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On Location: Westchester READY & CAMERA UP CLOSE TOURISM &FILM WESTCHESTER COUNTY You’ll find great and varied locations, talented crew, essential equipment, a seasoned film office staff, and welcoming local communities— all in Westchester County. Just minutes north of New York City, this film-friendly county has bustling cities, suburban life, quaint country villages and artsy rivertowns—an array of versatile sites. Westchester? Why Westchester At Your Service County Offers • Outstanding air and ground transportation including Westchester County Airport, Metro-North Railroad with service from/to Grand Central Terminal and AMTRAK • 5 diverse cities and 19 villages and towns, many with Main Street communities • Thousands of acres of parkland, hiking and biking trails Westchester County Tourism & Film is your one-stop-shop for concierge service that will provide • 67 square miles of water, including all that you need to film your TV series, video, Hudson River and Long Island Sound shorelines, commercial, large studio film or small independent and natural lakes project. We offer: • Many film-friendly hotels, colleges, • Assistance in scouting locations and universities • Production planning and help navigating • More than 50 public and private golf courses the permitting process and procedures, • Several historically significant sites, including which may vary by location an 1838 Gothic Revival mansion, a century-old • Contacts for your cast and crew needs art deco amusement park and one of the oldest theatre/music halls in the country • Essential equipment rental information • Tourism information to help plan your stay in Westchester Contact us today for more information: NATASHA CAPUTO Director of Tourism & Film 148 Martine Avenue, White Plains, NY 10601 914.995.8500 | visitwestchesterny.com/film On Location: Westchester Filmmakers and television, commercial and video TELEVISION The Americans producers have discovered The Affair the advantages of shooting Billions in Westchester. Here’s a small Blacklist sampling of the features Blind Spot and productions filmed in Divorce Westchester County recently: Elementary Homeland Madam Secretary Mr. Robot Orange is the New Black FILM “The television and Admission film industry has been The Carrie Diaries a great partner with The Girl on a Train Westchester County The Secret Life of Walter Mitty Tourism & Film. We are Unfaithful proud of Westchester’s Wall Street 2 place in the film industry, Winter’s Tale and we look forward to Wolf of Wall Street seeing our beautiful county in more films for years to come.” – Westchester County Executive George Latimer Contact us today for more information: WESTCHESTER COUNTY TOURISM & FILM Natasha Caputo, Director of Tourism & Film 148 Martine Avenue, White Plains, NY 10601 914.995.8500 For more information on New York State incentive packages, visit: nysfilm.com Visit WestchesterNY.com.

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Military Strategy: the Blind Spot of International Humanitarian Law
Harvard National Security Journal / Vol. 8 333 ARTICLE Military Strategy: The Blind Spot of International Humanitarian Law Yishai Beer* * Professor of Law, Herzliya Interdisciplinary Center, Herzliya, Israel. The author would like to thank Eyal Benvenisti, Gabriella Blum, Moshe Halbertal, Eliav Lieblich, David Kretzmer, and Kenneth Watkin for their useful comments, and Ohad Abrahami for his research assistance. © 2017 by the President and Fellows of Harvard College and Yishai Beer. 334 2017 / Military Strategy: The Blind Spot of International Humanitarian Law Abstract The stated agenda of international humanitarian law (IHL) is to humanize war’s arena. Since it is the strategic level of war that primarily affects war’s conduct, one might have expected that the law would focus upon it. Paradoxically, the current law generally ignores the strategic discourse and prefers to scrutinize the conduct of war through a tactical lens. This disregard of military strategy has a price that is demonstrated in the prevailing law of targeting. This Article challenges the current blind spot of IHL: its disregard of the direct consequences of war strategy and the war aims deriving from it. It asks those who want to comprehensively reduce war’s hazards to think strategically and to leverage military strategy as a constraining tool. The effect of the suggested approach is demonstrated through an analysis of targeting rules, where the restrictive attributes of military strategy, which could play a significant role in limiting targeting, have been overlooked. Harvard National Security Journal / Vol. 8 335 Table of Contents Introduction ........................................................................................................336 I. Strategy Determines War’s Patterns and Scope .........................................340 II.
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University of Cincinnati
! "# $ % & % ' % !" #$ !% !' &$ &""! '() ' #$ *+ ' "# ' '% $$(' ,) * !$- .*./- 0 #!1- 2 *,*- Atomic Apocalypse – ‘Nuclear Fiction’ in German Literature and Culture A dissertation submitted to the Graduate School of the University of Cincinnati In partial fulfillment of the requirements for the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) in the Department of German Studies of the College of Arts and Sciences 2010 by Wolfgang Lueckel B.A. (equivalent) in German Literature, Universität Mainz, 2003 M.A. in German Studies, University of Cincinnati, 2005 Committee Chair: Sara Friedrichsmeyer, Ph.D. Committee Members: Todd Herzog, Ph.D. (second reader) Katharina Gerstenberger, Ph.D. Richard E. Schade, Ph.D. ii Abstract In my dissertation “Atomic Apocalypse – ‘Nuclear Fiction’ in German Literature and Culture,” I investigate the portrayal of the nuclear age and its most dreaded fantasy, the nuclear apocalypse, in German fictionalizations and cultural writings. My selection contains texts of disparate natures and provenance: about fifty plays, novels, audio plays, treatises, narratives, films from 1946 to 2009. I regard these texts as a genre of their own and attempt a description of the various elements that tie them together. The fascination with the end of the world that high and popular culture have developed after 9/11 partially originated from the tradition of nuclear fiction since 1945. The Cold War has produced strong and lasting apocalyptic images in German culture that reject the traditional biblical apocalypse and that draw up a new worldview. In particular, German nuclear fiction sees the atomic apocalypse as another step towards the technical facilitation of genocide, preceded by the Jewish Holocaust with its gas chambers and ovens.
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Blind Spot: Hitler's Secretary
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Pledge Allegiance”: Gendered Surveillance, Crime Television, and Homeland
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Challenging Stereotypes
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