Clwb Golff St. Deiniol Golf Club

Total Page:16

File Type:pdf, Size:1020Kb

Clwb Golff St. Deiniol Golf Club Clwb Golff St. Deiniol Golf Club PEN-Y-BRYN . BANGOR . GWYNEDD . LL57 1PX Llyfr Digwyddiadau / Fixture Book 2019 Ffôn/Tel: 01248 353098 Ebost/Email: [email protected] We/Web: www.bangorgolf.co.uk Insure locally for qu ality cover at an amazing price! We offer Insurance solutions for: Home and Contents Car, Travel and Pets Sports Clubs – Golf, Rugby and Cricket Public and Employers Liability Office And much more! Visit us: Unit 1, Panton House, Panton Hall, Denbigh, Clwyd, LL16 3TL Call us on: 01745 816 443 Email [email protected] Go online: www.gwinsurance.co.uk Threeways www.threewaysgarage.co.uk Main Dealers Fiat 500X 01745 825847 Threeways Garage Limited (JCT 24 A55) Faenol Avenue – Abergele – Conwy – LL22 7HT [email protected] photos used for illustration purposes only Eryl Môr Hotel is in Bangor, North Wales and its unrivaled position offers stunning views of Bangor Pier and the Menai Strait, Anglesey, the Great Orme and surrounding mountains. “Eryl Môr” means outlook or guarding place of the sea, and all our rooms are en-suite and well equipped. ERYL MÔR HOTEL, 2 UPPER GARTH ROAD, BANGOR, GWYNEDD, LL57 2SR TEL: 01248 353789 EMAIL: [email protected] WWW.ERYLMORHOTEL.COM FAX: 01248 354042 2019-2020 Clwb Golff St. Deiniol Golf Club Ffôn/Telephone: 01248 353098 Ebost/Email: [email protected] Website/Wefan: www.bangorgolf.co.uk Capten/Captain: Capten y Merched / Mr John Davies Ladies Captain: Dr Martina Lahmann THE GOLF SHOP - ST.DEINIOL GOLF CLUB (Glyn Hughes) For all you golfing needs all at competitive prices. Tel: 01248 353098 1 Carter Vincent Ad.qxp_Layout 1 11/07/2016 14:48 Page 1 COMPETITION RULES 1. Members’ names will NOT be included in the draw unless he/she has paid his/her subscription 2. Players’ names must be entered on the Competition sheet and entrance fee(s) paid before play 3. Entrance fee for the following competitions must be paid prior to the draw being made: Blackmore, Branton Tasker, Chairman’s Cup, Long Handicap, mid handicap and Denzil Jones competitions 4. Monthly Medals to be played in threes, fours may be allowed where the speed of play is not affected, twos will be allowed if a third is not available. 5. Unless otherwise stated playing all other competitions will be in threes, but play will be allowed in twos should a third not be available or not turn up. 6. In the event of a tie the winner will be declared on the following basis, back 9, back 6, back 3, front 9, front 6, front 3. In the unlikely event that there is still a tie half handicap will be used for countback. 7. All objections must be in writing and handed to the Games Secretary on the day of play, unless otherwise directed. 8. Members who fail to tee off at the allotted time will be disqualified, or, incur penalties as provided by the Rules of Golf. 9. A member who has entered a Competition, and is unable to attend, is kindly requested to inform a member of the Games Committee/shop proprietor, Hon Secretary or club stewardess giving the reason(s) for withdrawing. If a verbal notification is not received then a written letter of explanation or e-mail will be required, and sent to the Games Committee before close of relevant competition. Failure to notify will result in the member being excluded from the following week-end Club Competitions. Legal solutions locally 10. Handicap qualifiers: Any member failing to place their cards into the Competition box at the end of