DOCSLIB.ORG

E. Ruffer's Edition

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
E. Ruffer's Edition ir E. (U FFE ffi S ?3 Po1ka. (Matrimoniql . E.AueJALr Baby &ry). .'ra I nleinlieA (striinrt herbei ihr yiil,kcrschaa|eti . JO Babv':v' c!:1, cr!..c:c 2',lrodueing !t!k:o ) | . zDith Engtish aad German wortls At. E. ku, fj, . rhe sate 2 zithors Soc,,? zt:.!p.r.s it)r ,.ith.Rass zith.g.o post ;for I Dte im walde at. bg E. Ruel!.Lr ,10 flte s&rne utith 2 -llandatins,(ar ,i.otin) & c itar... 1.4o I Sourenir de Ems, Concert stiak eti.r l{iiach.ner - .Thr so,ae u'ilh 7 F/kfe, l Cito & I ?ia,to(ad tib.\. .1.80_" I - . stimnung) Arr. by E.EuefJbr 60 rNearer My God to Theel i , I Iltn rottr ayc. itxg,7o, lZxtrr J7o-p, zithit.s 0n the Mountains. on the Hills . .. .^^. .Arc. by E..EuellL.,. aith --. I 4i Eaglish and German oottls . -4tt.by E.frueifer.3o I rhe same for p zitkets and Rr.ss zilher.. 60 Der Kleine Postillioa, Maroh . Arr. by E. Ruel/er .30 | fhe sanre aith 2 Ndts. ( or ticlin) and Guitar . l.l5 Tr'dumerei, Aeoerie by R. Schumaar . Arr.by. I !" $ne ailh 1./lute,I Cello/ andolq or7iM.lt &Pnab L65 2, Zithers Rozsabokor, Czirdis ( O garisches Lic/t) E- Rtte/fer 30 /or and Piaw 6ot/or Yl. and Piato 5O | ?c.se " (P' ii" ,r-" ir' Zner and pfano . .60 I Spring Song Nendelssohn) . Arr- by E. Ruelltr 3O fhe sawe Zithers The same lor yialin or l{antlolin, Ziflrct ard Piano. - '.50.55 I fot 4 50i witfi Eass Zither - ?O rae $d, e u)ith\z dls.(orvibtias) rhe same lar Yiolin antl Piano . .''...-. - | and Guitar . r!0 rhe Nishtinsare (Ets.attd Ger. aords)Arr.by E.Ruelfer *lTr:,i:T";;::::';:?::#?{#!;;:;:,"ir,;:";r;::;r:f Blonrlinchen, Concort-Polka by ?heo.Kehl .,ftonoert Waltz N9I (N. Jacdbd) .)rr.bg E- Euelfer 3O The same .foir 2 zithers .5o I rtu wme for 2 zdthere 506 oitk Basc zither . ra Ihe sarne.for fiolin arid Piano -Atr.by E.Rud/er .50 | The same wilh 2 .Udle. (or Viotdn aM Guitar. 1.40 The same /or Zither and Piano .60 ?h" a.ith 7llute,lCell,o,7 Marrdole or I "o^" 3! dt-&piano. 2.0a Eiinsel uurl Gretel, Polka (€e.r: wordg-4rr.by E. Ruc/fer .25 | ?he sanc ltor I Zither & Pianc 5Odfor Yiolin & Piano 5O sane Pialo 40 ' fhe same .for Zither qnd Piano, 40, aifi 24 zither .60 | Ihe for !2lo : -' '- piano A Few Momonts In W',onderland (Concert Waltz). Thc e ame.for 2 Zithers and 4 Errnds .?0 | E' ue//et .vu l-oul Fair. for vou lm Pining | . 'by 'R 50 "o (Fantasie) The Heart Bo*.h Down tailh English qnd Germon I O'tenr'zd.riick du siisser Traum . ttords,,4rn by E. Ruel/'er 30 1.. .by"N. Andorl 30 R,heinlietr Walzer. ,. Arn by E.Iueffer .3O I Thc same lor 2 Zithers 50 Wedding Mtfrlt. Qrom trohenp"in ) Arr. by E. -EaefJer .30 | fhe sane for I Zither and piano . 50 Thc sgme lor 2 . .!!_ fn" sane .for yiolin (Bout-zithe and piano 50 -Zithers (or!5/:i!k lqss 7i!h:1. | . i'hc iine aith 2 ildlc. YioliD and Guitar 1J5 | The same Jor 2 Zitherc Fdolin and Piano . 