MICHIGAN MONTHLY ______June, 2019 ______
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Sheets to Lull To
Sheets to Lull To - Pratyaksh Gautam Lo-Fi? So, What’s Different? usic spawns countless genres, with new ones Most genres of music aim to grab your attention and Mpopping up by the dozens every few years. move you, or to make you move. Lo-fi established Among the genres to come to prominence in the last itself as a genre whose aim is to not draw too much few years, lo-fi stands out as one of the more “un- attention, as demonstrated by the title of the largest interesting” ones. It isn’t bizarre, avant-garde, nor is lo-fi live stream on the internet, ChilledCow’s 24x7 it dominating the top 40. It doesn’t have any artists “lo-fi hip hop radio - beats to relax/study to”. They’re who constantly make headlines for their fashion or repetitive, relaxed and laid-back beats, with rarely relationships. any comprehensible lyrics, to be played without It begs the much more “interesting” question, why needing to pay attention, as filler, think Phillip Glass is such a seemingly niche genre enjoying growing meets J Dilla. popularity? Simply put, lo-fi hip hop is this generation’s elevator Lo-fi, short for ‘low fidelity’ is a genre of music music, well suited for late-night study sesh’s, or drawing largely on hip-hop, with elements of other questionable activities best appreciated with sampling, classic old school drum machine sounds, a calm ambience. lo-fi has existed in some way or unquantised drums, slightly detuned synths, form for a long time, but has recently attracted a repetition, and repetition. -
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mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
Moving Forward at the Detroit Historical Society!
1 WINTER 2018 Moving Forward at the Detroit Historical Society! At the Detroit Historical Society, 2017 has been a time of transformation. Three years of work on Detroit 67: Looking Back to Move Forward came to fruition this year, and the efforts that went into it led us to adopt a new model for engaging the public in creating programming and exhibitions in our museums. Our work is stronger for it, as evidenced by positive reviews, awards and steady increases in visitor numbers driven by the Detroit 67: Perspectives exhibition. Most importantly, however, our organization changed from the inside out. Our model for engagement, Engage, Refect, Act (ERA), incorporates a three-step process for commencing work on new programs and exhibitions at our museums: engage the community, refect on what we learn and inspire visitors to action based on the relevance of history to today. We are committed to applying this model internally and externally as we work to tell Detroit’s stories and why they matter. That means that we are engaging the talents of our staff across departments to strengthen and streamline our work in the same way that we are engaging the public and other cultural institutions to inform upcoming programs and exhibits. In October, the Detroit Historical Society and our partners at the Detroit Institute of Arts and the Charles H. Wright Museum of African American History were honored with the Michigan Museum Association’s 2017 Peninsulas Prize in recognition of our unique collaboration on the Detroit 67 project. This was wonderful evidence of the transformational power of the ERA model. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
New Year's Weekend Continues with Breaking
