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Devil May Care by Sebastian Faulks , Rodrigo Corral (Designer) , Mark

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Devil May Care by Sebastian Faulks , Rodrigo Corral (Designer) , Mark Read and Download Ebook Devil May Care... Devil May Care Sebastian Faulks , Rodrigo Corral (Designer) , Mark Stutzman (Illustrator) PDF File: Devil May Care... 1 Read and Download Ebook Devil May Care... Devil May Care Sebastian Faulks , Rodrigo Corral (Designer) , Mark Stutzman (Illustrator) Devil May Care Sebastian Faulks , Rodrigo Corral (Designer) , Mark Stutzman (Illustrator) Bond is back. With a vengeance. "Devil May Care" is a masterful continuation of the James Bond legacy-an electrifying new chapter in the life of the most iconic spy of literature and film, written to celebrate the centenary of Ian Fleming's birth on May 28, 1908. An Algerian drug runner is savagely executed in the desolate outskirts of Paris. This seemingly isolated event leads to the recall of Agent 007 from his sabbatical in Rome and his return to the world of intrigue and danger where he is most at home. The head of MI6, M, assigns him to shadow the mysterious Dr. Julius Gorner, a power-crazed pharmaceutical magnate, whose wealth is exceeded only by his greed. Gorner has lately taken a disquieting interest in opiate derivatives, both legal and illegal, and this urgently bears looking into. Bond finds a willing accomplice in the shape of a glamorous Parisian named Scarlett Papava. He will need her help in a life-and-death struggle with his most dangerous adversary yet, as a chain of events threaten to lead to global catastrophe. A British airliner goes missing over Iraq. The thunder of a coming war echoes in the Middle East. And a tide of lethal narcotics threatens to engulf a Great Britain in the throes of the social upheavals of the late sixties. Picking up where Fleming left off, Sebastian Faulks takes Bond back to the height of the Cold War in a story of almost unbearable pace and tension. "Devil May Care" not only captures the very essence of Fleming's original novels but also shows Bond facing dangers with a powerful relevance to our own times. Devil May Care Details Date : Published June 5th 2008 by Doubleday Books (first published 2008) ISBN : 9780385524285 Author : Sebastian Faulks , Rodrigo Corral (Designer) , Mark Stutzman (Illustrator) Format : Hardcover 278 pages Genre : Fiction, Thriller, Spy Thriller, Espionage Download Devil May Care ...pdf Read Online Devil May Care ...pdf Download and Read Free Online Devil May Care Sebastian Faulks , Rodrigo Corral (Designer) , Mark Stutzman (Illustrator) PDF File: Devil May Care... 2 Read and Download Ebook Devil May Care... From Reader Review Devil May Care for online ebook Alice says Penguin's selection of Sebastian Faulks, author of Birdsong and Charlotte Gray, to write a sequel to Ian Fleming's James Bond novels for the centenary of their creator's birth was perhaps an unusual one, but made the project much more interesting than if it had been given to some modern-day equivalent of the chain- smoking old hack. Devil May Care is set soon after The Man With The Golden Gun. In this, Fleming's last Bond novel, our hero returns brainwashed from Russia with instructions to kill M and, once foiled, bounces straight back on the trail of eccentric yet sinister villains. Faulks gives Bond a little time out to recover from his amnesia and subsequent Soviet indoctrination, not to mention the death of his new bride way back in On Her Majesty's Secret Service, and the start of the novel finds him bored and restless in France as the end of his enforced convalescence approaches. A beautiful woman with the unlikely name of Scarlett Papava appears on the scene and begs Bond to liberate her twin sister Poppy from the shadowy Dr. Julius Gorner (who shares his first name and qualification with that other doctor, No - homage or slip?). Handily, he is then summoned by M to investigate Gorner's part in the international narcotics trade. The mission takes him to Persia and follows the time-honoured path of snooping around, capture, torture, villain's plan revealed and explosive climax, with a few dinners and changes of clothes along the way. He meets old friends Mathis, head of the Deuxième Bureau, and ex-CIA pal Felix Leiter, as well as new characters like the charismatic Darius Alizadeh (our man in Persia) and the comic yet trusty taxi driver with his 'bootbrush moustache'. One Fleming set piece is the contest between Bond and the villain in which the latter's nasty nature is revealed, as exemplified by the golf game with Auric Goldfinger; in Devil May Care it's tennis, and thrillingly handled. The clothing and equipment necessary for the match is also described in all the