play, will be suspended from the following week-ends competitions, in any other club competition a three-strike rule shall be applied. Let us help you with your transactions or legal problems 11. Once entry fee is paid NO refunds will be given unless the competition is cancelled by order of the Games Committee. Property, Family, Wills and Inheritance, Civil Litigation & Employment, Court of Protection & Crime ETIQUETTE NO player should play until the players in front are out of range. Atebion cyfreithiol yn lleol Players searching for lost balls should signal the players behind to play through when it becomes apparent that the ball in question is difficult to find. Whilst 5 minutes is allowed to search for a ball Gadewch i ni eich helpu hefo eich materion cyfreithiol this should not be used as a precursor to course etiquette. When play of a hole has been completed, players should leave the green immediately. Marking of Eiddo, Teulu, Ewyllysiau ac Etifeddiaeth, Cyfreitha sifil a Chyflogaeth, scorecards must be made whilst waiting on the Tee, and NOT on or in proximity of the green just Llys Gwarchodaeth & Trosedd played. If a match fails to keep its place on the course and loses more than one hole on the match in front, then as a matter of ETIQUETTE they should call the match following, and allow them to play Bangor: 01248 362993 through. Failure could involve the implementation of Rule 6 – 7 of the Rules of Golf. Penmaenmawr: 01492 622377 Llanfairfechan: 01248 680527 GIVING WAY Whilst juniors have right of way on the course during official Junior Competitions www.cartervincent.co.uk and/or league matches during their allocated and/or booked tee time, it is very important that the Etiquette rule be observed at all times. Regulated by the Solicitors Regulation Authority SRA No. 566521 Rheoleiddir gan Awdurdod Rheoleiddio Cyfreithwyr Rhif 566521 PLEASE REPLACE DIVOTS AND REPAIR PITCH MARKS. Carter Vincent LLP: Registered at Companies House / Cofrestrwyd yn Nhy’r Cwmniau: OC367337 2 3 St Deiniol G C Fixtures 2019 Men Black, Seniors Green, Ladies Red. April 2018 BATTERY TECHNOLOGIES Wed 3rd Seniors v Northop (H) Sat 6th Captain’s Drive In (12.00) (St) Sun 7th Norman Brookes End of Season Meeting Wed 10th Seniors Eclectic (1) Sun 14th Lady Captain's Drive In (10.00am) Sat 20th WGU Qualifier (St) Sun 21st Gwobr Pasg (M) Tues 23rd Ladies C & A Champs (P'dog) Wed 24th Seniors v Betws y coed (H) Ladies C & A Champs (P'dog) Sat 27th Lowe Cup Qualifier (M18) Sun 28th Ind Stableford Ladies v Caernarfon 11.00am Mon 29th WNC Ladies Silver & Bronze Championship (Conwy) MAY Wed 1st Seniors Emrys Edwards Cup Thu 2nd Ladies Centenary Cup Sat 4th Peter Griffiths Qualifier (BB18) Ladies Centenary Cup Sun 5th Sunday Eclectic 1 (M) Wed 8th Seniors v Pwllheli (H) Thu 9th Ladies Mrs Sam Salver (1) Sat 11th Emlyn Davies Qualifier (M18) Ladies Mrs Sam Salver (1) Sun 12th Ind Stableford (St) Mon 13th Seniors Eclectic (2) Wed 15th Ladies Rhyl Cup (Holywell) Thu 16th Seniors v Baron Hill (Away) Ladies Mrs Sam Salver (2) Sat 18th Saturday Eclectic 1 (M) Ladies Mrs Sam Salver (2) Sun 19th Individual Stableford C&D GU match 9.30am & 1.30pm (St. Deiniol) Ladies v Henllys Hall 11.30am Tue 21st WNC Vets Spring Meeting(C'fon) Wed 22nd Seniors v Rhos on sea Sat 25th Past Captain's sponsored comp Sun 26th Bayliss cup (provisional) Wed 29th Seniors Presidents Cup Fri 31st Ladies Medal & Bowls Area final (Prestatyn) 4 5 JUNE JULY Sat 1st Glyn’s Spectacular TBA Tue 2nd Seniors v Abersoch (Away) Ladies-Llanfairfechan