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Albums Are Dead - Sell Singles
The Journal of Business, Entrepreneurship & the Law Volume 4 Issue 1 Article 8 11-20-2010 Notice: Albums Are Dead - Sell Singles Brian P. Nestor Follow this and additional works at: https://digitalcommons.pepperdine.edu/jbel Part of the Entertainment, Arts, and Sports Law Commons Recommended Citation Brian P. Nestor, Notice: Albums Are Dead - Sell Singles, 4 J. Bus. Entrepreneurship & L. Iss. 1 (2010) Available at: https://digitalcommons.pepperdine.edu/jbel/vol4/iss1/8 This Article is brought to you for free and open access by the Caruso School of Law at Pepperdine Digital Commons. It has been accepted for inclusion in The Journal of Business, Entrepreneurship & the Law by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. NOTICE: ALBUMS ARE DEAD - SELL SINGLES BRIAN P. NESTOR * I. The Prelude ........................................................................................................ 221 II. Here Lies The Major Record Labels ................................................................ 223 III. The Invasion of The Single ............................................................................. 228 A. The Traditional View of Singles .......................................................... 228 B. Numbers Don’t Lie ............................................................................... 229 C. An Apple A Day: The iTunes Factor ................................................... 230 D. -
AP1 Companies Affiliates
AP1 COMPANIES & AFFILIATES 100% RECORDS BIG MUSIC CONNOISSEUR 130701 LTD INTERNATIONAL COLLECTIONS 3 BEAT LABEL BLAIRHILL MEDIA LTD (FIRST NIGHT RECORDS) MANAGEMENT LTD BLIX STREET RECORDS COOKING VINYL LTD A&G PRODUCTIONS LTD (TOON COOL RECORDS) LTD BLUEPRINT RECORDING CR2 RECORDS ABSOLUTE MARKETING CORP CREATION RECORDS INTERNATIONAL LTD BOROUGH MUSIC LTD CREOLE RECORDS ABSOLUTE MARKETING BRAVOUR LTD CUMBANCHA LTD & DISTRIBUTION LTD BREAKBEAT KAOS CURB RECORDS LTD ACE RECORDS LTD BROWNSWOOD D RECORDS LTD (BEAT GOES PUBLIC, BIG RECORDINGS DE ANGELIS RECORDS BEAT, BLUE HORIZON, BUZZIN FLY RECORDS LTD BLUESVILLE, BOPLICITY, CARLTON VIDEO DEAGOSTINI CHISWICK, CONTEMPARY, DEATH IN VEGAS FANTASY, GALAXY, CEEDEE MAIL T/A GLOBESTYLE, JAZZLAND, ANGEL AIR RECS DECLAN COLGAN KENT, MILESTONE, NEW JAZZ, CENTURY MEDIA MUSIC ORIGINAL BLUES, BLUES (PONEGYRIC, DGM) CLASSICS, PABLO, PRESTIGE, CHAMPION RECORDS DEEPER SUBSTANCE (CHEEKY MUSIC, BADBOY, RIVERSIDE, SOUTHBOUND, RECORDS LTD SPECIALTY, STAX) MADHOUSE ) ADA GLOBAL LTD CHANDOS RECORDS DEFECTED RECORDS LTD ADVENTURE RECORDS LTD (2 FOR 1 BEAR ESSENTIALS, (ITH, FLUENTIAL) AIM LTD T/A INDEPENDENTS BRASS, CHACONNE, DELPHIAN RECORDS LTD DAY RECORDINGS COLLECT, FLYBACK, DELTA LEISURE GROPU PLC AIR MUSIC AND MEDIA HISTORIC, SACD) DEMON MUSIC GROUP AIR RECORDINGS LTD CHANNEL FOUR LTD ALBERT PRODUCTIONS TELEVISON (IMP RECORDS) ALL AROUND THE CHAPTER ONE DEUX-ELLES WORLD PRODUCTIONS RECORDS LTD DHARMA RECORDS LTD LTD CHEMIKAL- DISTINCTIVE RECORDS AMG LTD UNDERGROUND LTD (BETTER THE DEVIL) RECORDS DISKY COMMUNICATIONS -
AUDIO Engineering – November; 1953
it CAN be ATTRACTIVE - see page 30 www.americanradiohistory.com only offers you all this valuable new information e . e and it doesn't cost you a cent! 20 PRIZE -WINNING ARTICLES from Audio's International Sound Recording Contest Here's a wealth of new ideas on how to short time in all of niy years in the busi- use tape and disc recordings to achieve ness." And another judge stated that "the greater economy and efficiency in radio, information and descriptions of recording and Switzerland. The 20 best articles, TV and sound studio operation. operations conducted in small radio sta- which were awarded cash prizes totaling With reference to these articles, one of tions and recording studios throughout 81400, will be published in the pages of the contest judges commented as follows: the country has been quite an education." Audio