BRENDAN and the SECRET of KELLS Kplus BRENDAN UND DAS GEHEIMNIS VON KELLS BRENDAN ET LE SECRET DE KELLS
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You Can Find Details of All the Films Currently Selling/Coming to Market in the Screen
1 Introduction We are proud to present the Fís Éireann/Screen Irish screen production activity has more than Ireland-supported 2020 slate of productions. From doubled in the last decade. A great deal has also been comedy to drama to powerful documentaries, we achieved in terms of fostering more diversity within are delighted to support a wide, diverse and highly the industry, but there remains a lot more to do. anticipated slate of stories which we hope will Investment in creative talent remains our priority and captivate audiences in the year ahead. Following focus in everything we do across film, television and an extraordinary period for Irish talent which has animation. We are working closely with government seen Irish stories reach global audiences, gain and other industry partners to further develop our international critical acclaim and awards success, studio infrastructure. We are identifying new partners we will continue to build on these achievements in that will help to build audiences for Irish screen the coming decade. content, in more countries and on more screens. With the broadened remit that Fís Éireann/Screen Through Screen Skills Ireland, our skills development Ireland now represents both on the big and small division, we are playing a strategic leadership role in screen, our slate showcases the breadth and the development of a diverse range of skills for the depth of quality work being brought to life by Irish screen industries in Ireland to meet the anticipated creative talent. From animation, TV drama and demand from the sector. documentaries to short and full-length feature films, there is a wide range of stories to appeal to The power of Irish stories on screen, both at home and all audiences. -
The Secret of Kells in 2010 and for Song of the Sea in 2015
The EDUCATIONAL KIT Secret of Kells Tomm Moore, Nora Twomey CONTENT p.3 GENERAL INFORMATION p.4 Synopsis p.5 FILM ANALYSIS p.5 p.6 Film context Expressive means p.6 p.8 Historical context Recognition Image 1 p.10 CLASSROOM ACTIVITIES p.10 p.13 p.15 Starter activity Animated colours The “real” face of and shapes the Vikings p.11 The hero’s journey p.14 Filmic means and director’s choices 2 GENERAL INFORMATION TOMM MOORE (1977, IRELAND) NORA TWOMEY (1971, IRELAND). The film, which is set in the early ninth-century monastic settlement of Kells, is based on a concept which Moore had been exploring a decade earlier while a student of animation at Ballyfermot Senior College in Dublin in 1999. With his co-director Nora Twomey, Moore and the Cartoon Saloon studio have achieved international acclaim for their work, including nominations in the Best Animated Feature Film category at the Oscars for The Secret of Kells in 2010 and for Song of the Sea in 2015. More recently, Twomey’s The Breadwinner (2017), which is set in Afghanistan and stylistically encompasses a more naturalistic and real- world look, also received an Academy nomination for Best Animated Feature in 2018. Moore is currently co-directing a third animated feature, Wolfwalkers, a mythic tale set in Kilkenny that is inspired by local history and legends and is due for release in late 2020. Image 2 Image 3 Twomey is currently directing the 2D American-Irish animation film My Father’s dragon, due for release in 2021. -
European Animation Awards to Launch in 2017 | Variety
European Animation Awards To Launch In 2017 | Variety http://variety.com/2016/film/global/european-animation-awards-peter-... JUNE 27, 2016 | 03:54AM PT PHOTOS: AMBER EMILY / KEN MCKAY/ITV/REX/SHUTTERSTOCK Brexit notwithstanding, Europe looks set to have a new prize event, the European Animation Awards (EAA), which are inspired by America’s Annie Awards and backed by many of the preeminent figures in Europe’s animation industry. The new plaudits come after a period of “massive growth” of Europe’s animation industry, which merits broader kudos recognition, said Jean-Paul Commin, EAA secretary general, who added that the United Kingdom “is and will remain, despite Brexit, an active player in our project.” “There has been a huge improvement not only in the quantity but quality of animation in Europe. We have some of the best animation schools and European animated features are travelling better,” he said. The first European Animation Awards gala ceremony will take place in 2017. Peter Lord, creative director of Aardman Animations and producer of many of Europe’s 1 sur 3 21/11/2016 18:09 European Animation Awards To Launch In 2017 | Variety http://variety.com/2016/film/global/european-animation-awards-peter-... most-watched animated movies – such as the stop-motion “Chicken Run” and “Wallace and Gromit: The Curse of the Were-Rabbit” – has been named president of the EAAs. Vice-presidents are Dane Marie Bro, based out of Copenhagen’s Danske TegneFilm (“The Boy Who Wanted To Be a Bear”); France’s Didier Brunner, the dean of Europe’s 2D animation (“The Triplets of Belleville,” the “Kirikou” franchise) who originated the idea of the EAA; and Ireland’s Paul Young, at Cartoon Saloon, producer of “The Secret of Kells,” “Song of the Sea” and now “The Breadwinner,” whose co-producers include New York’s Gkids and Angeline Jolie-Pitt. -
