DOCSLIB.ORG

NCPTT NOTES 2000 NUMBER 35 National Center for Preservation Technology and Training UNITED STATES DEPARTMENT of the INTERIOR • NATIONAL PARK SERVICE

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
NCPTT NOTES 2000 NUMBER 35 National Center for Preservation Technology and Training UNITED STATES DEPARTMENT of the INTERIOR • NATIONAL PARK SERVICE MARCH NCPTT NOTES 2000 NUMBER 35 National Center for Preservation Technology and Training UNITED STATES DEPARTMENT OF THE INTERIOR • NATIONAL PARK SERVICE Preservation 3Training Termite Control Workshop in New Orleans Information 5Management NCPTT Supports AIC’s Electronic Media Group Session Dyea, Alaska 1898. The false Remote Sensing in Alaska front of the small building on the left is still standing and was part of the remote sensing Preservation In collaboration with Klondike Gold Rush National Historical Park survey. MssSCUA, University 6Research in Alaska, NCPTT is supporting the development of a field school of Washington Libraries, Hegg New Surveillance for remote sensing techniques. The development and testing of re- 67. Technologies mote sensing techniques have received considerable NCPTT sup- port, and the Dyea project widens NCPTT’s work in remote sens- ing to include training. The project will increase knowledge about The remote sensing survey the Dyea town site and a portion of Skagway and encourage, focused on the old Dyea cem- Materials through training, the use of current technologies in cultural re- etery or Native Cemetery, which 8Research sources preservation. once separated the lower Dyea A Standard town site from the northern or Method for the n 1897, the discovery of gold in Canada’s Yukon brought thou- upper town site, the false-front Analysis of sands of fortune hunters to the towns of Skagway and Dyea, area (roughly 5th and Main Historic IAlaska. The White Pass Trail from Skagway and the Chilkoot Street) of the lower Dyea town Cementitious Trail from Dyea were the most popular overland routes to the gold site, and the Slide Cemetery in Materials fields. By 1903, Skagway was nearly deserted. Dyea reached an north Dyea. A portion of the estimated peak population of 8,000-10,000 then became a ghost town Moore block bordering 5th Av- shortly thereafter. Erosion, visitation and the encroaching forest enue in Skagway was also inves- now threaten this important archeological site. Remote sensing has tigated. Preservation proven to be a cost-effective tool for discovering and interpreting Two types of remote sensors 10Calendar archeological features of both sites. were employed for the surveys: In July 1999 Dr. David Brauner of the Department of Anthro- a White’s Electronics “Spectrum pology, Oregon State University, and James Bell of Pacific Geo- XLT” digital discriminating physical Surveys Inc. conducted a remote sensing survey in the Dyea metal detector and a Model SIR- town site and on a portion of the Moore block in Skagway. Funded 10 Ground Penetrating Radar by NCPTT and administered through the Klondike Gold Rush Na- (GPR) unit. The portable SIR- tional Historical Park, this work was conducted in preparation for a field school scheduled for summer 2000. Continued on Page 2 MARCH 2000 — Number 35 NCPTT NOTES Only a small portion of the MARCH 2000 western edge of the Native NUMBER 35 Cemetery remains, as the Taiya River is relentlessly PTTPublications eroding the upper Dyea town No. 2000-01 site. The radar survey de- tected what are interpreted as three remaining graves along Editor the western margins of the old Frances Gale cemetery and a large anomaly, Copy Editor which is the site of a relocated Sara Burroughs burial. A shallow concentra- Contributors tion of cultural material was James Bell detected just south and east of David Brauner the old cemetery, possibly rep- Mary S. Carroll resenting the location of a Andy Ferrell Caption TK Mark Gilberg structure. This feature will be Elizabeth Goins investigated during the year Elizabeth F. “Penny” Jones mance at Dyea and Skagway, 2000 field season. Paul Messier Two GPR and metal detec- Mary F. Striegel Remote Sensing in a 500-MHz antenna was used. This frequency is considered tor transects were established Newsletter Coordinator Alaska best for the detection of small, in an east/west direction across Sheila Richmond Continued from page 1 buried features at shallow the false front lot, continuing Cover Image depths. The settings for the across Main Street, and across 10 can detect the position and Dr. David Brauner, radar controller were modified a lot occupied by a general GPR scan, Native Cemetery, depth of objects buried in di- for soil conditions at the Dyea mercantile store on the east Dyea, Alaska electric materials; this model site, i.e., a mixture of sand and side of the street. Investigators is manufactured by Geophysi- Contact Information silt soil strata that were well are particularly interested in cal Survey Systems Inc. It can NCPTT drained. Most of the radar what a radar signature on two NSU Box 5682 be adjusted to scan depths to transects conducted at Dyea developed lots and the inter- Natchitoches, LA 71497 80 feet. The GPR is powered vening streetscape will look Voice: 318/357-6464 were with time interval settings by a standard car battery of 12 like and how material culture Facsimile: 