And Fabulous

Total Page:16

File Type:pdf, Size:1020Kb

And Fabulous JAMES PARK/URBAN EXPRESSIONS Respected cosmetic surgeon Dr. Peter Brownrigg specializes in surgery on the face and neck. He is credited with crafting some of the best noses in Ottawa. DR. PETER BROWNRIGG Ottawa, drpbrownrigg.ca ;i%G\k\i9ifnei`^^jg\Z`Xc`q\jjfc\cp`e]XZ`XcZfj$ Q: How do we know when we’re due Q. Is there any truth to the sensationalist TV d\k`Zjli^\ip#`eZcl[`e^Z_\\bXe[Z_`e`dgcXekj# for a nip ‘n’ tuck? show Botched (E! Channel), which focuses on ]XkkiXejgcXekjXe[e\Zbc`gfjlZk`fe%?\`jZi\[`k\[ A: When signs of aging start to bother you. sad cases like burst implants, deformed faces n`k_ZiX]k`e^jfd\f]k_\Y\jkefj\j`eFkkXnXXe[ Some people savour their wrinkles as a testament and leaky lips? g\i]fidjj\m\iXci\m`j`fej\XZ_n\\bfegXk`\ekjn_f to their lives and others want to fight growing old. A: Disasters happen when patients and doctors _X[i_`efgcXjkp\cj\n_\i\% think “if a little bit is good, a lot is better,” but no K\Z_efcf^`ZXccp#_\lj\j*$;`dX^`e^n`k_X_`^_$ Q: What are your signature techniques? respectable surgeon wants complications. It’s critical [\Ôe`k`feZXd\iXkfj_fn\XZ_gXk`\ekk_\gifgfj\[ A: The MACS Lift Incision (Minimal Access Cranial to avoid risky techniques such as deep-plane facial e\ncffbfeXZfdglk\ijZi\\e%Efe$jli^`ZXccp#_\i\Z$ Suspension) results in stitches in front of the ear, surgery, which can damage the nerves. Studies fdd\e[jK_\idX^\#n_`Z_[\c`m\ijXiX[`f]i\hl\eZp but not behind. And I lift on a vertical vector, which on identical twins have shown that less extreme kfk_\jb`eËj[\\g\jkcXp\ij#jk`dlcXk`e^ZfccX^\eXe[ fights gravity, rather than pulling backwards, which surgeries last just as long and yield equally attractive k`^_k\e`e^]XZ`Xcjb`e% gives a windblown look. results. 9ifnei`^^`j`ejg`i\[Ypk_\Z_Xcc\e^\f]k_\]XZ\% Plus, I use tissue glue, which inhibits bruising, È@_Xm\kf_`kX_fd\ile\m\ipk`d\#@ZXeËk_`[\dp bleeding and swelling so effectively that one of my *Statistics estimated from figures of the American Society of nfib%É patients went on a date one week after a facelift. Plastic Surgeons and the Canadian Society of Plastic Surgeons. OVER 50 — AND FABULOUS 50-SOMETHING: Madonna, Michelle Pfeiffer, 60-SOMETHING: Goldie Hawn, 70-SOMETHING: Faye Dunaway, Sharon Stone, Julianne Moore, Isabella Rossellini, Jessica Lange, Tina Turner, Blythe Danner, Oprah Winfrey, Liz Hurley Susan Sarandon, Helen Mirren, Raquel Welch, Catherine and Annette Bening. Caitlyn Jenner, Diane Keaton and Deneuve, and Netflix stars Jane Meryl Streep, who scored her Fonda and Lily Tomlin, who most recent Academy Award after cope with golden-age divorce she turned the big 6-0. in the bittersweet Netflix comedy Grace and Frankie..
