DOCSLIB.ORG

Macbeth William Shakespeare

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Macbeth William Shakespeare AWARD WINNING LAZARUS THEATRE COMPANY www.lazarustheatrecompany.com Macbeth William Shakespeare Weird Sister / Macduff / Murderer - David Clayton Training - Royal Central School of Speech and Drama. Previous Lazarus credits include; Archbishop of Canterbury, Edward II, Ricky Dukes, Tristan Bates Threatre & Greenwich Theatre. Bottom, Midsummer Nights Dream, Ricky Dukes, Greenwich Theatre. Trinculo, The Tempest, Ricky Dukes, Greenwich Theatre. Guard of Herodias, Salomé, Ricky Dukes, Greenwich Theatre. Banquo / Apparition - Lewis Davidson Training - Kingston University Drama. Previous Lazarus credits include; Vindici, The Revenger’s Tragedy, Gavin Harrington-Odedra, Brockley Jack Studio Theatre. Edmund, Kind Lear, Ricky Dukes, GreenwichTheatre. Jupiter, Dido - Queen of Carthage, Ricky Dukes, Greenwich Theatre. Oliver De Boys, As You Like It, Gavin Harrington-Odedra, The Space. Duke Alba, Don Carlos, Ricky Dukes, Blue Elephant Theatre. Previous credits include; Ensemble, Wildefire, Maria Aberg, Hampstead Theatre. Ross MacDonald, Dreams From The Pit, Emma King-Farlow, Palace Theatre London. Icarus, Icarus – A Story Of Flight, Jake Lindsey, C Venues Edinburgh. Ryan, Sidings, Tom King, Rose Theatre Kingston. One Man Show, Sideshow, Jake Lindsey, C Venues Edinburgh. Lysander, A Midsummer Night’s Dream, Rhona Mitchell, Lemon Tree Theatre. Lady Macbeth - Alice Emery Training - Drama Centre London and Stella Mann College of Performing Arts. Previous Lazarus credits (as RJ Seeley) Donado in ‘Tis Pity She’s A Whore, Ricky Dukes, Tristan Bates Theatre; Chorus Leader in The Bacchae, Gavin Harrington-Odedra, The Blue Elephant; Fluellen in Henry V, Ricky Dukes, Union Theatre and the rehearsed reading of Polly at the Brockley Jack. Previous credits include Titania in A Midsummer Nights Dream, Laura Colgan, C Theatre; Theresa May/Ralph/Mrs Corbyn/various in Brexit the Musical, Lucy Appleby, Canal Cafe Theatre; Rosalind in As You Like It, Ross Livingstone, Barnes Theatre. Ross / Messenger / Doctor - Mikko Juan Training - The University of Washington. Macbeth is Mikko's Lazarus debut. Previous credits include; Brook, Tom Brown's School Days, Phil Willmott, The Union Theatre. Bobby Strong, Urinetown, Bill Berry, ACT Theatre/5th Avenue Theatre. Ben Uchida, The Journal of Ben Uchida: Citizen 13559, Desdemona Chiang, Seattle Children's Theatre. Guang-Li, Paint Your Wagon, David Armstrong, 5th Avenue Theatre. DHH, Yellow Face, Elizabeth Wu, University of Washington. Weird Sister / Donalbain / Murderer - Cameron Nelson Training - Mountview Academy of Theatre Arts, London. Macbeth is Cameron’s Lazarus debut. Previous credits include; George, The Facility, Vanessa Finn, De Montfort University. Camden, Concrete Lies, Ian Manara, Ian Manara Films Limited Angus / Murderer / Lady Macduff / Seyton – Darcy Willison Training - Fourth Monkey Actor Training Company. Previous Lazarus credits include; Roger, Lord of The Flies, Ricky Dukes, The Greenwich Theatre. Previous Credits include; Watford, Empty In Angel, Ursula Campbell, The White Bear. Becca Matlock, Casualty, Tim Leandro/Reza Moradi, BBC. Megan, Where The Lines Are Drawn, Suha Al-Khayyat, Little Fish Theatre. Anna Hurd, 999 Killer On The Line, T.J. Sherbrooke, Thumbs Up Productions. Macbeth - Jamie O'Neill Training - The Poor School. Previous Lazarus credits include; King Herod, Salome, Ricky