Opera, Theater & Puppetry

Total Page:16

File Type:pdf, Size:1020Kb

Opera, Theater & Puppetry BRENDA HUGGINS 860-416-7323 | [email protected] WWW.BRENDALYNNHUGGINS.COM 66 E FOSTER ST, MELROSE MA 02176 EDUCATION Emerson College- Boston, MA August 2009 M.A. Theatre Education Western ConnectIcut State UnIversity- Danbury, CT May 2007 B.A. Theatre Arts and Communications & B.A. Music-Classical Voice AddItIonal TraInIng Words! MusIc! OPera! at Boston Lyric Opera, Teaching Artist Training (2016) MuPPet Style Puppetry with Jonathan Little at Puppet Showplace Theater (2011-2012) Shadow Puppetry and Glove Puppetry with Brad Shur, Artist in Residence at Puppet Showplace Theater (2011) Private Classical SInging TechnIque at Nutmeg Conservatory (2000-2004) TEACHING AND MENTORING EXPERIENCE HIGHER EDUCATION Urban College of Boston, Boston, MA 2016-Present Adjunct Instructor- ART 222: Puppetry and PLayMaking in the EarLy ChiLdhood CLassrooM. Voice technique, ensemble building, playmaking, hands-on puppet making and arts and literacy integrated curriculum development for ECE educators. Massachusetts Institute of Technology (M.I.T.) ShakesPeare Ensemble, Cambridge, MA Fall 2010 Teaching Artist- Voice and Acting for Shakespeare Workshop. Taught Linklater for Shakespeare, unpacking heightened text, and physical acting techniques, Action Theatre and Laban to undergraduates. Emerson College, Boston, MA 2007-2008 PerforMing Arts Student/FacuLty Liaison- Advised undergraduates in developing performing arts programming. Facilitated communication with students, faculty, and staff. Western ConnectIcut Sate UnIversity, Danbury, CT 2006-2007 AcadeMic Resource Mentor- Advised undergraduates and managed tutoring program. Freelance PrIvate VoIce Teacher, Danbury, CT 2003-2007 Taught basic voice techniques for singing in classical and musical theater styles for undergraduate students in the Western Connecticut State University theater program. ADULT CLASS SERIES AND WORKSHOPS PuPPet Showplace Theater, Brookline, MA Jan 2012 to present • Puppetry for Early ChiLdhood Educators- Taught Early Childhood Educators activities and philosophies for incorporating drama and puppetry arts into their classrooms. • Puppets and PLayMaking in the CLassrooM- Taught a puppetry and playmaking curriculum for grades pre-k to 5 to schoolteachers and teaching artists. • FundaMentaLs of SiLLy Voices- Taught character voice performance and acting technique for puppets including physical theatre methods, Laban and Action Theatre. • Voice Technique for the Puppeteer- Led Linklater exercises and lectured in Bel Canto technique. Beyond the Fourth Wall, Cambridge, MA Winter 2008 & 2010 CostuMe Shop Supervisor- Led a team of volunteers for costume builds and wardrobe crew. HIGH SCHOOL AND MIDDLE SCHOOL EDUCATION Art-Science Prize, Boston, MA 2009-2010 Teaching Assistant and CurricuLuM Developer- Developed and co-taught music and theatre curriculum for an arts and science integrated afterschool program for Boston high school students. Fourth PresbyterIan Church, South Boston, MA 2007-2009 • Teaching Artist- Lead teacher for middle school acting, improve, puppetry, speech and debate, advanced visual art classes, middle/high school a cappella choir, and private voice lessons. • Camp Director- Managed a six-week summer day camp, ages 9-13. Also managed a one-week day camp and created a curriculum rotation of arts and games classes for ages 4-13. ChamPIons Afterschool, Roxbury PreP Charter Middle School, Roxbury, MA 2008-2009 • Teaching Artist (Theatre)- Taught playwriting, and directed original script created by students. • Teaching Artist (Music)- Taught music theory and aural skills, music appreciation, with emphasis on singing techniques and vocal classical music. SCHOOL AGED EDUCATION PuPPet Showplace Theater, Brookline, MA 2012-2016 Puppetry Arts Instructor- Developed curriculum and taught in-school artist residencies and summer camps with