For Immediate Release NEW YEAR’S WEEKEND CONTINUES WITH BREAKING BENJAMIN AT HARD ROCK HOTEL & CASINO ATLANTIC CITY DECEMBER 30 AT 8 PM Atlantic City, NJ (October 29, 2018) – New Year’s weekend at Hard Rock Hotel & Casino Atlantic City just got even bigger with the addition of hard rockers, Breaking Benjamin at Hard Rock Live at Etess Arena on Sunday, December 30 at 8 p.m. Tickets are on-sale this Friday, November 2 at 10 a.m. Multi-platinum band Breaking Benjamin has amassed a sizeable and diehard fan base, both through their chart-topping music, as well as their electrifying live performances. Their latest release, Dark Before Dawn certified GOLD and debuted #1 on Billboard’s Top 200 chart and spun off two #1 rock tracks, “Failure” and “Angels Fall.” “Failure” was also named the most played song at Active Rock for 2015. 2009’s Dear Agony, certified PLATINUM and debuted #4 on the Billboard Top 200 and #1 on the iTunes Rock Album Chart. Dear Agony also spun off the platinum selling and #1 Active Rock single “I Will Not Bow” where it stayed #1 for five weeks straight. Their discography also includes 2002’s Saturate, 2004’s We Are Not Alone, 2006’s Phobia. We Are Not Alone spawned a pair of #1 radio hits, “So Cold” and “Sooner or Later.” Phobia debuted at # 2 on Billboard’s Top 200, hit #1 on the Rock Album Chart and was one of the top 50 selling rock albums of 2006. It featured one #1 and two Top 5 rock radio hits “Breath,” “Diary of Jane” and “Until The End.” Tickets to see Breaking Benjamin, ranging from $39.00 to $59.00, go on sale this Friday, November 2 at 10 AM. -
Page 14 Street, Hudson, 715-386-8409 (3/16W)
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY NOVEMBER | DECEMBER 2010 ATOS NovDec 52-6 H.indd 1 10/14/10 7:08 PM ANNOUNCING A NEW DVD TEACHING TOOL Do you sit at a theatre organ confused by the stoprail? Do you know it’s better to leave the 8' Tibia OUT of the left hand? Stumped by how to add more to your intros and endings? John Ferguson and Friends The Art of Playing Theatre Organ Learn about arranging, registration, intros and endings. From the simple basics all the way to the Circle of 5ths. Artist instructors — Allen Organ artists Jonas Nordwall, Lyn Order now and recieve Larsen, Jelani Eddington and special guest Simon Gledhill. a special bonus DVD! Allen artist Walt Strony will produce a special DVD lesson based on YOUR questions and topics! (Strony DVD ships separately in 2011.) Jonas Nordwall Lyn Larsen Jelani Eddington Simon Gledhill Recorded at Octave Hall at the Allen Organ headquarters in Macungie, Pennsylvania on the 4-manual STR-4 theatre organ and the 3-manual LL324Q theatre organ. More than 5-1/2 hours of valuable information — a value of over $300. These are lessons you can play over and over again to enhance your ability to play the theatre organ. It’s just like having these five great artists teaching right in your living room! Four-DVD package plus a bonus DVD from five of the world’s greatest players! Yours for just $149 plus $7 shipping. Order now using the insert or Marketplace order form in this issue. Order by December 7th to receive in time for Christmas! ATOS NovDec 52-6 H.indd 2 10/14/10 7:08 PM THEATRE ORGAN NOVEMBER | DECEMBER 2010 Volume 52 | Number 6 Macy’s Grand Court organ FEATURES DEPARTMENTS My First Convention: 4 Vox Humana Trevor Dodd 12 4 Ciphers Amateur Theatre 13 Organist Winner 5 President’s Message ATOS Summer 6 Directors’ Corner Youth Camp 14 7 Vox Pops London’s Musical 8 News & Notes Museum On the Cover: The former Lowell 20 Ayars Wurlitzer, now in Greek Hall, 10 Professional Perspectives Macy’s Center City, Philadelphia. -
American Idol® Live! 2015 Tour