1.00 ?hc sane aith 7 Flute,Tccllo,l andolaor ?4Udl.a Eo.ores[o (w A. horik) ln- by E- Bueffer 00 gOd _Piqw1.65 | The sa e Jrot 7 zith:er and Pialo Jor viotinand P[a-.50 r u"" Io,,Taies of Eoffmsn,, *rA t.arqyrr. lo | ""o Stoyk Song' (Ens; & 4. words) Am. bU E.nueffer .3d I Deutschmeister Regiments March ArnW E.ltrlteffer .30 Timler Holzhackor Buaben, March Amfu E. Eueffer 30 | rhe same 7or 2 Zithers 50A and Rass Zi'ther . .70 .?0 Ihe sane Zilher ard Piano 60t dnd .75 lthe sdme t\r 2 Zithers 50t and Rass Zilher | Jar lte,ndolin l Granrl Selegtion on.-popular Airs Arr.by E. fruelfer .5q f!: same zithets, Piano and Viol,in . .90 ,l l)'t'2 j l' The saltc I'r 2 Zithers ,5o - Iar Zttl.ts i | ?he s(ne ioitk B(ss Zither. i NEW YORK i .utI Pueusned By ERNST RWFER.ros FrRSr AVE. t ! -{ .) 'Concert Wa,\tz ZITEER, I M. JACOBI or Solo Arr. by E. Rueffer 0 tr cnto 't .t + - \v \:/ p eqtressioo rdl Pa At -1 tn t4 r''l a l-l-1 -fi \r= Y Y a) A r l-T-1 f-l-l l-l-,| rit-r Y A T Y I p rit -n -'r1 -'rl I 3- 7S o temlq Mod erato - Copyright l92l by E.Rueffer, lOg Firit Ave., N.Y. Zitu'er I Y A 0 on rr'qo tt "f -J D.C. al Fine^, 0olrce!l W{,1t, 2 dal sq.{no \.
Load more

Recommended publications
  • Joshua Bynum, Trombone Anatoly Sheludyakov, Piano Joshua Bynum
    Presents a Presents a Faculty Recital Faculty Recital Joshua Bynum, trombone Joshua Bynum, trombone Anatoly Sheludyakov, piano Anatoly Sheludyakov, piano October 16, 2019 6:00 pm, Edge Recital Hall October 16, 2019 6:00 pm, Edge Recital Hall Radiant Spheres David Biedenbender Radiant Spheres David Biedenbender I. Fluttering, Fast, Precise (b. 1984) I. Fluttering, Fast, Precise (b. 1984) II. for me, time moves both more slowly and more quickly II. for me, time moves both more slowly and more quickly III. Radiant Spheres III. Radiant Spheres Someone to Watch Over Me George Gershwin Someone to Watch Over Me George Gershwin (1898-1937) (1898-1937) Arr. Joseph Turrin Arr. Joseph Turrin Simple Song Leonard Bernstein Simple Song Leonard Bernstein (1918-1990) (1918-1990) Zion’s Walls Aaron Copland Zion’s Walls Aaron Copland (1900-1990) (1900-1990) -intermission- -intermission- I Was Like Wow! JacobTV I Was Like Wow! JacobTV (b. 1951) (b. 1951) Red Sky Anthony Barfield Red Sky Anthony Barfield (b. 1981) (b. 1981) **Out of respect for the performer, please silence all electronic devices throughout the performance. **Out of respect for the performer, please silence all electronic devices throughout the performance. Thank you for your cooperation. Thank you for your cooperation. ** For information on upcoming concerts, please see our website: music.uga.edu. Join ** For information on upcoming concerts, please see our website: music.uga.edu. Join our mailing list to receive information on all concerts and our mailing list to receive information on all concerts and recitals, music.uga.edu/enewsletter recitals, music.uga.edu/enewsletter Dr. Joshua Bynum is Associate Professor of Trombone at the University of Georgia and trombonist Dr.