Record. The information thus made "I have never received so much informa- Contest winners include entries from lI available to the industry will be of real tion which was new and exciting in such a different States, as well as from Canada value to sound recordists everywhere. QUICK FACTS ON MAGNETIC TAPE RECORDERS Each year, Audio Record brings you a published in September, is the most com- complete, up -to -date listing of all makes plete and authoritative compilation of and models of tape recording machines tape recorder information available to the -with conveniently arranged price and industry. Over 75,000 copies of the last performance data. This directory issue, issue were distributed. e e plus many other articles of timely IT'S YOURS FOR THE ASKING interest to the sound recordist Audio Record keeps you well informed on all the latest trends A letter or post card will add your name to the Audio Record and technical developments in all phases of tape and disc mailing list. -
Reeperbahn Festival Conference MAG / SEPT 2017
CONFERENCE 20 – 23 SEPT 2017 MAG Branded PartnershipsBranded Algorithms and on Hackney Camille Licensing and Sync Time for Diversity for Time Equality and Vanessa Reed on Keychange – Photo: Bonaparte © Musik Bewegt / Henning Heide Henning / Bewegt Musik © Bonaparte Photo: Raise Your Voice Voice Raise Your year´s This Conference Focus Music on and Politics mobile apps for your festival proudly presents the official app Available on the App Store and Google Play Meet us in Hamburg in September! Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] _ INDEX EDITORIAL 4 mobile apps for your festival RAISE YOUR VOICE The International Music World Is Turning Up 7 Its Political Volume SHIRLEY MANSON Early Days In Madison 15 DAVE ALLEN proudly presents Streaming and Music Culture 21 LIVE FOR (RE)SALE A Sort of Darknet for Tickets 25 VANESSA REED Closing the Gender Gap 31 TERRY MCBRIDE Understanding the Value of Music and 36 How to Effectively Monetize It UNSIGNED VS SIGNED Do Artists Benefit from Blockchain? 39 CAMILLE HACKNEY On Music, Brands, Data and Storytelling 45 MUSIC IN IRAN A Personal Experience 49 HARTWIG MASUCH 10 Songs that Helped Create the New BMG 55 PROGRAMME REGISTER SESSIONS 59 SHOWCASES 65 the AWARDS 68 official app MEETINGS 68 Available on the App Store and Google Play NETWORKING 69 IMPRINT 76 PARTNERS 78 Meet us in Hamburg in September! Coverphoto: Camille Hackney, speaker at „Sync Faster – Sync Different and board member of ANCHOR 2017. © Grayson Dansic Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] 3 _ EDITORIAL DEAR CONFERENCE ATTENDEES, DEAR FRIENDS, we‘re delighted you have made it back to Hamburg once again this year for what is now the 12th edition of the Reeperbahn Festival. -
The Fan Data Goldmine Sam Hunt’S Second Studio Full-Length, and First in Over Five Years, Southside Sales (Up 21%) in the Tracking Week
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 24, 2021 Page 1 of 30 Leader; Travis Denning Makes History INSIDE The Fan Data Goldmine Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lionBY audienceTATIANA impressions, CIRISANO up 16%). Top Country• Spotify’s Albums Music chart dated April 18. In its first week (ending April 9), it earnedLeaders 46,000 onequivalent the album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingStreaming to Nielsen Giant’s Music/MRC JessieData. Reyez loves to text, especially with fans.and Ustotal- Countryand Airplay Community No. 1 as “Catch” allows (Big you Machine to do that, Label especially Group) ascends Southside‘Audio-First’ marks Future: Hunt’s seconding No.a phone 1 on the number assigned through the celebrity when you’re2-1, not increasing touring,” 13% says to 36.6Reyez million co-manager, impressions. chart andExclusive fourth top 10. It followstext-messaging freshman LP startup Community and shared on her Mauricio Ruiz.Young’s “Using first every of six digital chart outletentries, that “Sleep you canWith- Montevallo, which arrived at thesocial summit media in No accounts,- the singer-songwriter makes to make sureout you’re You,” stillreached engaging No. -