Open Thu 4th Ladies Medal Cup Sun 2nd Sunday Eclectic 2 (M) Sat 6th Sat Eclectic 3 (M) Wed 5th Seniors v Abersoch (H) Ladies Medal Cup Thu 6th Ladies Hafan Menai (St) Sun 7th Wright's Prize (St) Sat 8th Saturday Eclectic 2 (M) C&D GU Caernarfonshire & District Cup 36 hole Scratch (Conwy) Ladies Hafan Menai (St) Mon 8th WG-Australian Spoons North Region (Abergele) Sun 9th Team of 3 (St) Tues 9th Seniors v Rhos on sea (Away) Ladies v Llangollen (H) 11.30am Wed 10th WG-Ladies Caernarfonshire Cup (P'dog) Mon 10th Ladies Eryri Past Captains (P'dog) Sat 13th Captain's Day (St) Wed 12th Seniors v Pwllheli (A) Sun 14th Sunday Eclectic 3 (M) Thu 13th Ladies Moelwyn Cup Lady Captain's Day Fri 14th Ladies v Clays (Away 1.00pm) Wed 17th Seniors v Nefyn (H) Sat 15th Bill Jones Henry (M18) Ladies v Llangollen (A) (1pm) Ladies Moelwyn Cup (alt) Thu 18th Ladies Coronation Cup Sun 16th Bass Shield (St.) Sat 20th Centenary Cup (M Gross) Mon 17th Seniors Eclectic (3) Ladies Coronation Cup Wed 19th Seniors Championship (St) Sun 21st Glyn Griffiths Cup (Foursomes) Sat 22nd Presidents Day (tba) Ladies v C'fon (Away 1pm) Sun 23rd Crad Hughes Memorial (GM) Mon 22nd Seniors Eclectic (4) Mon 24th Ladies WNC Vets Lady Capts Day (Holyhead) Thu 25th Seniors v Rhosneigr (Away) Wed 26th Seniors Breeze Evans Cup (St) Ladies Palferman Cup Thu 27th Ladies Bogey cup (alt) Sat 27th Glyn's Spectacular (Tba) Sat 29th St Deiniol Open Ladies Palferman Cup Ladies Bogey cup (B) Sun 28th Individual Stableford Sun 30th Wartski Cup (M) Wed 31st Seniors v Bull Bay (H) Ladies v Clays (H) 11.00am 6 7 Threeways www.threewaysgarage.co.uk Main Dealers 01745 825847 Threeways Garage Limited (JCT 24 A55) Faenol Avenue – Abergele – Conwy – LL22 7HT [email protected] photos used for illustration purposes only 8 9 AUGUST OCTOBER Sat 3rd Alan Jackson Salver (To4) Wed 2nd Seniors Eclectic (6) Sun 4th Ind Stab Sat 5th John McCann Trophy (St) C&D GU Caernarfonshire Cup 18 hole Scratch & Hcp event (Maesdu) Sun 6th Sunday Eclectic 6 (M) Mon 5th Ladies Hcp Team Event (Conwy) Mon 7th C&A Ladies Autumn Mtng (Holyhead) Tue 6th Ladies Medals & Bowls Final (Builth Wells) Tue 8th C&A Ladies Autumn Mtng (Holyhead) Wed 7th Seniors Eclectic (5) Sat 12th Saturday Eclectic 6 (M) Sat 10th Captain's Charity Day (BB) Sun 13th Team of 3 Sun 11th Sunday Eclectic 4 (M) Wed 14th Seniors Hardy Cup (St) Thu 15th Ladies monthly medal (alt) Sat 17th Club Championships Day 1 (M) Ladies monthly medal Sun 18th Ind Stab & Club Champs Day 2 Mon 19th Ladies C&A County Greensomes (St.
Recommended publications
  • Llyfrgell Genedlaethol Cymru = the National Library of Wales Cymorth
    Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Winifred Coombe Tennant Papers, (GB 0210 WINCOOANT) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 05, 2017 Printed: May 05, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH Description follows ANW guidelines based on ISAD(G) 2nd ed.; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/winifred-coombe-tennant-papers-2 archives.library .wales/index.php/winifred-coombe-tennant-papers-2 Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Winifred Coombe Tennant Papers, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement .................................................................................................................................. 5 Nodiadau | Notes ............................................................................................................................................