    [Show full text]
  • Recommended Solos and Ensembles Tenor Trombone Solos Sång Till
    Recommended Solos and Ensembles Tenor Trombone Solos Sång till Lotta, Jan Sandström. Edition Tarrodi: Stockholm, Sweden, 1991. Trombone and piano. Requires modest range (F – g flat1), well-developed lyricism, and musicianship. There are two versions of this piece, this and another that is scored a minor third higher. Written dynamics are minimal. Although phrases and slurs are not indicated, it is a SONG…encourage legato tonguing! Stephan Schulz, bass trombonist of the Berlin Philharmonic, gives a great performance of this work on YouTube - http://www.youtube.com/watch?v=Mn8569oTBg8. A Winter’s Night, Kevin McKee, 2011. Available from the composer, www.kevinmckeemusic.com. Trombone and piano. Explores the relative minor of three keys, easy rhythms, keys, range (A – g1, ossia to b flat1). There is a fine recording of this work on his web site. Trombone Sonata, Gordon Jacob. Emerson Edition: Yorkshire, England, 1979. Trombone and piano. There are no real difficult rhythms or technical considerations in this work, which lasts about 7 minutes. There is tenor clef used throughout the second movement, and it switches between bass and tenor in the last movement. Range is F – b flat1. Recorded by Dr. Ron Babcock on his CD Trombone Treasures, and available at Hickey’s Music, www.hickeys.com. Divertimento, Edward Gregson. Chappell Music: London, 1968. Trombone and piano. Three movements, range is modest (G-g#1, ossia a1), bass clef throughout. Some mixed meter. Requires a mute, glissandi, and ad. lib. flutter tonguing. Recorded by Brett Baker on his CD The World of Trombone, volume 1, and can be purchased at http://www.brettbaker.co.uk/downloads/product=download-world-of-the- trombone-volume-1-brett-baker.
    [Show full text]
  • Working List of Repertoire for Tenor Trombone Solo and Bass Trombone Solo by People of Color/People of the Global Majority (POC/PGM) and Women Composers
    Working List of Repertoire for tenor trombone solo and bass trombone solo by People of Color/People of the Global Majority (POC/PGM) and Women Composers Working list v.2.4 ~ May 30, 2021 Prepared by Douglas Yeo, Guest Lecturer of Trombone Wheaton College Conservatory of Music Armerding Center for Music and the Arts www.wheaton.edu/conservatory 520 E. Kenilworth Avenue Wheaton, IL 60187 Email: [email protected] www.wheaton.edu/academics/faculty/douglas-yeo Works by People of Color/People of the Global Majority (POC/PGM) Composers: Tenor trombone • Amis, Kenneth Preludes 1–5 (with piano) www.kennethamis.com • Barfield, Anthony Meditations of Sound and Light (with piano) Red Sky (with piano/band) Soliloquy (with trombone quartet) www.anthonybarfield.com 1 • Baker, David Concert Piece (with string orchestra) - Lauren Keiser Publishing • Chavez, Carlos Concerto (with orchestra) - G. Schirmer • Coleridge-Taylor, Samuel (arr. Ralph Sauer) Gypsy Song & Dance (with piano) www.cherryclassics.com • DaCosta, Noel Four Preludes (with piano) Street Calls (unaccompanied) • Davis, Nathaniel Cleophas (arr. Aaron Hettinga) Oh Slip It Man (with piano) Mr. Trombonology (with piano) Miss Trombonism (with piano) Master Trombone (with piano) Trombone Francais (with piano) www.cherryclassics.com • John Duncan Concerto (with orchestra) Divertimento (with string quartet) Three Proclamations (with string quartet) library.umkc.edu/archival-collections/duncan • Hailstork, Adolphus Cunningham John Henry’s Big (Man vs. Machine) (with piano) - Theodore Presser • Hong, Sungji Feromenis pnois (unaccompanied) • Lam, Bun-Ching Three Easy Pieces (with electronics) • Lastres, Doris Magaly Ruiz Cuasi Danzón (with piano) Tres Piezas (with piano) • Ma, Youdao Fantasia on a Theme of Yada Meyrien (with piano/orchestra) - Jinan University Press (ISBN 9787566829207) • McCeary, Richard Deming Jr.