Recommended publications
  • Monterey County Film Commission Brings Hollywood to Town
    PICTURE PERFECT Monterey County Film Commission Brings Hollywood to Town BY MICHAEL CHATFIELD onterey County is comprised of 5,280 square miles of White probably traveled light. He was working for Thomas Edison’s some of the most diverse topography in the Golden State. movie company, making promotional films about tourist stops along the That’s a fact Hollywood moviemakers have been taking Southern Pacific’s West Coast rail line. His hand-cranked camera was a Madvantage of for many, many years, and more than 200 films have been one-man operation, and he merely had to set it up and start filming. shot here. The oldest are said to be two silent movies, “Hotel Del Monte” In contrast, the HBO cast and crew numbered around 150, and and “Surf at Monterey,” shot on October 25, 1897, by film pioneer James involved several different locations around the Peninsula when they were H. White and the newest is the HBO series “Big Little Lies,” starring Reese here in January. Getting the permits required for disrupting public places Witherspoon and Nicole Kidman. such as Monterey’s Wharf #2 and Asilomar State Beach, finding accom- Photo: David Royal/Monterey David Photo: Herald Many productions filmed on the Peninsula are low-key, but some, like HBO’s “Big Little Lies,” feature crowd-drawing celebrities such as Nicole Kidman, seen here waving to fans. The crew returns in May. “We can’t wait,” says Executive Producer Gregg Fienberg. 106 CARMEL MAGAZINE•SPRING/SUMMER 2016 Photos: Courtesy County Film Commission of Monterey Photos: Photo: © Corbis/All Rights Reserved Photo: (Clockwise from top left) The Monterey Peninsula starred in Clint Eastwood’s 1971 “Play Misty for Me;” Richard Burton and Elizabeth Taylor in Big Sur for “The Sandpiper;” “Basic Instinct” locations included Carmel Highlands; “Big Sur” used several locations in that area.
    [Show full text]
  • Senior Women's Performances of Sexuality
    “DUSTY MUFFINS”: SENIOR WOMEN’S PERFORMANCES OF SEXUALITY A Thesis by EVLEEN MICHELLE NASIR Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Major Subject: Performance Studies “Dusty Muffins”: Senior Women’s Performances of Sexuality Copyright 2012 Evleen Michelle Nasir “DUSTY MUFFINS”: SENIOR WOMEN’S PERFORMANCES OF SEXUALITY A Thesis by EVLEEN MICHELLE NASIR Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Kirsten Pullen Committee Members, Judith Hamera Harry Berger Alfred Bendixen Head of Department, Judith Hamera August 2012 Major Subject: Performance Studies iii ABSTRACT “Dusty Muffins”: Senior Women’s Performance of Sexuality. (August 2012) Evleen Michelle Nasir, B.A., Texas A&M University Chair of Advisory Committee: Dr. Kirsten Pullen There is a discursive formation of incapability that surrounds senior women’s sexuality. Senior women are incapable of reproduction, mastering their bodies, or arousing sexual desire in themselves or others. The senior actresses’ I explore in the case studies below insert their performances of self and their everyday lives into the large and complicated discourse of sex, producing a counter-narrative to sexually inactive senior women. Their performances actively embody their sexuality outside the frame of a character. This thesis examines how senior actresses’ performances of sexuality extend a discourse of sexuality imposed on older woman by mass media. These women are the public face of senior women’s sexual agency.
    [Show full text]
  • Movie Actresses 10 Mar 2017
    Movie Actresses 10 Mar 2017 251-2017-07 This article is about my favorite movie actresses of all time. Movie critics and most people will not agree with my picks. However, my criteria is quite simple - the actress must have made at least three movies I have seen and liked and would watch again if they happened to come on the TV movie channel when I’m in the mood to see a good show. I’m going to pick my Top 20 Actresses. I could not decide on a header so you can pick the one you like best. Faye Dunaway Sharon Stone Liz Taylor #1 Faye Dunaway Born: Dorothy Faye Dunaway on January 14, 1941 (age 76) in Bascom, Florida Alma mater: Boston University Years active: 1962–present (Appeared in 81 movies) Spouse(s): Peter Wolf (m. 1974–79) Terry O'Neill (m. 1983–87) Children: Liam O'Neill (b. 1980) Facts: The daughter of Grace April, and John MacDowell Dunaway, a career officer in the United States Army. She is of Scots-Irish, English, and German descent. She spent her childhood traveling throughout the United States and Europe. Bonnie and Clyde (1967) with Warren Beatty. In the middle of the Great Depression, Clyde Barrow (Warren Beatty) and Bonnie Parker (Faye Dunaway) meet when Clyde tries to steal Bonnie's mother's car. Bonnie, who is bored by her job as a waitress, is intrigued by Clyde, and decides to take up with him and become his partner in crime. Three Days of the Condor (1975) with Robert Redford.
