The Oxford Democrat W—Balph Ara Aa SECTIONS OP the COUNTY

Total Page:16

File Type:pdf, Size:1020Kb

The Oxford Democrat W—Balph Ara Aa SECTIONS OP the COUNTY ". '·-· τ, "^*ψ 'Γ-·'··**:-·Α· ·«a «* ri] 3 The Democrat. 88. VOLUME SOUTH PARIS, MAINE, TUESDAY, SEPTEMBER 27, 1921. NUMBER 39. I PAKK à Milk Pasteurization. SOUTH PARIS NORWAY. fjfiiUCS AMONG THE FABMERS. 4 Attorners at Law, People In Oxford County, wLo farnlal The Qreat Event of the Year MAIN Β CUT :: milk (or (be Portland market, may bi BitSIL, OParfc Intereated In the from thi Morton T. Garland of Bnokfleld «u the wbo left tbla Herri'·it· «1ΙΤ7 "SPUD THE FLOW." following Among jonog people ». FLOWERS Pre·· In to In lown week to attend aobool In the varions Ic- ιίΆΛ Portland regard paateurlza Thursday. PARK. tlon. stitutiona were Charles Franois Cam· Roland Frenob of tu In town JMSTD. 9unepal \®opk a "The of I CROWDS ATTEND THE OXFORD COUNTY PAIR Klngflold Leslie Olbaon· a The Oarden. question properly safeguard se?eral lut week. mlnga, (for post-grad- 4 Auctioneer, §peeialtg Backyard Portland la day· uate end Glenn R. Mclntlre fur licensed Tie log the milk supply of agali courte), MAIN*. true, good firmer friend·, we're had to hoc AS THESE MANY YEARS. «η1 an' diacuaaed and In this connection li FOR LO! Mr. and Mrs. D. F. Bowker of Port- Bowdoln Mlaa Margaret Elaen- iOCTH PARIS. spade, «cratch, being College; Wreaths and But now we're eattn' titer· from our own gai may be Interealing to learn that Roche» land were in town Wed Dead ay. winter, Brown University; Mlaa Laures- Modem»· Pillows, All Set Pieces den r««i patch, ter, Ν. T., where a keen Intereat l« taker teln Foster, Laaaelle Seminary; Mlaa An' bean·, that look ao splendid, a cllmbln' uj ( on the and Other AI»o Prof. W. 8. the musical di- in health Is now the About Five Hundred Cattle Qrounde, Department· Wight, Snale L. Bradbury, Naaaon STEVENS, the pole, public subjects, just or Institute; MADE TO ORDER 1 rector of Bethel, wae in town a day DU MAROI'ERITE Not only feast the palate—feast the eye, an center of a heated dlapute over milk pas- Well FHIed.--But One Accident of Consequence. Stephen J. Cammlnga, Dean Academ* ; feaat the soul. two last week. F. Kent'a Bill Sem ç OSTEOPATH. An' teurization. Clayton Parington, 5 m. that's standing up, ·ο grace 4 Ρ m··t0 Tbar$d»y p. corn^ proudly "A oompulaory milk pasteurization or- Henry W. Stuart of Portland flatted nary; and Mlaa Uldlne N. Bennett, itJaod»? Bualneaa Makln"gatn»t the olè grey fence, a frieze thai dinance has juat been preaented in that Ια of all a county Μ η. H. P. Andrew*, Norway, bad a relative· in town last week and attended Gray's College. Me. "boat· 'em all." spite temptations tbe Block. Norway, oity by a committee of the oounoil. It la the while not □ne exhibit of ohina. There the oounty fair. The teacher·' meeting of Flrat soyts w E. P. Florist.- An' georgeoua red tomatoe·—Where thin) fair offer·, skies smiling hand-painted TiL-phoee 70. d'ye some oitizena In addi- Universal let S and Sobool waa held CROCKETT, they «et their dye? being oppoaed by refused to shed tears on Tues- waa a dlaplay of water color· by ay broadly large C. S. MoArdle of Ν. Υ , -an be aiade by telephone. 