WASHINGTON, DC with the PARRISH ART MUSEUM April 24 – 26, 2020
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(Exhibition Catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin
SOL LEWITT SELECTED BIBLIOGRAPHY BOOKS AND EXHIBITION CATALOGUES 2018 American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 186–187, illustrated. Cameron, Dan and Fatima Manalili. The Avant-Garde Collection. Newport Beach, California: Orange County Museum of Art, 2018: 57, illustrated. Destination Art: 500 Artworks Worth the Trip. New York: Phaidon, 2018: 294, 374, illustrated. LeWitt, Sol. “Sol LeWitt: A Primary Medium.” In Auping, Michael. 40 Years: Just Talking About Art. Fort Worth, Texas and Munich: Modern Art Museum of Fort Worth; DelMonico BooksꞏPrestel, 2018: 84–87, illustrated. Picasso – Gorky – Warhol: Sculptures and Works on Paper, Collection Hubert Looser (exhibition catalogue). Edited by Florian Steininger. Krems an der Donau, Austria and Zürich: Kunsthalle Krems; Fondation Hubert Looser, 2018: 104, illustrated. Sol LeWitt: Between the Lines (exhibition catalogue). Texts by Francesco Stocchi. Rem Koolhaas and Adachiara Zevi. Milan: Fondazione Carriero, 2018 Sol LeWitt: Wall Drawings. Edited by Lindsay Aveilhé. [New York]: Artifex Press, 2018. 2017 Sol LeWitt: Selected Bibliography—Books 2 The Art Museum. London: Phaidon, 2017: 387, illustrated. Booknesses: Artists’ Books from the Jack Ginsberg Collection (exhibition catalogue). Johannesburg, South Africa: University of Johannesburg Art Gallery, 2017: 129, 151, 221, illustrated. Delirious: Art at the Limits of Reason 1950–1980 (exhibition catalogue). Texts by Kelly Baum, Lucy Bradnock and Tina Rivers Ryan. New York: Met Breuer, 2017: pl.21, 22, 23, 24, illustrated. Doss, Erika. American Art of the 20th–21st Centuries. New York and Oxford: Oxford University Press, 2017: fig. 113, p.178, illustrated. Gross, Béatrice. -
Michael Heizer Selected Bibliography
G A G O S I A N Michael Heizer Selected Bibliography Selected Books and Catalogues: 2019 Fox, William. Michael Heizer: The Once and Future Monuments. New York: Monacelli Press. 2017 Voorhies, James. Beyond Objecthood: The Exhibition as a Critical Form since 1968. Boston: MIT Press. Celant, Germano and Chiara Costa. Virginia Dwan: Dwan Gallery. Lausanne: Skira. 2015 Fine, Ruth E., Kara Vander Weg and Michael Heizer. Michael Heizer: Altars. New York: Gagosian Gallery. 2014 Cameron, Dan. The Avant-Garde Collection. Newport Beach, CA: Orange County Museum of Art. Kaz, Leonel, ed. Inusitada Coleção De Sylvio Perlstein. São Paolo: Museu de Arte de São Paolo Assis Chateaubriand. 2013 Allen, Gwen L., Pierre Bal Blanc, Claire Bishop, Benjamin H.D. Buchloh, Charles Esche, et al. When Attitudes Become Form: Bern 1969/Venice 2013. Milan: Fondazione Prada. 2012 Lippard, Lucy R. and Jeff Khonsary. 4,492,040 (1969–74). Vancouver: New Documents 2010 Jensen, Susanne, Susanne Lenze, and Reinhard Onnasch. “Michael Heizer: Untitled.” In Nineteen Artists. Berlin: El Sourdog Hex; Bielefeld, Germany: Kerber Verlag. 2011 Reifenscheid, Beate. Die Letzte Freiheit: Von den Pionieren der Land-Art der 1960er Jahre bis zur Natur im Cyberspace. Milan: Silvana. 2010 Goldman, Judith. Robert & Ethel Scull: Portrait of a Collection. New York: Acquavella Gallery. Marcoci, Roxana, ed. The Original Copy: Photography of Sculpture, 1839 to Today. New York: Museum Of Modern Art. 2009 Grabner, Roman, Thomas Kellein, and Felicitas von Richthofen. 1968: Die Große Unschuld. Cologne: DuMont. 2008 Semff, Michael. Künstler Zeichnen. Sammler Stiften, 250 Jahre Staatliche Graphische Sammlung München. Ostfildern, Germany: Hatje Cantz. Lara, Cathy, ed. -
Download Lot Listing
IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, May 10, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, May 10, 2017 at 11am EXHIBITION Saturday, May 6, 10am – 5pm Sunday, May 7, Noon – 5pm Monday, May 8, 10am – 6pm Tuesday, May 9, 9am – Noon LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-118 Elsie Adler European 1-66 The Eileen & Herbert C. Bernard Collection American 67-118 Charles Austin Buck Roberta K. Cohn & Richard A. Cohn, Ltd. POST-WAR & CONTEMPORARY ART 119-235 A Connecticut Collector Post-War 119-199 Claudia Cosla, New York Contemporary 200-235 Ronnie Cutrone EUROPEAN ART Mildred and Jack Feinblatt Glossary I Dr. Paul Hershenson Conditions of Sale II Myrtle Barnes Jones Terms of Guarantee IV Mary Kettaneh Information on Sales & Use Tax V The Collection of Willa Kim and William Pène du Bois Buying at Doyle VI Carol Mercer Selling at Doyle VIII A New Jersey Estate Auction Schedule IX A New York and Connecticut Estate Company Directory X A New York Estate Absentee Bid Form XII Miriam and Howard Rand, Beverly Hills, California Dorothy Wassyng INCLUDING PROPERTY FROM A Private Beverly Hills Collector The Collection of Mr. and Mrs. Raymond J. Horowitz sold for the benefit of the Bard Graduate Center A New England Collection A New York Collector The Jessye Norman ‘White Gates’ Collection A Pennsylvania Collection A Private -
Parrish Art Museum Annual Report 2019
REPORT 2019 PARRISH ART MUSEUM METRICS 60,981 734 TOTAL ATTENDANCE EDITORIAL PLACEMENTS 1,753 66 RESIDENT BENEFITS MEMBERS SCHOOL & COMMUNITY PARTNERSHIPS 4,173 305 MUSEUM MEMBERS ARTS + LANGUAGE STUDENTS ENGAGED 18 375 EXHIBITIONS ARTIST-IN-RESIDENCY STUDENTS 141 1,350 NEW ACQUISITIONS ACCESS PARRISH PARTICIPANTS 151 253 PERMANENT COLLECTION WORKS ON VIEW COLLABORATIVE & OUTREACH PROGRAMS 72 335 CONCERTS, TALKS, FILMS, PROGRAMS SCHOOL, GROUP, AND DOCENT-LED TOURS 30,024 81 SOCIAL MEDIA FOLLOWERS WORKSHOP SESSIONS FOR ADULTS 437 114 MOBILE APP USERS FAMILY PROGRAMS AND VACATION WORKSHOPS 2019 HIGHLIGHTS In 2019, the Parrish Art Museum continued its commitment to deepening The Education department, in addition to a rich schedule of classes and and expanding community partnerships; presenting engaging, unique workshops for children and adults, completed its fourth successful year of public programs; creating initiatives targeting underserved groups; Access Parrish, reaching nearly 1,400 people through 8 community organizing exhibitions that offered fresh scholarship on important artists partnership. 2019 marked the launch of Art in Corrections—a pilot and timely topics; and building its collection through the generosity of program at Suffolk County Correctional Facility in Riverhead, facilitated by foundations, artists, and individuals. The Museum added 140 new our own teaching artists Monica Banks, Jeremy Dennis, Eric Dever, Laurie paintings, photographs, and drawings in 2019, and more than 60 were on Lambrecht, Bastienne Schmidt, and Barbara Thomas. view. We are grateful for everyone who supported the Museum in 2019— We are truly grateful to The Saul Steinberg Foundation for its gift of 64 Our program and education funders and supporters of benefit events like works by the artist, and to Louis K. -
Memorandum I
AGENDA ITEM #5 July 17,2012 . Worksession MEMORANDUM July 13, 2012 TO: County Council FROM%LKeith Levchenko, Senior Legislative Analyst SUBJECT: Worksession: Amendments to the Comprehensive Water Supply and Sewerage Systems Plan T&E Committee Recommendation: • Concur with the County Executive and the Planning Board to deny the GetachewlWubet and Kapoor requests. • Concur with the County Executive to conditionally approve the Shri Mangal Mandir PIF request and to approve the Glenstone PIF Request with restrictions. NOTE: Additional resolution language is recommended for both requests. County Planning CE Staff Report # Applicant Request Executive Board Report Maps Approve S-3 conditioned PIF Request: Requesting Shri Mangal Mandir upon a preliminary plan Public Sewer to build a new Religious Educational that conforms 1 congregation center adjacent Deny. Maintain 5-6 ©1-3 <04-5 and Charitable Trust, substantially with the to a property with the 11A-CLO-01 proposed plan presented ,applicant's existing temple to the Council. i Samson Getachew & Requesting public sewer in i 2 Solomon Wubet, 11 A- order to build a new single Deny, Maintain S-6 Concur with CE ©9 ©JO PAX-01 family home. i Mitchell Rales for the PIF Request: Requesting IAPprove S-3 with 3 Glenstone Foundation, public sewer to expand Deny. Maintain 5-6 ©12-15B ©16-17 jconditions and restrictions 11A-TRV-06 museum facilities, 4 ,Ravinder & Ritu •Requesting public sewer to I Deny. Maintain S-6 Concur with CE ©38 IKapoor,11A-TRV-08 Iserve the existing house I ©36-37 i On Apri127, 2012, the County Council received a package of four Water and Sewer Category Change requests from the County Executive. -