students grades K-8 including performance, design, and improv playmaking. Red Oak Afterschool Program, Josiah Quincy School, Boston, MA 2012-2014 Puppetry Arts Instructor- Taught afterschool class series where students grades K-6 practiced puppetry performance skills, design, and character based playwriting with shadow puppets. Wheelock FamIly Theatre, Boston, MA 2012-2013 Puppet Arts Instructor- Intro to puppetry performance for students ages 9-11 including shadow puppetry, Bunraku-Style, object theatre, and playwriting. For KIds Only Afterschool, Everett, MA Summer 2010 Theatre Arts SpeciaList- Improv/acting courses, grades K-6 in an urban summer camp program. ArlIngton Center For the Arts, Arlington, MA Fall 2008 DraMa Teacher- Acting and imagination skills for students grades K-2, focusing on storytelling and character development. EARLY CHILDHOOD EDUCATION PuPPet Showplace Theater, Brookline, MA 2012-Present Curriculum Developer and Performer- Co-created and perform an interactive performance for ages 3 and below with live music sing-a-long, dramatic play, and puppetry called “Puppet Playtime.” CreatIve Arts, Reading, MA 2016 MusicaL Theatre Instructor- Led imagination, acting, intro to theater, and singing for ages 4 to 6. BrooklIne MusIc School, Brookline, MA Summer 2013 Puppetry Arts Instructor- Led puppet building and performance classes for ages 4 to 6. FAMILY EDUCATION PROGRAMS FamIlIes CreatIng Together, Boston, MA 2013-2014 Puppetry Arts Instructor- Led families with children ages 5 to 15 in puppetry building and performance curriculum. Taught English speakers, Spanish speakers and deaf learners. PuPPet Showplace Theater, Brookline, MA Spring 2012 Puppetry Arts Instructor- Led a family workshop in building puppets from recycled materials. ADDITIONAL EMPLOYMENT CREATIVE ARTS, Reading, MA 2016 to 2017 Education & Outreach Director • Created diverse music, theatre, and visual art programming for all ages and supervised faculty. • Managed youth musical theatre program, selected productions, recruited faculty, and designed interdepartmental collaborations. • Assisted Executive Director to develop and implement outreach initiatives and increase enrollment. PUPPET SHOWPLACE THEATER, Brookline, MA CommunIcatIons Director 2012 to 2016 • Developed, managed, and evaluated all marketing and development strategies including email campaigns, social media, printed collateral, bulk mailings, press relations, and community outreach initiatives. • Supervised graphic designer, and managed the theater’s internship program. • Co-Created and performed a series of interactive puppetry and music performances for ages 0-3. • Developed arts education curriculum for youth, adults, and professional development for teachers and artists including post-show and pre-show activities. CommunIty Engagement CoordInator 2011-2012 • Managed all marketing campaigns, cultural and business partnerships, and education outreach. • Created contracts and managed resident artist’s performance and workshop calendar. CONFERENCES AND FESTIVALS Workshop Leader- “Fundamentals of Silly Voices”, National Puppetry Festival, Swarthmore, PA, 2013 Panel Participant- Topic: Beijing Opera, Association of Asian Performance, New York City, NY, 2009 RECENT PRODUCTION CREDITS www.brendalynnhuggins.com DIRECTING: OPERA, THEATER & PUPPETRY Le Portrait de Manon Stage Director Opera del West (UPCOMING) 2017 & Signor Deluso Natick, MA Don Pasquale Stage Director Opera del West- Framingham, MA 2016 Best of Opera del West Stage Director Opera del West- Natick, MA 2016 The Marriage of Figaro Stage Director Opera del West- Natick, MA 2015 Nasenflügeltanz Director and Puppetry Juventas Ensemble- Cambridge, MA 2015 The Seagull Stage Director Opera del West- Natick, MA 2014 Comedy on Tap- Puppets in Producer/ Director/ Bad Habit Productions- Boston, MA 2014 Love Puppeteer 334 Bunnies Stage Director Mocking Bird Trio- Boston, MA 2013 Beautiful Nightmare