Dukes, Greenwich Theatre. Young Mortimer, Edward II, Ricky Dukes, Greenwich Theatre. Supervacuo, The Revengers Tragedy, Gavin Harrington-Odedra, The Brockley Jack. Previous credits include; Alex, Ghost (Film), Anthony Z James. Arty Charlton, Destroyer Of Worlds (Film), Sam Dawes. Jay, Learning To Swim (Theatre), Greenwich and Criterion Theatre, James Haddrell. Guy, 50 Years (Theatre), Theatre Royal Stratford East, TD Moyo. Tom, Festivus (Theatre), Old Red Lion, Jon Max Spatz. Captain / Weird Sister / Lennox - Hamish Somers Training - Mountview Academy of Theatre Arts. Macbeth is Hamish Lazarus debut Previous credits include; Norman Britain, Beating the Bounds, Stephen Medlin, McQueens Theatre Credits whilst training; Keir Hardie, Her Naked Skin, Carol Harvie, Backstage Theatre. Zeppo, Pomona, Anthony Lau, New Diorama Malcolm / Murderer / Apparition - Fred Thomas Training - RADA on the Foundation Course in Acting. Macbeth is Fred Thomas’s Lazarus debut. Previous credits include; Tom Snout the Tinker/Mustardseed, A Midsummer Night’s Dream, Teja Boocock, Forge Theatre Co. and Ferdinand, The Tempest, Gary Lagden, RADA. Duncan / Murderer / Apparition - Luke Ward-Wilkinson Training - RADA and LAMDA Gold Medals. Previous Lazarus credits include; Edward II, Edward II, Ricky Dukes, Tristan Bates Theatre. Previous Credits include; Jangles, Sleeping Beauty Pantomime, Starcatcher Productions, Twickenham Exchange Theatre. Aladdin, Aladdin, Bushy Arena, Starcatcher Productions. Daniel, Limit of the Land, Short film, Matthew Pritchard. Owen Woodward, Luther, Sam Miller, BBC. Alex Kennedy, Doctors, Elizabeth Newman, BBC. Robert, Cheerful Weather for the Wedding, Film, Donald Rice. Simon Doonan, Beautiful People, Gareth Carrivick and David Kerr, BBC. Ralph, Lord of the Flies, Regent’s Park Theatre UK Tour, Timothy Sheader and Liam Steel. Evan Trevanion, Wild at Heart, Various, ITV. .
Load more

Recommended publications
  • Creative Spaces in Westminster
    Creative Spaces in Westminster Map Facilities Company/organisation name Address Postcode Telephone For more information Key: C = cultural and community event; E = exhibitions; F = film / photography / cinema; L = launch, fashion show, reception; M = meeting / class / workshop; P = performance; R = audition / rehearsal Large Mixed Use Spaces 1 C, M Abbey Community Centre 34 Great Smith Street SW1P 3BU 020 7222 0303 www.theabbeycentre.org.uk/venue/ 2 M, P, R Amadeus Centre 50 Shirland Road W9 2JA 020 7286 1686 www.amadeuscentre.co.uk Corporate GIS Team 3 C, E, M, R Beethoven Centre Third Avenue Queens Park W10 4LJ 020 8825 1067 www.a2dominion.co.uk/rte.asp?id=984 4 Natural History Museum contact the Arts and Culture Service - 020 7641 2498 SW7 5BD www.nhm.ac.uk/ 5 C, E, M, P, R Paddington Arts 32 Woodfield Road W9 2BE 020 7286 2722 www.paddingtonarts.org.uk/roomhire.php 6 M, P, R Royal Academy of Music Marylebone Road NW1 5HT 020 7873 7373 www.ram.ac.uk/venue-hire 21 7 E, L, M Royal College of Art Kensington Gore SW7 2EU 020 7590 4118 www.rca.ac.uk/Default.aspx?ContentID=159651&groupID=159651 8 Royal Geographical Society contact the Arts and Culture Service - 020 7641 2498 SW7 2AR www.rgs.org/HomePage.htm 9 M, R Rudolf Steiner House 35 Park Road NW1 6XT 020 7723 4400 www.rsh.anth.org.uk/pages/house_fac.html 15 10 Science Museum contact the Arts and Culture Service - 020 7641 2498 SW7 2DD www.sciencemuseum.org.uk/ 11 E, L, M, P, R Tabernacle 34-35 Powis Square W11 2AY 020 7221 9700 www.tabernaclew11.com/rooms-for-hire/ 12 Victoria & Albert
