DOCSLIB.ORG

2021 Season Is Sponsored by Alan & Susan Becker

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2021 Season Is Sponsored by Alan & Susan Becker David Rice Kate Danziger Executive Director Managing Director By Dean Monti Adapted by David Rice Directed by Morgan Manasa Original Music & Sound Designer – Christopher Kriz°, USA Video Producer – Mike Alongi Stage Manager – Amy Creuziger°, AEA The 2020 – 2021 Season is Sponsored by Alan & Susan Becker This program was made possible in part by a grant from the Illinois Arts Council (a state agency). Additional Support Provided by the Gaylord & Dorothy Donnelley Foundation; Hinsdale Bank & Trust. Capacity-building support has been provided by the Arts & Business Council of Chicago. Cast (In order of Appearance) Mel August Forman Hubert Landree Fleming* * Denotes a member of Actors’ Equity Association, the union of professional actors and stage managers. ° Denotes First Folio Artistic Associate. SETTING Mel and Hubert’s Home The use of any recording devices during this performance is strictly prohibited by copyright laws. First Folio Theatre is a member of the League of Chicago Theaters and Theatre Communications Group (TCG), the national organization for the American theatre. First Folio Theatre is a professional theatre employing members of the Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. OUR MISSION STATEMENT As the premier non-profit professional theatre in the western suburbs, First Folio’s mission is to present intimate productions of classical and contemporary works. By making our home in residence at Mayslake Peabody Estate, we create a unique theatrical experience that enriches the community. STATEMENT OF VALUES We believe that theater is for everyone. We believe that theater must reflect and amplify diverse perspectives. We believe that equity, diversity, and inclusion make us better storytellers. We believe in supporting the creation and development of new work. We believe in developing that contributions and leadership of female-identifying and non-binary artists. We believe in amplifying the voices and experiences of BIPOC (Black, Indigenous, People of Color) and LGBTQIA (Lesbian, Gay, Bisexual, Trans, Queer, Intersex, Asexual) artists and leaders. We believe in the necessity of an ongoing assessment of our progress as an organization. LAND ACKNOWLEDGEMENT First Folio Theatre acknowledges with respect that we gather on the traditional and ancestral homelands of Native nations including the Ojibwe, Ottawa, and Potawatomi. First Folio Theatre is in residence at the Mayslake Peabody Estate, which stands on the northern border of the Indian Boundary Line, a 20-by-70-mile strip of land that stretched from Lake Michigan southwest, to the Illinois River near present-day Ottawa, Illinois. The line was a part of the 1816 Treaty of St. Louis between the U.S. government and members of the Ojibwe, Ottawa, and Potawatomi tribes, known as the Council of Three Fires. The U.S. government viewed treaties like this as a way to acquire, own and sell the land, thereby exploiting differing concepts of ownership. Native nations, by contrast, often viewed such treaties as temporary permissions to access land in their territories. During the early 1800s, the U.S. government shifted treaties with Native nations from peace and alliance to land cessions and removal. Generations of indigenous peoples displaced from this area now live in Kansas and Oklahoma. We pay respect to those upon whose ancestral lands we gather and invite our artists and patrons to consider the legacies of violence, migration, settlement and displacement that brought us here today, and the stories of those who were here before us. CAST LANDREE FLEMING (SHE/HER) (Mel) is thrilled to make her First Folio (digital) debut! She was most recently seen as Frenchy in Grease (Marriott Theatre). Select Chicago theatre credits include Kira in Xanadu (American Theatre Company), Penny in Hairspray (Paramount Theatre), and Ira Glass in the staged reading of Wait, Wait Don’t Kill Me! (Chicago Shakespeare Theater). In addition to working with the theatres above, she has performed with Drury Lane Theatre, Griffin Theatre, Theatre at the Center, Circle Theatre and Adventure Stage Chicago. TV credits: NBC’s Chicago PD and Chicago Med. She is a cast member of the highly rated Dungeons and Dragons comedy fiction podcast Encounter Party! and is represented by Gray Talent. Love to August and many, many thanks to everyone involved! AUGUST FORMAN (THEY/THEM) (Hubert) is an actor, playwright, voiceover artist, and educator. Chicago credits include Tiny Beautiful Things (Victory Gardens Theater), Rutherford and Son (TimeLine Theatre), The Fair Maid of the West (Oak Park Festival Theatre), Elizabeth Rex (Oak Park Festival Theatre), The Lady Demands Satisfaction (Babes With Blades), and Twelfth Night (Midsommer Flight). August received a Joseph Jefferson Award for Best Supporting Actor for their work as Gina in Broken Nose Theatre’s production of Girl in the Red Corner. Outside of Chicago, August appeared in A Kind of Weather and Plot