318/357-6421 of 50 nanoseconds, with some volts and has an instantaneous Email: [email protected] transects repeated at slightly is dispersed across these readout on a liquid-crystal WWW: www.ncptt.nps.gov higher and lower settings. The transects. Defining an elec- color monitor. The remote soil types were determined tronic and radar based street sensors are designed to map from previous excavations and signature will assist future in- NCPTT Notes is published by subsurface cultural features the National Park Service’s Na- modern shovel probes. vestigators in relocating the tional Center for Preservation such as foundations, road- Numerous subsurface poorly understood street net- Technology and Training. The beds, privies, basements, buri- mail list for NCPTT Notes is sub- anomalies were detected by the work in Dyea. Anomalies that ject to request under the Free- als and near-surface concen- dom of Information Act. Persons radar in the Native Cemetery could be interpreted as cellars, or organizations not wanting to trations of cultural debris. and false front portions of the privies, foundation features, have mail list information dis- The principle behind sub- closed should unsubscribe. Dyea site. At the Slide Cem- sidewalk features and refuse surface radar surveys is that Send comments on NCPTT Notes etery, the GPR was not able to disposal areas will be “ground or submit articles or notices for lower-frequency microwaves detect subsurface features or truthed” through subsurface consideration to NCPTT Publica- (radar) are able to penetrate tions Manager. anomalies, probably because testing during the year 2000 most soil types. The GPR units of the high content of boulders field season. direct their beams downward and cobbles in the soils. These In this project, NPS re- into the ground, and subsur- rocks were large enough to sources serve as laboratories face features and/or objects back scatter radar to the an- for advanced work in preser- then reflect that radar beam tenna, blocking soil penetra- vation research, training and back to the surface. The radar tion below them. No radar information distribution — provides a profile view of what anomalies were noted adjacent work that can benefit cultural is under the antennae. to 5th Avenue on the Moore resources throughout the For optimum perfor- block in Skagway. country. — David Brauner NCPTT NOTES — National Center For Preservation Technology and Training 2 James Bell Termite Control Workshop in New Orleans A joint effort of the Research and Training components of the National Center for Preservation Technology and Training (NCPTT) resulted in a workshop examining termite damage at historic sites. This workshop represents a first effort to pro- vide training on termite control techniques developed through collaborative research initiatives begun in 1995 as a PTTGrant to University of Florida. he National Center for representatives came from Preservation Training Brazil. Tand Technology The New Orleans French (NCPTT) partnered with the Quarter is currently being New Orleans Mosquito and used as the test site for a new Termite Control Board national campaign against the (NOMTCB) to host a work- Formosan subterranean ter- shop in New Orleans in Sep- mite, a voracious species that tember to examine new tech- now infests several states, in- nologies for controlling subter- cluding Texas, Louisiana, Mis- ranean and drywood termite sissippi, Alabama, Tennessee, infestations in history building Georgia, Florida, South Caro- Termite damage at Perseverance Hall, New Orleans and landscapes. NCPTT has lina, North Carolina, Virginia been working with NOMTCB and California. since 1995 and has funded a NCPTT’s partner are found in a station, the tional chemical treatments, number of new research initia- NOMTCB is working in col- monitoring device is replaced they limit exposure of people tives. TRAINING PRESERVATION laboration with the Depart- with a tube containing a toxic and pets to chemicals. As the For three days, workshop ment of Agriculture’s Agricul- substance, such as an insect monitoring stations are placed participants learned about the tural Research Service and the growth regulator that prevents outside of buildings, there is nature and extent of the ter- Louisiana State University termites from molting. Ter- very little risk to their historic mite problem, recent and Agricultural Center in Opera- mites eat or move through the integrity. emerging technologies for con- tion Full Stop. Operation Full bait and they transfer the NOMTCB led workshop trolling termites, and the fu- Stop is a multi-agency program growth regulator to the rest of participants on walking tours ture of termite control. Par- that aims to reduce the popu- the colony. Entire colonies can of the French Quarter and ticular emphasis was given to lation of Formosan termites be eliminated in a matter of Louis Armstrong Park to dem- new baiting techniques and and dramatically lower the months. Monitoring is contin- onstrate the bait system and their effectiveness in control- yearly cost of property dam- ued to determine whether ar- other emerging termite control ling subterranean termite colo- age, repairs and control mea- eas remain clear of infestation technologies, such as acoustic nies without damaging historic sures.