8cheneotady, Perhaps the west wind brings It from the erlm tion to the small milk dealers. The milk when tbe Oxford John D Cole, Norway, alio one picture wltb Mra. I. W. Walfce Friday evening. ^.pjntauau son sunset day County Agricul- a citizen of Sooth If sky. dealers to the ordinance because There wete oil· long Paris, spend- M re. Annie Seaaiona baa been eleoted Greenhouse, Porter South Paris Who rays the beets an' dont make « objeot tural Sooiety opened its seventy-ninth by Freedy Bradbury. by a vacation here. Street, cabbage of them to If ing from Mt. Bebekab fine display, the expense It will put they exhibition. The Volstead aot has been Mrs. H. P. Andrew*, alto one by MIm delegate Hope Lodge & Son, An' the are to to beld In Portland Longley carrot's airy fairy plumes that In th< foroed to pasteurize their prodnot. in full force in Oxford for tbe Mattle Richard·. There were crayon· Mr. and Mrs. Everett Bessey of Rum- tbe aaaembly be TsL 111-3 breeze· County fï away; "Among those who have joined In the Mr·. Llda an oil ford were of reUtivea in town next month. Nor In can flower thai past two months or more, and every- by Pletoher, painting by guests Norway, My Lady'a garden any Is director of Tbe ladlea served Innobea blows forum Dr. John R. Murlin, thing is dry and perhaps will remain so Mr·. A. E. Tboma·. There were origi- during the past week. following Outvie the chalice that on vine the of vital economics of the nal varloua kinds' Rotb for tbe Universaiist oburcb at tbe fair: golden my squash department for an indefinite any rate on deaigna of by and Newton of Sooth grows. merit period,—at Mr. Mr·. Stanley were University of Roohester, who sees were it Gore Miller. There were several On Tneaday the ladlea Mra. Lizxie Heating, Ο, I could discourse longer—yea, countless Tuesday morning tbe indications apeci Portland visited relatives here last week Plumbing, in the that the would make mena of work lira. Helen Sam peon, Miaa Delia Mra. Jeaaie hours bcgullo— prospect plan would not let go its severity for a day or orayon by and attended the fair. Noyee, Work. of a cen- and Mra. Sheet Metal On backyard garden riches—for nothing more for tbe pasteurizing all milk at two at least. Thomas Pratt. There were quite a num- Whitman, Mra. Izab Sanborn A SPECIALTY. worth while tral depot of distribution. a ber of Ruth Church- Mr. and Mrs. Π. A. Morton and Kath- Maud Wednesday, Mra. Ines CEILINGS Can M other Nature ahow ua in her wondrous Tbe society's grounds had been busy pencil drawings by DeCoater; jTIil "The real from the of leen Richardson have moat of the Β Mra. Lotta Mra. Alice picture-book. fight, viewpoint place for several days before the open- ill, June Smith, Alice Dyer, Plora Whit- apent Billa, Aabton, An' the best of It taste as consumera a hand in tbe affair, all also work week at their at Pond. Mclntlre, Mra. Abbie Heatb, Mra. Honor Dr. A. Leon Sikkenga, part la, they good's taking ing. Those who bad midway concessions man, young people; fanoy camp Sbagg they look. concerne the whether Mrs. Etta s: question pasteuri- to in on and by Marlon Ames, Mnaa Taylor, Lora Downing, Lebroke; Thnraday, PHYSICIAN, So sow, good farmer friends, let us figure on began pour Friday Saturday Robert L. Whittle of Portland visited OSTEOPATHIC this zation destroys milk properties Impor- Orace Rand, Bernioe Tburlow, Mra. 0. Hill, Mra. Hllia, Mra. Annie plan, before the fair and one, at least—tbe Porter, his parents, Mr. and Mrs. M. L. Whittle, That "we'll eat what we can, an' what we can't tant aa to nutrition and health. Oppo- K'izabeth and Bertha Bowker. Beck, Mra. DeCoater, Mra. Sanborn, MAINE merry-go-round—bad been there nearly Cooper for a few days last week through the If the children see and never we'll can." nents of the process assert that the vita· There waa a of the Mra. Alice Danfortb, Mra. Sampaon and JOBWAY. you always spending Mabt Maxim. if not quite a week. Must of the mid- large dlaplay fruit, fair. Tel Residence 324-3. which reoeive so muob attentloo exhibitora H. E. Oli- Mlaa Nnvea. mines, way shows travel by auto truck, and being EHiogwood, can blame them if the