Galerie Lelong &
Galerie Lelong & Co. Paris – New York Ellsworth Kelly Exhibitions Solo show 2018 Black & White Works, FLAG Art Foundation, New York City, United States 2014 Plant Lithographs by Ellsworth Kelly, 1964-66, Mount Holyoke College Art Museum, South Hadley, United States 2013 The Chatham Series, Museum of Modern Art (MoMA), New York City, United States 2012 Wood Sculpture, Museum of Fine Arts Boston (MFA), Boston, United States Plant Drawings, Pinakothek der Moderne, Munich, Germany Louisiana On Paper, Louisiana Museum of Modern Art, Humlebaek, Denmark Schwarz und Weiß, Museum Wiesbaden, Wiesbaden, Germany Ellsworth Kelly, Portland Art Museum, Portland, United States 2008 Focus: Ellsworth Kelly, Museum of Modern Art (MoMA), New York City, United States Paris/New York, 1949–1959, Philadelphia Museum of Art, Philadelphia, United States 2006 Paris/New York, 1949–1959, Philadelphia Museum of Art, Philadelphia, United States Ellsworth Kelly, Serpentine Gallery, London, United States Drawn from Nature: The Plant Lithographs of Ellsworth Kelly, AXA Gallery, New York City, United States 2003 Works 1956-2002, Fondation Beyeler, Riehen, Switzerland Red Green Blue, Museum of Contemporary Art San Diego - MCASD, La Jolla, United States Red Green Blue, Museum of Fine Arts Houston (MFAH), Houston, United States Red Green Blue, Whitney Museum of American Art, New York City, United States 13 rue de Téhéran, 75008 Paris – France / +33 1 45 63 13 19 / [email protected] / www.galerie-lelong.com 1 Galerie Lelong & Co. Paris – New York 2002 Selected Works -
Oral History Interview with Chuck Close, 1987 May 14-September 30
Oral history interview with Chuck Close, 1987 May 14-September 30 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Chuck Close on May 14, 1987. The interview took place at the artist's studio on 75 Spring Street, New York City, and was conducted by Judd Tully for the Archives of American Art, Smithsonian Institution. Interview JUDD TULLY: According to published information, you were born in the state of Washington in 1940. What was your actual birthdate and tell me a little bit about Monroe, Washington? CHUCK CLOSE: July 5, 1940. Monroe, Washington, was a smelly little town halfway up the Cascade Mountains, northeast of Seattle. I didn't live there very long, actually. I was born at home -- not in a hospital -- of humble beginnings. Actually, I want to go back and photograph the house, because if I were a politician it would be great to have a picture of the shack that I was born in. [They laugh.] MR. TULLY: Was it really a shack? MR. CLOSE: Well, it wasn't a real shack, but it was a very modest little cottage. "Cottage" is giving it all the benefit of the doubt. It was definitely on the wrong side of the tracks -- about thirty five feet from the tracks. -
I Live and Work in Washington DC, My Hometown of More Than 30 Years. I Have Long Been Fascinated by the Figure, Most Recently U