    [Show full text]
  • Reports and Financial Statements 2013-14 Layout 1
    2013/14 Reports and Financial Statements for the year ended 31 March 2014 Charity number 1034245 General Activites Account Contents Annual Report: • Trustees’ Annual Report 03 o Annual Governance Statement 06 • Environmental report 43 • Remuneration report 47 • Statement of Council’s and the Accounting Officer’s responsibilities 49 The Certificate and Report of the Auditor General for Wales to the Arts Council of Wales 50 Financial statements: • Statement of financial activities 52 • Balance sheet 53 • Cash flow statement 54 • Notes forming part of the financial statements 55 Annex to the Annual Report (not forming part of the financial statements): • Grants 80 Arts Council of Wales is committed to making information available in large print, Braille, audio and British Sign Language and will endeavour to provide information in languages other than Welsh or English on request. Arts Council of Wales operates an equal opportunities policy. Front Cover: Theresa Nguyen, Gold Medal for Craft and Design at Y Lle Celf, National Eisteddfod of Wales 2013 (image: Dewi Glyn Jones) BIANCO, NoFit State (image: Richard Davenport) Annual Report for the year ended 31 March 2014 Trustees’ Annual Report Reference and administrative details Trustees Council Members who served since 1 April 2013 were: Attendance at meetings during 2013/14 Audit Capital Remuneration Council Committee Committee Committee1 Number of meetings held: 6550 Professor Dai Smith, (c) 6 Committee Chair Chairman n/a Dr Kate Woodward, (d) 3 Vice-chairman Emma Evans (a) 5 Committee Chair
    [Show full text]
  • Charity Arts Auction Josef Herman Foundation
    Charity Arts Auction Josef Herman Foundation Exhibition Auction Day 18th Nov - 6th Dec Sun 8th Dec The Welfare Hall Glynn Vivian Art Ystradgynlais Gallery Swansea Special evening viewing on Viewing from 11.30am Friday 22nd Nov at 7pm Auction starts at 1.30pm Auctioneer: Arfon Haines Davies Listings Josef Herman Foundation Lot 1: John Abell. “Adam & Eve” Lot 2: John Abell. “Cardiff Girls” Lot 5: Joan Baker. “Mouth of the Lot 6: Joan Baker. “Waterfall Cave” Temple Bay” A/P Limited edition lithographic print A/P Limited edition lithographic print of 20 on handmade paper. of 20 on handmade paper. Oil on canvas. Framed. Oil on canvas. Framed. 71.5 x 54 cms unframed. 74 x 54 cms unframed. (50.5 x 61 cms unframed). (54 x 45.5 cms unframed). Estimate: £250 - £350 Estimate: £250 - £350 Estimate: £200 Estimate: £200 Lot 3: Jacqueline Alkema. “Woman Lot 4: Jacqueline Alkema. “In the Lot 7: Joan Baker. “Caerphilly Lot 8: Joan Baker. “Witches Point” with Birds” night series II” Mountain” Oil on canvas. Framed. Oil on paper. 42 x 53 cms framed. Oil on paper. 45.5 x 53 cms framed. Oil on canvas. Framed. (61 x 76 cms unframed). (31 x 21 unframed). (29 x 20 unframed). (61 x 76 cms unframed). Estimate: £350 Estimate: £395 – £450 Estimate: £395 – £450 Estimate: £350 1 2 Listings Josef Herman Foundation Lot 9: Joan Baker. “Sun after Rain – Lot 10: Iwan Bala. “Ystad Bardd/ Lot 13: Seren Bell. “Welsh Mountain Lot 14: Gwenllian Beynon. “Llestri Merthyr Mawr” The Poet's Estate” Ewe & Lamb” Mam” Framed.
    [Show full text]
  • Politics of Engagement Or Engagement with Politics?
