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DVD Movie List by Genre – Dec 2020
Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S. -
Shakespeare, William Shakespeare
Shakespeare, William Shakespeare. Julius Caesar The Shakespeare Ralph Richardson, Anthony SRS Caedmon 3 VG/ Text Recording Society; Quayle, John Mills, Alan Bates, 230 Discs VG+ Howard Sackler, dir. Michael Gwynn Anthony And The Shakespeare Anthony Quayle, Pamela Brown, SRS Caedmon 3 VG+ Text Cleopatra Recording Society; Paul Daneman, Jack Gwillim 235 Discs Howard Sackler, dir. Great Scenes The Shakespeare Anthony Quayle, Pamela Brown, TC- Caedmon 1 VG/ Text from Recording Society; Paul Daneman, Jack Gwillim 1183 Disc VG+ Anthony And Howard Sackler, dir. Cleopatra Titus The Shakespeare Anthony Quayle, Maxine SRS Caedmon 3 VG+ Text Andronicus Recording Society; Audley, Michael Horden, Colin 227 Discs Howard Sackler, dir. Blakely, Charles Gray Pericles The Shakespeare Paul Scofield, Felix Aylmer, Judi SRS Caedmon 3 VG+ Text Recording Society; Dench, Miriam Karlin, Charles 237 Discs Howard Sackler, dir. Gray Cymbeline The Shakespeare Claire Bloom, Boris Karloff, SRS- Caedmon 3 VG+ Text Recording Society; Pamela Brown, John Fraser, M- Discs Howard Sackler, dir. Alan Dobie 236 The Comedy The Shakespeare Alec McCowen, Anna Massey, SRS Caedmon 2 VG+ Text Of Errors Recording Society; Harry H. Corbett, Finlay Currie 205- Discs Howard Sackler, dir. S Venus And The Shakespeare Claire Bloom, Max Adrian SRS Caedmon 2 VG+ Text Adonis and A Recording Society; 240 Discs Lover's Howard Sackler, dir. Complaint Troylus And The Shakespeare Diane Cilento, Jeremy Brett, SRS Caedmon 3 VG+ Text Cressida Recording Society; Cyril Cusack, Max Adrian 234 Discs Howard Sackler, dir. King Richard The Shakespeare John Gielgud, Keith Michell and SRS Caedmon 3 VG+ Text II Recording Society; Leo McKern 216 Discs Peter Wood, dir. -
Read Book Laurence Olivier and Vivien Leigh
LAURENCE OLIVIER AND VIVIEN LEIGH : THE LIVES AND LEGACIES OF THE BRITISH ACTING LEGENDS PDF, EPUB, EBOOK Charles River Editors | 122 pages | 20 Dec 2017 | Createspace Independent Publishing Platform | 9781981893416 | English | none Laurence Olivier and Vivien Leigh : The Lives and Legacies of the British Acting Legends PDF Book You don't know much about Laurence Olivier, do you? Ralph Richardson must have been the only totally straight one of the great British actors. He was right about Jennifer Jones. He offers not one piece of evidence for his speculations. More Details That Olivier should have given this account does not make it the gospel truth, particularly after so many years Please click here to register for free. But he is totally in love with Marilyn Monroe. More from Noel Coward diaries : "Larry had been to see me privately in the afternoon and told me ghastly stories about poor Viv. One grand old gentlemen told me how incredibly considerate he was. They spent the night at the St. My impression of him is that he was insufferable. I also think Danny Kaye may have made an amusing partner. So when, finally, they met at a film casting for the film Term Of Trial for which she earned a Bafta Best Newcomer nomination for playing a pupil to his alcoholic teacher — she was ripe for the plucking and so it began. Leigh was sometimes required to work seven days a week, often late into the night, which added to her distress; and she missed Olivier, who was working in New York City. -
ENG 351 Lecture 20 1 Look at Eugene O'neill Here. Won The
