String Ensemble Repertoire Classical Bach

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String Ensemble Repertoire Classical Bach - Air Bach - Arie Bach - Arioso Bach - Ave Maria Bach - Concerto for Two Violins Bach - Jesu Joy Bach - Sheep May Safely Graze Bach - Wachet Auf Beethoven - Fur Elise Beethoven - Menuet Beethoven - Ode to Joy Boccherini - Menuett Brahms - Theme from First Symphony Camera - Rigaudon Carpenter - Prelude from Te Deum Clarke - Trumpet Voluntary Delibes - Flower Duet Dvorak - Humoresque Elgar - Salut D’Amour Gluck - Dance of the Blessed Spirits Handel - Alla Hornpipe Handel - Largo Handel - March Handel - Queen of Sheba Handel - Water Music Handel - Where’ever You Walk Hasse - Canzona Haydn - Serenade Massenet - Meditation Mendelssohn - Wedding March Mouret - Rondeau Mozart - Eine Kleine Nachtmusik (trio) Pachelbel - Canon Purcell - Trumpet Tune Schubert - Ave Maria Tchaikovsky - Nutcracker Vivaldi - Largo from Winter Vivaldi - Allegro from Spring Wagner - Bridal Chorus Pop A Thousand Years - Christina Perri All I want is You - U2 All of Me - John Legend Beautiful Day - U2 Bittersweet Symphony - The Verve Brown Eyed Girl - Van Morrison Can’t Stop the Feeling - Timberlake Dog Days are Over - Florence & The Machine Faithfully - Journey Fly Me to The Moon - Bart Howard Hallelujah - Leonard Cohen Happy - Pharrel Happy Together - The Turtles Home - Phillip Phillips Isn’t She Lovely - Stevie Wonder Just The Way You Are - Billy Joel Just The Way You Are - Bruno Mars Make You Feel My Love - Adele Signed Sealed Delivered - Stevie Wonder Some People Want it All - Alicia Keys Stand by Me - Ben E King Sugar - Maroon 5 Titanium - David Guetta Use Somebody - Kings of Leon We are Young - Fun With or Without You - U2 Wonderwall You are the sunshine of my life - Stevie You Raise Me Up - Secret Garden (Josh Groan) Your Song - Elton John Christmas/Holiday Tchaikovsky - Nutcracker Suite Winter Wonderland Let it Snow Frosty The Snowman Santa Claus is Coming to Town Jingle Bell Rock .

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The Music the Music-To-Go Trio Wedding Guide Go Trio Wedding
The MusicMusic----ToToToTo----GoGo Trio Wedding Guide Processionals Trumpet Voluntary.................................................................................Clarke Wedding March.....................................................................................Wagner Jesu, Joy of Man’s Desiring...................................................................... Bach Te Deum Prelude.......................................................................... Charpentier Canon ................................................................................................. Pachelbel Air from Water Music............................................................................. Handel Sleepers Awake.......................................................................................... Bach Sheep May Safely Graze........................................................................... Bach Air on the G String................................................................................... Bach Winter (Largo) from The Four Seasons ..................................................Vivaldi MidMid----CeremonyCeremony Music Meditations, Candle Lightings, Presentations etc. Ave Maria.............................................................................................Schubert Ave Maria...................................................................................Bach-Gounod Arioso......................................................................................................... Bach Meditation from Thaïs ......................................................................Massenet
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Unit 7 Romantic Era Notes.Pdf
The Romantic Era 1820-1900 1 Historical Themes Science Nationalism Art 2 Science Increased role of science in defining how people saw life Charles Darwin-The Origin of the Species Freud 3 Nationalism Rise of European nationalism Napoleonic ideas created patriotic fervor Many revolutions and attempts at revolutions. Many areas of Europe (especially Italy and Central Europe) struggled to free themselves from foreign control 4 Art Art came to be appreciated for its aesthetic worth Program-music that serves an extra-musical purpose Absolute-music for the sake and beauty of the music itself 5 Musical Context Increased interest in nature and the supernatural The natural world was considered a source of mysterious powers. Romantic composers gravitated toward supernatural texts and stories 6 Listening #1 Berlioz: Symphonie Fantastique (4th mvmt) Pg 323-325 CD 5/30 https://www.youtube.com/watch?v=QwCuFaq2L3U 7 The Rise of Program Music Music began to be used to tell stories, or to imply meaning beyond the purely musical. Composers found ways to make their musical ideas represent people, things, and dramatic situations as well as emotional states and even philosophical ideas. 8 Art Forms Close relationship Literature among all the art Shakespeare forms Poe Bronte Composers drew Drama inspiration from other Schiller fine arts Hugo Art Goya Constable Delacroix 9 Nationalism and Exoticism Composers used music as a tool for highlighting national identity. Instrumental composers (such as Bedrich Smetana) made reference to folk music and national images Operatic composers (such as Giuseppe Verdi) set stories with strong patriotic undercurrents. Composers took an interest in the music of various ethnic groups and incorporated it into their own music.