Director and Puppetry National Puppetry Festival Fringe Festival- 2013 Swarthmore, PA Cunning Little Vixen Assistant Director and Boston Opera Collaborative- Boston, MA 2013 Puppetry Coach Candide Assistant Director Lowell House Opera- Cambridge, MA 2013 The Rough Faced Girl Stage Director Touring Children's Opera- Malden, MA 2012 The Misery Play Producer and Director This & That Theatre Group- Brookline, MA 2011 Xerxes Assistant Director CT. Early Music Festival- New London, CT 2011 Three Women and a Bear Director Boston Playwright's Theatre- Boston, MA 2010 Cupid and Psyche Producer and Director Emerson College- Boston, MA 2009 Cosi fan tutte Assistant Director Commonwealth Opera- Northampton MA 2009 The Folk Tale of Aladdin Director Roxbury Prep Middle School- Boston, MA 2008 Fall of the House of Usher Director Maze Makers Middle School- Boston, MA 2008 Initiation Director Maze Makers Middle School- Boston, MA 2007 PERFORMING EXPERIENCE Puppet Playtime Bella Monster Puppet Showplace Theater- 2012-17 Brookline, MA Victorian Caroler Soprano Big Smile Productions- Western CT 2008-16 and Central CT Regions I Dream in Colors Puppeteer Puppet Showplace Theater- 2016 Brookline, MA Egyptian Oracle Artemeius Public V.R.-Boston, MA 2011-13 The Golden Stoat Narrator, Puppeteer Puppet Showplace Theater- 2012 Brookline, MA A Voice in the Dark Puppeteer, Shadow Puppet Showplace Theater- 2011 Theater Brookline, MA COSTUMING EXPERIENCE The Misery Play Costume Designer This & That Theatre Group- Boston, MA 2011 Little Red Riding Hood Costume Designer Opera Boston- Boston, MA 2010 Bohemian Faces Costume Designer Opera Boston- Boston, MA 2010 Rusalka Costume Designer Diva Day Foundation- Boston, MA 2010 L’elisir d’amore Costume Designer Opera Del West- Natick, MA 2010 Into the Woods Costume Designer Beyond the Fourth Wall- Cambridge, MA 2008 Paul Bunyan Wardrobe/ Dresser New England Conservatory- Boston, MA 2012 Road the Mecca Wardrobe Supervisor/ Boston University- Boston, MA 2011 Specialty Hair & Make-up Fidelio Wardrobe/Dresser Opera Boston- Boston, MA 2010 Pirates of Penzance Specialty make-up WCSU- Danbury, CT 2007 .
Recommended publications
  • The 200 Plays That Every Theatre Major Should Read
    The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986)
    [Show full text]
  • Audition Packet
    Westerville Parks and Recreation Civic Theatre presents AUDITION PACKET AUDITIONS: Saturday, May 7 9 a.m. to 4 p.m. Battelle Fine Arts Center, Otterbein University 170 W. Park Street Westerville, Ohio 43081 CALLBACKS: Tuesday, May 10 7 p.m. Battelle Fine Arts Center, Otterbein University PERFORMANCE DATES: July 28 – July 31 To schedule an audition, please visit http://www.westerville.org/arts to fill out an audition registration form. Contact Program Leader at 614-901-6575 or email at [email protected] for more information. AUDITION INFORMATION WHEN: Saturday, May 7, 9 a.m. - 4 p.m.; Auditions are made by appointment WHERE: Battelle Fine Arts Center, Otterbein University, 170 W Park Street, Westerville, OH 43081. HOW TO REGISTER: Please visit and click on the audition registration link. This will take you to a form where you may enter your information and preferred time of audition. You will receive a confirmation email/phone call of your audition within two business days. WHO: We welcome auditions for people of all ages! Children must be 7 years old at the time of audition. COST: For actors, singers, and dancers: $125 for children ages 7-12, $75 for adults and youth 13+. Scholarships and payment plans are available for those in need of financial assistance. HOW TO AUDITION: Groups of 10-15 performers will sing, dance, and read if needed in one hour blocks. You may audition for a specific role or for the ensemble. The dance audition will be movement based. No formal dance training is necessary. Please prepare 16 -32 bars of any musical theatre song (enough to cover one verse and one chorus).
