Kenya and Britain Diplomatic Relations, 1963 to 2017
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Mau Mau Crucible of War: Statehood, National Identity and Politics in Postcolonial Kenya
Graduate Theses, Dissertations, and Problem Reports 2014 Mau Mau crucible of war: Statehood, national identity and politics in postcolonial Kenya Nicholas Kariuki Githuku Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Githuku, Nicholas Kariuki, "Mau Mau crucible of war: Statehood, national identity and politics in postcolonial Kenya" (2014). Graduate Theses, Dissertations, and Problem Reports. 5677. https://researchrepository.wvu.edu/etd/5677 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. MAU MAU CRUCIBLE OF WAR: STATEHOOD, NATIONAL IDENTITY AND POLITICS IN POSTCOLONIAL KENYA by Nicholas Kariuki Githuku Dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Approved by Dr. Robert Maxon, Committee Chairperson Dr. Joseph Hodge Dr. Robert Blobaum Dr. Jeremia Njeru Dr. Tamba M’bayo Department of History Morgantown, West Virginia 2014 Keywords: war, statehood, stateness, security, mentalité, national identity, psychosociological anxieties Copyright 2014 Nicholas Kariuki Githuku Abstract The postcolonial African state has been the subject of extensive study and scrutiny by various scholars of great repute such as Colin Legum, Crawford Young, Robert H. -
TJRC Report Volume 2B (Pre-Interference)
Seattle University School of Law Seattle University School of Law Digital Commons The Truth, Justice and Reconciliation I. Core TJRC Related Documents Commission of Kenya 5-3-2013 Final Report - TJRC Report Volume 2B (Pre-Interference) Truth, Justice, and Reconciliation Commission Follow this and additional works at: https://digitalcommons.law.seattleu.edu/tjrc-core Recommended Citation Truth, Justice, and Reconciliation Commission, "Final Report - TJRC Report Volume 2B (Pre-Interference)" (2013). I. Core TJRC Related Documents. 153. https://digitalcommons.law.seattleu.edu/tjrc-core/153 This Report is brought to you for free and open access by the The Truth, Justice and Reconciliation Commission of Kenya at Seattle University School of Law Digital Commons. It has been accepted for inclusion in I. Core TJRC Related Documents by an authorized administrator of Seattle University School of Law Digital Commons. For more information, please contact [email protected]. REPORT OF THE TRUTH, JUSTICE AND RECONCILIATION COMMISSION KENYA Volume IIB REPORT OF THE TRUTH, JUSTICE AND RECONCILIATION COMMISSION Volume IIB Volume IIB © Truth, Justice and Reconciliation Commission, 2013 This publication is available as a pdf on the website of the Truth, Justice and Reconciliation Commission (and upon its dissolution, on the website of its successor in law). It may be copied and distributed, in its entirety, as long as it is attributed to the Truth, Justice and Reconciliation Commission and used for noncommercial educational or public policy purposes. Photographs may not be used separately from the publication. Published by Truth Justice and Reconciliation Commission (TJRC), Kenya ISBN: 978-9966-1730-3-4 Design & Layout by Noel Creative Media Limited, Nairobi, Kenya D REPORT OF THE TRUTH, JUSTICE AND RECONCILIATION COMMISSION His Excellency President of the Republic of Kenya Nairobi 3 May 2013 LETTER OF TRANSMITTAL By Gazette Notice No. -
British Policy Towards Kenya, 1960-1980
Durham E-Theses `Kenya is no doubt a special case':British policy towards Kenya, 1960-1980 CULLEN, CATRIONA,POPPY How to cite: CULLEN, CATRIONA,POPPY (2015) `Kenya is no doubt a special case':British policy towards Kenya, 1960-1980, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11180/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ‘Kenya is no doubt a special case’: British policy towards Kenya, 1960-1980 Poppy Cullen Thesis submitted for the degree of Doctor of Philosophy Department of History Durham University 2015 Abstract ‘Kenya is no doubt a special case’: British policy towards Kenya, 1960-1980 Poppy Cullen This thesis examines the ways British policy towards Kenya was made from 1960 to 1980 – from the last years of British colonial rule and through the first two decades of Kenya’s existence as an independent state. -
Cinematographic Techniques of Hilary Ngweno's The
CINEMATOGRAPHIC TECHNIQUES OF HILARY NGWENO’S THE MAKING OF A NATION FRANCIS MWANGI IRUNGU (BA) M66/21875/2012 A Thesis Submitted in Partial Fulfillment of the Requirements for the Award of the Degree of Master of Arts in the School of Creative Arts, Film and Media Studies of Kenyatta University MARCH, 2016 ii DECLARATION This thesis is my original work and has not been presented for a degree in any other University or any other award. Signature:………………………………………. Date:…………………………….. Francis Mwangi Irungu (M66/21875/2012) Department of Film and Theatre Arts SUPERVISORS This thesis has been submitted with our approval as the university supervisors Signature:…………………………………………. Date:……………………… Dr. John Mugubi Department of Film and Theatre Arts Signature:…………………………………………. Date:……………………… Dr. Rachael Diang’a Department of Film and Theatre Arts iii DEDICATION To my now aged parents, Mzee Irungu and Mama Helenah, who took me to school as a 7 years old little boy nearly 4½ decades ago and taught me that the ―roots‖ of education are bitter but the ―fruits‖ of the same are sweet. In all this long academic journey, they have been praying for me while at the same time cheering me on to achieve more academic success. Bravo!! Ni ngatho!! To my dear wife, Naomi, who with a lot of understanding had to steer family matters alone as I undertook the rigorous work involved in this study. Kidole!! To all my other relatives and friends, I may not mention each one of you by name but I sincerely do not take your prayers and encouragement for granted. Your patience and understanding gave me a renewed energy which made me work even harder to accomplish this assignment. -
Land Justice in Mau Narok
LAND JUSTICE AND HISTORY IN MAU NAROK This paper was presented to the Maasai community at the Season’s Hotel in Narok, Kenya, in August, 2008 The violence that shook Kenya following the presidential election in December 2007, offered more evidence that Kenya’s present is ensnared in its past, especially in conflict over who owns the right to ancestral lands. History suggests that the conflicts between ethnic communities involved in the violence have resulted from colonial and neo-colonial land policies that have afforded some more dominant Kenyan communities access to the ancestral lands of others without reciprocity. Though the roots of land conflict first took to soil under colonialism, Independence has seen a continuation of the same approach to ancestral land established under the British, leading commentators such as Elija Sempeta, lawyer and land rights activist, to claim shortly before his untimely death, that “independence [is] a myth.”1 Nowhere does this claim have more potential validity than in Sempeta’s home of Maasailand. This paper investigates the loss of one particular piece of Maasai ancestral homeland in order to add to our understanding of the roots of larger land conflicts in Kenya and other post- colonial states. The land under study is a place called Mau Narok, widely understood to encompass “some of the best agricultural land in Kenya,”2. Mau Narok is a 30,000 acre headwater that forms the shape of a boot dipping down into northern Maasailand from Nakuru district and grazing the southern Mau Forest, one of Kenya’s main watersheds. The Maasai community organized resistance to the colonial and post-colonial appropriation of this land since 1913.