Edwina Stroblcv1apr2021

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Edwina Stroblcv1apr2021 Edwina Strobl Theatre and Opera Director edwina@flugelman.com | +44 (0)7584906566 | www.edwinastrobl.com As a freelance Director Edwina’s skills include developing new works and testing the boundaries of genre. She is passionate about stories that use humour and bold theatricality to interrogate the contemporary world, as well as delighting and inspiring audiences. Edwina grew up in Australia and relocated to London in 2009 to study at University College London and then at The Royal Academy of Dramatic Art. She has since worked in the UK as a freelance Director in opera and theatre. In 2015 she formed Flugelman Productions, a production company for the development of new work with emerging artists. Upcoming Make Me Flugelman Productions Various writers Podcast project 2021 Macbeth Blackheath Halls Opera, London Guiseppe Verdi Assistant to Director James Hurley (Postponed due to Covid-19) Kill Climate Deniers Canal Cafe Theatre, London David Finnigan (Postponed due to Covid-19) As Director N89 Matchstick Theatre, London Mark Daniels 4 week run 2020 (Run cut short due to Covid-19) L’Elisir d’Amore Red Earth Opera, UK Gaetano Donizetti 2 performances 2019 News Revue Canal Cafe Theatre, London Various Writers 6 week run 2019 The Institute of Nuts Matchstick Theatre, London Mark Daniels ★★★★ Spy in the Stalls, 9 performances 2019 La Cenerentola Red Earth Opera, UK Gioachino Rossini 2 performances 2018 When The Friendship Has Sailed Weird Sisters Theatre, Edinburgh Festival Fringe Jessica Palfrey ★★★★★ Everything Theatre, 30 performances 2018 Boxman Flugelman Productions and StoneCrabs Theatre Daniel Keene UK Tour including Brighton Fringe and Blue Elephant Theatre ★★★★★ Broadway Baby, 9 performances 2018 The Poetry We Make Flugelman Productions Jaswinder Blackwell-Pal UK Tour: Brighton Fringe; RADA Festival; Old Red Lion ★★★★.5 The Reviews Hub, 15 performances 2017-2018 As Assistant Director Knoxville: Summer 1915 4/4 programme, The Royal Opera House, London Samuel Barber Director: Antony McDonald 1 performance 2020 The Crucible Berlin Opera Academy, Opernfest, Berlin Robert Ward Director: Jennifer Williams 3 performances 2019 Giuilio Cesare Bury Court Opera, UK G.F. Handel Director: Greg Eldridge 5 performances 2018 Education 2019 - Royal Opera House, London Jette Parker Young Artist Programme 2020 Opera Directing Training, led by Elaine Kidd and Katie Mitchell 2016-17 StoneCrabs Theatre Company Trainee Director 2014-15 Royal Academy of Dramatic Art Master of Text and Performance & Birkbeck, University of London Received Master of Arts with Distinction 2009-14 University College London, Bachelor of History University of London Received Upper 2nd Class Honours Other Training 2018 Laughter Yoga Facilitator Certificate - Laughter Yoga International, London 2017 Lecoq Masterclass with Complicite’s Kate Higginbottom - Pants on Fire, London 2013 Yoga Teaching Certificate - Sukha Mukha Yoga, Sydney 2003-08 Chorister and performer – The Australian Girls Choir Additional Theatre Work 2020 The Space Arts Centre - Devised and facilitated sketch comedy workshop series 2019 RADA Festival Marketing and Admin Assistant - Assisted the 2019 Festival 2018-20 Accolade Tuition - English and Drama GCSE tutoring 2017 Full Disclosure, ‘Xposure’ - Directed short for LGBT scratch night 2016 King’s College London - Directed Hecastus for 10th anniversary Latin play for scholars 2016 Angel Shed Inclusive Theatre Company - Facilitated Youth (5-16 yrs) Workshops 2016 St Dunstan’s College - Facilitated and Directed Year 10’s in Chatroom by Enda Walsh 2012-13 Australian Theatre for Young People - Facilitated Youth (8-16 yrs) Workshops Languages: English/German. Enhanced DBS issued in 2016. Holds the right to work in the EU and UK via dual Austrian/Australian citizenship and Settled Status in the UK. .