    [Show full text]
  • MERRIE ENGLAND Music by Edward German
    Press Information The Finborough Theatre is now fully air conditioned Summer Season | April to July 2012 Part of the Finborough Theatre's Celebrating British Music Theatre series Citric Acid in association with Neil McPherson for the Finborough Theatre presents The first professional London production for 52 years MERRIE ENGLAND Music by Edward German. Libretto by Basil Hood. Directed by Alex Sutton. Musical Direction by Eamonn O’ Dwyer. Designed by Philip Lindley. Lighting by Miguel Vicente. Produced by Luke Holbrook. Costume Design by Sophia Anastasiou. Cast: Sammy Andrews. Alexander Beck. Jamie Birkett. Daniel Cane. Luke Courtier. Stephen Darcy. Virge Gilchrist. Tom Giles. Stuart Hickey. Rachel Holbrook. Nichola Jolley. Christopher Killik. Ruth Leavesley. Brendan Matthew. Michael Riseley. Jody Ellen Robinson. Gemma Sandzer. Rhys Saunders. Originally written for the Savoy Theatre in 1902 and a longtime British musical classic, this rediscovery celebrates both the Queen’s Diamond Jubilee as well as the 150th anniversary of the birth of composer Edward German. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012 (Press Night: Monday, 28 May 2012 at 7.30pm). Edward German's patriotic pageant deals with love and rivalries at the court of Queen Elizabeth I as the monarch visits the townsfolk of Windsor to celebrate May Day. With a plot that includes such historical personages as Sir Walter Raleigh and the Earl of Essex, murder plots and tales of witchcraft unravel to the background of the May Day revels... An English light opera in the style made famous by Gilbert and Sullivan, Merrie England features a prominent chorus and a range of principal numbers including ballads, patter songs, duets and quintets.
    [Show full text]
  • Drama and Theatre
    Drama and Theatre You need to do three things to be a top quality dramatist – watch theatre, read plays and create. The more you do these three things, the more you will fall in love with theatre, deepen your appreciation and understanding of the art form and develop your ability to produce sophisticated pieces of theatre. Doing any of these will develop your knowledge and ability, but the top drama students find the balance between all three: Watching theatre is the best way a drama practitioner gets inspired and generates initial ideas. You will see things on stage which will make you think or feel a certain way; it may prompt a cathartic response, shock you or make you consider a topic in a completely new light. As practitioners, we are constantly stealing and adapting each other’s ideas to create great theatre. Reading plays gives you a deeper appreciation of the history and tradition of theatre. It also allows you to consider a story and imagine your own directorial, design and performance interpretations. The more you read, the more you exercise your imagination. Creating is crucial to actually applying and practising the skills and ideas you get from watching and reading theatre. You cannot be a top quality dramatist if you do not practise the craft. And the process works both ways. Watching theatre and reading plays will make you a more inspired and informed creator. But creating will also give you a deeper and richer appreciation of the plays you watch and read. Below, I have outlined 16 of my favourite plays, all of which have made an incredibly important cultural contribution to theatre history.