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Raff's Arragement for Piano of Bach's Cello Suites
Six Sonatas for Cello by J.S.Bach arranged for the Pianoforte by JOACHIM RAFF WoO.30 Sonata No.1 in G major Sonate No.2 in D minor Sonate No.3 in C major Sonate No.4 in E flat major Sonate No.5 in C minor Sonate No.6 in D major Joachim Raff’s interest in the works of Johann Sebastian Bach and the inspiration he drew from them is unmatched by any of the other major composers in the second half of the 19th century. One could speculate that Raff’s partiality for polyphonic writing originates from his studies of Bach’s works - the identification of “influenced by Bach” with “Polyphony” is a popular idea but is often questionable in terms of scientific correctness. Raff wrote numerous original compositions in polyphonic style and used musical forms of the baroque period. However, he also created a relatively large number of arrangements and transcriptions of works by Bach. Obviously, Bach’s music exerted a strong attraction on Raff that went further than plain admiration. Looking at Raff’s arrangements one can easily detect his particular interest in those works by Bach that could be supplemented by another composer. Upon these models Raff could fit his reverence for the musical past as well as exploit his never tiring interest in the technical aspects of the art of composition. One of the few statements we have by Raff about the basics of his art reveal his concept of how to attach supplements to works by Bach. Raff wrote about his orchestral arrangement of Bach’s Ciaconna in d minor for solo violin: "Everybody who has studied J.S.
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Student Handbook & Catalog
Ave Maria School of Law Student Handbook & Catalog Academic Year 2017-2018 Frequently Used Law School Telephone Numbers Main Phone Number 1-239-687-5300 Extension Academic Affairs ~ Timothy Tracey, Associate Dean .................................................................................................... 5303 Admissions ~ Claire O’Keefe, Associate Dean ............................................................................................................... 5423 Associate Director & Veterans Affairs, Tabitha Canalda ............................................................................... 5422 Associate Director & Student Engagement, Naomi Hatton ............................................................................ 5333 Admissions Counselor-Enrollment, Juanita Martinez ..................................................................................... 5419 Student Organizations & Events Coordinator, Kristina Del Vecchio .............................................................. 5325 Admissions Coordinator, Tina Thompson ...................................................................................................... 5420 Advanced Critical Thinking (ACT) ~ Brett Brosseit, Director ..................................................................................... 5367 ACT Counselor, Jamie Sammon ..................................................................................................................... 5386 ACT Coordinator, Rhonda Skeete .................................................................................................................