ENG 351 Lecture 20 1 Look at Eugene O’Neill here. Won the Nobel Prize in 1936. I’m amazed sometimes by the amazing statements that editors make. “Eugene O’Neill, the nation’s first major playwright” — okay. It’s hard it’s hard to think of anybody really major before O’Neill, certainly in the modern age — “the first to explore serious themes in the theater and to experiment with theatrical conventions” — more so than anybody else, particularly in some of the early plays, the early experimentation things that broke with traditional realism. The play we have at hand, however, of course, is a realistic play. Even though it is loaded with all kinds of Freudian psychology and symbolism and references, and this and that, it is nevertheless fourth wall theater. It’s as if it’s a box and one side is taken off of it and you’re looking into it like a doll’s house. It’s realistic theater. But he did do a lot of experimentation. The history of his family you know very well. His father, James, was an actor who made a fortune and also ruined his career for any future acting playing the Count of Monte Cristo. His mother was an Irish girl who fell in love with the actor and who became addicted to morphine. His older brother, Jamie, was also an actor and an alcoholic. And the only real difference between Eugene and Edmond is the name. So the story that you have set forth in “Long Day’s Journey into Night” is pretty much Eugene O’Neill’s family background. -
Exclusive Licence Ailowing the National Library of Canada To
National Library Bibliothèque nationale I*I of Canada du Canada Acquisitions and Acquisitions et Bibliographic Senices services bibliographiques 395 Wellington Street 395. nie Wellington Ottawa ON KIA ON4 OttawaON K1AOW Canada Canada Your fi& Vme retPIenœ Our Iüe Notre refem The author has granted a non- L'auteur a accordé une licence non exclusive Licence ailowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfichelfilm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. An Ethnopphy of Seeing: A Proposed Methodology for the Ethnographie Study of Popular Cinema by Mikel J. Koven A thesis subrnitted to the School of Graduate Studies in partial filfilment of the requirements for the degree of Doctor of Philosophy Department of Folklore Mernorial University of Newfoundland March I 5, 1999 St* John's Newfoundland AxwrRAcr: Cinema is a symbolic manifestation of cultural identity based on the experience of that identity. Generaliy, social scientists have relied on the ethnographie documentary tradition in film to explore issues related to cultural experience. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
In Harms Way Free
FREE IN HARMS WAY PDF Doug Stanton | 432 pages | 01 May 2002 | Transworld Publishers Ltd | 9780553813609 | English | London, United Kingdom In Harm's Way - Wikipedia Sign In. Edit In Harm's Way Showing all 86 items. Shortly after the filming ended, John Wayne was diagnosed with lung cancer on September 13, In addition to John WayneFranchot Tone was also suffering from lung cancer during filming. Unlike Wayne, who would survive his first case of cancer dying inof stomach cancerTone battled his first In Harms Way to his own death in latewith only four movie roles between this movie and his death. In Harms Way had eighteen movie roles, and several television appearances after having one cancerous lung and two ribs removed In Harms Way September 17, between this movie and his own death. The climactic battle with the Japanese fleet was staged mostly with model ships. Kirk Douglas thought that the special effects were poor and complained to Director Otto Preminger and the studio about it. He offered to re-stage the scenes In Harms Way his own expense using the special effects people who worked with him on Paths of Glory John Wayne was suffering from lung cancer, and by the end of the filming he was coughing up blood. Despite that, he continued to smoke up to six packs of cigarettes a day throughout the filming. Two months later, his entire left lung and several ribs were removed. The naval battle sequences were done with models that were so large in scale for the sake of greater detailthat they could be operated from the inside. -
SHAKESPEARE in PERFORMANCE Some Screen Productions