Recommended publications
  • Creative Spaces in Westminster
    Creative Spaces in Westminster Map Facilities Company/organisation name Address Postcode Telephone For more information Key: C = cultural and community event; E = exhibitions; F = film / photography / cinema; L = launch, fashion show, reception; M = meeting / class / workshop; P = performance; R = audition / rehearsal Large Mixed Use Spaces 1 C, M Abbey Community Centre 34 Great Smith Street SW1P 3BU 020 7222 0303 www.theabbeycentre.org.uk/venue/ 2 M, P, R Amadeus Centre 50 Shirland Road W9 2JA 020 7286 1686 www.amadeuscentre.co.uk Corporate GIS Team 3 C, E, M, R Beethoven Centre Third Avenue Queens Park W10 4LJ 020 8825 1067 www.a2dominion.co.uk/rte.asp?id=984 4 Natural History Museum contact the Arts and Culture Service - 020 7641 2498 SW7 5BD www.nhm.ac.uk/ 5 C, E, M, P, R Paddington Arts 32 Woodfield Road W9 2BE 020 7286 2722 www.paddingtonarts.org.uk/roomhire.php 6 M, P, R Royal Academy of Music Marylebone Road NW1 5HT 020 7873 7373 www.ram.ac.uk/venue-hire 21 7 E, L, M Royal College of Art Kensington Gore SW7 2EU 020 7590 4118 www.rca.ac.uk/Default.aspx?ContentID=159651&groupID=159651 8 Royal Geographical Society contact the Arts and Culture Service - 020 7641 2498 SW7 2AR www.rgs.org/HomePage.htm 9 M, R Rudolf Steiner House 35 Park Road NW1 6XT 020 7723 4400 www.rsh.anth.org.uk/pages/house_fac.html 15 10 Science Museum contact the Arts and Culture Service - 020 7641 2498 SW7 2DD www.sciencemuseum.org.uk/ 11 E, L, M, P, R Tabernacle 34-35 Powis Square W11 2AY 020 7221 9700 www.tabernaclew11.com/rooms-for-hire/ 12 Victoria & Albert
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  • MERRIE ENGLAND Music by Edward German
    Press Information The Finborough Theatre is now fully air conditioned Summer Season | April to July 2012 Part of the Finborough Theatre's Celebrating British Music Theatre series Citric Acid in association with Neil McPherson for the Finborough Theatre presents The first professional London production for 52 years MERRIE ENGLAND Music by Edward German. Libretto by Basil Hood. Directed by Alex Sutton. Musical Direction by Eamonn O’ Dwyer. Designed by Philip Lindley. Lighting by Miguel Vicente. Produced by Luke Holbrook. Costume Design by Sophia Anastasiou. Cast: Sammy Andrews. Alexander Beck. Jamie Birkett. Daniel Cane. Luke Courtier. Stephen Darcy. Virge Gilchrist. Tom Giles. Stuart Hickey. Rachel Holbrook. Nichola Jolley. Christopher Killik. Ruth Leavesley. Brendan Matthew. Michael Riseley. Jody Ellen Robinson. Gemma Sandzer. Rhys Saunders. Originally written for the Savoy Theatre in 1902 and a longtime British musical classic, this rediscovery celebrates both the Queen’s Diamond Jubilee as well as the 150th anniversary of the birth of composer Edward German. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012 (Press Night: Monday, 28 May 2012 at 7.30pm). Edward German's patriotic pageant deals with love and rivalries at the court of Queen Elizabeth I as the monarch visits the townsfolk of Windsor to celebrate May Day. With a plot that includes such historical personages as Sir Walter Raleigh and the Earl of Essex, murder plots and tales of witchcraft unravel to the background of the May Day revels... An English light opera in the style made famous by Gilbert and Sullivan, Merrie England features a prominent chorus and a range of principal numbers including ballads, patter songs, duets and quintets.