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Bach, Johann Sebastian Air on the G String from Suite # 3 in D Major
Bach, Johann Sebastian Air on the G String from Suite # 3 in D Major Arioso from Cantata #156 Ave Maria adapted by Charles Gounod from WTC Prelude #1 Gigue from Suite # 3 in D Major Jesu, Joy of Man's Desiring from Cantata #147 Sheep May Safely Graze from Cantata #208 Beethoven, Ludwig van Minuet in G Clarke, Jeremiah Trumpet Voluntary Gossec, Francois Joseph Gavotte Handel, George Frederick Allegro from Sonata in F Major, Op. 1 #11 Largo from Xerxes Sarabande from Suite # 4 in D minor for piano, 2nd set Water Music Suite Air Allegro Andante Bourree Finale Haydn, Franz Joseph Presto from String Quartet in F Major, Op. 74, #2 Ivanovici, J. Waltz from Waves of the Danube , #1 Massenet, Jules Elegie from Incidental Music to Les Erinnyes Mouret, Jean-Joseph Rondeau from Sinfonies de Fanfares Mozart, Wolfgang Amadeus Eine Kleine Nachtmusik - String Quartet in G Major, K. 525 Allegro Menuetto Romanza Rondo Pachelbel, Johann Canon Schubert, Franz Adagio from Octet in F Major, Op. 166 Andante from String Quartet in A minor, Op. 29 "Rosamunde" Moment Musical from Op. 94, #3 Schumann, Robert Traumerei from Kinderscenen, Op. 15, #7 Telemann, George Philipp Presto from Sonatina in F Major Vivaldi, Antonio Concerto Grosso in D Minor, Op. 3, #11 Allegro Adagio Finale Wagner, Richard Bridal Chorus from Act III of Lohengrin Bach, Johann Sebastian Brandenburg Concerto #2 in F Major Allegro Andante Allegro assai Little Fugue March March in D Major from the Anna Magdalene Bach Notebook Rondeau from Orchestral Suite #2 in B Minor Beethoven, Ludwig van Ode to Joy from Symphony #9 Brahms, Johannes Hungarian Dance #5 Variations on a Theme of Haydn, Op.
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Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue.
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The Music the Music-To-Go Quartet Wedding Guide Go Quartet
The MusicMusic----ToToToTo----GoGo Quartet Wedding Guide Processionals Trumpet Voluntary.................................................................................Clarke Wedding March.....................................................................................Wagner Jesu, Joy of Man’s Desiring...................................................................... Bach Canon ................................................................................................. Pachelbel Sleepers Awake.......................................................................................... Bach Sheep May Safely Graze........................................................................... Bach Air on the G String................................................................................... Bach Winter (Largo) from The Four Seasons ..................................................Vivaldi MidMid----CeremonyCeremony Music Meditations, Candle Lightings, Presentations etc. Ave Maria.............................................................................................Schubert Ave Maria...................................................................................Bach-Gounod Meditation from Thaïs ......................................................................Massenet Panis Angelicus.........................................................................................Frank Claire de Lune......................................................................................Debussy Adagio (from Pathetique Sonata).................................................
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Classical Wedding / Event Music Selections Johann Pachelbel
Classical Wedding / Event Music Selections Johann Pachelbel Canon in D Johann Sebastian Bach Air from Orchestral Suite No.3 in D Major, BWV 1068 Gigue from Orchestral Suite No.3 in D Major, BWV 1068 Jesu, Joy of Man’s Desiring Cantata, BWV 147 Sheep May Safely Graze Arioso from Cantata No.156 March in D Major Cello Suite No.1 in G Major, BWV 1007 Cello Suite No. 3 in C Major, BWV 1009 Brandenburg Concerto No. 5 in D Major, BWV 1050 Brandenburg Concerto No.3 in G Major, BWV1048 Violin Concerto in E major, BWV 1042 Sonata for Solo Violin No.1, BWV 1001 Partita for Solo Violin No.3, BWV 1006 "Wachet auf, ruft uns die Stimme" BWV 645 Henry Purcell Trumpet Tune Georg Fridrich Handel Water Music, Suite No. 1 in F major, HWV 348 Water Music Suite No. 2 in D Major Alla Hornpipe Andante Allegro Music For The Royal Fireworks HWV351 - V. La Réjouissance Hallelujah from Oratorio Messiah HWV 56 Concerto Grosso in G major, Op.6 No.1 The Arrival of the Queen of Sheba from Oratorio Solomon Arcangelo Corelli Concerto Grosso No.8, Op.6 Antonio Vivaldi Le Quattro Stagioni -The Four Seasons Concerto for two violins in a minor RV 522 Concerto for two violins g minor RV 578 Concerto for four violins in b minor (RV 580) Wolfgang Amadeus Mozart Divertimento in D Major, KV 136 Divertimento in b minor, KV 137 Divertimento in F Major, KV 138 String Quartet No.11, KV 155 String Quartet No.12, KV 156 String Quartet “Dissonance”C-Major, KV 465 Serenade No.
