• Ave Maria, Adapted by Gounod (Bach) • Jesu, Joy of Man's Desiring

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Ave Maria, adapted by Gounod (Bach) Jesu, Joy of Man's Desiring (Bach) Suite #3 in D Major - Air, Bourree, Gavotte, Gigue, Overture (Bach) Trumpet Voluntary (Clarke) Berceuse from "Dolly" Suite Op. 56 (Faure) Sicilienne from Pelleas et Melisande, Op. 78 (Faure) Minuet & Dance of the Blessed Spirits from Orpheus (Gluck) Water Music Suite - Air, Allegro, Andante, Hornpipe (Handel) Regrets from Songs Without Words Op. 19, #2 (Mendelssohn) Spring-Song from Songs Without Words Op. 62, #6 (Mendelssohn) Romanza from Eine Kleine Nachtmusik, K. 525 (Mozart) Canon (Pachelbel) Andante from String Quartet "Rosamunde" (Schubert) Danses des petit cygnes from Swan Lake (Tschaikovsky) Theme from Swan Lake (Tschaikovsky) Londonderry Air (Traditional Irish) Bridal Chorus from Act III of Lohengrin (Wagner) Arioso from Cantata #156 (Bach) Allegro, Adagio & Finale from Brandenburg Concerto #6 in Bb Major (Bach) My Heart Ever Faithful from Cantata #68 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Adagio from Piano Sonata #8, Op. 13 "Pathetique" (Beethoven) Ode to Joy from Symphony #9 (Beethoven) Prelude from Op. 28, #4 (Chopin) Prelude from Op. 28, #15 (Chopin) Pavane from Op. 50 (Faure) Panis Angelicus from Messe Solonnelle, Op. 12 (Franck) La Rejouissance from The Fireworks Music (Handel) Andante from String Quartet in F Major, Op. 3, #15 (Haydn) Wedding March from A Midsummer Night's Dream (Mendelssohn) Rondeau from Sinfonies de Fanfares (Mouret) Andante from K. 316 for Flute and Orchestra (Mozart) Crisantemi (Puccini) Trumpet Tune (Purcell) Ave Maria (Schubert) Romeo and Juliet Love Theme from Overture-Fantasy (Tschaikovsky) Allegro from Violin Concerto in E Major, Op. 8 #1 - "Spring" (Vivaldi) Aria (Handel); Bridal Chorus (Wagner); Wedding March (Mendelssohn); Trumpet Voluntary (Clarke); Largo from “Winter” (Vivaldi); Rigaudon (Campra); Theme from 1st Symphony (Brahms); March (Mozart); Trumpet Tune (Purcell); Canon (Pachelbel); Jesu Joy of Man's Desiring (Bach); Allegro from “Winter” (Vivaldi) Mouret-Rondeau; Schubert-Ave Maria; Franck-Panis Angelicus; Bach/Gounod-Ave Maria; Bach-Sheep May Safely Graze; Mozart-Alleluia; Handel-Hornpipe; Handel-La Rejouissance; Massenet-Meditation; Gluck-Minuet .

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The Music the Music-To-Go Trio Wedding Guide Go Trio Wedding
The MusicMusic----ToToToTo----GoGo Trio Wedding Guide Processionals Trumpet Voluntary.................................................................................Clarke Wedding March.....................................................................................Wagner Jesu, Joy of Man’s Desiring...................................................................... Bach Te Deum Prelude.......................................................................... Charpentier Canon ................................................................................................. Pachelbel Air from Water Music............................................................................. Handel Sleepers Awake.......................................................................................... Bach Sheep May Safely Graze........................................................................... Bach Air on the G String................................................................................... Bach Winter (Largo) from The Four Seasons ..................................................Vivaldi MidMid----CeremonyCeremony Music Meditations, Candle Lightings, Presentations etc. Ave Maria.............................................................................................Schubert Ave Maria...................................................................................Bach-Gounod Arioso......................................................................................................... Bach Meditation from Thaïs ......................................................................Massenet
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5, 2020 - 00 the Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Sun, Jul 05, 2020 - 00 The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 05:50 Watkins Soul of Remembrance from New Black Music 13225 Albany 1200 034061120025 Five Movements in Color Repertory Ensemble/Dunner 00:08:3505:43 Paulus Berceuse Yolanda Kondonassis 11483 Azica 71281 787867128121 00:15:4844:19 Beethoven Symphony No. 6 in F, Op. 68 New York 08852 CBS 42222 07464422222 "Pastoral" Philharmonic/Bernstein 01:01:37 10:51 Schubert Impromptu in B flat, D. 935 No. Marc-Andre Hamelin 13496 Hyperion 68213 034571282138 3 01:13:4317:49 Britten Variations and Fugue on a Philadelphia 04033 Sony 62638 074646263822 Theme of Purcell, Op. 34 Orchestra/Ormandy Classical 01:33:02 27:47 MacDowell Piano Concerto No. 2 in D Amato/London 00734 Archduke 1 n/a minor, Op. 23 Philharmonic/Freeman Recordings 02:02:1910:37 Dvorak Romance in F minor, Op. 11 Frank/Czech 05323 London 460 316 028946031629 Philharmonic/Mackerra s 02:14:1117:25 Dett Magnolia Suite Denver Oldham 05092 New World 367 n/a Records 02:33:0626:51 Haydn Symphony No. 102 in B flat London 00664 London 414 673 028941467324 Philharmonic/Solti 03:01:2730:36 Schubert Symphony No. 6 in C, D. 589 Dresden State 03988 Philips 446 539 028944653922 Orchestra/Sawallisch 03:33:3312:36 Hanson Elegy in Memory of Serge Seattle 00825 Delos 3073 013491307329 Koussevitsky Symphony/Schwarz 03:47:2409:55 Chopin Scherzo No. 4 in E, Op. 54 Benjamin Grosvenor 10752 Decca 478 3206 028947832065 03:58:49 13:08 Harbach One of Ours - A Cather Slovak Radio 08416 MSR 1252 681585125229 Symphony Symphony/Trevor 04:13:1227:41 Chadwick String Quartet No.