idea that life from are killed as a was Mra. Edward E. Mra. Alioe R Office 224-2. saving, you they get The Talbot Farm. nowadays dietarlans, they used tbe concrete road for traveling ver Buok, E. O. Prencb, Β F. Richarde, Earl Oleason In West Sumner sev- Witt, result of milk to such tem- H. eral the week on ao- Danfortb and Mra. Izab T. Sanborn have is one carnival of ? Down below the Harrlman and the bringing high about as soon as it was opened. Many W. G. Conant, E. G. Parnbam, F. day·» during past grand gleeful indulgence perature. But opinion is still di- J. W. G. I. C. count of down of the sled fac- been oboaen delegatea from the Uni- Cumminga (arms on Pore Street is the expert of tbe exhibitors of oattle at tbe various Crookett, Cobb, Conant, shutting vided on ibat If all consumers R. W. 8. P. L. veraaiiat chuich to the atate convention Talbot farm. Like the two farm· men- point. fairs traveled tbe same way, and even King, J. Colby, Wyman, tory. Now take them the hand and let them see could afford to certified milk—that A. A. W. H. John Mo- t) be held in Watervllle this week. by you tioned one oannot fail to notice buy trotting horses arrived on a horse Poll- Jenkins, Tucker, Mr. and Mrs. J. Bird of Bean above, raw Roy Worcester, Mr. and Mra. F. W. Sanborn bave re· is, milk carefully safeguarded against man. Keen, O. N. Coz, E. C. Brigga, John I Hastings make next Let them look around this firm because of the fine buildings They resembled the famous Frenob are of his father, Amos A. your saving deposit. bad of any sort—there would be G. N. Herman Mass., guests turned from their visit In Meredith Cen- wbioh tdorn it—a two-story bonse with germs oar· described by our world wide sol- Wallingford, Emmons, from Worcester little demand for Such C.
Recommended publications
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • Writing and Modernity: Colette's Feminist Fiction. Lezlie Hart Stivale Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1991 Writing and Modernity: Colette's Feminist Fiction. Lezlie Hart Stivale Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Stivale, Lezlie Hart, "Writing and Modernity: Colette's Feminist Fiction." (1991). LSU Historical Dissertations and Theses. 5211. https://digitalcommons.lsu.edu/gradschool_disstheses/5211 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Répertoire Myriam Phiro
    Répertoire Myriam Phiro French Jazz April in Paris Assez Belleville rendez-vous C’est magnifique C’est si bon Chanson d’automne Douce France Fais-moi mal, Johnny Les feuilles mortes (Autumn leaves) For me, formidable Give him the ooh la la Hier encore I love Paris I won’t dance (Je n’danse pas) Il m’a prise en ses bras (I got lost in his arms) La javanaise J’ai ta main J’attendrai J’ai deux amours J’aime les filles Jardin d’hiver Je m’suis fait tout p’tit Je ne veux pas travailler Je t’appartiens (Let it be me) Mademoiselle chante le blues Mam’selle Ménilmontant La mer (Beyond the sea) Mon homme (My man) Mon mec à moi Moulins de mon cœur Petite fleur Plus je t’embrasse Pour un flirt Que reste-t-il de nos amours ? (I wish you love) Samba de mon coeur qui bat Seule ce soir Syracuse Tico tico Tout doucement Une jolie fleur dans une peau de vache Zou bisou bisou American Jazz After you’ve gone Ain’t misbehavin All I do is dream of you All of me All the things you are Almost like being in love Alone together Amapola Anything goes At last Autumn in NY Bei mir bist du Schon Between the devil and the deep blue sea Blue moon Blue skies Body & soul Boulevard of broken dreams But not for me Bye bye Blackbird Caravan Cheek to cheek Come fly with me Corcovado Cry me a river Day in, day out Deep purple Don’t get around much anymore Dream a little dream of me Embraceable you Emily Estate Everything happens to me Exactly like you Fascinating rhythm Feeling good Fever Fly me to the moon Georgia on my mind Girl from Ipanema Golden earrings Hard day’s night