Points in our Sexual Development at Diversionary Theatre in San Diego, California. They are a Core Ensemble Member and Facilitator with Imagination Theater, a touring company addressing social issues with young people. They are also an Artistic Associate with Oak Park Festival Theatre and an Ensemble Member with Broken Nose Theatre. As a playwright, their plays have premiered throughout the country. August is represented by Gray Talent Agency. PRODUCTION STAFF DEAN MONTI (Playwright) started writing at age two, but nothing really legible until age five. Since then, his work has appeared in several literary journals including The Eclectic Literary Forum, Ellipsis, and Empty Mirror. His critically-acclaimed comic novel, The Sweep of the Second Hand, was published by Penguin Random House. He is also the author of several plays and has had works staged in Chicago (by Alison C. Vesely) and elsewhere. He taught creative writing at Columbia College and College of DuPage. He completed his MFA in Creative Writing at Queens University in Charlotte and has since written five more novels and several short stories. He has also been an association journalist for 22 years and has interviewed everyone from Colin Powell and James Carville to Jerry (The Beaver) Mathers and Cyndi Lauper. He lives in Glen Ellyn with his wife Julie and their two cats. MORGAN MANASA (Director) a graduate of the Chicago College of Performing Arts and Theatre Conservatory at Roosevelt University, has been a theatremaker in Chicago for the past 20 years. Morgan is an ensemble member of Babes With Blades Theatre Company where she’s been seen in their all-female production of Henry V (Fluellen) and Witch Slap (Goody Blunt). Morgan has directed a handful of one acts and 10 minute play festivals, but made her mainstage directorial debut with Arthur M. Jolly’s The Lady Demands Satisfaction (Jeff Recommended) with BWBTC. Most recently she directed In The Next Room (or The Vibrator Play) with Idle Muse Theatre Ensemble. Thank you for supporting live theatre! www.morganmanasa.com DAVID RICE (Executive Artistic Director and Adaptor) is Co-Founder (with his late wife Alison C. Vesely) of First Folio Theatre, where he has produced over 70 productions which have earned 40 Jeff Nominations and 6 Jeff Awards. He is also a playwright specializing in adaptations, whose works include Shrew’d!, Captain Blood, Cymbeline: A Musical Folk Tale (Jeff Awards – Original Adaptation and Original Music), The Madness of Edgar Allan Poe: A Love Story (Jeff Nomination – Original Adaptation), and The Castle of Otranto. Onstage at First Folio he has been seen as Sandor Turai in Rough Crossing, H.C. Curry in The Rainmaker, and Knuckles McCann in Jeeves Takes a Bow, amongst others. David has worked at numerous Chicago theaters in the last four decades, including the Paramount, Marriott’s Lincolnshire, Briar Street, and Candlelight. Trivia lovers may be interested to know that David was a four-time winner on Jeopardy! David is a proud member of both the Dramatists Guild and Actors Equity Association. KATE DANZIGER (Managing Director) has been with First Folio in her current capacity since February 2017. She has been connected to First Folio Theatre since 2005, when she was hired as the assistant stage manager for The Taming of the Shrew. She became First Folio’s resident AEA stage manager and an Artistic Associate and worked on 17 shows as part of the stage management team, before taking a hiatus from theater. Prior to becoming First Folio’s Managing Director she was the Administration and Event Manager for the Skokie Chamber of Commerce & Industry. Kate holds a Bachelor of Arts in Theatre from Loyola University Chicago and a Master of Fine Arts in Theatre from the University of Illinois at Urbana-Champaign. She is the proud mom of two little boys. MELANIE KELLER (Associate Artistic Director) First Folio directing credits include All Childish Things, Mary’s Wedding, Silent Sky, The Guys and The Amish Project. As an actor, Melanie has appeared in over twelve productions at First Folio including The Turn of the Screw, Salvage, Private Lives and Blithe Spirit. Other directing credits include The Drowning Girls at Signal Ensemble, and productions at Oak Park Festival Theatre, Shakespeare Project of Chicago, Irish Theatre of Chicago, Fraud and Phony, WildClaw and Chicago Dramatists. Acting credits with Signal Ensemble include East of Berlin and The Russian Play (Jeff Award for Best Actress), The Weir (Jeff Nomination for Best Supporting Actress), She Stoops to Conquer and Much Ado About Nothing. Additional acting work includes Lady Macbeth at Oak Park Festival Theatre, seasons at the Stratford Festival of Canada, Lakeside Shakespeare, Michigan Shakespeare Festival, and productions at the Goodman, Northlight, Peninsula Players, Chicago Shakespeare, Shakespeare Project of Chicago, Waterfront Playhouse of Key West, Artists’ Ensemble and Strawdog Theatre, among others. She has appeared on Chicago Fire, Chicago Med, and in the short film UberEx. MIKE ALONGI (Video Producer) joins First Folio for his first production.