    [Show full text]
  • Portable Digital Musical Instruments 2009 — 2010
    PORTABLE DIGITAL MUSICAL INSTRUMENTS 2009 — 2010 music.yamaha.com/homekeyboard For details please contact: This document is printed with soy ink. Printed in Japan How far do you want What kind of music What are your Got rhythm? to go with your music? do you want to play? creative inclinations? Recommended Recommended Recommended Recommended Tyros3 PSR-OR700 NP-30 PSR-E323 EZ-200 DD-65 PSR-S910 PSR-S550B YPG series PSR-E223 PSR-S710 PSR-E413 Pages 4-7 Pages 8-11 Pages 12-13 Page 14 The sky's the limit. Our Digital Workstations are jam-packed If the piano is your thing, Yamaha has a range of compact We've got Digital Keyboards of all types to help players of every If drums and percussion are your strong forte, our Digital with advanced features, exceptionally realistic sounds and piano-oriented instruments that have amazingly realistic stripe achieve their full potential. Whether you're just starting Percussion unit gives you exceptionally dynamic and expressive performance functions that give you the power sound and wonderfully expressive playability–just like having out or are an experienced expert, our instrument lineup realistic sounds, letting you pound out your own beats–in to create, arrange and perform in any style or situation. a real piano in your house, with a fraction of the space. provides just what you need to get your creative juices flowing. live performance, in rehearsal or in recording. 2 3 Yamaha’s Premier Music Workstation – Unsurpassed Quality, Features and Performance Ultimate Realism Limitless Creative Potential Interactive
    [Show full text]
  • Solo and Ensemble Concert Mae Zenke Orvis Auditorium July 17, 1967 8:00 P.M
    SOLO AND ENSEMBLE CONCERT MAE ZENKE ORVIS AUDITORIUM JULY 17, 1967 8:00 P.M. SOLO AND ENSEMBLE CONCERT Monday, July 17 Mae Zenke Orvis Auditorium 8:00 P.M. Program Ernst Krenek Piano Sonata No.3 (1943) Peter Coraggio, piano Allegretto piacevole Theme, Canons and Variations: Andantino Scherzo: Vivace rna non troppo Adagio First Performance in Hawaii Neil McKay Sonata for French Horn and Willard Culley, French horn Piano (1962) Marion McKay, piano Fanfare: Allegro Andante Allegro First Performance in Hawaii Chou Wen-chung Yu Ko (1965) Chou Wen-chung, conductor First Performance in Hawaii John Merrill, violin Jean Harling, alto flute James Ostryniec, English horn Henry Miyamura, bass clarinet Roy Miyahira, trombone Samuel Aranio, bass trombone Zoe Merrill, piano Lois Russell, percussion Edward Asmus, percussion INTERMISSION JOSe Maceda Kubing (1966) Jose Maceda, conductor Music for Bamboo Percussion and Men's Voices First Performance in Hawaii Jose Maceda Kubing (1966) Jose Maceda, conductor Music for Bamboo Percussion Charles Higgins and Men's Voices William Feltz First Performance in Hawaii Brian Roberts voices San Do Alfredo lagaso John Van der Slice l Takefusa Sasamori tubes Bach Mai Huong Ta buzzers ~ Ruth Pfeiffer jaw's harps Earlene Tom Thi Hanh le William Steinohrt Marcia Chang zithers Michael Houser } Auguste Broadmeyer Nancy Waller scrapers Hailuen } Program Notes The Piano Sonata NO.3 was written in 1943. The first movement is patterned after the classical model: expo­ sition (with first, second, and concluding themes), development, recapitulation, and coda. However, in each of these sections the thematic material is represented in musical configurations derived from one of the four basic forms of the twelve-tone row: original, inversion, retrograde, and retrograde inversion.