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[BEATS&PIECES] Apparently the Turkish Gpvernment Is Wilh The
old Style Council number sung by none other than and MAVERICi! party which is taking place on [BEATS&PIECES] FrankieLoleatta Knuckles Holloway. and Carrying Club 69 on will the be ail-star providing line-up, the March 9 from 9pm to lam. The venue will be Chris riiixes...DJs Colin Dale and leading Irish jock AvenueBlackwell's and DJs ultra-swish for the whole Marlin night Hôtel will onbe Collinsr wilhApparently the success the of Turkish Turhish-born Gpvernment DJ QUICKSIIVER is Johnny Moy have joined THE EKD's management XL slgnings Basement Jaxx...TUFF JftNI wil thaï it has approached the c Bellisima ti Chahvrincompany. atThe For futureEnd on bookings 0171-419 contact 9199..,lnternet Charlotte back-lo-backbe out in Miami, session They'H with beRIP spinning and the at excellently a spécial writecpntest...Next Turkey's entrymonth for will the si xtthe Eurovisien return of Terrysong dance radio station INTERFACE will be hosting a named Fllthy Rich from New Jersey at Farley & Pete Heller': PIRE ISLAND featuringclub nightmusic at from London's drum Complex& bass to pn garage...AH March 13 SouthUnderground Beach on Frequencies March 8, Gloser night toat home,The Jazid Tuf Club, ' projectThe Top' with pn theMarch release 30. The of track issingle a ( 'ShoutToer of the thosenext month going shouldto the Miamikeep an Winter eye out Music for theConférence joint XI alsonight last atweek The launchedCross, King's a new Cross, monthly Lon Friday rCBHimQ&fri 8 GETTIN' J1GGY W(T IT Will Smith 3 3 1312 TOGETHERYOU I) AGAINJam Radio has played a big part in the week's highest dimber on the Dance Airplay 40, 5 5 123 TREATBAMBOOGtE II Bamboo successia', of which CORNERSHOP's was last week, 'Brimful up "The14 places track tohas number a great, seven. -
IFPI Digital Music Report 2010 Music How, When, Where You Want It Contents
IFPI Digital Music Report 2010 Music how, when, where you want it Contents 3. Introduction 4. Executive Summary: Music – Pathfinder In The Creative Industries’ Revolution 8. The Diversification Of Business Models 10. Digital Music Sales Around The World 12. In Profile: Pioneers Of Digital Music 18. Competing In A Rigged Market – The Problem Of Illegal File-Sharing 20. ‘Climate Change’ For All Creative Industries 24. Graduated Response – A Proportionate, Preventative Solution 28. The World Of Legal Music Services 30. Consumer Education – Lessons Learned Music How, When, Where You Want It – But Not Without Addressing Piracy By John Kennedy, Chairman & Chief Executive, IFPI This is the seventh IFPI Digital Music in new artists, we have to tackle mass legislation to curb illegal file-sharing. Report. If you compare it to the first piracy. Second, we are progressing towards Another clear change is within the music report published in 2004, you can an effective response. The progress is sector itself. It was, until recently, rare see a transformation in a business agonisingly slow for an industry which does for artists to engage in a public debate which has worked with the advance not have a lot of time to play with – but it is about piracy or admit it damages them. of technology, listened to the consumer progress nonetheless. In September 2009, the mood changed. and responded by licensing its music Lily Allen spoke out about the impact of in new formats and channels. On page 20 of the Report, Stephen illegal file-sharing on young artists’ careers. Garrett, head of the production company When she was attacked by an abusive In 2009 globally, for the first time, more Kudos, refers to a “climate change” in online mob, others came to her support. -
(& Frankie Valli & the Four Seasons) Usa Singles