Load more

Recommended publications
  • Non-Equity Jeff Award Nominations Rescinded for the Hypocrites
    Editor’s Note: The complete list of Non-Equity Jeff Awards nominees follows this release and is also available on-line in the News and Events section at www.jeffawards.org. Non-Equity Jeff Award Nominations Rescinded for The Hypocrites Additional Nominations Announced Saturday, April 25, 2015 - Chicago, IL. Early Friday, April 24, 2015, Sean Graney, who recently returned to Chicago to resume his post as Artistic Director of The Hypocrites, informed the Joseph Jefferson Awards Committee that he just learned the theater company had been operating under an Equity CAT-N contract for the duration of the 2014-2015 Non-Equity season. Over the past year, requests for judging its productions were made to the Non-Equity Wing without the committee having knowledge of the company’s Equity status. The Jeff Committee was aware that two of the productions had Equity performers (as indicated in the program); however, the committee has now confirmed that these were not guest contracts. As such, the company’s productions are not eligible for consideration in the Non- Equity Wing, and all related Non-Equity Jeff Award nominations have been rescinded. The productions in question will be shifted to the Equity Wing for awards consideration during its current season, which commenced on August 1, 2014 and will end on July 30, 2015. A revised listing of nominees follows for the 2014-2015 Non-Equity Jeff Awards. 2015 NON-EQUITY JEFF AWARD NOMINEES PRODUCTION - PLAY "Exit Strategy" - Jackalope Theatre Company "The Jungle" - Oracle Productions "Men Should Weep" - Griffin Theatre Company "Monstrous Regiment" - Lifeline Theatre "Ruined" - Eclipse Theatre Company" PRODUCTION - MUSICAL "Assassins" - Kokandy Productions "The Full Monty" - Kokandy Productions "Jesus Christ Superstar" - Theo Ubique Cabaret Theatre "Titanic" - Griffin Theatre Company "The Wild Party" - Bailiwick Chicago PRODUCTION - REVUE "Always..
    [Show full text]
  • Lifeline Theatre Announces Six New Ensemble Members-Fall 2017FINAL
    November 1, 2017 Jill Evans La Penna SHOUT Marketing & Media Relations 312-226-6727 [email protected] Media passes, photographs, videos, interviews and additional materials are available on request. LIFELINE THEATRE ANNOUNCES SIX NEW ENSEMBLE MEMBERS CHICAGO – Lifeline Theatre is proud to announce six new members of its artistic ensemble: Bilal Dardai, Andrés Enriquez, Diane D. Fairchild, Anthony Kayer, Martel Manning, and Michael McKeogh. Lifeline’s ensemble determines the company’s artistic programming and provides leadership, support, and counsel in the play development process. Now in its 35th season, Lifeline Theatre is driven by a passion for story. Our ensemble process supports writers in the development of literary adaptations and new work, and our theatrical and educational programs foster a lifelong engagement with literature and the arts. A cultural anchor of Rogers Park, we are committed to deepening our connection to an ever-growing family of artists and audiences, both near and far. Lifeline Theatre – Big Stories, Up Close. Founded by five Northwestern graduates in 1982, the theatre now employs over 150 artists per year. In addition to the six new members listed above, Lifeline’s artistic ensemble is led by Artistic Director Dorothy Milne, and consists of Aly Renee Amidei, Patrick Blashill, Jessica Wright Buha, Christina Calvit, Heather Currie, Victoria DeIorio, Amanda Delheimer Dimond, Alan Donahue, Kevin D. Gawley, Peter Greenberg, James E. Grote, Chris Hainsworth, John Hildreth, Paul S. Holmquist, Elise Kauzlaric, Robert Kauzlaric, Frances Limoncelli, Amanda Link, Katie McLean Hainsworth, Shole Milos, Sandy Snyder Pietz, Suzanne Plunkett, Maren Robinson, Phil Timberlake, Jenifer Tyler, and Christopher M. Walsh.