    [Show full text]
  • Revlon Signs Oscar-Nominated Actress Julianne Moore
    Revlon Signs Oscar-Nominated Actress Julianne Moore November 20, 2001 NEW YORK, Nov. 20 /PRNewswire/ -- Revlon announced today that two time Oscar-nominated actress Julianne Moore has joined the company's exclusive group of spokespeople. Moore, star of the highly acclaimed films ``Hannibal,'' ``Boogie Nights'' and ``The Big Lebowski,'' will appear in advertising campaigns for the company and will participate in philanthropic efforts dedicated towards the fight against women's cancers. Moore will appear in various advertising campaigns for the Revlon brand, with the first television commercial scheduled to break nationally in January 2002. In addition, Revlon and Moore have committed to work together towards a common goal -- the fight against breast and ovarian cancers. Moore will participate in select corporate and philanthropic events for the company. ``Julianne is the perfect example of today's modern woman,'' said Revlon CEO and President Jeff Nugent. ``As a beautiful, respected actress and dedicated mother, Julianne balances her hectic schedule with grace and ease. She knows what's important in life and pursues it with confidence and integrity. We're thrilled to have such a remarkable woman representing the company,'' Nugent said. Moore most recently starred in the blockbuster hit ``Hannibal,'' opposite Anthony Hopkins and Gary Oldham. Her next role will be in the highly anticipated Miramax film, ``The Shipping News'' co-starring Kevin Spacey, Judi Dench and Cate Blanchett. The film is scheduled to be released in December 2001. ``I'm very excited to be working with a well-respected company like Revlon,'' said Julianne Moore. ``I have always admired their dedication to women's health issues and their long-standing position as a truly iconic American beauty company.
    [Show full text]
  • An Examination of Native Americans in Film and Rise of Native Filmmakers by Julia Boyd — 105
    An Examination of Native Americans in Film and Rise of Native Filmmakers by Julia Boyd — 105 An Examination of Native Americans in Film and Rise of Native Filmmakers Julia Boyd Media Arts and Entertainment, Concentration: Cinema Elon University Abstract This paper explored the role of Native Americans in the Hollywood film industry and their actions to estab- lish authentic representations of their population and culture in the media. Using academic literature, film analyses, and contemporary film reviews and articles, the author created a synthesis of the history of Na- tive Americans in film. The author concluded that by becoming producers, directors, and writers of their own stories, American Indians have regained control of their images and been able to combat stereotypes and the exclusion of Native Americans in the creative process. Positive social change for minority populations can be optimized when these populations are in control of their own images in film and media. I. Introduction One can use art, music, literature, television and film to trace patterns in society. Since the invention of moving images in the late nineteenth and early twentieth century, film has been a particularly powerful me- dium. Films have served as escapist fantasies, allowing audiences to enter astonishing worlds and encounter wild and colorful characters. Movies have also been used to convey truths about society that are more easily digested in a fictional format. Difficult topics such as the nature of humanity, love, and war have all been explored with film as the tool that disseminates these themes into the consciousness of the masses. With the rise of mass media and popular culture came the onset of a collective consciousness that could be shared by people all over the world, rather than people of a particular culture relying on their own ancestry and specific history.
    [Show full text]
  • Friday, May 18
    Movies starting Friday, May 18 www.marcomovies.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “Deadpool 2” Rated R Run Time 1:20 Starring Ryan Reynolds Start 2:40 5:50 9:00 End 4:40 7:50 11:00 Rated R for strong violence and language throughout, sexual references and brief drug material. “Book Club” Rated PG-13 Run Time 1:45 Starring Diane Keaton, Jane Fonda and Candice Bergen Start 2:40 5:40 8:45 End 4:35 7:35 10:35 Rated PG-13 for sex-related material throughout, and for language. “Avengers: Infinity War” Rated PG-13 Run Time 2:30 Starring Robert Downey Jr, Chris Evans and Chris Hemsworth Start 2:15 5:30 8:45 End 4:45 8:00 11:15 Rated PG-13 for intense sequences of sci-fi violence and action throughout, language and some crude references. “Life of the Party” Rated PG-13 Run Time 1:45 Starring Melissa McCarthy Start 2:50 5:50 9:00 End 4:35 7:35 10:45 Rated PG-13 for suggestive material, partial nudity and some language. ***Prices*** Adults $13.00 (3D $16.50) Matinees, Seniors and Children under 12 $10.50 (3D $13.50) Visit Marco Movies at www.marcomovies.com facebook.com/MarcoMovies Deadpool 2 (R) • Ryan Reynolds • Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy of supernatural abilities from the brutal, time-traveling mutant, Cable. Book Club (PG-13) • Diane Keaton • Jane Fonda • Candice Bergen • Diane (Diane Keaton) is recently widowed after 40 years of marriage.