    [Show full text]
  • How to Use This Songfinder
    as of 3.14.2016 How To Use This Songfinder: We’ve indexed all the songs from 26 volumes of Real Books. Simply find the song title you’d like to play, then cross-reference the numbers in parentheses with the Key. For instance, the song “Ac-cent-tchu-ate the Positive” can be found in both The Real Book Volume III and The Real Vocal Book Volume II. KEY Unless otherwise marked, books are for C instruments. For more product details, please visit www.halleonard.com/realbook. 01. The Real Book – Volume I 10. The Charlie Parker Real Book (The Bird Book)/00240358 C Instruments/00240221 11. The Duke Ellington Real Book/00240235 B Instruments/00240224 Eb Instruments/00240225 12. The Bud Powell Real Book/00240331 BCb Instruments/00240226 13. The Real Christmas Book – 2nd Edition Mini C Instruments/00240292 C Instruments/00240306 Mini B Instruments/00240339 B Instruments/00240345 CD-ROMb C Instruments/00451087 Eb Instruments/00240346 C Instruments with Play-Along Tracks BCb Instruments/00240347 Flash Drive/00110604 14. The Real Rock Book/00240313 02. The Real Book – Volume II 15. The Real Rock Book – Volume II/00240323 C Instruments/00240222 B Instruments/00240227 16. The Real Tab Book – Volume I/00240359 Eb Instruments/00240228 17. The Real Bluegrass Book/00310910 BCb Instruments/00240229 18. The Real Dixieland Book/00240355 Mini C Instruments/00240293 CD-ROM C Instruments/00451088 19. The Real Latin Book/00240348 03. The Real Book – Volume III 20. The Real Worship Book/00240317 C Instruments/00240233 21. The Real Blues Book/00240264 B Instruments/00240284 22.
    [Show full text]
  • Eldon Black Sheet Music Collection This Sheet Music Is Only Available for Use by ASU Students, Faculty, and Staff
    Eldon Black Sheet Music Collection This sheet music is only available for use by ASU students, faculty, and staff. Ask at the Circulation Desk for assistance. (Use the Adobe "Find" feature to locate score(s) and/or composer(s).) Call # Composition Composer Publisher Date Words/Lyrics/Poem/Movie Voice & Instrument Range OCLC 000001a Allah's Holiday Friml, Rudolf G. Schirmer, Inc. 1943 From "Katinka" a Musical Play - As Presented by Voice and Piano Original in E Mr. Arthur Hammerstein. Vocal Score and Lyrics 000001b Allah's Holiday Friml, Rudolf G. Schirmer, Inc. 1943 From "Katinka" a Musical Play - As Presented by Voice and Piano Transposed in F Mr. Arthur Hammerstein. Vocal Score and Lyrics by Otto A. Harbach 000002a American Lullaby Rich, Gladys G. Schirmer, Inc. 1932 Voice and Piano Low 000002b American Lullaby Rich, Gladys G. Schirmer, Inc. 1932 Voice and Piano Low 000003a As Time Goes By Hupfel, Hupfeld Harms, Inc. 1931 From the Warner Bros. Picture "Casablanca" Voice and Piano 000003b As Time Goes By Hupfel, Hupfeld Harms, Inc. 1931 From the Warner Bros. Picture "Casablanca" Voice and Piano 000004a Ah, Moon of My Delight - In A Persian Garden Lehmann, Liza Boston Music Co. 1912 To words from the "Rubaiyat of Omar Khayyam" Voice and Piano Medium, F 000004b Ah, Moon of My Delight - In A Persian Garden Lehmann, Liza Boston Music Co. 1912 To words from the "Rubaiyat of Omar Khayyam" Voice and Piano Medium, F 000004c Ah, Moon of My Delight - In A Persian Garden Lehmann, Liza Boston Music Co. 1912 To words from the "Rubaiyat of Omar Khayyam" Voice and Piano Medium, F 000005 Acrostic Song Tredici, David Del Boosey & Hawkes, Inc.