    [Show full text]
  • Smartdraw Document
    Theatres at which ACA graduates have worked since graduation: Broadway, King Lear with Christopher Plummer Broadway, Merchant of Venice with Al Pacino 1st National Broadway Tour: August: Osage County 1st National Broadway Tour: The Graduate 1st National Broadway Tour: Spamalot National Tour: The SantaLand Diaries 34 West Theatre Company (NYC) 59E59 Theater (NYC) Acting Company Actor's Express Actors Shakespeare Company at New Jersey City University Actors Shakespeare Project Actors Theatre of Louisville* Actors Theatre of Minnesota Arden Theatre Adrienne Alabama Shakespeare Festival Alliance Theatre* American Century Theater American Globe Theatre American Players Theatre, Wisconsin American Repertory Theater* American Shakespeare Center American Theater Company A Noise Within Antaeus Theatre Company Arena Stage* Artists Repertory Theatre Arts Alive Theatre Arts Center of Coastal Carolina Arts United DC ArtsWest Arvada Center Atlas Performing Arts Attic Theatre and Film Center, L.A. Austin Playhouse Austin Shakespeare Baltimore Shakespeare Festival Baltimore Symphony Orchestra Barnstormers Barrington Stage (Berkshires) Bay Theatre, Annapolis Beckett Theatre, Theatre Row Berkeley Repertory Theatre* You created this PDF from an application that is not licensed to print to novaPDF printer (http://www.novapdf.com) Black Repertory Company of St. Louis Blue Herron Theatre, NYC Boston Playwrights' Theater Boston Theatre Works Breaking String Theatre Brooklyn Academy of Music (BAM) Outdoor Arts Festival Bunbury Theatre Cadence Theatre Company
    [Show full text]
  • The Following Blue Star Theatres Are Listed in Alphabetical Order
    The following Blue Star Theatres are listed in alphabetical order. 2nd Story, Warren, RI Manhattan Theatre Center, New York, NY 7 Stages, Atlanta, GA McCarter Theatre, Princeton, NJ Actors Theatre of Louisville, Louisville, KY Northlight Theatre, Skokie, IL Adventure Stage, Chicago, IL Olney Theatre Center for the Arts, Olney, MD Alabama Shakespeare Festival, Montgomery, AL Penobscot Theatre Company, Bangor, ME Alley Theatre, Houston, TX People’s Light & Theatre, Malvern, PA Alliance Theatre, Atlanta, GA Performance Network Theatre, Ann Arbor, MI American Blues Theater, Chicago, IL Pittsburgh Public Theater, Pittsburgh, PA American Conservatory Theater, PlayMakers Repertory Company, Chapel Hill, NC San Francisco, CA Portland Center Stage, Portland, OR American Repertory Theater, Cambridge, MA Round House Theatre, Bethesda, MD Arena Stage, Washington, D.C. Roundabout Theatre Company, New York, NY Arkansas Repertory Theatre, Little Rock, AR Seattle Children’s Theatre, Seattle, WA Artists Repertory Theatre, Cambridge, MA Seattle Repertory Theatre, Seattle, WA Arvada Center Theatre, Arvada, CO Second Stage Theatre, New York, NY Asolo Repertory, Sarasota, FL Signature Theatre, Arlington, VA Berkeley Repertory Theatre, Berkeley, CA South Coast Repertory, Costa Mesa, CA Bloomsburg Ensemble Theatre, Bloomsburg, PA Stages Theatre Company, Hopkins, MN Boise Contemporary Theater, Boise, ID Stageworks Theatre, Tampa, FL Burning Coal Theatre Company, Raleigh, NC Steppenwolf Theatre Company, Chicago, IL California Shakespeare Theatre, Orinda, CA Studio Theatre, Washington, D.C. Center Theatre Group, Los Angeles, CA Syracuse Stage, Syracuse, NY CENTERSTAGE, Baltimore, MD The Contemporary American Theater Festival, Chesapeake Shakespeare Company, Ellicott City, MD Shepherdstown, WV Childsplay, Tempe, AZ The Old Globe, San Diego, CA Cincinnati Playhouse, Cincinnati, OH The Repertory Theatre of St.
