2019 Annual Review
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2019 ANNUAL REVIEW We receive no public subsidy with over 90% of our income generated from ticket sales, and OUR 2019 SEASON ENGAGED yet we have maintained our lowest ticket price of £25 for seven years, increasing the number of tickets available at that price by 93%. At the same time, membership of our BREEZE WITH 142,500 VISITORS scheme – where those aged 18-25 can get tickets for £10 – has increased by 37% over the ACROSS 18 WEEKS, BUILDING past 12 months. Opening with Thornton Wilder’s Our Town, a play which celebrates what it means to be ON EXISTING PARTNERSHIPS, human and the bonds of community, we offered increased access to our theatre by working with local charities, notably Camden Disability Action and Age UK Camden, and introduced ESTABLISHING NEW ONES, AND a relaxed performance during the run. Hansel and Gretel continued our partnership with English National Opera, building on the success of our Olivier Award nominated production of CHAMPIONING DIVERSITY IN The Turn of the Screw and, through Pimlico Musical Foundation, gave 33 children from one EVERYTHING WE DO. of London’s most complex communities the opportunity of appearing alongside professional singers. In A Midsummer Night’s Dream, we incorporated British Sign Language in a cast which included our first deaf performer, and reintroduced BSL interpreted performances to our schedule (all productions in 2020 will include BSL interpreted performances). Following the phenomenal success of Jesus Christ Superstar, which played to sell-out audiences at the Barbican this summer ahead of its North American tour, we continued our relationship with Tim Rice and Andrew Lloyd Webber by presenting Jamie Lloyd’s innovative new staging of Evita – a production which we look forward to taking to the Barbican next summer. Recognised for our outstanding work, this year we won three WhatsOnStage Awards for Little Shop of Horrors, including Best Musical Revival, and Evita won Best Musical in the Evening Standard Theatre Awards. Since 2007, Regent’s Park Open Air Theatre has become one of the most independently sustainable and financially successful producing theatres in the country, and so we embark on the next stage of our vision with ever-increasing artistic ambition and entrepreneurial spirit. Photo: Johan Persson . Photo: Marc Brenner Marc Photo: . Evita Timothy Sheader William Village Gretel and Hansel Cover image: image: Cover Season Artistic Director Executive Director Image: Partners 16 May — 08 Jun by THORNTON WILDER CREATED BY “THOUGHT-PROVOKING... INTRIGUING. Carpe diem is the time-honoured Director Ellen McDougall message – and I’d concur; grab this while you can.” Daily Telegraph Designer Rosie Elnile Movement Director Sasha Milavic Davies Composer Orlando Gough “The classic snapshot of a community is given fresh life by a youthful production. Lighting Designer Lizzie Powell Sound Designer Tom Gibbons Ellen McDougall’s Wilder revival hits home with force... and underlines the play’s Season Associate Director (Voice & Text) Barbara Houseman contemporary relevance through the diversity of her 19-strong cast.” The Guardian Casting Director Jacob Sparrow Musical Director David Ridley “AN ELEMENTAL PLEASURE.” Daily Mail “A moving antidote to fast-paced narratives and rampant individualism.” The Arts Desk Photo: Johan Persson Johan Photo: Regent’s Park Theatre and English National Opera present 14 — 22 Jun by ENGELBERT HUMPERDINCK English translation by David Pountney Orchestral reduction by Derek J Clark CREATED BY “FULL OF JOY AND WONDER and just creepy enough to thrill the little ones without Conductor Ben Glassberg tipping them over the edge, it’s another hit for the company’s fledgling partnership with Director Timothy Sheader Set & Costume Designer Peter McKintosh English National Opera.” Metro Movement Director Lizzi Gee Lighting Designer Oliver Fenwick Sound Designer Nick Lidster “Magical staging coupled with orchestral brilliance. A delight.” The Times for Autograph Season Associate Director (Voice) Barbara Houseman The Guardian Casting Director Michelle Williams “AN OPERA FOR ALL AGES.” for ENO Children’s Casting Director Verity Naughton “Full of delightful and scary surprises. An evening of complete enchantment.” Sunday Times “The superbly rehearsed children of the Pimlico Musical Foundation were the icing on A DELICIOUS THEATRICAL CAKE.” Bachtrack Photo: Johan Persson Johan Photo: Production Partner 28 Jun — 27 Jul by WILLIAM SHAKESPEARE CREATED BY “SPINE-TINGLINGLY GOOD.” Evening Standard Director Dominic Hill Designer Rachael Canning “Bewitchingly dark… laced with steampunkish glitter, grime and tattoos.” Metro Movement Director Emily-Jane Boyle Composer Paddy Cunneen Lighting Designer Ben Ormerod “Toxic masculinity