Load more

Recommended publications
  • National Historic Landmark Nomination Old San Juan
    NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 OLD SAN JUAN HISTORIC DISTRICT/DISTRITO HISTÓRICO DEL VIEJO SAN JUAN Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Old San Juan Historic District/Distrito Histórico del Viejo San Juan Other Name/Site Number: Ciudad del Puerto Rico; San Juan de Puerto Rico; Viejo San Juan; Old San Juan; Ciudad Capital; Zona Histórica de San Juan; Casco Histórico de San Juan; Antiguo San Juan; San Juan Historic Zone 2. LOCATION Street & Number: Western corner of San Juan Islet. Roughly bounded by Not for publication: Calle de Norzagaray, Avenidas Muñoz Rivera and Ponce de León, Paseo de Covadonga and Calles J. A. Corretejer, Nilita Vientos Gastón, Recinto Sur, Calle de la Tanca and del Comercio. City/Town: San Juan Vicinity: State: Puerto Rico County: San Juan Code: 127 Zip Code: 00901 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): ___ Public-Local: X District: _X_ Public-State: X_ Site: ___ Public-Federal: _X_ Structure: ___ Object: ___ Number of Resources within Property Contributing Noncontributing 699 128 buildings 16 6 sites 39 0 structures 7 19 objects 798 119 Total Number of Contributing Resources Previously Listed in the National Register: 772 Name of Related Multiple Property Listing: NPS Form 10-900 USDI/NPS NRHP Registration Form ((Rev. 8-86) OMB No. 1024-0018 OLD SAN JUAN HISTORIC DISTRICT/DISTRITO HISTÓRICO DEL VIEJO SAN JUAN Page 2 United States Department of the Interior, National Park Service National Register of Historic Plaaces Registration Form 4.
    [Show full text]
  • New Orleans FREE Attractions and Sites
    map not to scale to not map map not to scale to not map PM 7 WT 6 WT 5 WT map not to scale to not map New Orleans WT1 FREE Attractions and Sites The New Orleans Power Pass includes admission to some of the most popular paid attractions and tours in New Orleans. The city is also home to a number of great attractions and sites that don’t charge admission. So while you won’t need your Power Pass to get in, you may enjoy spending time exploring the following locations: Bourbon Street Bourbon street is a famous and historic street VISIT THE BEST VISIT THE BEST that runs the length of the French Quarter. When founded in 1718, the city was originally centered New Orleans Attractions New Orleans Attractions around the French Quarter. New Orleans has since expanded, but “The Quarter” remains the cultural for ONE low price! for ONE low price! hub, and Bourbon Street is the street best known by visitors. The street is home to many bars, restaurants, clubs, as well as t-shirt and souvenir Terms & Conditions shops. Bourbon Street is alive both day and night, particularly during the French Quarter’s many New Orleans Power Pass has done its best to ensure the accuracy of the information about the attractions described on our web site and in our festivals - the most popular of these being Mardi guides. However, conditions at these attractions may change at any time. Gras, when Bourbon Street teems with hundreds of We cannot guarantee that each facility will continue to honor its indicated thousands of tourists.