    [Show full text]
  • Juliet Ouyoung 917-528-9764
    Feb. 2015 Page #1 of 2 Juliet Ouyoung 917-528-9764 www.jouyoung.com Costume Designer Assistant Costume Designer The Shanghai Hotel 2006 Late Show With David Letterman 2006-2015 Feature / Cornucopia Productions Talk –Variety TV Show \ CBS – Worldwide Pants INC. 2006 Contemporary Drama/ Human Trafficking Fast Paste Sketch Characters \ Comedy Hill Harper, Pei Pei Cheng, Eugenia Yuan Bruce Willis, Steve Martin, Martin Short, Bill Murray,Chris Elliott Jerry Davis, Director Jerry Foley , Director ; Sue Hum, CD Neurotica 2000 Bernard & Doris 2005 Feature / Three Forks Productions Feature / Trigger Street Productions 2000 Contemporary Comedy / Road Trip 1980’s-1990’s Drama / Doris Duke Biopic Brian D’Arcy James, Amy Sedaris Ralph Fiennes, Susan Sarandon Roger Rawlings, Director Bob Balaban, Director ; Joe Aulissi, CD Mob Queen 1997 Copshop 2003 Feature / Etoile Productions Pilot / PBS Television 1956 Comedy / Mafia Meets Transvestite 2003 Contemporary Drama / NYPD - Brothel Tony Sirico, David Proval, Candice Kane Richard Dreyfuss, Rosey Perez, Rita Moreno, Blair Brown Jon Carnoy, Director Anita Addison & Joe Cacaci , director ; Bobby Tilly, CD Harwood 1999 Like Mother Like Son 2002 Feature / Absolutely Legitimate Film MOW / CBS Televison 1999 Contemporary / Sci-fi Thriller 1998 Contemporary Drama / Sente Kimes’ Story Morgan Roberts, Director Mary Tyler Moore, Jean Stapleton Arthur Seidelman, Director; Martin Pakledinaz, CD The Floys Of Neighborly Lane 1998 Deconstructing Harry 1996 Short / Once Upon A Picture Production Feature / Sweetheart Productions
    [Show full text]
  • Fact Or Fiction: Hollywood Looks at the News
    FACT OR FICTION: HOLLYWOOD LOOKS AT THE NEWS Loren Ghiglione Dean, Medill School of Journalism, Northwestern University Joe Saltzman Director of the IJPC, associate dean, and professor of journalism USC Annenberg School for Communication Curators “Hollywood Looks at the News: the Image of the Journalist in Film and Television” exhibit Newseum, Washington D.C. 2005 “Listen to me. Print that story, you’re a dead man.” “It’s not just me anymore. You’d have to stop every newspaper in the country now and you’re not big enough for that job. People like you have tried it before with bullets, prison, censorship. As long as even one newspaper will print the truth, you’re finished.” “Hey, Hutcheson, that noise, what’s that racket?” “That’s the press, baby. The press. And there’s nothing you can do about it. Nothing.” Mobster threatening Hutcheson, managing editor of the Day and the editor’s response in Deadline U.S.A. (1952) “You left the camera and you went to help him…why didn’t you take the camera if you were going to be so humane?” “…because I can’t hold a camera and help somebody at the same time. “Yes, and by not having your camera, you lost footage that nobody else would have had. You see, you have to make a decision whether you are going to be part of the story or whether you’re going to be there to record the story.” Max Brackett, veteran television reporter, to neophyte producer-technician Laurie in Mad City (1997) An editor risks his life to expose crime and print the truth.
    [Show full text]
  • For Release: on Approval Motion Picture Sound Editors to Honor
    For Release: On Approval Motion Picture Sound Editors to Honor George Miller with Filmmaker Award 68th MPSE Golden Reel Awards to be held as a global, virtual event on April 16th Studio City, California – February 10, 2021 – The Motion Picture Sound Editors (MPSE) will honor Academy Award-winner George Miller with its annual Filmmaker Award. The Australian writer, director and producer is responsible for some of the most successful and beloved films of recent decades including Mad Max, Mad Max 2: Road Warrior, Mad Max Beyond Thunderdome and Mad Max: Fury Road. In 2007, he won the Academy Award for Best Animated Feature for the smash hit Happy Feet. He also earned Oscar nominations for Babe and Lorenzo’s Oil. Miller will be presented with the MPSE FilmmaKer Award at the 68th MPSE Golden Reel Awards, set for April 16th as an international virtual event. Miller is being honored for a career noteworthy for its incredibly broad scope and consistent excellence. “George Miller redefined the action genre through his Mad Max films, and he has been just as successful in bringing us such wonderfully different films as The Witches of Eastwick, Lorenzo’s Oil, Babe and Happy Feet,” said MPSE President MarK Lanza. “He represents the art of filmmaking at its best. We are proud to present him with MPSE’s highest honor.” Miller called the award “a lovely thing,” adding, “It’s a big pat on the back. I was originally drawn to film through the visual sense, but I learned to recognize sound, emphatically, as integral to the apprehension of the story.