    [Show full text]
  • Visit Chicago Area Independent Schools This Fall!
    CHICAGO SHAKESPEARE THEATER Chicago Shakespeare Theater salutes Welcome THE PRODUCERS’ GUILD for its tremendous work on Family Gala 2015. DEAR FRIENDS, Who doesn’t love Disney’s The Little Mermaid? It’s one of our favorite stories from the fairy tale canon, and we are so excited to share it with you today. JOIN IN THE FUN— Contact Christopher Pazdernik at Our director Rachel Rockwell has worked for almost a year with a team of ADVOCATE FOR AND SUPPORT [email protected] designers, artists and artisans to create this magical world. In our intimate CHICAGO SHAKESPEARE! or call 312.667.4949 for details. theater, the story comes to life all around you! The Little Mermaid is one of many plays Chicago Shakespeare will produce this season. In just one year, we stage as many as nineteen different productions here on Navy Pier, on tour to schools and neighborhood parks—and all around the world. Our Theater is not only home to work by Shakespeare. We are forever inspired by this famous playwright to create new plays and musicals, and import DARE international theater artists to share their stories with Chicago audiences. We hope you enjoy your journey “under the sea” today, and that you’ll be back soon for more! For a family-friendly introduction to the Bard this summer, we Photo by Lindsey Best © 2015 Blue Man Productions, LLC. Photo by Lindsey Best © 2015 Blue Man Productions, TO LIVE invite you to come see Shakespeare’s Greatest Hits—on tour across the city, IN FULL free for all, through Chicago Shakespeare in the Parks.
    [Show full text]
  • First Folio Table of Contents the Tragedie of Cymbeline
    THE TRAGEDIE OF CYMBELINE. by WILLIAM SHAKESPEARE Based on the Folio Text of 1623 DjVu Editions E-books © 2001, Global Language Resources, Inc. Shakespeare: First Folio Table of Contents The Tragedie of Cymbeline . 1 Actus Primus. Scoena Prima. 1 Scena Secunda. 3 Scena Tertia. 6 Scena Quarta. 7 Scena Quinta. 8 Scena Sexta. 12 Scena Septima. 14 Actus Secundus. Scena Prima. 20 Scena Secunda. 21 Scena Tertia. 22 Scena Quarta. 26 Actus Tertius. Scena Prima. 32 Scena Secunda. 34 Scena Tertia. 36 Scena Quarta. 38 Scena Quinta. 43 Scena Sexta. 47 Scena Septima. 48 Scena Octaua. 50 Actus Quartus. Scena Prima. 51 Scena Secunda. 51 Scena Tertia. 62 Scena Quarta. 63 Actus Quintus. Scena Prima. 65 Scena Secunda. 66 Scena Tertia. 67 Scena Quarta. 69 Scena Quinta. 74 - i - Shakespeare: First Folio The Tragedie of Cymbeline The Tragedie of Cymbeline zz3 Actus Primus. Scoena Prima. 2 Enter two Gentlemen. 3 1.Gent. 4 You do not meet a man but Frownes. 5 Our bloods no more obey the Heauens 6 Then our Courtiers: 7 Still seeme, as do’s the Kings. 8 2 Gent. But what’s the matter? 9 1. His daughter, and the heire of’s kingdome (whom 10 He purpos’d to his wiues sole Sonne, a Widdow 11 That late he married) hath referr’d her selfe 12 Vnto a poore, but worthy Gentleman. She’s wedded, 13 Her Husband banish’d; she imprison’d, all 14 Is outward sorrow, though I thinke the King 15 Be touch’d at very heart. 16 2 None but the King? 17 1 He that hath lost her too: so is the Queene, 18 That most desir’d the Match.