    [Show full text]
  • Key to Creative Spaces in Or Near Westminster Map Activity Name of Organisation Address Postcode Telephone
    Key to Creative Spaces in or near Westminster Map Activity Name of Organisation Address Postcode Telephone Most venues offer spaces which can be adapted to a variety of uses: auditions, workshops Places of worship classes, filming and events. Please contact the venues direct to discuss your requirements 35 R St Anne's Church, Soho 55 Dean Street W1D 6AF 020 7437 8039 Facilities suitable for specific arts activities: A = artist's studio D = dance studio 36 R St Gabriel's Halls Churchill Gardens SW1V 3AA 07967 655 515 E = exhibition space F = film or TV studio M = music P = performance R = rehearsal 37 E P R St James the Less Westminster Thorndike Street SW1V 2PS 020 7630 6282 Map Activity Name of Organisation Address Postcode Telephone 38 P R St John's, Smith Square Smith Square SW1P 3HA 020 7222 2168 Large Mixed Use Spaces 39 R St Martin-in-the-Fields Trafalgar Square WC2N 4JJ 020 7766 1165 1 Abbey Community Centre 34 Great Smith Street SW1P 3BU 020 7222 0303 40 St Mary Magdalene Church Rowington Close W2 5TF 07973 859 995 2 E D F M P Asia House 63 New Cavendish Street W1 7LP 020 7307 5454 41 P R St Saviour Pimlico St. George’s Square SW1V 3QW 020 7834 9520 3 R Amadeus Centre 50 Shirland Road W9 2JA 020 7286 1686 Private Sector 4 D P R Cecil Sharp House 2 Regent's Park Road NW1 7AY 020 7485 2206 42 Electric Barge Grand Union Canal W2 6NA 020 7266 8247 5 P R Rudolf Steiner House 35 Park Road NW1 6XT 020 7723 4400 43 Institute Francais 17 Queensberry Place SW7 2DT 020 7871 3516 6 Serpentine Gallery Kensington Gardens W2 3XA 020 7298 1522
    [Show full text]
  • Peter Bramhill Matt Hussey
    Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Peter Bramhill Matt Hussey Height: 5'9" (175 cm) Eye Colour: Blue-Grey Playing Age: 35 - 45 Hair Colour: Blond(e) Appearance: White, Scandinavian Television 2019, Television, Man In Park, Alabama, BBC, Jim O'Hanlon 2017, Television, Mark Lumsden, Holby City, BBC, Various Directors 2016, Television, Arnold Sommerfeld, Genius: Einstein, Fox21 Television Studios, National Geographic, Kevin Hooks 2016, Television, Pilot, No Offence, Abbott Vision Channel 4, Rob Quinn 2016, Television, Gregory Garrod, Doctors, BBC, 2015, Television, Greg Collins, New Tricks, BBC, David Innes-Edwards 2013, Television, Richard Wright, Doctors, BBC, Dave Beauchamp 2013, Television, Felix Underwood, Father Brown, BBC, Matt Carter Television, Thomas Blakeway, The Wickedest City, Wall To Wall, Diene Petterle Television, Oliver Young, Vexed, BBC/Greenlit, Matt Lipsey Television, Rev Able Lunn, Doctors, BBC Television, Rebecca Gatward Television, P.C. Woods, Dustbin Baby, Kindle entertainment Ltd, Juliet May Television, Uncle Hank, Made With Magic, Fresh One Productions, Keith Rogerson Television, Alistair Childs, Eastenders, BBC Television, Jo Johnson Television, David Standing, The Bill, Talkbackthames TV, Simon Massey Television, Dr Jim O'Brien, Holby City, BBC Television, Ian Jackson Television, Matthew, Footballers Wives, Shed Productions, Julie Edwards Stage 2020, Stage, Sebastian / Trinculo, The Tempest, Jermyn Street Theatre, Tom Littler Stage,
    [Show full text]
  • Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
    Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s
    [Show full text]
  • Music by BENJAMIN BRITTEN Libretto by MYFANWY PIPER After a Story by HENRY JAMES Photo David Jensen
    Regent’s Park Theatre and English National Opera present £4 music by BENJAMIN BRITTEN libretto by MYFANWY PIPER after a story by HENRY JAMES Photo David Jensen Developing new creative partnerships enables us to push the boundaries of our artistic programming. We are excited to be working with Daniel Kramer and his team at English National Opera to present this new production of The Turn of the Screw. Some of our Open Air Theatre audience may be experiencing opera for the first time – and we hope that you will continue that journey of discovery with English National Opera in the future; opera audiences intrigued to see this work here, may in turn discover the unique possibilities of theatre outdoors. Our season continues with Shakespeare’s As You Like It directed by Max Webster and, later this summer, Maria Aberg directs the mean, green monster musical, Little Shop of Horrors. Timothy Sheader William Village Artistic Director Executive Director 2 Edward White Benson entertained the writer one One, about the haunting of a child, leaves the group evening in January 1895 and - as James recorded in breathless. “If the child gives the effect another turn of There can’t be many his notebooks - told him after dinner a story he had the screw, what do you say to two children?’ asks one ghost stories that heard from a lady, years before. ‘... Young children man, Douglas, who says that many years previously he owe their origins to (indefinite in number and age) ... left to the care of heard a story too ‘horrible’ to admit of repetition.