    [Show full text]
  • A Tale of Two Birds: Lighting Design and Implementation of Anton Chekhov's the Seagull and Aaron Posner's Stupid Fucking
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 3-23-2018 A Tale of Two Birds: Lighting Design and Implementation of Anton Chekhov's The eS agull and Aaron Posner's Stupid Fucking Bird Running in Repertory at Swine Palace Theatre Chelsea G. Touchet Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Touchet, Chelsea G., "A Tale of Two Birds: Lighting Design and Implementation of Anton Chekhov's The eS agull and Aaron Posner's Stupid Fucking Bird Running in Repertory at Swine Palace Theatre" (2018). LSU Master's Theses. 4632. https://digitalcommons.lsu.edu/gradschool_theses/4632 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. A TALE OF TWO BIRDS: LIGHTING DESIGN AND IMPLEMENTATION OF ANTON CHEKHOV’S THE SEAGULL AND AARON POSNER’S STUPID FUCKING BIRD RUNNING IN REPERTORY AT SWINE PALACE THEATRE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and College of Music and Dramatic Arts in partial fulfillment of the requirements for the degree of Master of Fine Arts in The School of Theatre by Chelsea Gabrielle Touchet B.S., University of Evansville, 2011 May 2018 ACKNOWLEDGMENTS Many people contributed to the success and completion of these two productions.
    [Show full text]
  • Ballet Notes the Seagull March 21 – 25, 2012
    Ballet Notes The SeagUll March 21 – 25, 2012 Aleksandar Antonijevic and Sonia Rodriguez as Trigorin and Nina. Photo by Cylla von Tiedemann. Orchestra Violins Trumpets Benjamin Bowman Richard Sandals, Principal Concertmaster Mark Dharmaratnam Lynn KUo, Robert WeymoUth Assistant Concertmaster Trombones DominiqUe Laplante, David Archer, Principal Principal Second Violin Robert FergUson James Aylesworth David Pell, Bass Trombone Jennie Baccante Csaba Ko czó Tuba Sheldon Grabke Sasha Johnson, Principal Xiao Grabke • Nancy Kershaw Harp Sonia Klimasko-LeheniUk LUcie Parent, Principal Celia Franca, C.C., FoUnder Yakov Lerner Timpany George Crum, MUsic Director EmeritUs Jayne Maddison Michael Perry, Principal Ron Mah Karen Kain, C.C. Kevin Garland Aya Miyagawa Percussion Mark MazUr, Acting Artistic Director ExecUtive Director Wendy Rogers Filip Tomov Principal David Briskin Rex Harrington, O.C. Joanna Zabrowarna Kristofer Maddigan MUsic Director and Artist-in-Residence PaUl ZevenhUizen Orchestra Personnel Principal CondUctor Violas Manager and Music Magdalena Popa Lindsay Fischer Angela RUdden, Principal Administrator Principal Artistic Coach Artistic Director, • Theresa RUdolph Koczó, Jean Verch YOU dance / Ballet Master Assistant Principal Assistant Orchestra Valerie KUinka Peter Ottmann Mandy-Jayne Personnel Manager Johann Lotter Raymond Tizzard Senior Ballet Master Richardson Beverley Spotton Senior Ballet Mistress • Larry Toman Librarian LUcie Parent Aleksandar Antonijevic, GUillaUme Côté, Cellos Greta Hodgkinson, Jiˇrí Jelinek, Zdenek Konvalina*,
    [Show full text]
  • The Seagull Reader: Literature Literature 1St Edition Pdf, Epub, Ebook
    THE SEAGULL READER: LITERATURE LITERATURE 1ST EDITION PDF, EPUB, EBOOK Joseph Kelly | 9780393926774 | | | | | The Seagull Reader: Literature Literature 1st edition PDF Book This comprehensive Seagull Reader: Literature reader includes the full contents of the three separate Seagull Reader: Plays, Poems, and Stories readers, in one portable volume. Available online at Project Gutenberg. Wikimedia Commons. To see what your friends thought of this book, please sign up. The play was also adapted as the Russian film The Seagull in Act I also sets up the play's various romantic triangles. Between acts Konstantin attempted suicide by shooting himself in the head, but the bullet only grazed his skull. Despondent, Konstantin spends two minutes silently tearing up his manuscripts before leaving the study. Anton Chekhov 's The Seagull Trigorin leaves to continue packing. He returns and takes Trigorin aside. Brooks rated it really liked it Jul 06, It also featured Chiwetel Ejiofor and Art Malik. Untamed by Glennon Doyle. After she has left the room, Nina comes to say her final goodbye to Trigorin and to inform him that she is running away to become an actress, against her parents' wishes. For teachers who wants to have a solid collection at their disposal, I would recommend looking into this book. Alexandrinsky Theatre , St. I am writing it not without pleasure, though I swear fearfully at the conventions of the stage. Chekhov's unwillingness to explain or expand on the script forced Stanislavski to dig beneath the surface of the text in ways that were new in theatre. The Independent. Readers also enjoyed.
