Merrimack College Merrimack ScholarWorks Honors Senior Capstone Projects Honors Program Spring 2019 The Concept Album Continuum Paige C. Sorensen Merrimack College,
[email protected] Follow this and additional works at: https://scholarworks.merrimack.edu/honors_capstones Part of the Musicology Commons Recommended Citation Sorensen, Paige C., "The Concept Album Continuum" (2019). Honors Senior Capstone Projects. 43. https://scholarworks.merrimack.edu/honors_capstones/43 This Capstone - Open Access is brought to you for free and open access by the Honors Program at Merrimack ScholarWorks. It has been accepted for inclusion in Honors Senior Capstone Projects by an authorized administrator of Merrimack ScholarWorks. For more information, please contact
[email protected]. The Concept Album Continuum Paige C. Sorensen FAA4960 Dr. Laura Moore Pruett 22 December 2018 1 Table of Contents Page I. Introduction 3 II. Historical Background 7 • Concept Album Precursors 7 • The Modern Concept Album 13 III. Concept Album Significance 16 IV. Musical Analysis 21 V. Conclusions 30 VI. References 32 2 I. Introduction Arguably one of the more elusive topics in music, concept albums continue to defy traditional categorization. As opposed to traditional musical genres and theories that have been in practice for hundreds, if not thousands, of years, the concept album is a relatively new innovation in the sphere of musicology. In generalized terms, the concept album may be considered an alternate version of a ‘traditional’ musical album in which there is an overarching narrative or musical structure that connects each track to the greater whole. The flexibility with which concept albums are approached by artists, as well as the broadness in presentation tactics, establishes the concept album as an ambiguous matter that is difficult to classify in an objective manner.