    [Show full text]
  • A Presentation of the Historic New Orleans Collection 533 Royal Street New Orleans, Louisiana 70130 (504) 523-4662 •
    From the Director 2 Schedule 3 Sesssions and Speakers 4 French Quarter Antiques Stroll 14 French Quarter Open House Tour 15 French Quarter Dining Options 17 About The Collection 20 New Orleans Antiques Forum 2009 21 Acknowledgments A presentation of The Historic New Orleans Collection 533 Royal Street New Orleans, Louisiana 70130 (504) 523-4662 • www.hnoc.org NOAF Program final2.indd 1 7/31/08 8:29:09 AM FROM THE DIRECTOR Welcome to the inaugural New Orleans Antiques Forum, and thank you for joining us for the exciting beginning of a new tradition. The Historic New Orleans Collection, home to a vast array of historical decorative arts and situated in the Vieux Carré, is an ideal loca- tion for the exploration and examination of antiques. We look forward to hosting the New Orleans Antiques Forum for years to come, with new topics and speakers at each forum. This event has been in the works for several years, and we would not be here today were it not for the dedication and tireless efforts of many people, especially our generous sponsors. I wish to extend special thanks to L’Hermitage, Evergreen, and Whitney plantations for opening their doors for our pre-forum plantation tour, and to Eugene Cizek and Lloyd Sensat for providing history along the way. The tour sold out very quickly, so register early for next year’s optional trip. I am also grateful to our speakers and the institutions they represent; their support of this event is sincerely appreciated. In addition, I thank the antique shops who will stay open late on a Friday in August for our French Quarter Antiques Stroll, as well as those individuals who will open their homes to attendees on Saturday.
    [Show full text]
  • “If Music Be the Food of Love, Play On
    The Cup, the Cap and the Cupola Cupolas and coppolas can both be found atop domes, and in New Orleans they can also be found in the French Quarter (in more ways than one). In architecture, a cupola is itself a dome-like ornamental structure located on top of another larger dome or roof. It can be used as a “lookout” or to admit light and ventilation. This Italian word comes from the classical Latin word for a small cup, since this mini- dome resembles an upside down cup. Cupolas can be found positioned above the Cabildo, Presbytere and the Napoleon House. The Presbytere had a cupola just like the Cabildo until the hurricane of 1915. After over ninety years without bilateral symmetry, the Presbytere is back to normal (with a design by the architectural firm of Yeates & Yeates). The Presbytere in New Orleans, with its restored cupola The Italian word coppola is the name for the traditional cloth cap that can be seen worn on men’s “domes” back in Sicily in the film classic “The Godfather”. It is so appropriate that the movie’s director and part-time Quarterite is the acclaimed director and screenwriter, Francis Ford Coppola. Another French Quarter homeowner is his nephew, actor Nicolas Cage, nee Nicholas Kim Coppola. In 2007, Cage paid $3,450,000 for the famous LaLaurie mansion at 1140 Royal Street. Delphine LaLaurie (who first lived there in 1831) was infamous for her sadistic treatment of her slaves, and it is said that the home is haunted. Another Italian word for cupola (usually if a stair is involved) is belvedere, literally meaning a “beautiful view”.
    [Show full text]
  • The Historic New Orleans Collection Quarterly Historian Sarah Borealis, with Help from THNOC Reference Associate Robert Ticknor
    VOLUME XXXV The Historic New Orleans NUMBER 3 Collection Quarterly SUMMER 2018 Shop online at www.hnoc.org/shop CITY CENTERED: A Contemporary Take on the Tricentennial EVENT CALENDAR EXHIBITIONS & TOURS “CELEBRATING THE SWEDISH NIGHTINGALE” All exhibitions are free unless otherwise noted. In collaboration with the Embassy of Sweden in Washington, DC, and the Consulate of Sweden in New Orleans, The Collection will present a recital featuring the repertoire of Jenny CURRENT Lind, the Swedish opera singer who was an international star in the 19th century. Featuring “Working for the Williamses” Tour soprano Kine Sandtrø and pianist Julia Sjöstedt, the program will feature arias from the operatic Tuesday–Sunday, June 1–30, 11 a.m. canon as well as Nordic folk music. 533 Royal Street Monday, June 18, 6–7 p.m. $5 admission; free for THNOC members Williams Research Center, 410 Chartres Street Free; reservations required. To register, visit www.hnoc.org or call (504) 598-7146. Preview of Art of the City: Postmodern to Post-Katrina presented by The Helis “CARING FOR YOUR COLLECTIONS” WORKSHOP Foundation THNOC staff will share their knowledge of working with and enjoying historical artifacts in this On view through fall 2018 morning workshop. Talks will address documentation, proper methods of handling and display, 533 Royal Street appropriate cleaning and storage techniques, and connoisseurship and acquisition. Free Saturday, June 23, 9:30 a.m.–noon Williams Research Center, 410 Chartres Street French Quarter Museum Association Free; reservations encouraged. To register, visit www.hnoc.org or call (504) 598-7146. Welcome Center Through December 2018 UPSTAIRS LOUNGE PANEL DISCUSSION 533 Royal Street Join us as we commemorate the 45th anniversary of the UpStairs Lounge fire, the unsolved hate Free; for more information, visit crime that claimed 32 lives in 1973.