    [Show full text]
  • Philip Stoddard [email protected]
    Philip Stoddard [email protected] THE JUILLIARD SCHOOL FATHER COMES HOME FROM THE WARS Colonel LA Williams P.Y.G. Dorian Belle Tearrance Chisholm THE TRIUMPH OF LOVE Agis Stephen Wadsworth TROJAN WOMEN Poseidon Ellen Lauren CYMBELINE Cloten Jenny Lord GETTING OUT Carl/Guard Evans Oliver Butler WOYZECK Woyzeck Stephanie Mareen KING LEAR King Lear Richard Feldman A MUSICAL EVENING OF CABARET Soloist Deborah Lapidus HENRY V Canterbury/ Rebecca Guy French King/Bates THE ADDING MACHINE Ensemble Moni Yakim THE SEAGULL Dr. Dorn Brian McManamon BALM IN GILEAD Franny/Stranger Rebecca Guy THE SAMUEL BECKETT PROJECT Tommy/Fox Jesse J. Perez DARK OF THE MOON Marvin Hudgens Trazana Beverley ALL MY SONS Dr. Jim Bayliss Jenny Lord ALL’S WELL THAT ENDS WELL Bertram/Lafew/ Sarah Grace Wilson 2nd Lord A LITTLE NIGHT MUSIC Mr. Lindquist Claire Karpen OTHER THEATER THE ROMEO+JULIET PROJECT Prince Escalus Vivienne Benesch Chautauqua Theater Company BRIGADOON Tommy Albright John Giampietro Chautauqua Music Festival DON GIOVANNI Don Giovanni John Giampietro RELATED EXPERIENCE NARCISSUS (upcoming) Director/Co-Creator Satellite Collective @ BAM OPERA-COMP Co-Artistic Director/ The Juilliard School Producer OPERATION SUPERPOWER! Co-Creator/Performer Tri-State Area Public Schools SKILLS Award winning singer (classically trained baritone/musical theater bari-tenor), Teaching Artist, Italian (conversational), Beginner Piano and Accordion, Three-ball juggling, Yoga EDUCATION The Juilliard School Drama Division The Juilliard School Marcus Institute for Vocal Arts .
    [Show full text]
  • The Sea Gull Is Set in Russia in 1893
    The School of Theatre’s production of The Sea Gull is set in Russia in 1893. Growing up Chekhov Anton Pavlovich Chekhov was born on Find out what was happening around the world at the time! January 17, 1860 in Taganrog, a small town in the Sea of Azov in southern Russia. His April 8 - The first recorded college basketball game occurs father led a strict household, with the in Beaver Falls, Pennsylvania between the Geneva College children’s time divided among school, Covenanters and the New Brighton YMCA. working in his grocery store, and strict daily observance of Russian Orthodox Church May 5 - Panic of 1893: The New York Stock Exchange worship. crashed, leading to an economic depression in America. The Chekhov attended school at the local Depression of 1893 was one of the worst in American history with the gymnazija (which is a government middle and high school). When his father’s unemployment rate exceeding ten percent for half a decade. grocery store business failed, his family moved to Moscow, leaving Anton behind to finish school. He supported himself for July 1 - U.S. President Grover Cleveland is secretly oper- several years by tutoring other students. ated on to avoid further panic that might worsen the financial In 1879 Anton joined his family in Russia depression. Under the guise of a vacation cruise, Dr. Joseph Did you know? and enrolled in Medical School at Moscow Bryant removed parts of his upper left jaw and hard palate. The The Russian name of the play actually translates into State University.