resume colleen garibaldi 1850 potomac avenue se washington dc 20003 202-544-7114 colleengaribaldi.com I live and work in Washington DC, my hometown of more than 30 years. I have long been fascinated by the figure, most recently using it as an object to convey a concept. My work straddles narrative and non-narrative lines, stripping out illusionistic space. Primarily a painter, I’ve also been exploring 3D, video and stills while maintaining a drawing and photography practice. Exhibitions 2018 Superfine! DC, Union Market Dock 5, invited exhibitor, October/November 2018 2018 Installation at The Shay, ThinkLocalFirst DC Market, May/June 2018 2018 UMW Galleries, Fredericksburg VA, Mid Atlantic New Painting 2018 2017 Fitton Center for Creative Arts, Hamilton OH, Kaleidoscope 2017 Towle Hill Studio, Corinth VT, Colleen Garibaldi Painting 2017 Tieton Arts & Humanities’ MightyTieton Warehouse, Tieton WA, 10x10x10xTieton 2017 2017 200 I Street Gallery, Washington DC, Synergy 2017 Smithsonian S. Dillion Ripley Center, Washington DC, SCC Artists at Work 2017 2017 Barry Gallery, Arlington VA, Figuring 4 Regional Artists Exhibition Marymount University 2016 Martha Gault Gallery, Slippery Rock, PA, Our Bodies Our Selves 2016 DC Arts Center, Washington DC, 1460 Wall Mountables 2016 BWAC, Brooklyn NY, Wide Open 7, Juror: Beth Saunders, Curator, Metropolitan Museum of Art 2016 Visual Arts Exchange, Raleigh NC, the beginning of everything 2015 SCOPE Miami Beach, Miami FL, Untitled Projects 2015 Washington Art Works, Rockville MD, A Foot in the Door 2015 -
FOR IMMEDIATE RELEASE MEDIA CONTACTS: Carlotta Stankiewicz, 512.475.6784, [email protected] Penny Snyder
FOR IMMEDIATE RELEASE MEDIA CONTACTS: Carlotta Stankiewicz, 512.475.6784, [email protected] Penny Snyder, 512.471.0241, [email protected] Dan Duray, 203.520.0619, [email protected] BLANTON MUSEUM RECEIVES 76 WORKS OF ART BY ELLSWORTH KELLY THROUGH SEVERAL SIGNIFICANT DONATIONS Robust collection of 76 works establishes the Blanton as a leading center for Kelly scholarship AUSTIN, Texas—May 31, 2019—Seventy-six works of art by Ellsworth Kelly have been gifted to the Blanton Museum of Art at The University of Texas at Austin. Sixty-seven of the works are gifts from the late artist and Jack Shear, president of the Ellsworth Kelly Foundation. The remaining works come from the famed television producer and art patron Douglas S. Cramer of Martha’s Vineyard; longtime art collectors Jan and Howard Hendler of Scottsdale, Arizona; Austin-based, internationally regarded collectors and Blanton National Leadership Board members Jeanne and Michael Klein; and businessman, philanthropist, and art collector David G. Booth, also of Austin. “Not only do these works complement and enhance visitors’ understanding of Austin—now a cornerstone of the Blanton’s collection—but they also help to strengthen the museum’s role as a center for the study and appreciation of Kelly’s work,” stated Blanton director Simone Wicha. “The Blanton is deeply grateful to the individuals, including Ellsworth Kelly and Jack Shear, who are supporting the museum’s ongoing commitment to building a world-class collection of works by Kelly and continuing to celebrate the artist’s great legacy.” Ellsworth Kelly’s Austin opened at the Blanton in February 2018, and has become an internationally- acclaimed landmark with 171,000 people visiting since its opening. -
Reciprocal Membership Program
4525 Oak Street, Kansas City, Missouri 64111 nelson -atkins.org 816.751.1ART Reciprocal Membership Program Society of Fellows members get the experience of sharing in privileges at institutions participating in any of our reciprocal programs by presenting your specially-marked membership card. Please note some participating institutions have restrictions specific to their organization. We recommend contacting the institution you plan to visit in advance to confirm details of their participation. If you need assistance, call 816.751.1ART (1278), option 3. RECIPROCAL NETWORKS Art Museum Reciprocal Network Reciprocal Organization of Associated Museums (ROAM) North American Reciprocal Network Western Reciprocal Network RECIPROCAL PRIVILEGES ALABAMA ARKANSAS Craft and Folk Art Museum, Los Birmingham Museum of Art The Arkansas Arts Center, Little Angeles Carnegie Rock Crocker Art Museum, Sacramento Gadsden Museum of Art Crystal Bridges Museum of Fine Arts Museums of San Jule Collins Smith Museum at American Art, Bentonville Francisco Auburn University Fort Smith Regional Art Museum Fullerton Museum Center Kentuck Museum, Northport