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1408. Ave Maria (Bach-Gounod) Backgrounds of S
1408. Ave Maria (Bach-Gounod) Backgrounds Of S. Radic The Ave Maria by "Bach/Gounod", actually Méditation sur le premier prélude de Bach, is a composition by Charles Gounod for voice (or a melody instrument) and piano using a prelude by Johann Sebastian Bach as well as the text of the Ave Maria and one of the most famous pieces of classical music. Gounod composed the piece in 1852 as an improvisation exercise during his studies. In 1859 it was accompanied by the text of the Latin prayer Ave Maria. The work is based on Prelude No. 1 in C major from Bach's Well-Tempered Piano (BWV 846), a harmonic study of broken chords. Gounod adopted However, since his recording falls into the analog era the movement largely unchanged. Thus Gounod in 1979, he had nothing to do with midi sequencing or stands in the long line of composers who approach styles programming. His studio technician Bach by using his works as a basis for their own "accompanied" him the way he wanted: Baroque compositions. beat with tempo 70 - and then the Swingfox improvisation with a decent drive with swing tempo 140. My task in 2018 was to first put these two rhythms into one style, which I finally succeeded in doing (read more about this in the style info). The sine organ sound of Curt Prina's Wersi Galaxis is hardly comprehensible - all I had left in my Wersi Pegasus was the choice of the two GM organ sounds, GM The hybrid composition thus represents a combination No.17, which sounds like the "organ rotor sound".
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Bach-Busoni Chaconne: a Piano Transcription Analysis
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of May 2006 Bach-Busoni Chaconne: A Piano Transcription Analysis Marina Fabrikant University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Commons Fabrikant, Marina, "Bach-Busoni Chaconne: A Piano Transcription Analysis" (2006). Student Research, Creative Activity, and Performance - School of Music. 3. https://digitalcommons.unl.edu/musicstudent/3 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Bach-Busoni Chaconne. A Piano Transcription Analysis by Marina Fabrikant A Dissertation Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor. Mark K. Clinton Lincoln, Nebraska May, 2006 Acknowledgements The development of this document could not have been achieved without the help in many forms, provided to me by several individuals. Therefore, I wish to thank my adviser, Dr. Mark Clinton, for his guidance and discussions of my performance of the Chaconne, and for his editing help during the development of this document. His assistance during the development of this document was invaluable. I am indebted to Dr. Joseph Kraus, for his understanding and valuable insight, which provided much inspiration for this work.