    [Show full text]
  • Program for the Production
    BORISA world premiere production by Princeton University students and faculty of Alexander Pushkin’s 1825 play featuring incidental music of Sergei Prokofiev and directorial concepts of Vsevolod Meyerhold Thursday April 12 8 p.m. Friday April 13 8 p.m. Saturday April 14 2 p.m. † 8 p.m. Berlind Theatre Princeton University GODUNOV Sponsored by funding from Peter B. Lewis ’55 for the University Center for the Creative and Performing Arts with the Department of Music † Council of the Humanities † Edward T. Cone ’39 *43 Fund in the Humanities † Edward T. Cone ’39 *43 Fund in the Arts † Office of the Dean of the Faculty † Department of Slavic Languages and Literatures † School of Architecture † Program in Theater and Dance † Friends of the Princeton University Library and the Department of Rare Books and Special Collections † Alumni Council † Program in Russian and Eurasian Studies BORIS Simon Morrison † Caryl Emerson project managers Tim Vasen stage director Rebecca Lazier choreographer Michael Pratt † Richard Tang Yuk conductors Jesse Reiser † Students of the School of Architecture set designers Catherine Cann costume designer Matthew Frey lighting designer Michael Cadden dramaturg Peter Westergaard additional music Antony Wood translator Darryl Waskow technical coordinator Rory Kress Weisbord ’07 assistant director William Ellerbe ’08 assistant dramaturg Ilana Lucas ’07 assistant dramaturg Students of the Princeton University Program in Theater and Dance, Glee Club, and Orchestra GODUNOV Foreword I’m delighted to have the opportunity to welcome you to this performance of what has been, until now, a lost work of art, one now made manifest through a series of remarkable collaborations.
    [Show full text]
  • Boris Godunov
    Modest Mussorgsky Boris Godunov CONDUCTOR Opera in a prologue and four acts Valery Gergiev Libretto by the composer, based on the play by PRODUCTION Alexander Pushkin (1875 version, with additions Stephen Wadsworth from the 1869 version) SET DESIGNER Ferdinand Wögerbauer Saturday, October 23, 2010, 12:00–4:15 pm COSTUME DESIGNER Moidele Bickel New Production LIGHTING DESIGNER Duane Schuler CHOREOGRAPHER Apostolia Tsolaki This production of Boris Godunov was made possible by generous gifts from Karen and Kevin Kennedy, Mr. and Mrs. Howard Solomon, and Mr. and Mrs. Wilmer J. Thomas, Jr. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2010–11 Season The 268th Metropolitan Opera performance of Modest Mussorgsky’s Boris Godunov Conductor Valery Gergiev in o r d e r o f v o c a l a p p e a r a n c e Nikitich, a police officer Xenia, daughter of Boris Valerian Ruminski Jennifer Zetlan Mitiukha, a peasant Feodor, son of Boris Mikhail Svetlov Jonathan A. Makepeace Shchelkalov, a boyar Nurse, nanny to Boris’s Alexey Markov children Larisa Shevchenko Prince Shuisky, a boyar Oleg Balashov Boyar in Attendance Brian Frutiger Boris Godunov René Pape Marina Ekaterina Semenchuk Pimen, a monk Mikhail Petrenko Rangoni, a Jesuit priest Evgeny Nikitin Grigory, a monk, later pretender to the Russian throne Holy Fool Aleksandrs Antonenko Andrey Popov Hostess of the Inn Chernikovsky, a Jesuit Olga Savova Mark Schowalter Missail Lavitsky, a Jesuit Nikolai Gassiev Andrew Oakden Varlaam Khrushchov, a boyar Vladimir Ognovenko Dennis Petersen Police Officer Gennady Bezzubenkov Saturday, October 23, 2010, 12:00–4:15 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide.
    [Show full text]
  • Anna Nicole Composed by Mark-Anthony Turnage Libretto by Richard Thomas Directed by Richard Jones Conducted by Steven Sloane
    BAM 2013 Next Wave Festival #AnnaNicole Brooklyn Academy of Music New York City Opera Alan H. Fishman, Charles R. Wall, Chairman of the Board Chairman of the Board William I. Campbell, George Steel, Vice Chairman of the Board General Manager and Artistic Director Adam E. Max, Vice Chairman of the Board Jayce Ogren Music Director Karen Brooks Hopkins, President Joseph V. Melillo, present Executive Producer Anna Nicole Composed by Mark-Anthony Turnage Libretto by Richard Thomas Directed by Richard Jones Conducted by Steven Sloane BAM Howard Gilman Opera House Sep 17, 19, 21, 24, 25, 27 & 28 at 7:30pm Approximate running time: two hours and 30 minutes including one intermission Anna Nicole was commissioned by the Royal Opera House, Covent Garden, London and premiered there in February 2011 Set design by Miriam Buether Costume design by Nicky Gillibrand Leadership support for opera at BAM provided by: Lighting design by Mimi Jordan Sherin & D.M. Wood The Andrew W. Mellon Foundation Choreography by Aletta Collins The Peter Jay Sharp Foundation Stage director Richard Gerard Jones Stavros Niarchos Foundation Supertitles by Richard Thomas Major support provided by Chorus master Bruce Stasyna Aashish & Dinyar Devitre Musical preparation Myra Huang, Susanna Stranders, Lynn Baker, Saffron Chung Additional support for opera at BAM provided by The Francena T. Harrison Foundation Trust Production stage manager Emma Turner Stage managers Samantha Greene, Jenny Lazar New York City Opera’s Leadership support for Assistant stage director Mike Phillips Anna Nicole provided by: Additional casting by Telsey + Company, Tiffany Little John H. and Penelope P. Biggs Canfield, CSA Areté Foundation, Edward E.