    [Show full text]
  • Piano Manufacturing an Art and a Craft
    Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Gesa Lücker (Concert pianist and professor of piano, University for Music and Drama, Hannover) Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Since time immemorial, music has accompanied mankind. The earliest instrumentological finds date back 50,000 years. The first known musical instrument with fibers under ten sion serving as strings and a resonator is the stick zither. From this small beginning, a vast array of plucked and struck stringed instruments evolved, eventually resulting in the first stringed keyboard instruments. With the invention of the hammer harpsichord (gravi cembalo col piano e forte, “harpsichord with piano and forte”, i.e. with the capability of dynamic modulation) in Italy by Bartolomeo Cristofori toward the beginning of the eighteenth century, the pianoforte was born, which over the following centuries evolved into the most versitile and widely disseminated musical instrument of all time. This was possible only in the context of the high level of devel- opment of artistry and craftsmanship worldwide, particu- larly in the German-speaking part of Europe. Since 1885, the Schimmel family has belonged to a circle of German manufacturers preserving the traditional art and craft of piano building, advancing it to ever greater perfection. Today Schimmel ranks first among the resident German piano manufacturers still owned and operated by Contents the original founding family, now in its fourth generation. Schimmel pianos enjoy an excellent reputation worldwide. 09 The Fascination of the Piano This booklet, now in its completely revised and 15 The Evolution of the Piano up dated eighth edition, was first published in 1985 on The Origin of Music and Stringed Instruments the occa sion of the centennial of Wilhelm Schimmel, 18 Early Stringed Instruments – Plucked Wood Pianofortefa brik GmbH.
    [Show full text]
  • The Lion's Roar
    ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ The Lion’s Roar A Thorne Student Publication Winter 2019 Still Free Elf Day Pg 3, Mania Album Review, Pg 3, Winter Concert Pg 4, The Arts Op Ed, Pg 4, Art Pg 5, Poetry Pg 6, ​ ​ Investigative Spotlight-Social Media Pg 8 Chinchillas Thorne Giving Back Kara Gallagher By: Kristen Gallagher Fortnite Allegedly Dying, ​ Streamer Protests Notion By Liam Perez Since its initial release on September 26, 2017, the We all know the holidays are a great immensely popular online game time of year. Opening our presents known as Fortnite: Battle Royale on Christmas morning with beaming ​ has captured the hearts, minds, smiles is always a joy, but what about those who aren’t as fortunate and wallets of over 200 million As you may know, the 7th-grade as us? players ​ science classes have adorable, soft I am a member of Thorne’s peer worldwide(pcgamesn.com, 2018). chinchillas, but do you really know leaders, and we were invited to help However, speculation that Fortnite: Battle Royale’s time in anything about those fuzzy, out with a holiday toy drive that ​ eye-watering creatures? Well, if you benefits Middletown residents. When the public eye is drawing to a don’t, you should definitely read this I heard of this volunteer close, or that it is ‘dead.’ This article. I will write about chinchilla opportunity, I was interested right leads to the questions of “is this fun facts, and caring for a pet away. Approximately twenty other true?” and “if it is, what’s next?”, chinchilla. Thorne students participated.