    1 POLITICS OF ENGAGEMENT OR ENGAGEMENT WITH POLITICS? I am not sure whether it is life in these times or my time of life that makes me pose questions in this essay, rather than give answers. Do contemporary artist’s engage with politics in any meaningful way in Wales or anywhere else? Or does the practice of art in itself become a form of political engagement? In different historical periods, artists have been engaged or disengaged with politics, but in many ways, the often un-deliberate act of making art is a political and social statement in itself, in Wales even more so. Until recently, it made little economic sense to be an artist based in Wales. To live and work here is therefore a political decision which has ramifications; specific cultural, economic and political factors influence the artist’s work. We clearly see an engagement with social conditions in art from the 1930’s onwards, in the work of Evan Walters for example, see his magnificent red breasted “The Communist” of 1932 orating to a crowd. Post war, art in Wales could be praised for it’s avoidance of the international trends that were infiltrating into the British Isles, and for the emergence of a particular Welsh painting that became known as “Welsh Environmentalism”.i On the other hand the missionary zeal of the 56 Group must be aplauded for bringing a vigorous Modernism to Wales. It is post-Modern that Wales’s artists really ‘engage’ directly with politics. Artist’s like Paul Peter Piech, whose poster prints dealt with social politics, and Ogwyn Davies, who’s art consistently raises the issues of Welsh nationalismii, or the implied socialist message in the work of Jack Crabtree are examples.
    [Show full text]
  • Bangor University DOCTOR of PHILOSOPHY Image and Reality In
    Bangor University DOCTOR OF PHILOSOPHY Image and Reality in Medieval Weaponry and Warfare: Wales c.1100 – c.1450 Colcough, Samantha Award date: 2015 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 BANGOR UNIVERSITY SCHOOL OF HISTORY, WELSH HISTORY AND ARCHAEOLOGY Note: Some of the images in this digital version of the thesis have been removed due to Copyright restrictions Image and Reality in Medieval Weaponry and Warfare: Wales c.1100 – c.1450 Samantha Jane Colclough Note: Some of the images in this digital version of the thesis have been removed due to Copyright restrictions [i] Summary The established image of the art of war in medieval Wales is based on the analysis of historical documents, the majority of which have been written by foreign hands, most notably those associated with the English court.
    [Show full text]
  • Kyffin Williams and Welsh Art
    Gareth Lloyd Roderick Kyffin Williams Online at the National Library of Wales: presenting and interpreting art in a digital context. 0 1 Mandatory Layout of Declaration/Statements Word Count of thesis: 82,423 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed ....................................................... (candidate) Date .......................................................... STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where *correction services have been used, the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed ..................................................................... (candidate) Date ........................................................................ [*this refers to the extent to which the text has been corrected by others] STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ..................................................................... (candidate) Date ........................................................................ 2 Acknowledgements I would like to thank my supervisors, Professor Robert Meyrick and Professor Lorna Hughes for their help, guidance
    [Show full text]
  • 1948 Amgueddfa 00-02
    Amgueddfa Yearbook of the National Museums & Galleries of Wales, 2000 - 2002 First published in 2002 by National Museums & Galleries of Wales, Cathays Park, Cardiff, CF10 3NP, Wales. © National Museum of Wales ISBN 0 7200 0530 2 Production: Mari Gordon Design: Andrew Griffiths Printed by MWL Print Group Copyright of all images is NMGW unless stated otherwise. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electrical, mechanical or otherwise, without first seeking the written permission of the copyright owner(s) and of the publisher. Front cover: Flight exhibition (see page 56) Back cover: Let Paul Robeson Sing! exhibition (see page 52) Amgueddfa Yearbook of the National Museums & Galleries of Wales, 2000 - 2002 Editors: Teresa Darbyshire & Sioned Williams AMGUEDDFEYDD AC ORIELAU CENEDLAETHOL CYMRU NATIONAL MUSEUMS & GALLERIES OF WALES 2 Contents 3 Introduction by Anna Southall 4 List of NMGW Sites Collections & Acquisitions 5 Introduction 6 The British Bryological Society Herbarium (BBSUK) has a permanent home at NMGW 8 Dragons, Zebras and doorstops: NMGW's collection of Welsh computers 10 Beyond yesterday’s scalpel: donation of items from the former Miners’ Rehabilitation Centre at Talygarn House 12 Women in their own words 13 Aluminum Palaces 15 The Welsh Slate Museum clock 16 Distinguished service: Campaign and Gallantry Medals 18 Saving the Jackson Collection of silver 20 The Gilbey Gold Collection Research 21 Introduction 22 Rodrigues International