    [Show full text]
  • Office of the Lieutenant Governor
    OFFICE OF THE LIEUTENANT GOVERNOR DEPARTMENT OF CULTURE, RECREATION & TOURISM Department Report 2016-2018 “It is with great pride and a full heart that I am honored to have the opportunity to serve as Louisiana’s 54th Lieutenant Governor. We have worked as a team to promote Louisiana to the world, and have led our great state to record-breaking success by introducing the “The Louisiana Experience”: all the unique things you can find in #OnlyLouisiana. There is something for everyone to experience in our state, whether it’s fishing our vast bodies of water, exploring one of our museums or state parks, visiting libraries, eating delicious Louisiana seafood, attending a festival, or learning about Louisiana’s history. Our food, music, arts, culture, history and, most importantly, our people are what make Louisiana special. Only in Louisiana can you “Feed Your Soul”. I am proud to lead the Department of Culture, Recreation and Tourism, and extremely proud of the accomplishments made by this department.” ­ – Lt. Governor Billy Nungesser LOUISIANA SEAFOOD > The 2018 Louisiana Seafood Cook- off welcomed 21 chefs and restaurants from around the state who submitted videos talking about their love and experience cooking with Louisiana seafood. Last year’s event also saw record-breaking attendance of nearly 2,600 visitors. > In 2018, Lt. Governor Nungesser sent a letter to President Trump and the Congressional Delegation requesting they pass legislation that would impose a 0.10 cent per pound inspection fee on imported seafood into the United States to be utilized to improve seafood safety. The current tariffs that are in place are not significant enough to make an impact.
    [Show full text]
  • Tramps to Kings -- 100 Years of Zulu
    Contacts: Arthur M. Smith Director, Marketing & Communications Louisiana State Museum 504.568.6867 [email protected] Clarence Becknell Zulu Historian Zulu Social Aid and Pleasure Club 504.615.8655 [email protected] Louisiana State Museum marks a Mardi Gras milestone with From Tramps to Kings:100 Years of Zulu NEW ORLEANS – The Louisiana State Museum and the Zulu Social Aid and Pleasure Club present From Tramps to Kings:Zulu 100 Years, a yearlong exhibit exploring the origins, unique Carnival traditions, and cultural and civic contributions of Zulu from 1909 to the present. From Tramps to Kings features more than 100 seldom-seen treasures loaned by Zulu members, as well as artifacts from the Museum, the Historic New Orleans Collection, Tulane University, and other sources. The exhibit opened in January and will run through December 31, 2009 at the Presbytere, New Orleans. “We’re delighted to work with the Zulu organization to share their century-old traditions of fun and fantasy,” said Lt. Governor Mitch Landrieu, whose office directs Louisiana’s Department of Culture, Recreation and Tourism. “This exhibit is a Mardi Gras season ‘must-see’ for visitors and locals alike.” Highlights of the show include a ballroom tableau of 14 former Zulu Kings and Queens in bejeweled costumes and elaborate headdresses, and all seven of Zulu’s comic parade characters including the Big Shot of Africa, the Witch Doctor, and the Ambassador. The origins and development of these trademark figures are explored in photographs and personal memorabilia. Also featured are rare sound recordings and a personal letter by Louis Armstrong describing his historic reign as Zulu King in 1949.