South Arkansas Arts Center, El Hammer Museum UCLA Mobile Museum of Art Dorado Japanese American National Montgomery Museum of Fine Arts CALIFORNIA Museum, Los Angeles ALASKA Asian Art Museum of San Laguna Art Museum Anchorage Museum at Francisco Long Beach Museum of Art Rasmuson Center Bowers Museum, Santa Ana Mingei International Museum, Valdez Museum & Historical California Historical Society Escondido and San Diego Archive Museum, San Francisco Monterey Museum of Art and ARIZONA Cantor Art Center at Stanford Monterey Museum of Art at La Heard Museum North, North University Mirada Scottsdale Center for Contemporary Art, Museum of Contemporary Art Heard Museum, Phoenix Sacramento (MOCA), Los Angeles Museum of Northern Arizona Charles F. -
BORN: Seymour, Iowa 1924
Jane Wilson Born 1924 Seymour, IA Education 1947 M.A., University of Iowa, Iowa City, IA 1945 B.A., University of Iowa, Iowa City, IA Solo Exhibitions 2014 DC Moore Gallery, New York 2011 DC Moore Gallery, New York 2009 DC Moore Gallery, New York, NY 2008 The Drawing Room, East Hampton, NY 2007 DC Moore Gallery, New York, NY 2006 The Drawing Room, East Hampton, NY 2004 DC Moore Gallery, New York, NY 2003 DC Moore Gallery, New York, NY The MAC, Dallas, TX 2001 DC Moore Gallery, New York, NY Heckscher Museum of Art, Huntington, NY 1999 DC Moore Gallery, New York, NY 1997 Fischbach Gallery, New York, NY 1996 The Parrish Art Museum, Southampton, NY Glenn Horowitz Bookseller, Inc., East Hampton, NY 1995 Fischbach Gallery, New York, NY 1993 Fischbach Gallery, New York, NY Arnot Art Museum, Elmira, NY 1992 Earl McGrath Gallery, Los Angeles, CA 1991 Fischbach Gallery, New York, NY Jaffe-Friede and Strauss Galleries, Dartmouth College, Hanover, NH 1990 Fischbach Gallery, New York, NY Marsh Gallery, University of Richmond, Richmond, VA Earl McGrath Gallery, Los Angeles, CA 1989 Watkins Gallery, The American University, Washington, DC Benton Gallery, Southampton, NY 1988 Fischbach Gallery, New York, NY Compass Rose Gallery, Chicago, IL Bachelier Cardonsky Gallery, Kent, CT 1985 Fischbach Gallery, New York, NY 1984 Fischbach Gallery, New York, NY 1982 Cornell University, Ithaca, NY 1981 Fischbach Gallery, New York, NY 1980 William-Munson-Proctor Institute, Utica, NY 1 1979 Port Washington Public Library, Port Washington, NY 1978 Fischbach Gallery, -
DONALD JUDD Born 1928 in Excelsior Springs, Missouri
This document was updated January 6, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. DONALD JUDD Born 1928 in Excelsior Springs, Missouri. Died 1994 in New York City. SOLO EXHIBITIONS 1957 Don Judd, Panoras Gallery, New York, NY, June 24 – July 6, 1957. 1963–1964 Don Judd, Green Gallery, New York, NY, December 17, 1963 – January 11, 1964. 1966 Don Judd, Leo Castelli Gallery, 4 East 77th Street, New York, NY, February 5 – March 2, 1966. Donald Judd Visiting Artist, Hopkins Center Art Galleries, Dartmouth College, Hanover, NH, July 16 – August 9, 1966. 1968 Don Judd, The Whitney Museum of American Art, New York, NY, February 26 – March 24, 1968 [catalogue]. Don Judd, Irving Blum Gallery, Los Angeles, CA, May 7 – June 1, 1968. 1969 Don Judd, Leo Castelli Gallery, 4 East 77th Street, New York, NY, January 4 – 25, 1969. Don Judd: Structures, Galerie Ileana Sonnabend, Paris, France, May 6 – 29, 1969. New Works, Galerie Bischofberger, Zürich, Switzerland, May – June 1969. Don Judd, Galerie Rudolf Zwirner, Cologne, Germany, June 4 – 30, 1969. Donald Judd, Irving Blum Gallery, Los Angeles, CA, September 16 – November 1, 1969. 1970 Don Judd, Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, January 16 – March 1, 1970; traveled to Folkwang Museum, Essen, Germany, April 11 – May 10, 1970; Kunstverein Hannover, Germany, June 20 – August 2, 1970; and Whitechapel Art Gallery, London, United Kingdom, September 29 – November 1, 1970 [catalogue]. Don Judd, The Helman Gallery, St. Louis, MO, April 3 – 29, 1970. Don Judd, Leo Castelli Gallery, 4 East 77th Street, and 108th Street Warehouse, New York, NY, April 11 – May 9, 1970.