    [Show full text]
  • Jessica Lange Regis Dialogue Formatted
    Jessica Lange Regis Dialogue with Molly Haskell, 1997 Bruce Jenkins: Let me say that these dialogues have for the better part of this decade focused on that part of cinema devoted to narrative or dramatic filmmaking, and we've had evenings with actors, directors, cinematographers, and I would say really especially with those performers that we identify with the cutting edge of narrative filmmaking. In describing tonight's guest, Molly Haskell spoke of a creative artist who not only did a sizeable number of important projects but more importantly, did the projects that she herself wanted to see made. The same I think can be said about Molly Haskell. She began in the 1960s working in New York for the French Film Office at that point where the French New Wave needed a promoter and a writer and a translator. She eventually wrote the landmark book From Reverence to Rape on women in cinema from 1973 and republished in 1987, and did sizable stints as the film reviewer for Vogue magazine, The Village Voice, New York magazine, New York Observer, and more recently, for On the Issues. Her most recent book, Holding My Own in No Man's Land, contains her last two decades' worth of writing. I'm please to say it's in the Walker bookstore, as well. Our other guest tonight needs no introduction here in the Twin Cities nor in Cloquet, Minnesota, nor would I say anyplace in the world that motion pictures are watched and cherished. She's an internationally recognized star, but she's really a unique star.
    [Show full text]
  • BRIEF CHRONICLE Artistic Director the Official Newsmagazine of Writers’ Theatre Kathryn M
    ISSUE twEnty-nInE MAY 2010 1 A STREETCAR NAMED DESIRE: On Stage Table of ConTenTs Dear Friends .................................................................................................... 3 “DroppeD overboarD… on Stage: A Streetcar Named Desire ...................................................................... 5 The Man. The Play. The Legend. ........................................................ 6 Director's Sidebar .................................................................................... 10 into an ocean Acting Cromer ............................................................................................. 12 Setting the Scene ..................................................................................... 13 Why Here? Why Now? ............................................................................ 14 Announcing the 2010/11 Season ................................................. 16 baCksTage: as blue as Event Wrap Up – Behind-the-Scenes Brunch ........................... 20 Event Wrap Up – Literary Luncheon ............................................ 22 Sponsor Salute ........................................................................................... 24 Tales of a True Fourth Grade Nothing .......................................... 26 Performance Calendar .......................................................................... 29 my first lover’s eyes!” - blanChe, A Streetcar named desire 2 A STREETCAR NAMED DESIRE: On Stage A STREETCAR NAMED DESIRE: On Stage 1 Michael halberstam tHe
    [Show full text]
  • Transsexuality in Film by Carolyn Kraus
    Transsexuality in Film by Carolyn Kraus Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Representations of transsexuality in films fall along a spectrum from freak-show sexploitation, to dramatic and documentary depictions of the struggles of transsexuals, and, finally, to the metaphorical use of transsexuality in exploring borders, not only sexual borders but also racial, religious, and political ones as well. The Transsexual as Joke Whereas transvestites have been depicted in film since the silent era, transsexuals (people who have undergone sex-change surgery or who choose to live as the opposite gender) entered the movies only in the early 1950s. The earliest celluloid glimpses of transsexuality appeared shortly after news of George/ Christine Jorgensen's 1952 sex-change surgery shocked and mesmerized the world with headlines such as "Ex-GI Becomes Blonde Beauty," "Christine, by George!" and "Thousands in U.S. Don't Know Their True Sex." The first movie attempting to capitalize on the story came from Ed Wood, a quirky filmmaker who was once named the "World's Worst Director." Wood's Glen or Glenda (I Changed My Sex) (1953) tells two stories, one about a transvestite, one about a transsexual. Ex-Dracula Bela Lugosi lurks between scenes delivering screwball pleas for tolerance: "Vat are little boys made ov? Ees eet puppy dog tails? Beeg fat snails? Or maybe brassieres!" The result is pure camp, although Wood, a cross-dresser himself, flashed an intended moral across the screen in the film's opening frames: "Judge Ye Not!" The filming of Glen or Glenda is depicted in Tim Burton's 1994 film biography Ed Wood.
    [Show full text]