNO, GERENCIAMENTO DE CRISES E IMAGEM: escândalos e ocultações da política na série Scandal Trabalho de Conclusão de Curso apresentado à Faculdade de Biblioteconomia e Comunicação da Universidade Federal do Rio Grande do Sul como requisito parcial à obtenção do grau de Bacharel em Comunicação Social – Publicidade e Propaganda. Orientadora: Profª. Drª. Maria Berenice da Costa Machado PORTO ALEGRE 2016 3 FERNANDA FAGUNDES XAVIER GLADIADORES DE TERNO, GERENCIAMENTO DE CRISES E IMAGEM: escândalos e ocultações da política na série Scandal Trabalho de Conclusão de Curso apresentado à Faculdade de Biblioteconomia e Comunicação da Universidade Federal do Rio Grande do Sul como requisito parcial à obtenção do grau de Bacharel em Comunicação Social – Publicidade e Propaganda. Aprovado em: BANCA EXAMINADORA _______________________________ Profª. Drª. Maria Berenice da Costa Machado Orientadora _______________________________ Profª. Drª. Mariângela Machado Toaldo Examinadora _______________________________ Prof. Dr. Rudimar Baldissera Examinador 4 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL FACULDADE DE BIBLIOTECONOMIA E COMUNICAÇÃO AUTORIZAÇÃO Autorizo o encaminhamento para avaliação e defesa pública do TCC (Trabalho de Conclusão de Curso) intitulado “GLADIADORES DE TERNO, GERENCIAMENTO DE CRISES E IMAGEM: ESCÂNDALOS E OCULTAÇÕES DA POLÍTICA NA SÉRIE SCANDAL” de autoria de Fernanda Fagundes Xavier, estudante do curso de Comunicação Social – Habilitação Publicidade e Propaganda, desenvolvida sob minha orientação. Porto Alegre, .............. de .............................