    [Show full text]
  • What's the Welsh for "Performance"? [30 Years of Action Art in Wales] Heike Roms
    Document generated on 09/30/2021 7:04 a.m. Inter Art actuel What's the Welsh for "performance"? [30 years of action art in Wales] Heike Roms Number 88, Fall 2004 URI: https://id.erudit.org/iderudit/45845ac See table of contents Publisher(s) Les Éditions Intervention ISSN 0825-8708 (print) 1923-2764 (digital) Explore this journal Cite this article Roms, H. (2004). What's the Welsh for "performance"? [30 years of action art in Wales]. Inter, (88), 22–25. Tous droits réservés © Les Éditions Intervention, 2004 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ What's the Welsh for "performance' [30 years of action art in Wales] Heike ROMS The history of performance art in Wales has yet to be written. Over a period of In ways more than one, Paul DAVIES' and Mario MERZ' appearance at the Na­ more than thirty years artists have been creating performance, action or time- tional Eisteddfod in Wrexham in 1977 can be regarded as a seminal event for based art in this country, yet their work remains largely confined to oral history, contemporary Welsh art. Critic Shelagh HOURAHANE has called DAVIES' action, to half-remembered anecdotes, rumours and hearsay.
    [Show full text]
  • Cardiff Guide
    Welcome to Cardiff – the Capital of Wales Cardiff is a unique capital that offers the full range of infrastructure expected of any modern capital while at the same time boasting an enviable quality of life. Cardiff’s residents believe the city is one of Europe’s best places to live (ranked as Europe's third best capital city to live) and work and it has been described as the ‘epitome of cool’ by the renowned Lonely Planet travel guide. Visitors and residents alike enjoy a varied social and cultural life as well as easy access to outstanding countryside and coastline. For a capital city, Cardiff is compact and manageable. Getting around is quick and easy and you can access all the facilities expected of any modern capital without the stresses and strains of life in an over-populated concrete jungle. Living and working in Cardiff makes a healthy work-life balance both achievable and enjoyable. Cardiff is a university city boasting four outstanding local institutions; Cardiff University; the University of South Wales; Cardiff Metropolitan University; the Royal Welsh College of Music & Drama (RWCMD) - with nine ‘Centres of Excellence’. Together the universities boast 50,000 undergraduate students and over 16,000 postgraduate students. Cardiff is defined by its diversity and multiculturalism and has an ethnically diverse population due to its past trading connections, post-war immigration and the large numbers of foreign students who attend university in the city. Cardiff is home to world-class venues and international events; the 75,000 capacity Millennium Stadium is recognised across the world and the Wales Millennium Centre has established a worldwide reputation as an iconic arts and cultural destination.
    [Show full text]
  • Working Paper Series Paper 38
    Working Paper Series Paper 38 Art, Wales, Discourse and Devolution William Housley June, 2003 ISBN 1 872330 89 4 1 ABSTRACT This paper reports on a study carried out on art and devolution in Wales. It explores practitioners' understandings of visual art in Wales and the notion of Welsh art as national parameters that are both recognised and contested. The paper analyses examples of artistic narrative as a means of describing the character of these understandings and the various discourses utilised by artists in negotiating the relationship between the creative self and wider social, cultural and national boundaries. The paper argues that recent developments in Wales and the attempts to construct a national visual story overlook the sociological reality of contestation and alternate understandings circulating within the art scene in Wales. However, it also acknowledges that homogenised fictions are inevitable features of national social/cultural forms that have been marginalised. To this extent the paper explores the narrative of the creative self in relation to wider discourses of nation in terms of a case study that has resonance with the study of culture, marginalised collective experience and national renewal and re-invigoration and cultural modernization in Wales, the UK and beyond. Key Words: Art, Wales, Narrative, Culture, Identity, Devolution, Voice 2 Wales is a small country that is recognised as a distinct constituent nation of the United Kingdom. It is characterised by a number of differences that include the existence of the Welsh language, unique national institutions (e.g. the Welsh Language Television Channel[s] S4C, the University of Wales, National Museum and Gallery and specific national cultural events).