and trippy tiffs make for a spellbinding evening, catapulting the Co-Sound Designers Simon Baker, Jay Jones audience into a shape-shifting, tenebrous otherworld where arachnoid fairies emerge Season Associate Director (Voice & Text) Barbara Houseman with lunar stealth from the bushes.” Daily Telegraph Fight Director Kate Waters Casting Director Vicky Richardson BSL Consultant Daryl Jackson “The language is Shakespearean, but the direction is anything but puritanical, with the Magic Consultant Scott Penrose actors bringing a contemporary, conversational accessibility to their dialogue, whilst the fairies communicate in sign language.” CityAM “WHAT AN INVENTIVE DELIGHT THIS IS.” The Times Photo: Jane Hobson Jane Photo: Production Partner 02 Aug — 21 Sep lyrics by TIM RICE music by ANDREW LLOYD WEBBER CREATED BY “A turbocharged, transformative revival.” Daily Mail Director Jamie Lloyd Designer Soutra Gilmour “REVELATORY.” Daily Telegraph Choreographer Fabian Aloise Musical Supervisor Alan Williams Lighting Designer Jon Clark “Thrilling… sexy, full-bloodied and furious.” Metro Sound Designer Nick Lidster for Autograph Fight Director Kate Waters “Muscular, expressive and explosive. A TERRIFIC, RADICAL REVIVAL.” Casting Director Will Burton CDG Evening Standard for DGA Casting Director (USA) Tara Rubin Casting: Merri Sugarman CSA Casting Director (children) Adelle Moss “PSYCHOLOGICALLY INTENSE. A pumping, sped-up ‘Evita’ edged with dirt, rust and grime.” Time Out “Jamie Lloyd’s stripped-down, super-sleek, contemporary take excavates the biting satire, and locates the furious spirit of Eva Perón.” The Arts Desk Photo: Marc Brenner Marc Photo: Production Partner The Regent’s Park Open Air Theatre production at the Barbican 04 Jul — 24 Aug lyrics by TIM RICE music by ANDREW LLOYD WEBBER “Tim Rice and Andrew Lloyd Webber’s rock opera has been revived for a new generation.” CREATED BY Daily Mirror Director Timothy Sheader Designer Tom Scutt Choreographer Drew McOnie “Timothy Sheader’s SLEEK, CONTEMPORARY VISION echoes through every Musical Supervisor Tom Deering Lighting Designer Lee Curran creative element.” BroadwayWorld Sound Designer Nick Lidster for Autograph Musical Director Ed Bussey “It looks incredible; it sounds incredible. Drew McOnie’s edgy choreography turns the cast Season Associate Director (Voice & Text) Barbara Houseman into a mob, whether united in juddering, convulsive devotion, or baying for blood.” Time Out Fight Director Kate Waters Casting Directors Will Burton CDG & David Grindrod CDG “The climactic sequence is extraordinary theatre, as Jesus is lashed, crowned and crucified amidst a musical and choreographic fury.” The Arts Desk “Dark, disturbing and sensational… THE MOST VITAL SUPERSTAR Photo: Johan Persson Johan Photo: Media Partner THERE’S EVER BEEN.” Attitude CORPORATE PARTNERS PATRONS Platinum Silver Diamond Silver Canard-Duchêne Aesop Jane Fletcher Lorraine Barnes Saracens Alix Partners Kent and Gaye Gardner Robert Davis MBE DL Gold Almacantar Stage Audience Lee Farman Allen & Overy Arcadis Andrew and Sandra Treagus Peter and Lynne Graham Baker McKenzie Coutts Carolyn Jackson Currie & Brown Cravath, Swaine and Moore LLP Platinum Nina Kaye and Timothy Nathan Delancey Mapp Melinda Atwood Sue Kinder Donnelley Financial Services Quintessentially Rosemary Cox Richard Lewis Equiniti The Mackintosh Foundation Russell and Irina Jacobs Lady Masefield Home House Seedlip Oliver and Josephine Rogger Ian McGarry Nicholas and Rosalyn Springer Magnus Mill Nancy Miller and Glen Ireland Gold Colum Price HOTEL PARTNER Jeffrey Archer Julia Phillips Rotha Bell Patrick and Rene Sandberg PRESENTED BY FANE PRODUCTIONS AND JAMES SEABRIGHT Anthony Durrant James and Gillian Siddy David Dutton Brian Smith THE LUNA CINEMA PRESENTS Jacky Erwteman Richard Snee CHAMPAGNE PARTNER Susan Farmer Colin St Johnston John and Sheelagh Glover Jim and Nouchine Stidham Michael and Jackie Gee Michael and Andrea Taylor Malcolm and Caroline Johnston Giovanna Velasquez Cyril and Heather Mundy Nancy Whitaker Maureen Othen Richard and Susan Wolff Simon and Midge Palley David and Vivienne Woolf (U) 2018 (15) 2018 (15) 1979 | 40th Anniversary Screening MEDIA PARTNERS Julie and Richard Rose Sue and Tony Rosner And all our anonymous Andrew and Rhiannon Sargent Patrons and Donors. Hotel Partner Chris Simpson Liz Wheeler Full Price 78.28% Education & U18 6.43% Senior Matinees 5.73% SALES CLASSIFICATION MUSICAL ATTENDANCE Members & Staff 3.79% 80000 Full Price 78.28% Groups 3.08% RADIUS OF TRAVEL: UK AUDIENCE 70000 Education & U18 6.43% Access 1.66% H Open Air Theatre 17% of our UK audience live within a 4 mile radius of the theatre 60000 Senior Matinees 5.73% Promotions 1.03% 41% of our UK audience live within a 9 mile radius of the theatre 50000 Members & Staff 3.79% 64% of