4 SEASONS (& FRANKIE VALLI & THE FOUR SEASONS) USA SINGLES DISCOGRAPHY 1962 to 1982 Special thanks go to the following sources used in compilation of this discography: previous USA and UK Fan Club newsletters, Ray Nichol, Tom Cramlington, Ken Charmer, John Hornsby, Frank Rovello, Charles Alexander, Russ McLelland, Paul Urbahns, George Juba, Mike Miller and Jose Sanchez. Corrected and Revised February, 2016. The discography listed below cites official, regular/stock (shop) copies of 4 Seasons’ USA releases on vinyl with a mention of promo/demo copies where of interest and also any other collectable releases around at that time. The chart positions cited are Billboard (with Cashbox listings in brackets). *Indicates picture sleeved singles and [Release Date]. MV = Music Vendorwhich became Record World (RW) in April, 1964, Chart positions are also given together with Billboard Disco or Adult Contemporary AC or R&B charts where applicable. Interesting related releases, demo/promo/DJ copies are also mentioned together with the odd track(s) on selected albums. Bermuda/Spanish Lace (Billboard reviewed this single on February 3rd , 1962 ) Gone 5122 [12/61] {Multicoloured label – green/yellow/orange/mauve; reached shops after Xmas hence [01/62 ] cited by some authors} Sherry/I’ve cried before Vee-Jay 456 1 (1) MV 1 R&B 1 [07/62] {DJ copy was black & white label with oval VJ logo as were all VJ DJ 4 Seasons releases from VJ 456 to VJ 576; all stock/regular pressings had the black rainbow label with oval VJ logo from VJ 456 to VJ 597} Big girls don’t -
Record of the Week
ISSUE 754 / 16 NOVEMBER 2017 TOP 5 MUST-READ ARTICLES record of the week } CISAC reports global Sober Mary J Blige. Produced royalty collections for by Maths Time Joy, the songwriters, music Mahalia track has received some composers and Asylum/Atlantic Records serious love online from publishers grew by Sober: out now / Album: Spring 2018 The Fader, Dummy and 6.8% to €8bn in 2016. Complex, including a recent (RotD) Sober from 19-year-old session video for the Berlin- singer-songwriter Mahalia is based Colors studio that has } Steve Stoute launches an exquisite R&B gem that clocked up over 1.9 million in three months last night (15 Mixmag, her music is quickly UnitedMasters, with showcases why she is a views on YouTube. Her music November) at the Hoxton becoming synonymous with backing from Alphabet. rising star and one to watch has so far amassed over eight Square Bar and Kitchen, the trials of everyday life for (Medium) for in 2018. With its chilled million combined streams Mahalia will be supporting today’s youth. And if, like boom-bap beat offering and garnered support from Jorja Smith on her UK tour us, you adore clever and } Viagogo and Stubhub a gorgeous soundbed for 1Xtra, Radio 1, The Guardian, in February next year before expressive songwriting with have their offices Mahalia’s smooth vocals, the NME and a position within headlining Omeara in London a luscious vibe and sublime raided. (Guardian) track effortlessly glides along i-D’s prestigious Class of on 14 March. Recently hailed vocals, then Mahalia is one in a hazy vibe reminiscent 2018 list. -
And Blockchains in the Music Industry
WATERMARKING TECHNOLOGY and Blockchains in the Music Industry BY BILL ROSENBLATT BLOCKCHAIN TECHNOLOGY IS BEING PROPOSED AS A TOOL FOR SOLVING MUSIC INDUSTRY PROBLEMS RELATED TO LICENSING AND ROYALTY TRACKING. IN THIS WHITE PAPER, WE DISCUSS HOW AUDIO WATERMARKING HELPS THESE BLOCKCHAIN-BASED SOLUTIONS REACH THEIR FULL POTENTIAL BY MAKING THEM MORE SECURE, ACCURATE AND RELIABLE. OPEN DIGIMARC SCAN IMAGE DISCOVER® (digimarc.com/app) WATERMARKING TECHNOLOGY AND BLOCKCHAINS IN THE MUSIC INDUSTRY Table of Contents Introduction and Executive Summary .......................................................3 Music Copyrights and Identifiers ................................................................4 Background on Music Rights and Royalties .....................................4 Music Identifiers .......................................................................................8 Binding Identifiers to Digital Music .............................................................11 Blockchains and Music ...................................................................................15 Watermarking and Blockchains ...................................................................17 Conclusion .........................................................................................................21 About Digimarc .........................................................................................22 About the Author ......................................................................................22 About GiantSteps Media Technology -
The Discogs Guide to Record Collecting the Discogs Guide to Record Collecting
THE DISCOGS GUIDE TO RECORD COLLECTING THE DISCOGS GUIDE TO RECORD COLLECTING WHERE DO I START? Starting a vinyl collection might seem daunting. After all, the market has become increasingly complex over the last decade, thanks to the vinyl resurgence. With plenty of labels ready to capitalize on the different needs of the collectors, now it’s easy to find the same album edited on 180 grams vinyl, different color variations, original issues and reissues… the list of variations is endless! There is a lot to decide while starting your collection, and it’s perfectly fine to feel doubtful. We’ve all been there. With this guide, our aim is to make it easy for you to understand the what, the where, the why, and the how of vinyl collecting. And luckily for us, we’re not alone in this task. We have consulted with different experts on the field both inside and outside our platform. Buckle up and get ready to walk the zen path of record collecting with us! 2 THE DISCOGS GUIDE TO RECORD COLLECTING THE VINYL DICTIONARY There are countless terms you need to know when buying, selling, and collecting records. The following list isn’t comprehensive, but it will give you a big head start both as a collector and a Discogs user. Size: Records come in different sizes. These sizes and formats serve different purposes, and they often need to be played at different speeds. The use of adapters for some of them is also mandatory. LP: The LP (from “long playing” or “long play”) is the most common vinyl record format. -
Influencersnfluencers
Professionals MA 30 The of the year IInfluencersnfluencers december 2015 1. GEOFFREY JOHN DAVIES on the cover Founder and CEO The Violin Channel 2. LEILA GETZ 4 Founder and Artistic Director 3 Vancouver Recital Society 1 5 3. JORDAN PEIMER Executive Director ArtPower!, University of CA, San Diego 2 4. MICHAEL HEASTON 10 11 Director of the Domingo-Cafritz Young 6 7 9 Artist Program & Adviser to the Artistic Director Washington National Opera Associate Artistic Director Glimmerglass Festival 15 8 5. AMIT PELED 16 Cellist and Professor Peabody Conservatory 12 6. YEHUDA GILAD 17 Music Director, The Colburn Orchestra The Colburn School 13 Professor of Clarinet 23 Colburn and USC Thornton School of Music 14 7. ROCÍO MOLINA 20 Flamenco Dance Artist 22 24 8. FRANCISCO J. NÚÑEZ 19 21 Founder and Artistic Director 18 Young People’s Chorus of New York City 26 25 9. JON LIMBACHER Managing Director and President St. Paul Chamber Orchestra 28 10. CHERYL MENDELSON Chief Operating Officer 27 Harris Theater for Music and Dance, Chicago 30 11. MEI-ANN CHEN 29 Music Director Chicago Sinfonietta and 18. UTH ELT Memphis Symphony Orchestra R F Founder and President 24. AFA SADYKHLY DWORKIN San Francisco Performances President and Artistic Director 12. DAVID KATZ Sphinx Organization Founder and Chief Judge 19. HARLOTTE EE The American Prize C L President and Founder 25. DR. TIM LAUTZENHEISER Primo Artists Vice President of Education 13. JONATHAN HERMAN Conn-Selmer Executive Director 20. OIS EITZES National Guild for Community Arts Education L R Director of Arts and Cultural Programming 26. JANET COWPERTHWAITE WABE-FM, Atlanta Managing Director 14.