    [Show full text]
  • National Contemporary Art Gallery Wales: Preliminary Feasibility Study
    National Contemporary Art Gallery Wales Preliminary Feasibility Study & Options Appraisal July 2018 Client: Museums, Archives and Libraries Division (MALD), Welsh Government Event Authors: Lucie Branczik and Becky Schutt Revision no: 02 Date: July 2018 Event Communications Ltd India House 45 Curlew Street London SE1 2ND +44 (0) 20 7378 9900 [email protected] www.eventcomm.com © Event Communications Ltd 2018 The right of Event Communications Ltd to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patent Act 1988. Front cover: Laura Ford, Cardiff Contemporary Festival Source: Laura Ford Contents Executive Summary 7 Appendices 1. Introduction 17 Appendix 1: Consultation List 138 2. Findings and Opportunities 23 Appendix 2: Site Visits 140 Contemporary Art in Wales 25 Appendix 3: Bibliography 142 Supply: Visual and Applied Arts Ecology 30 Appendix 4: List of Figures 144 Demand: Audiences 51 Appendix 5: The Market 147 Key Contexts 61 Appendix 6: Longlist Options 155 Sector Ambition 86 Appendix 7: Vision and Mission Examples 227 3. Purpose and Vision 91 4. The Options 97 5. Recommendations 103 6. Details of the Model 119 7. Recommended Next Steps 131 “In Britain, whenever people come across something new and exciting, but challenging, there is a tendency for them to run for cover, to want what they know and are comfortable with. To design a great new building takes courage on everyone’s part. I think we have a lot more explaining to do.” Zaha Hadid, 1995 Jonathan Glancey, “A monumental spot of local trouble” (The Independent, Jan 1995) 5 Kelly Best, Installation View.
    [Show full text]
  • YCBA Graduate Student Symposium (New Haven, 5 Apr 14)
    YCBA Graduate Student Symposium (New Haven, 5 Apr 14) New Haven, Connecticut, Apr 05, 2014 Deadline: Jan 22, 2014 Lars Kokkonen, New Haven, CT Call for Papers Wales/Iâl/Yale - Graduate Student Symposium Saturday, April 5, 2014 Yale Center for British Art, New Haven, Connecticut This one-day graduate student symposium considers the visual arts in Wales. For centuries, Wales has been an integral and yet distinct part of the United Kingdom. Its history, language, and landscape have inspired artists of all kinds–from painters, sculptors, and architects to musicians, dancers, and poets. Yale University itself has deep and enduring ties to the country. Founded in 1701 as the Collegiate School, it was renamed Yale College in 1718 after Elihu Yale (1649–1721), the original benefactor who was of Welsh ancestry. Indeed, the surname Yale comes from the Welsh place name Iâl. Eli- hu Yale himself is buried in his ancestral home in the churchyard of St. Giles Church, Wrexham, while Wrexham Tower at Yale University’s Saybrook College is modeled after St. Giles’s tower and incorporates an inscribed stone sent to the university as a gift from the church. The symposium coincides with two exhibitions opening at the Yale Center for British Art in spring 2014 that feature Welsh artists and depictions of Wales: Richard Wilson and the Transformation of European Landscape Painting (March 6–June 1, 2014) is the first major exhibition devoted to the Penegoes-born artist in thirty years and explores Wilson’s work in its broader European con- texts, focusing on his transformative experience in Rome, where he spent nearly seven years in the 1750s; and, Art in Focus: Wales (April 4–August 10, 2014), the Center’s eighth annual Student Guide exhibition, presents depictions of Welsh landscape in the Center’s collections and their sig- nificance to the history of landscape in British art.
    [Show full text]