    [Show full text]
  • FRENCH CONNECTIONS with Avery Gagliano, Piano
    FRENCH CONNECTIONS with Avery Gagliano, piano February 13, 2021 | 7:30 PM Welcome to OMP's Virtual Concert Hall! Bonjour et bienvenue! Thank you to our loyal donors and season subscribers for your continued support, and a warm welcome to those who are joining us in our "Virtual Concert Hall" for the first time. Your contributions have made it possible for OMP to present our third virtual chamber orchestra performance in HD audio and video! We hope you enjoy this programme musical français featuring First Prize and Best Concerto Prize winner of the 2020 10th National Chopin Piano Competition Avery Gagliano! THANK YOU TO THESE GENEROUS GRANTING ORGANIZATIONS: Get the PremiumExperience! Level A Subscription Seat Access to Virtual Premium Special Concerts and additional OMP content or concerts. Receive "Kelly's Recommendation" in headphones: Bose® SoundLink around-ear headphones II with contactless shipping Select a personally autographed CD or DVD of "A Virtual Recital", featuring 2015 Young Soloist Competition Winner John Fawcett, violin and Kelly Kuo, piano. Complimentary, contactless wine delivery upon virtual reception advanced reservation Current 2020-21 Subscribers can use the amount of their tickets as a credit toward their purchase of an OMP Premium Experience Package! Give the gift of with OMP and Bose at oregonmomzaurstipclayers.org/tickets Orchestra Kelly Kuo, Artistic Director & Conductor VIOLIN Jenny Estrin, acting concertmaster Yvonne Hsueh, principal 2nd violin Stephen Chong Della Davies Sponsored by Nancy & Brian Davies Julia Frantz Sponsored by James & Paula Salerno Nathan Lowman Claudia Miller Sponsored by Jeffrey Morey & Gail Harris Sophie Therrell Sponsored by W. Mark & Anne Dean Alwyn Wright* VIOLA Arnaud Ghillebaert principal viola Lauren Elledge Kimberly Uwate* CELLO Dale Bradley acting principal cello Sponsored by Larissa Ennis & Lindsay Braun Eric Alterman Noah Seitz BASS Nicholas Burton, principal bass HARPSICHORD/PIANO Thank you to our additional musician sponsors: John Jantzi, Theodore W.
    [Show full text]
  • Restoration of C. 1925-1930 Carl Fischer Concert Zither
    Restoration of C. 1925-1930 Carl Fischer Concert Zither Completed by Ron Cook April 2018 For David Spirk Background Tens of thousands of concert zithers were manufactured in both Europe and the United States in the late 1800s and early 1900s. There were many shapes and styles, with the number of strings often ranging from 31 to 46. Most concert zithers were basic “entry level” instruments with little or no decoration and a laminated front (usually black walnut) and sides with a back painted black. Some, like the gorgeous zither in this repair log, were highly ornate and decorated with marquetry, mother of pearl and abalone inlays and laminated walnut or rosewood on the front, sides and back. The label inside this beautiful concert zither is very faded from moisture, but the name Carl Fischer is visible as is the street name, Cooper Square. Carl Fischer Music was founded in 1872 when he opened his musical instrument repair shop in an East Village neighborhood of New York City. He supplied musicians with sheet music, including zither music, and instruments from Europe, while supplementing his income with professional engagements as a violinist in several orchestras and bands throughout the city. As his company grew too large for the original store, his family, in 1924, shortly after Carl passed away, constructed a new 12-story building on Cooper Square, in Manhattan, where they stayed until the fourth-generation heirs sold the building in 1999. The company, now 146 years old, is currently based on Long Island. Carl Fischer was not an instrument manufacturer, but a reseller.