    [Show full text]
  • Songs of the Ziegfeld Follies
    SONGS OF THE ZIEGFELD FOLLIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University by Ann Ommen, B.M., M.A. The Ohio State University 2007 Dissertation Committee: Professor Graeme Boone, Adviser Approved by Professor Thomas Postlewait Professor Danielle Fosler-Lussier _________________________ Adviser Graduate Program in Music Copyright by Ann Ommen 2007 ABSTRACT Enormously popular in their own time, the Ziegfeld Follies have become an icon of American popular culture. Produced annually by Florenz Ziegfeld, Jr. between 1907 and 1931, these revues were and still are best-known for their lavish production numbers which brought unprecedented attention to members of the chorus. They have served as inspiration for generations of filmmakers, playwrights, and popular authors, but have only been studied by a small number of scholars, primarily those working in cultural studies. For the first time, this dissertation brings a musicological identity to the Follies by examining their songs. It addresses the legends surrounding certain songs so that their performance history can be better understood. It discusses representations of gender, race, and national identity in songs of the Follies, revealing the cultural beliefs Ziegfeld thought would be most acceptable to his largely white, middle-class audiences. It dissects comic song performances to show a specifically musical component to the humor of the Follies. Finally, it analyzes compositional techniques in the lyrics of Gene Buck and in the songs written by Irving Berlin for the Ziegfeld Follies of 1927 , the only Follies production to have been written by a single songwriter.
    [Show full text]
  • Billie Holiday Story“ Vom 16.3.2020 Auf Radio 700
    Sendemanuskript / Playlist „Billie Holiday Story“ vom 16.3.2020 auf Radio 700 Autoren: Klaus Huckert/Uwe Lorenz(Radio 700) Anmoderation: Billie Holiday ist neben Ella Fitzgerald, Dinah Washington und Sarah Vaughan eine der besten Vokalistinnen in der Geschichte des Jazz. Sie zählt aber auch zu den tragischsten Personen dieser Musik. Billie nahm ca. 350 Titel auf, darunter waren einige kommerzielle Erfolge: beispielsweise „Strange Fruit“, „Fine and Mellow“ oder „Lover Man“. Die Sängerin lebte so wie sie sang: leidenschaftlich und zügellos. Abstürze, exzessives Verhalten, Depressionen und Triumphe begleiteten ihre Karriere. Sie wurde von vielen Eleanora oder Lady Day genannt. 1930 begann sie in Clubs aufzutreten. Ihr Repertoire bestand aus Swing- und Bluestiteln. Sie arbeitete während ihrem Werdegang mit Musikern wie Chick Webb, Benny Goodman, Artie Shaw, Louis Armstrong, Teddy Wilson, Lester Young und Count Basie zusammen. Als eine der ersten Jazzsängerinnen trat sie mit weißen Musikern auf und überwand damit die damals in den USA vorherrschenden rassistischen Beschränkungen. Die Jazz-Ikone Holiday litt Zeit ihres Lebens unter ihrer Herabsetzung als Afro-Amerikanerin. In der heutigen Sendung werden wir viele Original-Aufnahmen von Billie hören. Daneben werden Neu-Interpretationen von typischen Holiday-Stücken vorgestellt, die beispielsweise von Diana Ross, Mary Coughlan oder der WDR Big-Band eingespielt wurden. Die Anfangsjahre von Billie Holiday (Take 1) Eleanora Fagan – so der Geburtsname der späteren Billie Holiday – wurde am 7.4.1915 in Philadelphia als Tochter von Sarah „Sadie“ Fagan und Clarence Holiday geboren. Die Mutter arbeitete als Dienstmädchen bei wohlhabenden Weißen, der Vater war Musiker, der u.a. bei Fletcher Henderson als Gitarrist arbeitete.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist - Human Metallica (I Hate) Everything About You Three Days Grace "Adagio" From The New World Symphony Antonín Dvorák (I Just) Died In Your Arms Cutting Crew "Ah Hello...You Make Trouble For Me?" Broadway (I Know) I'm Losing You The Temptations "All Right, Let's Start Those Trucks"/Honey Bun Broadway (I Love You) For Sentimental Reasons Nat King Cole (Reprise) (I Still Long To Hold You ) Now And Then Reba McEntire "C" Is For Cookie Kids - Sesame Street (I Wanna Give You) Devotion Nomad Feat. MC "H.I.S." Slacks (Radio Spot) Jay And The Mikee Freedom Americans Nomad Featuring MC "Heart Wounds" No. 1 From "Elegiac Melodies", Op. 34 Grieg Mikee Freedom "Hello, Is That A New American Song?" Broadway (I Want To Take You) Higher Sly Stone "Heroes" David Bowie (If You Want It) Do It Yourself (12'') Gloria Gaynor "Heroes" (Single Version) David Bowie (If You're Not In It For