    [Show full text]
  • Stupid Fucking Bird
    588 Sutter Street #318 San Francisco, CA 94102 415.677.9596 fax 415.677.9597 www.sfplayhouse.org Press Release For immediate release February 2015 Press Inquires Contact: Anne Abrams [email protected] Regional Premiere STUPID FUCKING BIRD By Aaron Posner Directed by Susi Damilano March 17th to May 2nd opens March 21, 2015 Tues, Wed, Thurs 7pm / Fri, Sat 8pm / Sat 3pm, Sun 2pm No matinee March 21st or 22nd Previews at 8pm March 17, 18, 19, 20 Press Opening: 8 pm, Saturday, March 21, 2015 San Francisco, CA (February 2015) – San Francisco Playhouse (Bill English, Artistic Director; Susi Damilano, Producing Director) continues its twelfth season with the regional premiere of Aaron Posner’s Stupid Fucking Bird—irreverently based on Anton Chekov’s The Seagull—directed by Susi Damilano. You’ve never seen Chekhov like this. Aaron Posner’s bold and cheeky update of “The Seagull” thrusts us into a country house where unrequited desire is drowned in equal parts alcohol and sarcasm. In true Chekhovian fashion, actresses, playwrights, doctors, and novelists bare their souls as they search desperately for the truth of love and art. An aspiring young theatre director struggles to get out from under the shadow of his mother, a famous actress. Meanwhile, his young muse falls for his mother’s lover, and everyone discovers just how disappointing love, art, and growing up can be. In this contemporary riff on Chekhov’s The Seagull, Aaron Posner skillfully remixes the renowned “subtext” of the classic play into exuberant and hysterical scenes and songs. "Stupid Fucking Bird, like The Seagull, is mostly about love, art, hope, and disappointment,” said playwright Aaron Posner.
    [Show full text]
  • ​A Body of Water
    Press Contact: Nora Feldman ​ [email protected] 818.760.1240 A BODY OF WATER ​ February 7 – March 15, 2020 ​ Actors Co-op Crossley Theatre ​ The Award-winning Actors Co-op Theatre Company proudly presents “A Body of Water” written by ​ ​ Lee Blessing with the world premiere of Blessing’s new ending, directed by Nan McNamara, produced by Crystal Jackson. The play will run February 7 through March 15, at Actors Co-op Crossley Theatre in ​ Hollywood, California. “A Body of Water” - In this play about lost identity and rediscovering love, a couple in their fifties wake ​ ​ up in an isolated house above a picturesque body of water, with no idea where they are or why they are there. The situation is further complicated by the arrival of a young woman with questionable ​ explanations. Funny and charming, this lyrical, intriguing drama examines the wisdom of embracing a ​ pure moment of joy...when nothing else is certain. “A Body of Water” premiered in 2005 at The Guthrie Theater in Minneapolis, Minnesota and won the ​ 2006 Steinberg New Play Award. Primary Stages presented the New York premiere in 2008 Off -Broadway at 59E59 Theaters. What critics have said about the play "…a play rich in ideas about memory, identity, and fiction…[Blessing] lays down…a rich philosophical groundwork for the play's intrigue…artfully presented…." — Variety ​ "…gets the audience talking…raises questions about what is true and whom to believe…intriguing stuff." — Los Angeles Times ​ "…one of America's greatest playwrights…satisfying, ninety-five minutes of existential hide-and-seek." — St.
    [Show full text]