loving, elitist detail you would expect. The villain himself is a worthy successor to Drax, Blofeld and the rest: nursing a deformity and a grudge against Britain, and accompanied by a sadistic henchman. The choice of subject matter is also a tribute to Fleming, who came up with the storyline for trippy anti-drug film Poppies Are Also Flowers. From his 21st-century vantage point, Faulks extends Bond's world, yoinking him firmly out of postwar austerity and into the Swinging '60s. He is of course practised in writing historical fiction and does it well, although some of the detail he picks out might not have been selected by an author writing at the time. He has obviously pored over the Bond canon, but he reveals a little too much of his research, referring too often and too specifically to past missions. Take a tip from J. K. Rowling: know your characters' backgrounds and histories but don't wave them in your readers' faces. And why, being otherwise faithful and accurate, does he write 'SMERSH' when it's an abbreviation, not an acronym? Sometimes Faulks's prose reads like pure Fleming; at others it jumps out of the groove. I loved the line about Bond's Paris hotel being 'a typical Moneypenny booking', but moments later he's casually mentioning Moneypenny's name to a total stranger. PDF File: Devil May Care... 3 Read and Download Ebook Devil May Care... Part of the problem, I think, is the impossibility of ignoring the film Bond and his slightly different habits. Scenes between 007, M and Moneypenny in particular seem written for the screen more than the page; permissive '60s notwithstanding, I can't see Fleming's Bond getting away with threatening to spank his boss's secretary. Then there are moments when Faulks simply tries too hard to write like Fleming, and the writing is so excessively perfect as to be off-putting and unlikeable - like Goldfinger's golfing tweeds or the Windsor knot in Red Grant's tie. Sebastian Faulks does not pull off his predecessor's style half as well as Kingsley Amis does in Colonel Sun (under the pseudonym of 'Robert Markham). But the task he faced was far harder: moving Bond forward in time while setting his work in the past; undoing four decades of Bond's screen evolution without completely losing sight of the changes made; explaining the Cold War and Vietnam to a new generation without being too expository, and making us care about these wars long over and this leftover spy. Grace Tjan says First, I have a confession to make: I’ve never read anything by Ian Fleming, or anything by Sebastian Faulks, for that matter. All I know about “the name is Bond, James Bond” I learned from the movies, specifically the ones starring Messrs. Dalton, Brosnan and Craig --- and a couple of half-remembered early 80’s Moore films. It’s not that I’m a particularly ardent fan, but somehow, over the years, I have managed to see more than a half dozen of them (having action-starved boys/men in the house certainly helped). I have no idea whether Faulks’ Bond is faithful to Fleming’s or whether this book is a typical Faulks oeuvre. That said, this Bond is a different beast from his cinematic counterpart: a. he is not a cruel, hairy-chested chauvinist/ womanizer (1); b. he is not a middle-aged man in safari suit who gasps and wheezes while chasing the bad guy up the hill (2); c. he is not a ridiculously good-looking man who looks dashing in a tuxedo and drives an invisible car (3); and d. he is not a thuggish Blondie who thinks nothing of parading around the beach in a mankini(4). The villain, as they are wont to do in any Bond movie worth its multimillion-dollar budget, has a flashy underground lair crammed with every world-destroying apparatuses illicit money could buy. And yes, HE WANTS TO DESTROY THE WESTERN WORLD --- by flooding it with cheap narcotics and turn its young people into dope addicts. But he’s also history literate enough to point out to Bond that the British Empire that he serves had been the first and “greatest drug cartel the world has ever seen” way back in the 19th century when it flooded China with Indian opium. An ironic statement that apparently is not wholly lost on Faulks’ Bond. Set at the height of the Cold War in the 60’s, Faulks’ book is a brisk, action-filled spy thriller that feels modern but still manages to include all the requisite elements in the Bond formula: exotic locales (Paris, Iran, Afghanistan, the USSR), scantily-clad women (though thankfully, there are no galore of --- ahem --- Pussys in this one), car chases, shootouts, crashing planes, and even a scene involving lots of naked girls that must delight the 13-year old inside every man (It’s set in pre-Islamic Revolution Iran and Bond’s libertine Persian host dubs it a preview of heaven.
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