Love) I'm Outta Here! Shania Twain "It Is My Great Pleasure To Bring You Our Skipper" Broadway (I'll Be Glad When You're Dead) You Rascal, You Louis Armstrong "One Waits So Long For What Is Good" Broadway (I'll Be With You) In Apple Blossom Time Z:\MUSIC\Andrews "Say, Is That A Boar's Tooth Bracelet On Your Wrist?" Broadway Sisters With The Glenn Miller Orchestra "So Tell Us Nellie, What Did Old Ironbelly Want?" Broadway "So When You Joined The Navy" Broadway (I'll Give You) Money Peter Frampton "Spring" From The Four Seasons Vivaldi (I'm Always Touched By Your) Presence Dear Blondie "Summer" - Finale From The Four Seasons Antonio Vivaldi (I'm Getting) Corns For My Country Z:\MUSIC\Andrews Sisters With The Glenn "Surprise" Symphony No.
    [Show full text]
  • Identifying Classical Vocal Collaborative Piano Practices In
    COLLABORATIVE CROSSOVER: IDENTIFYING CLASSICAL VOCAL COLLABORATIVE PIANO PRACTICES IN JAZZ VOCAL ACCOMPANYING David Jonathan Morgenroth Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2015 APPROVED: John Murphy, Major Professor and Chair of the Division of Jazz Studies Steven Harlos, Committee Member John Dan Haerle, Committee Member Benjamin Brand, Director of Graduate Studies, College of Music James C. Scott, Dean of the College of Music Costas Tsatsoulis, Dean of the Toulouse Graduate School Morgenroth, David Jonathan. Collaborative Crossover: Identifying Classical Vocal Collaborative Piano Practices in Jazz Vocal Accompanying. Doctor of Musical Arts (Performance), August 2015, 160 pp., 8 tables, 18 figures, 27 examples, bibliography, 457 titles. Classical vocal collaborative piano and jazz vocal accompaniment are well-established fields with long-standing performance traditions. Classical collaborative performance practices have been researched and codified, but jazz accompanying practices largely remain in the domain of aural tradition. Both classical and jazz accompaniment share associated practices, such as rubato, transposition, and attention to lyric diction and inflection, but there is little previous investigation into the idea that classical collaborative practices might apply to jazz accompanying. This research examines jazz piano accompanying practices in sung verses of standard tunes to demonstrate how accomplished jazz pianists intuitively use many of the same techniques as classical collaborative pianists to create balance with singers. Through application of expressive microtiming analysis to graphical displays of transcribed recorded performances, a strong correlation is established between the classical and jazz vocal accompanying traditions. Linking classical practices to jazz potentially creates a foundation for jazz accompanying pedagogy.
    [Show full text]
  • “The Jazz Problem”: How U.S. Composers Grappled with the Sounds of Blackness, 1917—1925 Stephanie Doktor Cumming, Georgia
    “The Jazz Problem”: How U.S. Composers Grappled with the Sounds of Blackness, 1917—1925 Stephanie Doktor Cumming, Georgia Bachelor of Arts, Vocal Performance, University of North Georgia, 2003 Master of Arts, Musicology, University of Georgia, 2008 Master’s Certificate, Women’s Studies, University of Georgia, 2008 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia December, 2016 iv © Copyright by Stephanie DeLane Doktor All Rights Reserved December 2016 v For Hillary Clinton and Terry Allen, who both lost the race but the fight still rages on vi ABSTRACT My dissertation tracks the development of jazz-based classical music from 1917, when jazz began to circulate as a term, to 1925, when U.S. modernism was in full swing and jazz had become synonymous with America. I examine the music of four composers who used black popular music regularly: Edmund Jenkins, John Powell, William Grant Still, and Georgia Antheil. For each composer, whose collections I consulted, I analyze at least one of their jazz-based compositions, consider its reception, and put it in dialogue with writings about U.S. concert music after World War I. Taken together, these compositions contributed to what I call the Symphonic Jazz Era, and this music was integral to the formation of American modernism. I examine how these four composers grappled with the sounds of blackness during this time period, and I use “the Jazz Problem” as an analytic to do so. This phrase began to circulate in periodicals around 1923, and it captured anxieties about both the rise of mass entertainment and its rootedness in black cultural sounds in the Jim Crow era.