    [Show full text]
  • The Shubert Foundation 2020 Grants
    The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
    [Show full text]
  • The Brief Chronicle ANOTHER PART of the FOREST
    WRITERS’ THEATRE THE BRIEF CHRONICLE ISSUE FOurTEEN SEPTEMBER 2006 1 SHOW TITLE ANOTHER PART OF THE FOREST Michael Halberstam Artistic Director Jennifer Bielstein Executive Director 05 ON STAGE: ANOTHER PART OF THE FOREST 06 THE ART OF SELF-PRESERVATION 08 ARTISTIC CONVERSATION 11 “Change is the law of life. And those who DOWN SOUTH 17 STARS, BARS AND THE STORY OF SALT look only to the past or present are certain BACKSTAGE: 20 EVENTS 24 DONOR SPOTLIGHT 31 CELEBRATING 15 YEARS 35 IN BRIEF to miss the future.” JOHN F. KENNEDY 2 SHOW TITLE 847-242-6000 | writerstheatre.org 1 Dear Friends: Dear Friends, By now, many of you will have heard that Jennifer Bielstein, our esteemed Executive Director, As you are now aware, I am leaving Writers’ Theatre to become the Managing Director at is leaving us to fulfill the same role at Actors Theatre of Louisville. Jennifer has been a Actors Theatre of Louisville, a regional theatre known internationally for their ambitious remarkable presence at Writers’ Theatre and her excellent management skills and nurturing commitment to the development of new work for the theatre. They have an annual festival personal instincts have transformed our infrastructure during her tenure. Where she has called the Humana Festival of New American Plays which is attended by people from not served as initiator or catalyst for innovation, she has been present to provide stability, around the world who love theatre. encouragement and communication tools in order to assure success. Personally, I have been freed from the shackles of administrative tasking which frequently exhausted me prior I have to extend my most sincere thanks to Michael Halberstam, the Board of Trustees, to rehearsal.
    [Show full text]
  • Culturalupdate March 2016 Volume XXVI—Issue III New/News Did You Know? ♦El Che Bar (845 W
    CONCIERGE UNLIMITED INTERNATIONAL culturalupdate March 2016 Volume XXVI—Issue III New/News Did you know? ♦El Che Bar (845 W. Washington St.) Chicago is home to more than 4,960 restaurants! Arts/Museums Slated to open in March, El Che Bar menu will offer opens wood-fired cuisine from a custom-built hearth inside 5 Van Dyck, Rembrandt Art Institute of an open kitchen. Expect plenty of smoked, seared, 10 Chagall Homecoming Art Institute roasted and grilled meats and veggies as well as 10 Brick by Brick MSI 19 Above, Before, & After Contemporary Art Museum possible musical acts to help transport diners back to a different through place and era. 6 MCA DNA: Rafael Ferrer Contemporary Art Museum 16 Galapagos 3D Field Museum ♦Imperial Lamian (6 W. Hubbard St.) 27 Alfred Stieglitz & the 19th Century Art Institute 27 The City as Image Art Institute Imperial Lamian is a Chinese restaurant that will serve 27 Transitory Beauty Art Institute up Lamian, or hand-pulled noodles from the Shanxi 27 Pop Art Design Contemporary Art Museum province that are portioned, stretched and boiled to ongoing order. The restaurant also plans to serve dumplings, in The Freedom Now Mural The DuSable Museum Science Storms MSI soup and dim sum. Imperial Lamian is slated to open March in the Materials Science MSI River North neighborhood. Chicago: Crossroad of America Chicago History Museum The Secret Lives of Objects Chicago History Museum We Recommend City Windows Field Museum LICHENS Field Museum ♦The Peninsula Chicago (108 E. Superior St.) Underground Adventures Field Museum Wild Reed Shedd Aquarium Designed with the luxury traveler in mind, the Museum Free Dates new guest rooms are the most technologically ad- Museum of Contemporary Art: 2, 9, 16, 23 (Tuesday’s) vanced in the world.