    [Show full text]
  • Antigone-Programme.Pdf
    aod are a Brighton based theatre company with a vigorous passion to ‘make magic from myth’. We create fresh, bold and urgent interpretations of Classical Greek plays and develop new plays inspired by Greek mythology. We have a strong national and international profile and regularly tour our work. At the heart of our work is collaboration. We have recently embarked on the exciting adventure of working with new young writers and we offer a mentoring programme to emerging directors. This production is an example of the exciting new work we produce when such collaborations take place. We are passionate about providing opportunities for practitioners to develop their craft. We actively invest in and support promising individuals as they begin to develop their careers as theatre artists. An important aspect of our work is introducing young people to the Classics – particularly those who have never had any Classical education. Through our 25 years we have built up a wealth of experience and knowledge of both Classical Greek theatre and Greek myths. Our team of education experts have created a unique educational and outreach programme. This encompasses a wide range of workshops which we deliver to schools and colleges across Britain. Our workshops are unique, engaging and practical, allowing students to delve deeper into their work. We are able to tailor workshops to the needs of a particular class or to examination requirements. We are currently offering a special discount to school and college groups who have been to see Antigone. Please contact our Education Officer Mark Katz at [email protected] or 07903 390 087 and use the word ‘Antigone’ to be offered a discount.
    [Show full text]
  • Singer / Actor
    Hugo Trebels Mob: 07889 043 682 E-Mail: [email protected] Website: www.hugotrebels.co.uk. Equity no: M00205460. Spotlight view: 2373-8947-7489 • Hair: Short / Shaven • Eyes: Brown • Playing age: 35 to 45 • Height: 5’9’’ • Build: Medium • Singing range: Baritone - bottom A to top A • Nationality: Dutch / Indonesian Performing Experience - Theatre – NYC (US) Perfecting the kiss Harvest Carruthers 2017 NuBox Theater Dir: Paula D'Alessandris The road less travelled The stranger 2016 Manhattan Theatre Club Dir: Hugo Trebels In defence of Cruella DeVil Grandson 2016 Manhattan Theatre Club Dir: Paula D'Alessandris Still Waters James 2016 Manhattan Theatre Club Dir: Paula D'Alessandris Dream Tim Phil 2015 Videograf Dir: Hugo Trebels Clearance Alfie 2015 Videograf Dir: Paula D'Alessandris I.C.U. Michael Powell 2013 Sonnet Theater - Dir: Paula D'Alessandris Producer's Club I am yours now Man 2012 Space on White Dir: Paula D'Alessandris Performing Experience - Theatre - UK Fear & misery of the Third Various workers and 2018 Brockley Jack Theatre Dir: Rachael Belis Reich The Man Feast of fools Brian 2017 Theatre N16 Dir: Myles Horgan Professor Bernhardi Professor Flint 2016 University of Cambridge Dir: Trine Garrett The Unutterable Thing The Termite 2016 Rowing Dir: Milo v/d Maaden Helmer Hardcore The Chinaman 2015 Rose Lipman Building Dir: Trine Garrett Helmer Hardcore (rehearsed The Chinaman 2014 Foreign Affairs Dir: Trine Garrett reading) On the ropes (Spaced 2014) Ensemble 2014 Theatre Delicatessen Dir: Lawrence Carmichael Mummy's Boy (rehearsed
    [Show full text]
  • 40 More Theatres Supported with Final Theatre Reopening Fund Grants
    Theatres Trust supports 40 more theatres with final Theatre Reopening Fund grants The national public advisory body for theatre has awarded a further £155,265 of grants to help theatres with costs of Covid-secure reopening, including changes to the building to reduce congestion, improvements to ventilation systems and simple measures like installing hand sanitisers and screens. The theatres supported reflect the vital elements that make up the theatre ecosystem with awards made to significant producing theatres – Hampstead Theatre, Lyric Hammersmith, Pitlochry Festival Theatre, Theatre Royal Bath – major receiving houses Capital Theatres and Worthing Theatres, venues specialising in dance (Northern Ballet), new writing (Traverse, New Diorama, Gate Theatre) and one of the country’s few puppet theatres, Upfront Theatre. Community theatres across the country have received grants, including young people-focused Blue Elephant Theatre and Hanger Farm Arts Centre, which works with people with learning disabilities. Theatres Trust has also given grants to help reopen every type of theatre building, including the country’s last remaining Regency theatre, Theatre Royal Bury St Edmunds, theatres in converted cinemas (People’s Theatre and Blackburn Empire) and former churches (Headgate Theatre and Lowestoft Players Theatre), pub theatres (Jack Studio Theatre), outdoor theatre (Rutland Open Air) and even a travelling theatre – Paines Plough. Theatres Trust Director Jon Morgan says, We are beginning to look forward to a time when theatres can reopen, welcome audiences back inside and continue to play a vital role in their communities. It has been a difficult year, but Theatres Trust is pleased to have been able to support so many theatres through this grant scheme as well as our free advice service and the #SaveOurTheatres Crowdfunding campaign.
