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FIAT-Sting + Shaggy
Contact: Diane Morgan Alyse Nagode Fiat 124 Spider Abarth Takes Starring Role Alongside Sting & Shaggy in “Gotta Get Back My Baby” Music Video November 9, 2018, Auburn Hills, Mich. - The Fiat 124 Spider Abarth takes a starring role alongside Sting & Shaggy in the official music video for their new track “Gotta Get Back My Baby,” the latest single, co-produced by Teflon (Wyclef Jean, Fat Joe, Ruff Ryders) and Martin Kierszenbaum (Sting, Mylène Farmer, Lady Gaga), off their album "44/876," which has spent 17 weeks atop the Billboard Reggae chart. The official YouTube music video, which amassed over 2.3 million views in just a few days, was filmed in the vein of ‘80s and ‘90s buddy cop television series and movies, including “Miami Vice” and “Bad Boys,” and was directed by Michael Garcia. The video pairs Sting and Shaggy as two Miami detectives who convince their captain that they’re “going to need the Spider,” meaning his prized Fiat 124 Spider Abarth, as part of their South Beach stakeout for “the most dangerous woman in the country.” What could go wrong?! The FIAT brand is also supporting the video globally across its digital and social channels, including in the U.S on Instagram,Twitter, Facebook and YouTube. “We continue to strive for the unexpected in our marketing efforts across all FCA brands and, certainly here, the FIAT brand’s fun-spirited personality gives us the opportunity to be just a little bit more adventurous and playful in our approach with our music partners," said Olivier Francois, Chief Marketing Officer and Head of the FIAT Brand, FCA. -
Smash Hits Volume 34
\ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5. -
The Strategic Management of Police Resources
U.S. Department of Justice Office of Justice Programs National Institute of Justice January 1993 No. 14 A Publication of the National Institute of Justice, U.S. Department of Justice, and the Program in Criminal Justice Policy and Management, John F. Kennedy School of Government, Harvard University The Strategic Management of Police Resources by David M. Kennedy Many American police departments feel themselves to be 1 slowly drowning in a rising tide of serious crime and calls for Community policing represents a new future for American law service. Over the last decade, department workloads have risen enforcement, changing the way our Nation's police respond to steadily while their resources have stayed constant or often the communities they serve. This report, one in a series entitled I declined.' Police executives generally have responded by striv- Perspectives on Policing, is based on discussions held in the ing to enhance the efficiency of police operations and focus Executive Session on Policing sponsored by NU at the John F. police resources on only the more serious calls. Computer-aided Kennedy School of Government at Harvard University. I dispatching and other information systems have been employed The Executive Session on Policing has been developed as part to make the most of the patrol force, and many departments no of the Kennedy School's Program in Criminal Justice Policy and longer respond at all to nuisance calls or provide services like Management and is funded by the National Institute of Justice (b, i escorts and house checks that the public once took for granted. and private sources that include the Charles Stewart Mott and Nonetheless, police in many cities find themselves more and Guggenheim Foundations. -
University Microfilms International 300 N
THE CRITICISM OF ROBERT FRANK'S "THE AMERICANS" Item Type text; Thesis-Reproduction (electronic) Authors Alexander, Stuart Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 11:13:03 Link to Item http://hdl.handle.net/10150/277059 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. -
Reggatta De Blanc (White Reggae)
“Reggatta de Blanc (White Reggae) & the Commercial Rock Industry: Intersections of Race, Culture, and Appropriation in Bob Marley and The Police (1977-1983)” Colin Carey Music University of Wisconsin-Eau Claire Introduction Ethical Concerns Origins of Reggae This project was designed to approach a discussion about cultural and The appropriation of culturally sensitive music and expression is a musical appropriation in popular music. The connection between reggae and common, but often overlooked issue in popular music. It is important to mainstream rock was perhaps no more evident or lucrative than within the understand that Western cultures inherently possess a privilege that can musical career trajectory of the wildly popular new wave group, the Police be used to take advantage of other societies—especially those (1977–1983), comprised of lead singer/songwriter Sting (Gordon Sumner), comprising the so-called “third world.” The Police owe their substantial guitarist Andy Summers, drummer Stewart Copeland, and a promotional success to this imbalance, directly adapting the distinctive music cadre of behind-the-scenes agents and businessmen. Their particular practices of a foreign culture for their own musical purposes and industrial rock model enjoyed startlingly quick, widespread renown and recordings to create a sound that was unlike most popular rock groups success—within only a couple of years of their formation, the Police had of their time. This appropriation is further troubling in that it stripped the become the leading rock group of their time and would go on to influence the Jamaican source material of its definitive social and political direction of the music marketplace itself, including countless other acts such significance, gaining success instead through an appeal entirely as the then up-and-coming Irish group, U2. -