    [Show full text]
  • (Apr '18) Kristin Idaszak Cloudgate Theatre Octagon
    Director 312.636.6783 * [email protected] Another Jungle* (Apr ’18) Kristin Idaszak Cloudgate Theatre Octagon (US Premiere) Kristiana Rae Colón Jackalope Theatre Devour Ensemble Devised Poetic Forum Collective good friday* Kristiana Rae Colón Oracle Theater Co-Production BARS and MEASURES* Idris Goodwin Prop Thtr (NNPN) Twisted Knots* Dale Danner Chicago Commercial Collective DUST* Rob Smith lower case theatre the old ball game* Kristiana Rae Colón First Floor Theater DisConnected Ensemble Devised Poetic Forum Collective good friday^ Kristiana Rae Colón Stage Left Theatre in your own backyard* Kristiana Rae Colón Chicago Home Theater Festival DeHuman* Ensemble Devised Poetic Forum Collective The Foreplay Play Mariah MacCarthy Realize Theatre Group Octagon^ Kristiana Rae Colón National New Play Network Cauldron of Morning* Kristiana Rae Colón Broken Nose Theatre Chicago Afterdark* Tate Geborkoff Chicago Fringe El Stories XVI* Devised/Adaptation The Waltzing Mechanics RAW Chris O’Connell Deluge Theatre Collective The BenchMark Richard A. Roberts Step Up Productions one week in spring^ Kristiana Rae Colón Halcyon Theatre Patria Libre* Zoe Miller-Lee Prologue Theatre Company The All-American Genderfuck Cabaret Mariah McCarthy Pride Films and Plays at Mary’s Attic The Last Daughter of Oedipus* Jennifer Mickelson Babes with Blades Assistant Director (Opera) La Traviata (May ’18) dir. Patricia Racette Opera Theater St. Louis The Consul dir. Andreas Mitisek Chicago Opera Theater The Consul dir. Andreas Mitisek Long Beach Opera Theater The Fairy Queen dir. Andreas Mitisek Chicago Opera Theater Le Vin Herbe (The Love Potion) dir. Andreas Mitisek Chicago Opera Theater La Voix Humaine dir. Andreas Mitisek Chicago Opera Theater Gianni Schicchi dir.
    [Show full text]
  • Mary Stuart First Mortality in the Film, Public Enemies, Taking a .45 Slug in the Solar Plexus from a Deranged Stephen Dorff
    Artist Biographies Jeff Christian (Director, Leicester) led the company for eight Peter Garino (Sir Amias Paulet, Artistic Director) is a founding seasons, having adapted and directed A Midsummer Night’s Dream, member of The Shakespeare Project of Chicago and has contributed to Henry VIII, the gender-swapped The Comedy of Errors, In Medea Res over 50 theatrical readings as an actor and director since 1995. He (from Euripides’ Medea), Henry VI (from Shakespeare’s trilogy), directed Measure For Measure to open the current season and is Faust (from Marlowe and Goethe), The Parvenu (from Moliere’s Le scheduled to appear in The Merry Wives of Windsor prior to directing Bourgeois Gentilhomme), Ibsen’s Ghosts, Dickens’s The Cricket on The Tempest in the spring. This past season, he appeared in Paradise the Hearth, the outreach program 50 Minute Hamlet, as well as having Lost, directed Antony & Cleopatra played Thomas and David in The staged King Lear, Love’s Labours Lost, As You Like It, Sheridan’s The Rivals and Cardinal Wolsey in Henry VIII. On behalf of The Rivals, Somerset Maugham's The Constant Wife, and Regina M. Shakespeare Project, he has facilitated his Sonnet Workshop and Page Schwartz’s adaptation of John Milton’s Paradise Lost. Other to the Stage Macbeth for local public and private schools and colleges. directing credits include Mojo Mickybo, A Whistle in the Dark and Previous roles include Lord Stanley in Richard III, Creon in Jeff Our Father (Seanachai Theatre Company), The Skin of Our Teeth Christian's adaptation, In Medea Res, Duke Senior and Duke Frederick (The Artistic Home), Proof and Driving Miss Daisy (New American in As You Like It, Don Pedro in Much Ado About Nothing, Mortimer in The Constant Wife, Rev.
    [Show full text]
  • STATEMENT of PRINCIPLE No One Should Be Forced to Choose
    STATEMENT OF PRINCIPLE No one should be forced to choose between her personal safety and dignity, and her job. But too often in the theater community this is exactly the choice that women must make. Sexual discrimination and harassment and gender-based violence often occur in the intimate and physical context of a theater production. Victims of such conduct face a stark choice between continuing to work in close collaboration with their abuser and quitting the show. Few can afford to give up a job and lose not only income, but also the opportunity for career advancement. There is a sense in the community that it is not necessarily in a victim’s best interest to report abuse because of fear that the response will be insufficient and open her up to retribution. In addition, many instances of abuse happen outside of the physical boundaries of a theater. No theater, union or guild currently takes responsible for handling such cases. However, the two people involved will most likely have to work together the next day or in another production, and the victims are left to deal with the aftermath by themselves. In the face of these realities, victims often choose silence and the abuse is allowed to continue. It is time for the theater community to break its own silence on harassment and abuse and formally address the problem. The reality is that those who behave abusively are generally in positions of power. Artistic directors hold the power to employ, playwrights have hiring approval; removing a director mid-rehearsal puts an entire production in doubt; losing a celebrity from the cast hurts ticket sales.
    [Show full text]