AMERICAN IDOL® LIVE! 2015 TOUR AMERICAN IDOL® returns this summer with its 14th consecutive American Idol Live! Tour. 37-SHOW TOUR KICKS OFF JULY 7 IN CLEARWATER, FL For the first time ever, enjoy an intimate evening spotlighting the Top Five finalists from Season 14. Tickets on sale Friday, April 17 MESA, April 16 – AMERICAN IDOL®, the most successful music competition show in television history, returns this summer with an unprecedented 14th consecutive national tour. 19 Entertainment, Inc. announced Tuesday that the 37-show concert tour launches Tuesday, July 7 in Clearwater, FL, and stops in major cities, including New York, Chicago, Houston and Nashville. The tour will include Mesa Arts Center’s Ikeda Theater, with a one-night-only performance on August 16, 2015. Tickets go on sale starting Friday, April 17 via AmericanIdol.com/tour and will be available through Mesa Arts Center’s box office, at mesaartscenter.com or 480-644-6500. AMERICAN IDOL® LIVE! will give fans an opportunity to get up close and personal with the Top Five IDOLS from Season 14. The Top Five will showcase their individual artistry and talents all set to a live band. Past tours have featured stars such as Kelly Clarkson, Carrie Underwood, Jennifer Hudson, Fantasia, Adam Lambert, Scotty McCreery, Phillip Phillips and many more. AMERICAN IDOL® XIV airs Wednesdays (8:00-10:00 PM ET live/PT tape-delayed) on FOX. AMERICAN IDOL® LIVE! 2015 Tour Dates: DATE CITY VENUE July 07 Clearwater, FL Ruth Eckerd Hall July 08 Sarasota, FL Van Wezel Performing Arts Hall July 09 Melbourne, FL King Center For The Performing Arts July 11 Orlando, FL Hard Rock Live July 12 Fort Myers, FL Barbara B. -
SPRING ISSUE SUMMERTIME MUSIC at the SHORE \ Also in This Issue: Evolution of Sports Media
THE ACADEMY TORCHA CHRISTIAN BROTHERS ACADEMY NEWS PUBLICATION MAY 2018 ISSUE SPRING ISSUE SUMMERTIME MUSIC AT THE SHORE \ Also in this issue: Evolution of Sports Media PLUS THE WORLD CUP WITHOUT THE U.S.A. Letter from the Editor / The Academy Torch Spring Issue / May 2018 PUBLISHER words of encouragement. Further- Ms. Biloholowski more, I would like to thank the ad- ministration for giving us, the writers of the Torch, a virtual free reign to EDITOR IN CHIEF pursue whatever topics interest us in Ms. Biloholowski our articles, be it politics, sports, the environment, academy life, or pop CREATIVE DIRECTOR culture. Ms. Biloholowski To me, the greatest joy of writing in the medium of a school EDITORS LETTER FROM THE EDITOR newspaper, isn’t the knowledge that Joseph Broehl MATTHEW VACCARO my work will be published, but rath- Jack Butterfield er what I learn about the world from Jack Coleman researching my topic and reading Quinn Kiernan the articles of my peers. The medi- Joseph Sandbach Matthew Vaccaro um of the newspaper allows us, the As the 2017- 2018 school year writers of The Torch explore facets comes to a close we present you with of the world beyond the classroom. PHOTO EDITOR the the final issue of The Academy When learning is not just a chore to Aidan Broderick Torch. This year has been one of do from 8:30-2:30 on weekdays, but great change at the Academy, with an active fascination one takes into the closing of Henderson Hall, the everyday life, the world becomes a introduction of our new Dean of much less dreary and far more inter- Students, Mr. -
Brian Burke Television
Brian Burke Television: NEW YEARS EVE GALA EXECUTIVE CREATIVE Hunan TV 2016 PRODUCER LA BANDA SEASON 1 CO-EXECUTIVE PRODUCER UNIVISION (INTERNATIONAL EMMY NOMINATION) Marc Anthony & Gente De Creative Director Zona "Traidora" Ricky Martin "Perdoname" Creative Director Wisin "Medley" Creative Director Pitbull "Medley" Creative Director Reik "Medley" Creative Director Luis Coronel "Nada Mas Por Creative Director Eso" Laura Pausini "Lado Derecho Creative Director del Corazon" Alejandro Sanz "Capitan Creative Director Tapon" Calibre 50 "Contigo" Creative Director Jesse Y Joy "Ecos de Amor" Creative Director LITTLE BIG SHOTS SEASON CREATIVE PRODUCER NBC 2 AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 12 AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 11 Stevie Nicks "Landslide" Creative Director II Volo "Nessun Dorma" Creative Director Pitbull & LunchMoney