IFB Locations Brochure 2017
1 Irish Film Board — Bord Scannán na hÉireann/the Irish Film Board (IFB) is the national development agency for the Irish film, television and animation industry, supporting and developing talent, creativity and enterprise. It provides development, production and distribution funding for writers, directors and production companies across these sectors. The IFB supports Ireland as a dynamic and world-class location for international production by promoting Irish tax incentives, our excellent skilled crew base, and our well-established studio and technical infrastructure. The IFB also supports the development of skills and training in live-action, animation, VFX and interactive content through Screen Training Ireland. Contents — ‘Dublin and its surrounds were the perfect location for our London-set Dickensian period piece. The range of settings, architecture and the ease of access to locations was in my experience unparalleled.’ Introduction 06 Bharat Nulluri, Director Ireland’s Tax Credit 10 The Man Who Invented Christmas Ireland and International Co-Production 14 The Irish Producer 16 Location, Location, Location 20 Film Studios 24 Post Production 28 VFX 30 Animation 34 IFB Location Services 36 Funding Sources 38 Other Financial Incentives 39 Support Networks, Guilds and Associations 42 King’s Inns, Henrietta Street, Dublin 02 03 Grand Canal Dock, Dublin 04 05 Introduction — ‘Ireland has become an important part of Star Wars history.’ Candice Campos, Vice President, Physical Production, Lucasfilm Ireland has a long-standing, World-class film is produced in diverse and exceptionally rich Ireland year after year. Recent culture of bringing stories completed projects include to the screen. It has long Rian Johnson’s Star Wars: been associated with great Episode VIII–The Last Jedi, filmmaking, from the feisty, Farhad Safinia’sThe Professor passionate romance played and the Madman and Nora by John Wayne and Maureen Twomey’s animated feature O’Hara in John Ford’s much- film,The Breadwinner. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
SIGGRAPH Asia 2020'S Computer Animation Festival – Panel And
SIGGRAPH Asia 2020’s Computer Animation Festival – Panel and Production Talks The Making of Pixar’s Wind Jesus Martinez, Animation Manager, Pixar Animation Studios Edwin Chang, Shot Supervisor / SparkShorts Director, Wind, Pixar Animation Studios Beth Albright, Character Shading and Groom Lead, Pixar Animation Studios Join writer and director Edwin Chang, producer Jesús Martínez and supervising technical director Beth Albright as they explore the making of their heartfelt CG animated short film, Wind. Made as part of Pixar’s SparkShorts program, Wind is set in a world of magical realism where a grandmother and her grandson are trapped deep down an endless chasm, scavenging debris that surrounds them to realize their dream of escaping to a better life. A screening of the film will be followed by a “Making Of” presentation and a Q&A. Producing Over the Moon Gennie Rim, Executive Producer, Glen Keane Productions Peilin Chou, Animation Film Producer, Netflix Producers Peilin Chou and Gennie Rim discuss the development and production of the recently premiered Netflix and Pearl Studios animated musical adventure, Over the Moon, directed by the legendary Oscar winner Glen Keane, and co-directed by Oscar winner John Kahrs. In the film, a bright young girl fueled with determination and a passion for science, Fei Fei, builds a rocket ship to the moon to prove the existence of the legendary Chinese Moon Goddess, Chang’e. After an impossible journey, she ends up in a whimsical land of fantastical creatures. Directed by Keane, animated at Sony Pictures Imageworks and produced by Rim and Chou for Shanghai-based Pearl Studios, Over the Moon is a musical adventure about moving forward, embracing the unexpected, and believing the impossible is possible. -
Cartoon Saloon and the New Golden Age of Animation | the New Yorker