    [Show full text]
  • Classicism in the Vieux Carré 1
    ICAA-LA: Classicism in the Vieux Carré 1 Saturday, May 18, 2019, 8:30am – 5:30pm CLASSICISM IN THE VIEUX CARRÉ New Orleans A class hosted by the Institute of Classical Architecture & Art – Louisiana Chapter Drawing by Samuel Wilson. Jr; Courtesy of Collection 59, Southeastern Architectural Archive, Special Collections Division, Tulane University Libraries. 6 AIA LU credits ICAA-LA PRESIDENT COMMITTEE CO-CHAIRS Kevin Harris Peter Patout Calhoun Sumrall PROGRAM COMMITTEE Edward Cazayoux Henley Hunter Peter Patout Michael Rouchell George Schmidt Friday, May 10, 2019 Document prepare by: Peter Patout, Calhoun Sumrall & Kelly Calhoun ICAA-LA: Classicism in the Vieux Carré 2 TABLE OF CONTENTS Institute of Classical Architecture & Art 3 What is the Institute of Classical Architecture & Art (ICAA)? ICAA - Louisiana Chapter Registration 4 Class itinerary 5 Biographies Class led by expert: Robert “Robby” Cangelosi, Jr., A.I.A. 6 Special guest lecturer: Philippe L.B. Halbert 7 Special guest lecturer: Cybèle T. Gontar 8 Destinations 9 Beauregard-Keyes House 10 Jean Baptiste Thierry House 11 Préval House 12 LaLaurie Mansion 13 Willhite-Boh House 14 Jackson Square, the Cabildo & the Presbytère 15 Lower Pontalba 16 Patout House 17 Friday, May 10, 2019 Document prepare by: Peter Patout, Calhoun Sumrall & Kelly Calhoun ICAA-LA: Classicism in the Vieux Carré 3 INSTITUTE OF CLASSICAL ARCHITECTURE & ART WHAT IS THE INSTITUTE OF CLASSICAL ARCHITECTURE & ART (ICAA)? The Institute of Classical Architecture & Art is the leading nonprofit organization dedicated to advancing the classical tradition in architecture, urbanism and their allied arts. The Institute is headquartered in New York City with regional chapters across the United States.
    [Show full text]
  • Historic Architecture in the French Quarter of New Orleans
    From The Cabildo to the Creole Cottage Historic Architecture in the French Quarter of New Orleans Justin C. Oakley Dr. Perky Beisel Lafitte's Blacksmith Shop. This structure is an excellent example of the Creole Cottage style of building that took root in New Orleans after a wave of immigrants from Saint Domingue (present day Haiti) arrived in the city during the late eighteenth century. Lafitte's Blacksmith Shop was Photo by Justin Oakley constructed in 1795, and as its name suggests, claims at least A view of the lower Pontalba building in a mythical connection to the famous pirate. The symmetrical design of the structure and its surrounding doors which open Jackson Square. The upper and lower the interior to the exterior, are very much influenced by the Pontalba buildings which flank either sort of structures that were found on Saint Domingue and side of Jackson Square, were built by other Caribbean islands, the idea being to maximize the amount of exposure to breeze and to minimize the sweltering Micaela Almonester, the Baroness de heat of the climate. Pontalba. The Baroness inherited much Photograph by Teemu008 on Flickr. of the property from her father Andres Almonester y Roxas, the wealthy http://www.kunstkopie.nl/a/legrand-de-saint-aubin-am/portrait-of-baroness-pont.html Spaniard whose money financed the St. Micaela Louis Cathedral, and made it her priority Almonester, to beautify the area. Baroness de Pontalba (1795- 1874) The Baroness is greatly responsible for the way that Jackson Square appears today. Benjamin Henry Latrobe by Filippo Costaggini.jpg Benjamin Henry Latrobe (1764- 1820) Latrobe as a renowned British- born architect whose most notable works include the United States Plan, sections, and elevation of the church to be built at New Orleans.