Lewis Creative Director "Greenlight" AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 10 Omi "Cheerleader" Creative Director Rachel Platten "Fight Song" Creative Director Flo Rida & The Rockettes "I Creative Director Don't Like It I Love It" Yolanda Adams & The Harlem Creative Director Gospel Choir "I Want To Know What Love Is" AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 9 Lenny Kravits Creative Director "Chamber/American Woman" Ed Sheeran "Don't" Creative Director Pitbull & The Rockettes Creative Director "Fireball" Cyndi Lauper "True Colors" Creative Director Jackie Evancho "Think Of Me" Creative Director Train "Drops Of Jupiter/Angel Creative Director In Blue Jeans" AMERICA'S -
Shinedownthe Biggest Band You've Never Heard of Rocks the Coliseum
JJ GREY & MOFRO DAFOE IS VAN GOGH LOCAL THEATER things to do 264 in the area AT THE PAVILION BRILLIANT IN FILM PRODUCTIONS CALENDARS START ON PAGE 12 Feb. 28-Mar. 6, 2019 FREE WHAT THERE IS TO DO IN FORT WAYNE AND BEYOND THE BIGGEST BAND YOU’VE NEVER SHINEDOWN HEARD OF ROCKS THE COLISEUM ALSO INSIDE: ADAM BAKER & THE HEARTACHE · CASTING CROWNS · FINDING NEVERLAND · JO KOY whatzup.com Just Announced MAY 14 JULY 12 JARED JAMES NICHOLS STATIC-X AND DEVILDRIVER GET Award-winning blues artist known for Wisconsin Death Trip 20th Anniversary energetic live shows and bombastic, Tour and Memorial Tribute to Wayne Static arena-sized rock 'n' roll NOTICED! Bands and venues: Send us your events to get free listings in our calendar! MARCH 2 MARCH 17 whatzup.com/submissions LOS LOBOS W/ JAMES AND THE DRIFTERS WHITEY MORGAN Three decades, thousands of A modern day outlaw channeling greats performances, two Grammys, and the Waylon and Merle but with attitude and global success of “La Bamba” grit all his own MARCH 23 APRIL 25 MEGA 80’S WITH CASUAL FRIDAY BONEY JAMES All your favorite hits from the 80’s and Grammy Award winning saxophonist 90’s, prizes for best dressed named one of the top Contemporary Jazz musicians by Billboard Buckethead MAY 1 Classic Deep Purple with Glenn Hughes MAY 2 Who’s Bad - Michael Jackson Tribute MAY 4 ZoSo - Led Zeppelin Tribute MAY 11 Tesla JUNE 3 Hozier: Wasteland, Baby! Tour JUNE 11 2 WHATZUP FEBRUARY 28-MARCH 6, 2019 Volume 23, Number 31 Inside This Week LIMITED-TIME OFFER Winter Therapy Detailing Package 5 Protect your vehicle against winter Spring Forward grime, and keep it looking great! 4Shinedown Festival FULL INTERIOR AND CERAMIC TOP COAT EXTERIOR DETAILING PAINT PROTECTION Keep your car looking and Offers approximately four feeling like new. -
The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash
Washington and Lee Law Review Volume 64 | Issue 2 Article 4 Spring 3-1-2007 [Insert Song Lyrics Here]: The sesU and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Legal Writing and Research Commons Recommended Citation Alex B. Long, [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash. & Lee L. Rev. 531 (2007), https://scholarlycommons.law.wlu.edu/wlulr/vol64/iss2/4 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long* Table of Contents I. For Those About To Rock (I Salute You) .................................... 532 II. I'm Looking Through You ........................................................... 537 A. I Count the Songs That Make the Legal Profession Sing, I Count the Songs in Most Everything, I Count the Songs That Make the Young Lawyers Cry, I Count the Songs, I Count the Songs ................................................. 537 B . A dd It U p ............................................................................... 539 C. I'm Looking Through You .................................................... 541 1. It Takes a Profession of Thousands To Hold Us Back .... 541 2. Baby Boomers Selling You Rumors of Their History ..... 544 3.