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Ave Maria/JS Bach
CONTENTS Song No. Category/Name Page Song No. Category/Name Page Standard 51 Fröhlicher Landmann (Album für die 73 1 Scarborough Fair 4 Jugend) 2 Three Blind Mice 6 52 Tröumerei (Kinderszenen) 74 3 O du lieber Augustin 8 53 Thema (Impromptus D.935-3) 75 4 London Bridge 8 54 Invention Nr.1 76 5 Believe Me If All Those Endearing Young 9 55 Gavotte/J. S. Bach 78 Charms 56 Arietta/Grieg 79 6Ave Maria 11 57 La Chevaleresque 80 7 Grandfather’s Clock 12 58 Prelude (Wohltemperierte Klavier 1-1) 82 8Twinkle Twinkle Little Star 14 59 Annie Laurie 84 9 I’ve Been Working On The Railroad 15 60 Moments Musicaux op.94-3 85 10 Little Brown Jug 16 61 La Viollette 87 11 When The Saints Go Marchin’ In 17 62 Menuett 88 12 Aloha Oe 18 63 The Entertainer 89 13 Home Sweet Home 20 Piano Ensemble 14 Loch Lomond 21 64 Nocturne op.9-2 91 15 Bill Bailey (Won’t You Please Come Home) 22 65 Ave Maria/J. S. Bach - Gounod 94 16 Down By The Riverside 24 66 Piano Concerto No.21 2nd mov. 96 17 Aura Lee 25 67 Romanze (Serenade K.525) 98 18 Greensleeves 26 68 Die Schlittenfahrt K.605-3 99 19 My Bonnie 27 69 Ave Verum Corpus 101 20 Funiculi-Funicula 29 70 Piano Sonate op.27-2 “Mondschein” 103 21 Die Lorelei 32 71 Ode to Joy 104 22 Wenn ich ein Vöglein wär 33 72 Canon 105 23 Turkey In The Straw 34 73 Air de Toreador “Carmen” 107 24 Old Folks At Home 36 74 The SurpriseSymphony 108 25 Londonderry Air 37 75 Gavotte 109 26 When Irish Eyes Are Smiling 38 76 Menuett 110 27 Muss I Denn 40 77 String Quartet No.17 2nd mov.
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Megan Shoen Senior Recital Program
PROGRAM I. “Se Florindo è fedele” Alessandro Scarlatti (1680-1725) “Se tu m’ami” Alessandro Parisotti (1853- 1913) “Caro mio ben” Giuseppe Giordani (1743- 1798) “Ombra mai fu” (Serse) George Fredric Handel (1685- 1759) II. “Als Luise Briefe” Wolfgang Amadeus Mozart (1756- 1791) Gabriele Von Baumberg (1766- 1839) “Minnelied” Felix Mendelssohn (1809- 1847) “Vergebliches Ständchen” Johannes Brahms (1833- 1897) “Élégie” Jules Massenet (1842- 1912) “Quia Respexit” (Magnificat) Johann Sebastian Bach (1685- 1750) “Ave Maria” Charles Gounod (1818- 1893) III. “Laurie’s Song” (The Tender Land) Aaron Copland (1900- 1990) “Must The Winter Come So Soon” (Vanessa) Samuel Barber (1910- 1981) “I Have Been Wandering” (Wuthering Heights) Bernard Herrman (1911- 1975) Charlotte Brontë (1818- 1855) “Come Ready And See Me” Richard Hundley (1931- 2018) James Purdy (1914- 2009) “I Bought Me A Cat” (Old American Songs) Aaron Copland (1900- 1990) IV. “One Hundred Easy Ways” (Wonderful Town) Leonard Bernstein (1918- 1990) “Someone To Watch Over Me” George Gershwin (1898- 1937) “Far From The Home I Love” (Fiddler On The Roof) Sheldon Harnick (1924- ) Jerry Bock (1928- 2010) “Till There Was You” (The Music Man) Meredith Wilson (1902- 1984) “Hold On” (The Secret Garden) Marsha Norman (1947- ) Lucy Simon (1943- ) “Migratory V” (Myths And Hymns) Adam Guettel (1964- ) Se Florindo è fedele “Se Florindo è fedele” was composed in 1698 by Alessandro Scarlatti (1680- 1725), an Italian composer from the Baroque Period, best known for his operas and chamber cantatas. In total, he composed over forty operas and nine oratorios, including early operatic works such as “Il Pompeo” and “Gli equivoci nel sembiante”.
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