1/20/2021 Cartoon Saloon and the New Golden Age of Animation | The New Yorker The studio’s hand-drawn movies use the language of painting and illustration rather than that of the latest technology. Still courtesy Cartoon Saloon and Abrams Books Onward and Upward with the Arts December 21, 2020 Issue The studio’s hand-drawn movies—including its latest, “Wolfwalkers”—offer an alternative vision of what children’s entertainment can be. By Mark O’Connell December 11, 2020 n the seventeenth century, after wolves were hunted to extinction in most of the British Isles, Ireland was sometimes referred I to as Wolf-Land. The implication, perhaps, was that it needed to be tamed. In 1649, Oliver Cromwell’s New Model Army invaded Ireland on behalf of the Commonwealth of England, leading to the deaths of hundreds of thousands of Irish people. The Army also appointed professional hunters to cull the country’s wolves. Cromwell’s men captured the walled city of Kilkenny, which was surrounded by forests full of wolves and was home to as many superstitions about them. One myth held that certain natives of https://www.newyorker.com/magazine/2020/12/21/cartoon-saloon-and-the-new-golden-age-of-animation 1/9 1/20/2021 Cartoon Saloon and the New Golden Age of Animation | The New Yorker the region could transform into wolves, roaming the land while their ordinary bodies lay in a kind of trance. If they were injured in the course of this lupine marauding, the wounds would appear on their human esh. -
Educational and Therapeutic Impact of Contemporary Animated Film Characters on the Viewer
Konteksty Pedagogiczne 2(11)/2018, s. 151–163 DOI: 10.19265/KP.2018.211151 www.kontekstypedagogiczne.pl Joanna Mytnik [email protected] University of Bialystok ORCID iD: 0000-0003-3924-8188 Educational and therapeutic impact of contemporary animated film characters on the viewer Introduction From the beginning of its existence, films have been evoking interest and giving inspiration. A motion picture has been a tool for many practition- ers. Educators, psychologists, therapists, and animators have long appreci- ated and used film art in their work. Considering the increasing pervasion of the mass media into human life, its presence in many aspects of human functioning, it is necessary to pay close attention to the power of its influ- ence. It is worth noting that the products of popular culture do not only carry risks. Films created for commercial purposes also serve higher purposes, not just entertainment. Being easier in perception for the viewer at any age (through the frequency of contact with this cultural product), it can influence their emotions more strongly, encourage deeper mental work and stimulate reflection. In this article I would like to focus primarily on the possibilities of supporting upbringing and human development, referring to the assump- tions of film therapy (Kozubek, 2016). According to Depta, “the starting point of educational work with a film should be the use of such films that are most popular among young viewers while increasing their cognitive horizons” (Depta, 1983, p. 165). The potential of contemporary animated films seems to be indisputable in this respect, as will be demonstrated by the analysis of the main factor of their influence on the viewer, namely film heroes. -
Wolfwalkers Book of Kells, the Ravine: Kilkenny Based Cartoon Saloon Sweeping Academy Award®, Golden Globe, BAFTA Nominations Inner View with Éabha Is on Page 10
est. 2006 May 2021 • Volume 15 - Issue 5 WolfWalkers Book of Kells, The Ravine: Kilkenny Based Cartoon Saloon Sweeping Academy Award®, Golden Globe, BAFTA Nominations Inner View with Éabha is on page 10. which follows two weeks later, on May Editor’s Black 47’s Larry Kirwan’s new novel, 22nd. A Potato a Day Keeps Rockaway Blue, is a captivating read on Is it time for an Irish Unity Referen- Corner an Irish American families’ Post 9-11 dum? An Irish Mexican Fusion Dish? By John O’Brien, Jr. struggles with the loss of their cop son’s Does a potato a day keep the doctor the Doctor Away? life in the collapse of the tower, and away? What happened to the Mass By Dr. Fredrick Peters not broken down and fully absorbed by May 2021 Vol. 15 • Issue 5 Rich stews filled with dense carbohy- the body. Instead, it reaches the large intes- @Jobjr offers an excellent insider look at the Rock? Test your knowledge: Who are Í struggles and heartaches for a multiple the Patriots of Ireland? It’s a puzzle. Publisher & Editor John O’Brien Jr. drates and loaded with calories. When tine where it becomes a source of nutrients considering healthy food options, the for the beneficial bacteria in your gut. Re- first responder family. Is there anything better than live Design/Production Christine Hahn cuisine of Ireland may not seem plausible. search has linked resistant starch to many We are getting excited about the Irish music on St. Patrick’s Day? Will Website Rich Croft Columnists However, if prepared correctly, some of health benefits, including reducing insulin return of live events, with Riverfront Ireland lead the way on Electric Ve- Akron Irish Lisa O’Rourke the traditional Irish staples can actually be resistance, which, in turn, improves blood So Much An Eejit Abroad Conor Makem Irish Festival, Carbon Leaf, Dublin, hicles? Is there always a Donnybrook quite healthy! sugar control. -
THE SECRET of KELLS Create a Depth and Atmosphere to Rival the Best of Disney’S Computer-Driven Output