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Unit 7 Romantic Era Notes.Pdf
The Romantic Era 1820-1900 1 Historical Themes Science Nationalism Art 2 Science Increased role of science in defining how people saw life Charles Darwin-The Origin of the Species Freud 3 Nationalism Rise of European nationalism Napoleonic ideas created patriotic fervor Many revolutions and attempts at revolutions. Many areas of Europe (especially Italy and Central Europe) struggled to free themselves from foreign control 4 Art Art came to be appreciated for its aesthetic worth Program-music that serves an extra-musical purpose Absolute-music for the sake and beauty of the music itself 5 Musical Context Increased interest in nature and the supernatural The natural world was considered a source of mysterious powers. Romantic composers gravitated toward supernatural texts and stories 6 Listening #1 Berlioz: Symphonie Fantastique (4th mvmt) Pg 323-325 CD 5/30 https://www.youtube.com/watch?v=QwCuFaq2L3U 7 The Rise of Program Music Music began to be used to tell stories, or to imply meaning beyond the purely musical. Composers found ways to make their musical ideas represent people, things, and dramatic situations as well as emotional states and even philosophical ideas. 8 Art Forms Close relationship Literature among all the art Shakespeare forms Poe Bronte Composers drew Drama inspiration from other Schiller fine arts Hugo Art Goya Constable Delacroix 9 Nationalism and Exoticism Composers used music as a tool for highlighting national identity. Instrumental composers (such as Bedrich Smetana) made reference to folk music and national images Operatic composers (such as Giuseppe Verdi) set stories with strong patriotic undercurrents. Composers took an interest in the music of various ethnic groups and incorporated it into their own music.
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String Ensemble Repertoire Classical Bach - Air Bach - Arie Bach - Arioso Bach - Ave Maria Bach - Concerto for Two Violins Bach - Jesu Joy Bach - Sheep May Safely Graze Bach - Wachet Auf Beethoven - Fur Elise Beethoven - Menuet Beethoven - Ode to Joy Boccherini - Menuett Brahms - Theme from First Symphony Camera - Rigaudon Carpenter - Prelude from Te Deum Clarke - Trumpet Voluntary Delibes - Flower Duet Dvorak - Humoresque Elgar - Salut D’Amour Gluck - Dance of the Blessed Spirits Handel - Alla Hornpipe Handel - Largo Handel - March Handel - Queen of Sheba Handel - Water Music Handel - Where’ever You Walk Hasse - Canzona Haydn - Serenade Massenet - Meditation Mendelssohn - Wedding March Mouret - Rondeau Mozart - Eine Kleine Nachtmusik (trio) Pachelbel - Canon Purcell - Trumpet Tune Schubert - Ave Maria Tchaikovsky - Nutcracker Vivaldi - Largo from Winter Vivaldi - Allegro from Spring Wagner - Bridal Chorus Pop A Thousand Years - Christina Perri All I want is You - U2 All of Me - John Legend Beautiful Day - U2 Bittersweet Symphony - The Verve Brown Eyed Girl - Van Morrison Can’t Stop the Feeling - Timberlake Dog Days are Over - Florence & The Machine Faithfully - Journey Fly Me to The Moon - Bart Howard Hallelujah - Leonard Cohen Happy - Pharrel Happy Together - The Turtles Home - Phillip Phillips Isn’t She Lovely - Stevie Wonder Just The Way You Are - Billy Joel Just The Way You Are - Bruno Mars Make You Feel My Love - Adele Signed Sealed Delivered - Stevie Wonder Some People Want it All - Alicia Keys Stand by Me - Ben E King Sugar - Maroon 5 Titanium - David Guetta Use Somebody - Kings of Leon We are Young - Fun With or Without You - U2 Wonderwall You are the sunshine of my life - Stevie You Raise Me Up - Secret Garden (Josh Groan) Your Song - Elton John Christmas/Holiday Tchaikovsky - Nutcracker Suite Winter Wonderland Let it Snow Frosty The Snowman Santa Claus is Coming to Town Jingle Bell Rock .