SHAKESPEARE IN PERFORMANCE some screen productions PLAY date production DIRECTOR CAST company As You 2006 BBC Films / Kenneth Branagh Rosalind: Bryce Dallas Howard Like It HBO Films Celia: Romola Gerai Orlando: David Oyelewo Jaques: Kevin Kline Hamlet 1948 Two Cities Laurence Olivier Hamlet: Laurence Olivier 1980 BBC TVI Rodney Bennett Hamlet: Derek Jacobi Time-Life 1991 Warner Franco ~effirelli Hamlet: Mel Gibson 1997 Renaissance Kenneth Branagh Hamlet: Kenneth Branagh 2000 Miramax Michael Almereyda Hamlet: Ethan Hawke 1965 Alpine Films, Orson Welles Falstaff: Orson Welles Intemacional Henry IV: John Gielgud Chimes at Films Hal: Keith Baxter Midni~ht Doll Tearsheet: Jeanne Moreau Henry V 1944 Two Cities Laurence Olivier Henry: Laurence Olivier Chorus: Leslie Banks 1989 Renaissance Kenneth Branagh Henry: Kenneth Branagh Films Chorus: Derek Jacobi Julius 1953 MGM Joseph L Caesar: Louis Calhern Caesar Manluewicz Brutus: James Mason Antony: Marlon Brando ~assiis:John Gielgud 1978 BBC TV I Herbert Wise Caesar: Charles Gray Time-Life Brutus: kchard ~asco Antony: Keith Michell Cassius: David Collings King Lear 1971 Filmways I Peter Brook Lear: Paul Scofield AtheneILatenla Love's 2000 Miramax Kenneth Branagh Berowne: Kenneth Branagh Labour's and others Lost Macbeth 1948 Republic Orson Welles Macbeth: Orson Welles Lady Macbeth: Jeanette Nolan 1971 Playboy / Roman Polanslu Macbe th: Jon Finch Columbia Lady Macbeth: Francesca Annis 1998 Granada TV 1 Michael Bogdanov Macbeth: Sean Pertwee Channel 4 TV Lady Macbeth: Greta Scacchi 2000 RSC/ Gregory -
Documenting the Director: Delbert Mann, His Life, His Work, and His Papers
http://spider.georgetowncollege.edu/htallant/border/bs10/fr-harw.htm Border States: Journal of the Kentucky-Tennessee American Studies Association, No. 10 (1995) DOCUMENTING THE DIRECTOR: DELBERT MANN, HIS LIFE, HIS WORK, AND HIS PAPERS Sarah Harwell Vanderbilt University Library The Papers of Delbert Mann at the Special Collections Library of Vanderbilt University provide not only a rich chronicle of the award-winning television and motion picture director's life and work, but also document the history of aspects of American popular culture and motion picture art in the latter half of the twentieth century. Delbert Mann was born in Lawrence, Kansas, in 1920. He moved to Nashville, which he considers his home town, as a young boy when his father came to teach at Scarritt College. He graduated from Hume-Fogg High School and Vanderbilt University, where Dinah Shore and Mann's future wife, Ann Caroline Gillespie, were among his classmates. Also in Nashville he developed a lifelong friendship with Fred Coe through their mutual involvement in the Nashville Community Playhouse. Coe would play a very important role in Mann's life. A few months after his graduation from Vanderbilt in 1941, Mann joined the Eighth Air Force, for which he completed thirty-five missions as a pilot of a B-24 bomber. After the end of the Second World War he attended the Yale Drama School, followed by two years as director of the Town Theatre of Columbia, South Carolina. In 1949, Fred Coe, already a producer at NBC television network, invited Delbert Mann to come to New York to direct live television drama on the "Philco Television Playhouse." Then in its infancy, television offered many fine original plays to its relatively small viewing audience. -
Indelible Shadows Film and the Holocaust
Indelible Shadows Film and the Holocaust Third Edition Annette Insdorf published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Annette Insdorf, 1983, 1989, 2002, 2003 Foreword to 1989 edition C Elie Wiesel This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First edition published 1983 by Random House Second edition published 1989 by Cambridge University Press Reprinted 1990 Third edition first published 2003 Printed in the United States of America Typefaces Minion 10/12 pt. and Univers67 System LATEX2ε [TB] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication Data Insdorf, Annette. Indelible shadows : film and the Holocaust / Annette Insdorf. – 3rd ed. p. ; cm. Includes bibliographical references and index. ISBN 0-521-81563-0 – ISBN 0-521-01630-4 (pb.) 1. Holocaust, Jewish (1939–1945), in motion pictures. I. Title. PN1995.9.H53 I57 2002 791.43658 – dc21 2002023793 ISBN 0 521 81563 0 hardback ISBN 0 521 01630 4 paperback Contents Foreword by Elie Wiesel page xi Preface xiii Introduction xv I Finding an Appropriate Language 1. -