    [Show full text]
  • Surveys in Early American Louisiana: 1804-1806 Barthelemy Lafon
    Surveys in Early American Louisiana: 1804-1806 Barthelemy Lafon VOLUME II Edited by Jay Edwards Translated by Ina Fandrich PROPERTY OF THE MASONIC GRAND LODGE, ALEXANDRIA, LOUISIANA 634 Royal Street, New Orleans, designed by Barthelemy Lafon ca. 1795. A Painting by Boyd Cruise Surveys in Early American Louisiana: Barthelemy Lafon Survey Book No. 3, 1804 – 1806. Translated from the Original French VOLUME II. Written and Edited by Jay Edwards, Written and Translated by Ina Fandrich A REPORT TO: THE LOUISIANA DIVISION OF HISTORIC PRESERVATION AND THE MASONIC GRAND LODGE, ALEXANDRIA, LOUISIANA July 26, 2018. ii INDEX Contents: Pages: Chapter I. A Biography of Barthelemy Lafon. 1 - 19 Chapter 2.1. New Orleans Urban Landscapes and Their Architecture on the Eve of Americanization… 21 – 110 Chapter 2.2. Summary of Barthelemy Lafon’s Architectural Contributions 111 - 115 Chapter 3. Translation Keys and Commentary 117 - 128 Chapter 4. English Language Translations of Lafon’s Surveys Translated, Nos. 1 – 181 1 (129) – 300.2 (376) iii NOTIFICATIONS The historic manuscript which is translated in this volume is the private property of the Library- Museum of the Masonic Grand Lodge of the State of Louisiana, Free & Accepted Masons. They are located in Alexandria, Louisiana. No portion of this volume may be reproduced or distributed without the prior permission of the Grand Secretary of the Grand Lodge. A form must be filled out and returned to the Archivist for his written signature before any reproduction may be made. The English language translations in this volume and the “Translator’s Keys and Commentary” are the work and the property of Dr.
    [Show full text]
  • Fine Living in T He French Q Uarter N
    New Orleans? 1850 House: The Pontalba buildings completed the architectural ensemble of the Place d?Armes, which was renamed Jackson Square in 1851 and modeled after the Palais Royale and the Place des Vosges in Paris. Materials from various locations ? New England granite, Baltimore pressed bricks, English plate glass, slates and roofing tiles, New Jersey window glass and New York ornamental iron ? were used in the buildings? construction. The lacy cast iron galleries began a trend in New Orleans? French Quarter and beyond. All photos by Mark J. Sindler/Louisiana State Museum. Fine Living In The French Quarter BY KATIE BURLISON EW ORLEANS, LA. ? Located in the Lower Pontalba building on buildings flanking Jackson Square. The buildings were declared a National Jackson Square in New Orleans? French Quarter, the Louisiana Historic Landmark in 1974. State Museum?s 1850 House is an antebellum row house N Baroness Pontalba first hired noted local architect James Gallier Sr to design furnished to represent life in mid-Nineteenth Century New the row houses, though she dismissed him before construction was begun and Orleans. Micaela Almonester de Pontalba, a wealthy New Orleans Creole employed Samuel Stewart as the builder. She also convinced authorities to whose father was a Spanish colonial official and whose husband was a French renovate Jackson Square, the Cabildo and the Presbytere, and nobleman, determined both the form and the name for the two brick ABOVE - Master bedroom. A suite of rosewood and lemonwood furniture, probably from Prudent Mallard?s French Quarter warerooms, is the centerpiece of the master bedroom. A duchesse (dressing table) and three-quarter tester bed church authorities to enlarge St Louis are shown here.
    [Show full text]
  • U.S. Mint Refurbishment
    UNITED STATES MINT REFURBISHMENT Since 1979, the U.S. Mint in New Orleans has been opened to the public as part of the Louisiana State Museum complex, but following Hurricane Katrina, the severely damaged historical land- mark required a protective coating system from Tnemec to return the building to “mint” condition. “The project architects were looking for a coating system that would aid in keeping water from seeping into the building,” recalled Tnemec coating consultant, Brandon Lomasney. “They wanted a coating system that was also breathable, that would improve the aesthetics of the building and be very durable. About 10 years earlier, we had used a coating system on the Westin Hotel that provided the performance func- tionality and aesthetics the architects were after.” The National Historic Landmark had been scheduled for exterior renovation prior to Hurricane Katrina, which caused severe dam- age to the building’s roof and interior. “After the storm, the reno- vation became an emergency project,” Lomasney explained. The plaster exterior was power-washed prior to receiving a prime coat of Series 151-1051 Elasto-Grip FC, a penetrating waterborne modified polyamine epoxy used for sealing porous substrates and as a tie-coat for specialized finishes over sound existing coatings. The exterior also received two coats of Series 156 Enviro-Crete, a breathable modified waterborne acrylate. Series 156 offers excel- PROJECT INFORMATION lent elastomeric protection against driving rain and ultraviolet (UV) light and can also be used as a low cohesive stress overcoat for Project Location aged oil or alkyd systems. Approximately 300 gallons of coating New Orleans, Louisiana were required for the project.
    [Show full text]