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Student Handbook & Catalog
Ave Maria School of Law Student Handbook & Catalog Academic Year 2017-2018 Frequently Used Law School Telephone Numbers Main Phone Number 1-239-687-5300 Extension Academic Affairs ~ Timothy Tracey, Associate Dean .................................................................................................... 5303 Admissions ~ Claire O’Keefe, Associate Dean ............................................................................................................... 5423 Associate Director & Veterans Affairs, Tabitha Canalda ............................................................................... 5422 Associate Director & Student Engagement, Naomi Hatton ............................................................................ 5333 Admissions Counselor-Enrollment, Juanita Martinez ..................................................................................... 5419 Student Organizations & Events Coordinator, Kristina Del Vecchio .............................................................. 5325 Admissions Coordinator, Tina Thompson ...................................................................................................... 5420 Advanced Critical Thinking (ACT) ~ Brett Brosseit, Director ..................................................................................... 5367 ACT Counselor, Jamie Sammon ..................................................................................................................... 5386 ACT Coordinator, Rhonda Skeete .................................................................................................................
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Bach, Johann Sebastian Air on the G String from Suite # 3 in D Major
Bach, Johann Sebastian Air on the G String from Suite # 3 in D Major Arioso from Cantata #156 Ave Maria adapted by Charles Gounod from WTC Prelude #1 Gigue from Suite # 3 in D Major Jesu, Joy of Man's Desiring from Cantata #147 Sheep May Safely Graze from Cantata #208 Beethoven, Ludwig van Minuet in G Clarke, Jeremiah Trumpet Voluntary Gossec, Francois Joseph Gavotte Handel, George Frederick Allegro from Sonata in F Major, Op. 1 #11 Largo from Xerxes Sarabande from Suite # 4 in D minor for piano, 2nd set Water Music Suite Air Allegro Andante Bourree Finale Haydn, Franz Joseph Presto from String Quartet in F Major, Op. 74, #2 Ivanovici, J. Waltz from Waves of the Danube , #1 Massenet, Jules Elegie from Incidental Music to Les Erinnyes Mouret, Jean-Joseph Rondeau from Sinfonies de Fanfares Mozart, Wolfgang Amadeus Eine Kleine Nachtmusik - String Quartet in G Major, K. 525 Allegro Menuetto Romanza Rondo Pachelbel, Johann Canon Schubert, Franz Adagio from Octet in F Major, Op. 166 Andante from String Quartet in A minor, Op. 29 "Rosamunde" Moment Musical from Op. 94, #3 Schumann, Robert Traumerei from Kinderscenen, Op. 15, #7 Telemann, George Philipp Presto from Sonatina in F Major Vivaldi, Antonio Concerto Grosso in D Minor, Op. 3, #11 Allegro Adagio Finale Wagner, Richard Bridal Chorus from Act III of Lohengrin Bach, Johann Sebastian Brandenburg Concerto #2 in F Major Allegro Andante Allegro assai Little Fugue March March in D Major from the Anna Magdalene Bach Notebook Rondeau from Orchestral Suite #2 in B Minor Beethoven, Ludwig van Ode to Joy from Symphony #9 Brahms, Johannes Hungarian Dance #5 Variations on a Theme of Haydn, Op.
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Nineteenth Century Sacred Music: Bruckner and the Rise of the Cäcilien-Verein
Western Washington University Western CEDAR WWU Graduate School Collection WWU Graduate and Undergraduate Scholarship Spring 2020 Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein Nicholas Bygate Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/wwuet Part of the Music Commons Recommended Citation Bygate, Nicholas, "Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein" (2020). WWU Graduate School Collection. 955. https://cedar.wwu.edu/wwuet/955 This Masters Thesis is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Graduate School Collection by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein By Nicholas Bygate Accepted in Partial Completion of the Requirements for the Degree Master of Music ADVISORY COMMITTEE Chair, Dr. Bertil van Boer Dr. Timothy Fitzpatrick Dr. Ryan Dudenbostel GRADUATE SCHOOL David L. Patrick, Interim Dean Master’s Thesis In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Western Washington University, I grant to Western Washington University the non- exclusive royalty-free right to archive, reproduce, distribute, and display the thesis in any and all forms, including electronic format, via any digital library mechanisms maintained by WWU. I represent and warrant this is my original work and does not infringe or violate any rights of others. I warrant that I have obtained written permissions from the owner of any third party copyrighted material included in these files.
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Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue.
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