Classic Rock/ Metal/ Blues
CLASSIC ROCK/ METAL/ BLUES Caught Up In You- .38 Special Girls Got Rhythm- AC/DC You Shook Me All Night Long- AC/DC Angel- Aerosmith Rag Doll- Aerosmith Walk This Way- Aerosmith What It Takes- Aerosmith Blue Sky- The Allman Brothers Band Melissa- The Allman Brothers Band Midnight Rider- The Allman Brothers Band One Way Out- The Allman Brothers Band Ramblin’ Man- The Allman Brothers Band Seven Turns- The Allman Brothers Band Soulshine- The Allman Brothers Band House Of The Rising Sun- The Animals Takin’ Care Of Business- Bachman-Turner Overdive You Ain’t Seen Nothing Yet- Bachman-Turner Overdrive Feel Like Makin’ Love- Bad Company Shooting Star- Bad Company Up On Cripple Creek- The Band The Weight- The Band All My Loving- The Beatles All You Need Is Love- The Beatles Blackbird- The Beatles Eight Days A Week- The Beatles A Hard Day’s Night- The Beatles Hello, Goodbye- The Beatles Here Comes The Sun- The Beatles Hey Jude- The Beatles In My Life- The Beatles I Will- Beatles Let It Be- The Beatles Norwegian Wood (This Bird Has Flown)- The Beatles Ob-La-Di, Ob-La-Da- The Beatles Oh! Darling- The Beatles Rocky Raccoon- The Beatles She Loves You- The Beatles Something- The Beatles CLASSIC ROCK/ METAL/ BLUES Ticket To Ride- The Beatles Tomorrow Never Knows- The Beatles We Can Work It Out- The Beatles When I’m Sixty-Four- The Beatles While My Guitar Gently Weeps- The Beatles With A Little Help From My Friends- The Beatles You’ve Got To Hide Your Love Away- The Beatles Johnny B. -
Artist Review: Revisiting Sting-An Under-Recognized Existentialist Song Writer1
International Journal of Multidisciplinary Research and Growth Evaluation www.allmultidisciplinaryjournal.com International Journal of Multidisciplinary Research and Growth Evaluation ISSN: 2582-7138 Received: 01-05-2021; Accepted: 18-05-2021 www.allmultidisciplinaryjournal.com Volume 2; Issue 3; May-June 2021; Page No. 550-561 Artist review: Revisiting sting-an under-recognized Existentialist song writer1 Li Jia International College, Krirk University, Thanon Ram Intra, Khwaeng Anusawari, Khet Bang Khen, Krung Thep, Maha Nakhon10220, Thailand Corresponding Author: Li Jia Abstract Artistic expressions such as songs and poetry are examples of a solo artist but also helped him in communicating his free activities and are privileged modes of revealing what the thoughts and ideals to the world. His music, words and life world is about. Art’s power, in the case of existentialism, is are inextricably linked and this can be seen in many of Sting to a large extent devoted to expressing the absurdity of the ’s confessional songs that have connections to events in his human condition since for the existentialists, the world in no personal life. Existential characteristics have affected Sting longer open to the human desire of meaning and order. Sting both as a person and a musician. This paper calls for more is included in this pool of gifted artist and his talent in making researches on his music legacy that the world owned him for songs has not only paved the way for his successful career as a long time. Keywords: Sting, Existentialist, Song Writer Introduction Artistic expressions such as songs and poetry are examples of free activities and are privileged modes of revealing what the world is about. -
Sting: My Songs the Las Vegas Residency Coming to the Colosseum at Caesars Palace
April 24, 2019 Sting: My Songs The Las Vegas Residency Coming To The Colosseum At Caesars Palace Tickets Go on Sale Friday, May 3, 2019 Shows Begin Friday, May 22, 2020 LAS VEGAS, April 24, 2019 /PRNewswire/ -- The Cherrytree Music Company, Live Nation and Caesars Entertainment announce that 17-time GRAMMY Award winning musician Sting will headline a Las Vegas residency, "My Songs," set to open at The Colosseum at Caesars Palace Friday, May 22, 2020. The show will present a compendium of Sting's songs with dynamic, visual references to some of his most iconic videos and inspirations. Tickets will go on sale to the public Friday, May 3 at 10 a.m. PT. Sting.com fan club members will have first access to a presale beginning Thursday, April 25 at 10 a.m. PT through Thursday, May 2 at 10 p.m. PT. (For more information, please visit https://www.sting.com/subscribe.) Citi is the official presale credit card of Sting's "My Songs" residency at The Colosseum at Caesars Palace. As such, Citi cardmembers will have access to purchase presale tickets beginning Monday, April 29 at 10 a.m. PT until Thursday, May 2 at 10 p.m. PT through Citi EntertainmentSM. For complete presale details visit www.citientertainment.com. In addition, Caesars Rewards members, Caesars Entertainment's loyalty program, as well as Live Nation, Ticketmaster and SiriusXM customers will have access to a presale running Wednesday, May 1 at 10 a.m. PT through Thursday, May 2 at 10 p.m. PT. General ticket prices begin at $59, and a limited number of VIP meet & greet packages are also available for each show. -