    [Show full text]
  • Mechanical Music Registry Project
    Mechanical Music Registry Project Wurlitzer Concert PianOrchestra Rollography Report Thursday, September 20, 2018 Data collected and compiled by Terry Hathaway Copyright © 2018 by Mechanical Music Press, et, al. - All Rights Reserved Total items listed in this report: 635 Style Notes: 1. Includes "WCPO" (Wurlitzer Concert PianOrchestra) rolls. 2. Rolls with an assigned identifier (when the roll number is unknown) are grouped together at the end of the listing. 3. Bulletin date: Refers to the date on a Wurlitzer catalog listing the music roll. 4. Label date: Refers to a date reference printed on the music roll label. 5. Title date: Refers to a date within a tune title. 6. * (asterisk): Indicates imcomplete data when following the roll number. 7. ~ (tilde): Represents a single unknown character. 8. _ (underscore): Represents an unknown number of characters. WCPO - 1 Source: Neilson. Record Created: 6/14/2000 Comments: Early Philipps PC roll with Wurlitzer hand-typed label. Paper Color: Dark Red - Philipps. 1. The Count Of Gleichen--March 2. Does He Love Me--Waltz 3. Under The Shady Chestnut Trees--Mazurka 4. Cogwheel Train--Polka WCPO - 2 Source: Neilson. Record Created: 6/14/2000 Comments: Early Philipps PC roll with Wurlitzer hand-typed label. Paper Color: Dark Red - Philipps. 1. Generalissimus--March 2. The Negro's Dream--Instrumental 3. Simply Grand--Polka 4. The Mile Eater--Galop WCPO - 3 Source: Neilson. Record Created: 6/14/2000 Comments: Early Philipps PC roll with Wurlitzer hand-typed label. Paper Color: Dark Red - Philipps. 1. A Summer Night's Dream--Overture WCPO - 4 Source: Neilson. Record Created: 6/14/2000 Comments: Early Philipps PC roll with Wurlitzer hand-typed label.
    [Show full text]
  • Florenz Ziegfeld
    Florenz Ziegfeld: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Ziegfeld, Florenz, 1867-1932 Title: Florenz Ziegfeld Collection Dates: 1893-1979 (bulk 1910-1930) Extent: 4 document boxes, 20 oversize boxes (11.81 linear feet) Abstract: The Florenz Ziegfeld Collection, 1893-1979 (bulk 1910-1930), documents Ziegfeld's career as a producer and, to a lesser extent, the contributions of some of the theater professionals associated with him. The bulk of the collection is made up of photographs and sheet music. A complete index of composers, lyricists, arrangers, performers, and song titles concludes the finding aid. Catalog Record TXRC05-A0 #: Language: English Access: Open for research Administrative Information Acquisition: Sheet music purchased, 1973 (R5756); other materials assembled from the Albert Davis Collection and W. H. Crain purchases Provenance: In 1973 the Ransom Center purchased the Ziegfeld sheet music and the Fanny Brice songbook from Robert Baral. Many of the photographs in the Florenz Ziegfeld Collection were culled from the Albert Davis Collection; others are thought to have been in the possession of the Ziegfeld family at one time. Some of the programs were purchased by W. H. Crain. Processed by: Helen Adair and Antonio Alfau, 1999, 2005 Repository: The University of Texas at Austin, Harry Ransom Center Ziegfeld, Florenz, 1867-1932 Biographical Sketch Florenz Ziegfeld was born in 1867 in Chicago. His father, Florenz, Sr., was head of the Chicago Musical College and a significant figure in the cultural life of the city. The junior Ziegfeld worked at his father's conservatory while in high school, earning a promotion to assistant manager in 1885.
    [Show full text]