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  • Drama and Theatre
    Drama and Theatre You need to do three things to be a top quality dramatist – watch theatre, read plays and create. The more you do these three things, the more you will fall in love with theatre, deepen your appreciation and understanding of the art form and develop your ability to produce sophisticated pieces of theatre. Doing any of these will develop your knowledge and ability, but the top drama students find the balance between all three: Watching theatre is the best way a drama practitioner gets inspired and generates initial ideas. You will see things on stage which will make you think or feel a certain way; it may prompt a cathartic response, shock you or make you consider a topic in a completely new light. As practitioners, we are constantly stealing and adapting each other’s ideas to create great theatre. Reading plays gives you a deeper appreciation of the history and tradition of theatre. It also allows you to consider a story and imagine your own directorial, design and performance interpretations. The more you read, the more you exercise your imagination. Creating is crucial to actually applying and practising the skills and ideas you get from watching and reading theatre. You cannot be a top quality dramatist if you do not practise the craft. And the process works both ways. Watching theatre and reading plays will make you a more inspired and informed creator. But creating will also give you a deeper and richer appreciation of the plays you watch and read. Below, I have outlined 16 of my favourite plays, all of which have made an incredibly important cultural contribution to theatre history.
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  • Key to Creative Spaces in Or Near Westminster Map Activity Name of Organisation Address Postcode Telephone
    Key to Creative Spaces in or near Westminster Map Activity Name of Organisation Address Postcode Telephone Most venues offer spaces which can be adapted to a variety of uses: auditions, workshops Places of worship classes, filming and events. Please contact the venues direct to discuss your requirements 35 R St Anne's Church, Soho 55 Dean Street W1D 6AF 020 7437 8039 Facilities suitable for specific arts activities: A = artist's studio D = dance studio 36 R St Gabriel's Halls Churchill Gardens SW1V 3AA 07967 655 515 E = exhibition space F = film or TV studio M = music P = performance R = rehearsal 37 E P R St James the Less Westminster Thorndike Street SW1V 2PS 020 7630 6282 Map Activity Name of Organisation Address Postcode Telephone 38 P R St John's, Smith Square Smith Square SW1P 3HA 020 7222 2168 Large Mixed Use Spaces 39 R St Martin-in-the-Fields Trafalgar Square WC2N 4JJ 020 7766 1165 1 Abbey Community Centre 34 Great Smith Street SW1P 3BU 020 7222 0303 40 St Mary Magdalene Church Rowington Close W2 5TF 07973 859 995 2 E D F M P Asia House 63 New Cavendish Street W1 7LP 020 7307 5454 41 P R St Saviour Pimlico St. George’s Square SW1V 3QW 020 7834 9520 3 R Amadeus Centre 50 Shirland Road W9 2JA 020 7286 1686 Private Sector 4 D P R Cecil Sharp House 2 Regent's Park Road NW1 7AY 020 7485 2206 42 Electric Barge Grand Union Canal W2 6NA 020 7266 8247 5 P R Rudolf Steiner House 35 Park Road NW1 6XT 020 7723 4400 43 Institute Francais 17 Queensberry Place SW7 2DT 020 7871 3516 6 Serpentine Gallery Kensington Gardens W2 3XA 020 7298 1522
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  • Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
    Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s
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  • Antigone-Programme.Pdf
    aod are a Brighton based theatre company with a vigorous passion to ‘make magic from myth’. We create fresh, bold and urgent interpretations of Classical Greek plays and develop new plays inspired by Greek mythology. We have a strong national and international profile and regularly tour our work. At the heart of our work is collaboration. We have recently embarked on the exciting adventure of working with new young writers and we offer a mentoring programme to emerging directors. This production is an example of the exciting new work we produce when such collaborations take place. We are passionate about providing opportunities for practitioners to develop their craft. We actively invest in and support promising individuals as they begin to develop their careers as theatre artists. An important aspect of our work is introducing young people to the Classics – particularly those who have never had any Classical education. Through our 25 years we have built up a wealth of experience and knowledge of both Classical Greek theatre and Greek myths. Our team of education experts have created a unique educational and outreach programme. This encompasses a wide range of workshops which we deliver to schools and colleges across Britain. Our workshops are unique, engaging and practical, allowing students to delve deeper into their work. We are able to tailor workshops to the needs of a particular class or to examination requirements. We are currently offering a special discount to school and college groups who have been to see Antigone. Please contact our Education Officer Mark Katz at [email protected] or 07903 390 087 and use the word ‘Antigone’ to be offered a discount.