    [Show full text]
  • Sponsored by CONTENTS MEET the TEAM
    Sponsored by CONTENTS MEET THE TEAM 2 An introduction to Nottingham Playhouse Cast 3 Meet the Team David Albury – Prince 6 The Story Training: The Central School of Speech and Drama. 7 Our production Theatre includes: Junior Clerk in Committee... (Donmar Warehouse) directed by Adam Penford; Fleetwood in The Life (Southwark Playhouse) directed by Michael Blakemore; 8 Rehearsal photography Jimmy in Exposure The Musical (St. James Theatre); Billy Gray in Only The Brave (Wales 9 An interview with our Designer Millenium Centre); The Lion, The Witch and The Wardrobe (Birmingham Rep); Lead Vocalist in You Won't Succeed on Broadway if You Don't Have Any Jews (St. James 10 Activities and Fun Things to do at home or in the Classroom Theatre & Tel Aviv); Oliver Barrett IV in Love Story (Union Theatre); u/s Jake in Porgy and 14 An Interview with Cinderella Bess (Open Air Theatre) directed by Timothy Sheader; Zack in Bare (Greenwich Theatre); understudied and played Simba in The Lion King (National Tour). Most recently: Smokey Robinson in Motown the Musical (Shaftesbury Theatre). WELCOME Gabrielle Brookes – Cinderella We create theatre that’s bold, thrilling and proudly made in Nottingham. Gabrielle could recently be seen in our Zoom play for young audiences, Noah and the Awarded Regional Theatre of the Year 2019 by The Stage, Nottingham Playhouse is one of the country’s leading Peacock. producing theatres and creates a range of productions throughout the year, from timeless classics to innovative Theatre credits include: Anna Bella Eema (Arcola Theatre), A Midsummer Night's Dream family shows and adventurous new commissions.
    [Show full text]
  • 2019 Annual Review
    2019 ANNUAL REVIEW We receive no public subsidy with over 90% of our income generated from ticket sales, and OUR 2019 SEASON ENGAGED yet we have maintained our lowest ticket price of £25 for seven years, increasing the number of tickets available at that price by 93%. At the same time, membership of our BREEZE WITH 142,500 VISITORS scheme – where those aged 18-25 can get tickets for £10 – has increased by 37% over the ACROSS 18 WEEKS, BUILDING past 12 months. Opening with Thornton Wilder’s Our Town, a play which celebrates what it means to be ON EXISTING PARTNERSHIPS, human and the bonds of community, we offered increased access to our theatre by working with local charities, notably Camden Disability Action and Age UK Camden, and introduced ESTABLISHING NEW ONES, AND a relaxed performance during the run. Hansel and Gretel continued our partnership with English National Opera, building on the success of our Olivier Award nominated production of CHAMPIONING DIVERSITY IN The Turn of the Screw and, through Pimlico Musical Foundation, gave 33 children from one EVERYTHING WE DO. of London’s most complex communities the opportunity of appearing alongside professional singers. In A Midsummer Night’s Dream, we incorporated British Sign Language in a cast which included our first deaf performer, and reintroduced BSL interpreted performances to our schedule (all productions in 2020 will include BSL interpreted performances). Following the phenomenal success of Jesus Christ Superstar, which played to sell-out audiences at the Barbican this summer ahead of its North American tour, we continued our relationship with Tim Rice and Andrew Lloyd Webber by presenting Jamie Lloyd’s innovative new staging of Evita – a production which we look forward to taking to the Barbican next summer.
    [Show full text]