nature of medieval manuscripts, the ornate drawings THE SECRET OF KELLS create a depth and atmosphere to rival the best of Disney’s computer-driven output. (Cert PG) Young Brendan lives on a monastic settlement in ninth Reel Issues author: Clive Price century Ireland. His uncle Cellach is the abbot. Cellach used to be an illuminator. But now he uses his artistic Overview: A blend of British and Irish church history skill to design a defensive measure around the with Celtic mythology, this traditional animation monastery at Kells – ‘a wall to save civilisation’ – as presents a highly imaginative fictional story based he puts it. However, his world is shaken by an around the Book of Kells. Perhaps the best known of important visitor, Aidan of Iona, who wants to focus early British and Irish illuminated manuscripts, the on finishing an illuminated Gospel manuscript, rather book’s creation is seen through the adventures of than build a wall. It is clear that the men have very young Brendan. The boy lives in a remote medieval separate obsessions. outpost that comes under attack by the notorious Brendan is obliged to help his uncle bolster the ‘Northmen’, the Vikings. The fight is on to not only monastery’s defences. But he is drawn towards the finish the book, but also protect it from the raiders, so scriptorium, where Aidan is working on the book. The that it might become a beacon of hope to the world, boy ends up assisting him in its production. Brendan the book that turns darkness into light. faces his fear of the forest when he ventures out to Directors: Tomm Moore and Nora Twomey (2009). -
Daily Screening & Events Schedule
TIFF Industry Online Daily Screening & Events Schedule SEPTEMBER 12, 2020 A new world of color and contrast RealLaser advances RGB pure laser illumination. Approaching Rec. 2020 with color realism, RealLaser delivers rich, deep and intense color that doesn’t require fi ltering or correction. Bring new worlds of color and contrast to your theatre. Christie CP4315-RGB / CP4320-RGB (Other 2K and 4K models available in range) christiedigital.com/cinema ® Toronto International Film Festival Inc. used under license. ® Christie Digital Systems USA, Inc. I Industry user access P Press user access Press & Industry B Buyer user access * Availability per country on the schedule at TIFF.NET/INDUSTRY Daily Schedule Access TIFF Digital Cinema Pro September 12, 2020 at DIGITALPRO.TIFF.NET NEW TODAY Films are available for 48 hours from start time. 10 AM THE BIG HIT KILL IT AND LEAVE THIS TOWN THE PEOPLE UPSTAIRS SILVER SKATES: EDT 106 min. | TIFF Digital Cinema Pro 88 min. | TIFF Digital Cinema Pro 81 min. | TIFF Digital Cinema Pro MAKING OF & FOOTAGE Private Screening TIFF Industry Selects Private Screening 0 min. | TIFF Digital Cinema Pro I P B P B I B Private Screening B CURVEBALL - A TRUE STORY. THE MACALUSO SISTERS THE REASON UNFORTUNATELY. 94 min. | TIFF Digital Cinema Pro 82 min. | TIFF Digital Cinema Pro THE SPACEWALKER 108 min. | TIFF Digital Cinema Pro Private Screening Private Screening 100 min. | TIFF Digital Cinema Pro Private Screening I B I P B Private Screening B I B MAGIC MOUNTAINS ROCKFIELD: THE STUDIO IN BETWEEN DYING 82 min. | TIFF Digital Cinema Pro ON THE FARM THE UNFAMILIAR 89 min. -
93Rd Annual Academy Awards® Oscar® Nominations Fact Sheet
93RD ANNUAL ACADEMY AWARDS® OSCAR® NOMINATIONS FACT SHEET Best Motion Picture of the Year: The Father (Sony Pictures Classics) - David Parfitt, Jean-Louis Livi and Philippe Carcassonne, producers - This is the second Best Picture nomination for David Parfitt. He won an Oscar for Shakespeare in Love (1998). This is the first nomination for both Jean-Louis Livi and Philippe Carcassonne. Judas and the Black Messiah (Warner Bros.) - Shaka King, Charles D. King and Ryan Coogler, producers - This is the first Best Picture nomination for all three. Mank (Netflix) - Ceán Chaffin, Eric Roth and Douglas Urbanski, producers - This is the third Best Picture nomination for Ceán Chaffin. Her other nominations were for The Curious Case of Benjamin Button (2008) and The Social Network (2010). This is the first Best Picture nomination for Eric Roth. This is the second Best Picture nomination for Douglas Urbanski. His other nomination was for Darkest Hour (2017). Minari (A24) - Christina Oh, producer - This is her first nomination. Nomadland (Searchlight) - Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, producers - This is the first Best Picture nomination for Frances McDormand, Mollye Asher and Chloé Zhao. This is the second Best Picture nomination for Peter Spears. His other nomination was for Call Me by Your Name (2017). This is the second Best Picture nomination for Dan Janvey. His other nomination was for Beasts of the Southern Wild (2012). Promising Young Woman (Focus Features) - Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, producers - This is the first Best Picture nomination for all four. Sound of Metal (Amazon Studios) - Bert Hamelinck and Sacha Ben Harroche, producers - This is the first nomination for both.