    [Show full text]
  • A Brief History of Piano Action Mechanisms*
    Advances in Historical Studies, 2020, 9, 312-329 https://www.scirp.org/journal/ahs ISSN Online: 2327-0446 ISSN Print: 2327-0438 A Brief History of Piano Action Mechanisms* Matteo Russo, Jose A. Robles-Linares Faculty of Engineering, University of Nottingham, Nottingham, UK How to cite this paper: Russo, M., & Ro- Abstract bles-Linares, J. A. (2020). A Brief History of Piano Action Mechanisms. Advances in His- The action mechanism of keyboard musical instruments with strings, such as torical Studies, 9, 312-329. pianos, transforms the motion of a depressed key into hammer swing or jack https://doi.org/10.4236/ahs.2020.95024 lift, which generates sound by striking the string of the instrument. The me- Received: October 30, 2020 chanical design of the key action influences many characteristics of the musi- Accepted: December 5, 2020 cal instrument, such as keyboard responsiveness, heaviness, or lightness, which Published: December 8, 2020 are critical playability parameters that can “make or break” an instrument for a pianist. Furthermore, the color of the sound, as well as its volume, given by Copyright © 2020 by author(s) and Scientific Research Publishing Inc. the shape and amplitude of the sound wave respectively, are both influenced This work is licensed under the Creative by the key action. The importance of these mechanisms is highlighted by Commons Attribution International centuries of studies and efforts to improve them, from the simple rigid lever License (CC BY 4.0). mechanism of 14th-century clavichords to the modern key action that can be http://creativecommons.org/licenses/by/4.0/ found in concert grand pianos, with dozens of bodies and compliant elements.
    [Show full text]
  • The Broadway Musical
    HESSTON COLLEGE THEATRE PRESENTS The Broadway Musical Director - Laura Kraybill Music Director - Matt Schloneger Book - Allan Knee Lyrics - Mindi Dickstein Based on the novel by Louisa May Alcott Music - Jason Howland Little Women The Broadway Musical Book by Music by Lyrics by Allan Knee Jason Howland Mindi Dickstein Based on the novel by Louisa May Alcott LITTLE WOMEN Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 Phone: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com The videotaping or other video or audio recording of this production is strictly prohibited. CAST Jo March................................................................................. Taylor Zehr Professor Bhaer..........................................................Galed Krisjayanta Amy March............................................................................. Emma Roth Meg March................................................................... Meredith Spicher Beth March.............................................................................. Eleya Raim Marmee March.................................................................... Anna Martin Mr. Laurence......................................................................... Micah Raber Laurie Laurence.............................................................. Nathan Patron Aunt March...................................................................... Abbie
    [Show full text]
  • Piano Proficiency
    PIANO PROFICIENCY All music majors, except those with a keyboard major, must pass a piano proficiency examination demonstrating functional use of the piano. Students with a primary applied area in keyboard will not take the piano proficiency but will cover functional piano material in their course of primary applied study. Before being recommended for student teaching or attempting the senior recital hearing, every non-keyboard major must pass the piano proficiency. This examination should be completed by the end of the fourth semester of enrollment in secondary piano class (MU262). It must be attempted each semester thereafter until passed. Enrollment in secondary piano class is necessary each semester until the piano proficiency requirement is completed. Students who pass the piano proficiency exam before completing four hours of secondary class piano may take the remaining credit hours in either piano or organ. Students enrolled in secondary piano classes may pass portions of the piano proficiency material. In order to attempt a portion of the proficiency material in jury before the final semester, the student must attempt at least three (3) sections of the exam. The student will only be allowed to attempt a portion of the proficiency exam with the permission of the class piano instructor. Students who complete the prepared literature portion of the exam will be expected to continue preparing literature pieces in subsequent secondary piano classes. The MU262 Final Exam is the Piano Proficiency. It is a jury exam and is held during final exam week. It must be passed completely in this fourth semester in order to receive a passing grade for the semester.
    [Show full text]