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  • Singer / Actor
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  • 40 More Theatres Supported with Final Theatre Reopening Fund Grants
    Theatres Trust supports 40 more theatres with final Theatre Reopening Fund grants The national public advisory body for theatre has awarded a further £155,265 of grants to help theatres with costs of Covid-secure reopening, including changes to the building to reduce congestion, improvements to ventilation systems and simple measures like installing hand sanitisers and screens. The theatres supported reflect the vital elements that make up the theatre ecosystem with awards made to significant producing theatres – Hampstead Theatre, Lyric Hammersmith, Pitlochry Festival Theatre, Theatre Royal Bath – major receiving houses Capital Theatres and Worthing Theatres, venues specialising in dance (Northern Ballet), new writing (Traverse, New Diorama, Gate Theatre) and one of the country’s few puppet theatres, Upfront Theatre. Community theatres across the country have received grants, including young people-focused Blue Elephant Theatre and Hanger Farm Arts Centre, which works with people with learning disabilities. Theatres Trust has also given grants to help reopen every type of theatre building, including the country’s last remaining Regency theatre, Theatre Royal Bury St Edmunds, theatres in converted cinemas (People’s Theatre and Blackburn Empire) and former churches (Headgate Theatre and Lowestoft Players Theatre), pub theatres (Jack Studio Theatre), outdoor theatre (Rutland Open Air) and even a travelling theatre – Paines Plough. Theatres Trust Director Jon Morgan says, We are beginning to look forward to a time when theatres can reopen, welcome audiences back inside and continue to play a vital role in their communities. It has been a difficult year, but Theatres Trust is pleased to have been able to support so many theatres through this grant scheme as well as our free advice service and the #SaveOurTheatres Crowdfunding campaign.
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  • Macbeth William Shakespeare
    AWARD WINNING LAZARUS THEATRE COMPANY www.lazarustheatrecompany.com Macbeth William Shakespeare Weird Sister / Macduff / Murderer - David Clayton Training - Royal Central School of Speech and Drama. Previous Lazarus credits include; Archbishop of Canterbury, Edward II, Ricky Dukes, Tristan Bates Threatre & Greenwich Theatre. Bottom, Midsummer Nights Dream, Ricky Dukes, Greenwich Theatre. Trinculo, The Tempest, Ricky Dukes, Greenwich Theatre. Guard of Herodias, Salomé, Ricky Dukes, Greenwich Theatre. Banquo / Apparition - Lewis Davidson Training - Kingston University Drama. Previous Lazarus credits include; Vindici, The Revenger’s Tragedy, Gavin Harrington-Odedra, Brockley Jack Studio Theatre. Edmund, Kind Lear, Ricky Dukes, GreenwichTheatre. Jupiter, Dido - Queen of Carthage, Ricky Dukes, Greenwich Theatre. Oliver De Boys, As You Like It, Gavin Harrington-Odedra, The Space. Duke Alba, Don Carlos, Ricky Dukes, Blue Elephant Theatre. Previous credits include; Ensemble, Wildefire, Maria Aberg, Hampstead Theatre. Ross MacDonald, Dreams From The Pit, Emma King-Farlow, Palace Theatre London. Icarus, Icarus – A Story Of Flight, Jake Lindsey, C Venues Edinburgh. Ryan, Sidings, Tom King, Rose Theatre Kingston. One Man Show, Sideshow, Jake Lindsey, C Venues Edinburgh. Lysander, A Midsummer Night’s Dream, Rhona Mitchell, Lemon Tree Theatre. Lady Macbeth - Alice Emery Training - Drama Centre London and Stella Mann College of Performing Arts. Previous Lazarus credits (as RJ Seeley) Donado in ‘Tis Pity She’s A Whore, Ricky Dukes, Tristan Bates Theatre; Chorus Leader in The Bacchae, Gavin Harrington-Odedra, The Blue Elephant; Fluellen in Henry V, Ricky Dukes, Union Theatre and the rehearsed reading of Polly at the Brockley Jack. Previous credits include Titania in A Midsummer Nights Dream, Laura Colgan, C Theatre; Theresa May/Ralph/Mrs Corbyn/various in Brexit the Musical, Lucy Appleby, Canal Cafe Theatre; Rosalind in As You Like It, Ross Livingstone, Barnes Theatre.
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  • Benjamin Vivian-Jones
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  • Hampstead Theatre Announces the Full Casting for the World Premiere of Cash Cow, and the National Touring Production of Prism
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  • Television Musical
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