Boxoffice Barometer (April 15, 1963)
as Mike Kin*, Sherman. p- builder the empire Charlie Gant. General Rawlmgs. desperadc as Linus border Piescolt. mar the as Lilith mountain bub the tut jamblei's Zeb Rawlings, Valen. ;tive Van horse soldier Prescott, e Zebulon the tinhorn Rawlings. buster Julie the sod Stuart, matsbil's*'' Ramsey, as Lou o hunter t Pt«scott. marsl the trontie* tatm gal present vjssiuniw SiNGiN^SVnMNG' METRO GOlPWVM in MED MAYER RICHMOND Production BLONDE? BRUNETTE? REDHEAD? Courtship Eddies Father shih ford SffisStegas 1 Dyke -^ ^ panairtSioo MuANlNJR0( AMAN JACOBS , st Grea»e Ae,w entl Ewer Ljv 8ecom, tle G,-eai PRESENTS future as ^'***ied i Riel cher r'stian as Captain 3r*l»s, with FILMED bronislau in u, PANAVISION A R o^mic RouND WofBL MORE HITS COMING FROM M-G-M PmNHunri "INTERNATIONAL HOTEL (Color) ELIZABETH TAYLOR, RICHARD BURTON, LOUIS JOURDAN, ORSON WELLES, ELSA MARTINELLI, MARGARET RUTHERFORD, ROD TAYLOR, wants a ROBERT COOTE, MAGGIE SMITH. Directed by Anthony Asquith. fnanwitH rnortey , Produced by Anotole de Grunwald. ® ( Pana vision and Color fEAlELI Me IN THE COOL OF THE DAY” ) ^sses JANE FONDA, PETER FINCH, ANGELA LANSBURY, ARTHUR HILL. Mc^f^itH the Directed by Robert Stevens. Produced by John Houseman. THE MAIN ATTRACTION” (Metrocolor) PAT BOONE and NANCY KWAN. Directed by Daniel Petrie. Produced LPS**,MINDI// by John Patrick. A Seven Arts Production. CATTLE KING” [Eastmancolor) ROBERT TAYLOR, JOAN CAULFIELD, ROBERT LOGGIA, ROBERT MIDDLETON, LARRY GATES. Directed by Toy Garnett. Produced by Nat Holt. CAPTAIN SINDBAD” ( Technicolor— WondroScope) GUY WILLIAMS, HEIDI BRUEHL, PEDRO ARMENDARIZ, ABRAHAM SOFAER. Directed by Byron Haskin. A Kings Brothers Production. -
MAY 3, 1968 15¢ PER COPY 24 PAGES P E C U 11 a R for M of Polish Roots As Much in Recent History Compassion For, in an Earlier As in Ancient History
\f I l • • . • ~ • () • -t-L., ,..1 -~ .,. .. .._, .. 1 - b 1 i -.- l , - ... ~ - ,., .. \.. ¥ ~ ~ ,' , _ t'\. o<iqO . OF t:,;pL..,: ...,,,__ ___-i e- .. ~e.'ci\\ ·..:. , fl-'- -te~9'\.8 o. t-.~e • ()1'.~~~t ~· \..• 10 · ~c:;e-• it'o~\~e Polish· Jewish Co:mmu.nit.y .Bewildered By'Purg-e WARSAW - "Recently it's anti-Semitic tradition, so does · better to be called Radziwill than most of Eastern Europe. Indeed, Rabinowicz,'' remarked a Pole ln the Warsaw regime ls on solid comrpenttng on the offfclal "antl ground in pointing out that Jews Zlonist" campaign, which tbe from the rest of Europe fie4 to THE ONLY ENGLISH-JEW/SH WEEKLY IN R. /. AND SOUTHEAST MASS. regime has conceded ls getting Poland as a haven of tolerance in - out of hand• past centurie~ The remark was not without a The current cam patgn has its VOL. LIi, NO. 10 FRIDAY, MAY 3, 1968 15¢ PER COPY 24 PAGES p e c u 11 a r for m of Polish roots as much in recent history compassion for, in an earlier as in ancient history. Many • period, the regime had also Polish Jews fied to the Soviet SAM:LEVENSON: at t a c k e d form er landowning Union as the Germans advanced, familles like the Radziwills, and returned with the liberating some of whom remained in Red Army to high posltlons in the Poland under Communist rule. new Communist regime here a 'We Were Brought Up All Wrong. • • Love of country had been as quarter of a century ago. much a deciding factor in their A substantial number of them staying as it was for the Jewish held important posts in the much survivors of Hitler's "final bated secret police in the But It Worked Out All Right' solution." s ta 11 n i st period and were regarded by Poles more as Soviet By CELIA ZUCKERBERG bad had the misfortune of losing That love, and often a long A return -to basic ethics, such one a brother a short while ago, commitment to Communism, have Stalinlsts than as fellow Polish as the Ten Commandments, ls the but that the rest of the family was prompted questioning by some of citizens.