BILL BRANDT Thames & Hudson
ART+PHOTOGRAPHY SPRING 2013 Shadow & Light BILL BRANDT Thames & Hudson www.state-media.com BOOK SPRING 2013 | 1 THE BEST OF BRANDT FROM THAMES & HUDSON NORMAN CORNISH A SHOT AGAINST TIME The storryy of Norman Cornish’s prodigious career as an arrttist who converrtted his experience as a miner into compelling imagerryy has become justly famous. Born in 1919, in Spennymoorr,, Co Durham, Norman Cornish was apprenticed at the age of 14 at the Dean and Chapter Collierryy (also known as the Butcher’s Shop), and spent the next 33 years working in various pits in the Norrtth East of England. Without diminishing the harsh Bill Brandt realities of life and work during those years, his paintings create a sense Shadow and Light of time and place by depicting the lyrical qualities of his surroundings in Sarah Hermanson Meister which time is defeated. Foreword by Glenn D. Lowry ‘Fantastic … well-written Long before the Angel of the Norrtth, Cornish’s work was loved and and interesting’ admired as a symbol of the Norrtth East. For all that the mines have closed, Amateur Photographer his work continues to be an enduring testament to a community whose ISBN 978 0 500 544242 £34.95 spirit surrvvives triumphantly. Brandt Nudes A New Perspective Preface by Lawrence Durrell Foreword by Mara-Helen Wood Commentaries by Mark Haworth-Booth Essays by William Feaververr,, William Varleyy,, Michael Chaplin and Dr Gail-Nina Anderson 140 of Bill Brandt’s classic and dramatic nudes, brought together Paperback, 160pp with 134 full colour illustrations in one beautiful -
The History of Photography: the Research Library of the Mack Lee
THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography. -
Download the Archives Here
23.12.12 Merry Christmas Here comes the time for a family gathering. Hope your christmas tree will have ton of intersting presents for you. 22.12.12 Sting to perform in Jodhpur in march Sting is sheduled to perform in march (8, 9 or 10) for Jodhpur One World Retreat. It will be a private show for head injury victims. Only 250 couples will attend the party, with 30,000$ to 60,000$ donations. More information on jodhpuroneworld.org. 22.12.12 The last ship I made some updates to the "what we know about the play" on the forum. Please, check them to know all the informations about "The Last Ship", that could be released in 2013-2014. 16.12.12 Back to bass tour : the end The Back to bass tour has ended yesterday (well, that's what some fans hope) in Jakarta. You'll find all the tour history on the forum, and all informations about the "25 years" best of, that pointed the start of this world tour on this special page. What will follow ? We know that Sting's musical "The last ship" could be released in 2013/2014. We also know that he will perform in France and Marocco this summer. 10.12.12 Back to Bass last dates reports Follow the recent reports from the past shows from Back to Bass tour in Eastern Europe and Asia. Sting and his band met warm audiences (yesterday one in Manilla seems to have been the best from the tour according to Peter and Dominic's tweets and according to various Youtube crazy videos) You'll find pictures and videos on the forum. -
Examinations of Projected Freedom: Photography and the Spaces of the American West” by Andrew Gansky
“Examinations of Projected Freedom: Photography and the Spaces of the American West” by Andrew Gansky Submission for: Thompson Award for Western American Writing ABSTRACT Despite relatively recent trends in the history of the American West, which have increasingly cast the region as a land of dwindling resources, overpopulation, and ecological deterioration, it retains a great degree of its mythological connotations as a landscape of hope and opportunities for much of mainstream America. This analysis is largely concerned with two contradictory, normative European-American conceptions of the West, and their intersections with the photographic medium. These two primary mythologies of the West historically and artistically construe the American landscape as both transcendental wilderness and industrial economic resource. Although these constructs are somewhat paradoxical, they are not mutually exclusive. Both concepts derive from an overarching interpretation of western space that equates the perceived openness and expansiveness of the western landscape with physical mobility, social fluidity, and democratic freedom. Within this mythological and ideological context, this thesis considers landscape photography’s role in the twentieth-century West, and its conversations with the formal conventions and archetypal subject matter established by such early landscape photographers as Timothy O’Sullivan, Carleton Watkins, and William Henry Jackson. As the twentieth century progressed to its middle years, many forests, mountain ranges, and prairies had been decimated to extract lumber, oil, and mineral resources, while automobiles and the economic facts of the middle class had given rise to a vast tourism industry. Photography was slow to adapt to these realities. Ansel Adams in particular continued to depict a vacant, wondrous West throughout the 1950s and ’60s.