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Reinventing, Downtown
Reinventing, Downtown By XICO GREENWALD | June 24, 2017 Abstract Expressionists Willem de Kooning, Jackson Pollock and Franz Kline urged a pair of friends to start an art gallery. Tibor de Nagy and John Bernard Myers followed their advice and, in 1950, on East 53rd Street, they opened the Tibor de Nagy Gallery. MEDRIE MACPHEE A Dream of Peace, 2017 oil and mixed media on canvas, 60 x 78 inches In the years to come, Mr. Myers and Mr. de Nagy would exhibit works by a number of second-generation Abstract Expressionists, including Alfred Leslie, Grace Hartigan, Robert Goodnough and Helen Frankenthaler. They also showed figurative paintings by the likes of Larry Rivers, Jane Freilicher, Fairfield Porter and Red Grooms. And Tibor de Nagy editions, the gallery’s book imprint, published poetry by Frank O’Hara, John Ashbery, Barbara Guest and others. Mr. Myers left the gallery in 1970. By that time, Tibor de Nagy had relocated to the 57th Street gallery district. When Mr. de Nagy died in 1993, he bequeathed his business to two young gallery assistants, Eric Brown and Andrew Arnot. Over the next 24 years, Mr. Arnot and Mr. Brown built on the gallery’s legacy together, exhibiting New York School pictures alongside works by select contemporary artists influenced by New York School poets and painters. But in the fast-paced New York art world, perhaps the only constant is change. Mr. Brown departed from the gallery this year. And now Mr. Arnot has relocated Tibor de Nagy to the Lower East Side, partnering with Betty Cuningham Gallery in a space-sharing agreement. -
Wayne State University College of Pharmacy 1974 Yearbook
Cunningham Drug Stores is on the threshold of a decade of growth. Although we are based in Detroit, our activities extend into sil states. In addition to our present activities, we have plans to expand in a manner that will not only take us into many additional areas but give us almost unlimited potential as well. The challenge of the 10's is here NOW at Cunningham's. We need competent professional men to help us meet that challenge. We want that one man out of every hundred who revels ·in com petition . that one man who will accept any challenge. If you are that one out of a hundred, we can offer you the opportunity for professional and personal growth and fulfillment. Cunningham's al so offers you a chance to enjoy professional status, to give service to your com munity, and to receive the financi al rewards your position merits. Call or write Richard Canter, Director of Personnel, Cunningham Drug Stores, 1921 Twelfth Street, Detroit, Michigan. THE WAYNE PHARMIC Or phone 313-963-1160. Volume 18 Number 2 SPRING, 1974 THE WA YNE PHARMIC THANK YOU The Wayne Pharmic is the official publication for W.S.U. The staff of The Wayne Pharmic wish to express their appreci College of Pharmacy, written by, for and about Pharmacy ation to Dr. Dunker for all his assistance in this publication. students, graduates, and faculty. CONTENTS STAFF The Dean's Corner . 3 Editor . ...................... ........ Kathy Zajac Greek Corner ... .. 4 Business Manager ... ... .. .. ......... Rick Maurer Rho Pi Phi............. .. .................... 4 Activity Coordinator .... ...... .. ... ... Lucy Wilczynski Lambda Kappa Sigma. -
JANE FREILICHER, MIRA DANCY, DANIEL HEIDKAMP January 6 - February 5, 2017 OPENING RECEPTION: Friday, January 6, 2017, 6-8Pm
! JANE FREILICHER, MIRA DANCY, DANIEL HEIDKAMP January 6 - February 5, 2017 OPENING RECEPTION: Friday, January 6, 2017, 6-8pm Derek Eller Gallery is pleased to present an exhibition of works by Jane Freilicher, Mira Dancy, and Daniel Heidkamp. Freilicher's historic paintings will be hung in conversation with new work by contemporary artists Dancy and Heidkamp in a show that highlights common interests: improvisation, painting as a window, studio as subject, and the desire to interact with, and, at times, reinvent the New York cityscape. From the 1950s until her death in 2014, Jane Freilicher painted images of the countryside and the city as seen from her studios in Watermill and Manhattan, New York. In company with the work of her peers Fairfield Porter and Larry Rivers, Freilicher’s paintings utilized expressionist technique but were in direct opposition to the heroic abstraction that was in vogue when she began her career. The gallery will exhibit paintings from the 1980s, 1990s and 2000s depicting the view from her lower Fifth Avenue studio window. This body of work documents the changing skyline of lower Jane Freilicher, Window on the West Village, 1999, oil on Manhattan, albeit imprecisely; Freilicher admittedly would linen, 24 x 28 inches. reinvent things when the paintings needed it. In a 2009 interview, poet and fellow New York School member John Ashbery described her work as “inviting the spectator to share her discovering of how impossible it is really to get anything down.” As a result of this process, the subject of these paintings seems less the city and more a celebration of intuitive image making or the sanctuary of the studio. -
Frank O'hara As a Visual Artist Daniella M
Student Publications Student Scholarship Spring 2018 Fusing Both Arts to an Inseparable Unity: Frank O'Hara as a Visual Artist Daniella M. Snyder Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the American Art and Architecture Commons, Art and Design Commons, and the Theory and Criticism Commons Share feedback about the accessibility of this item. Snyder, Daniella M., "Fusing Both Arts to an Inseparable Unity: Frank O'Hara as a Visual Artist" (2018). Student Publications. 615. https://cupola.gettysburg.edu/student_scholarship/615 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Fusing Both Arts to an Inseparable Unity: Frank O'Hara as a Visual Artist Abstract Frank O’Hara, a curator at the Museum of Modern Art in New York and a published poet in the 1950s and 60s, was an exemplary yet enigmatic figure in both the literary and art worlds. While he published poetry, wrote art criticism, and curated exhibitions—on Franz Kline, Robert Motherwell, and Jackson Pollock—he also collaborated on numerous projects with visual artists, including Larry Rivers, Michael Goldberg, Grace Hartigan, Joe Brainard, Jane Freilicher, and Norman Bluhm. Scholars who study O’Hara fail to recognize his work with the aforementioned visual artists, only considering him a “Painterly Poet” or a “Poet Among Painters,” but never a poet and a visual artist. Through W.J.T. Mitchell’s “imagetext” model, I apply a hybridized literary and visual analysis to understand O’Hara’s artistic work in a new way. -
Download Lot Listing
IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, May 10, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, May 10, 2017 at 11am EXHIBITION Saturday, May 6, 10am – 5pm Sunday, May 7, Noon – 5pm Monday, May 8, 10am – 6pm Tuesday, May 9, 9am – Noon LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-118 Elsie Adler European 1-66 The Eileen & Herbert C. Bernard Collection American 67-118 Charles Austin Buck Roberta K. Cohn & Richard A. Cohn, Ltd. POST-WAR & CONTEMPORARY ART 119-235 A Connecticut Collector Post-War 119-199 Claudia Cosla, New York Contemporary 200-235 Ronnie Cutrone EUROPEAN ART Mildred and Jack Feinblatt Glossary I Dr. Paul Hershenson Conditions of Sale II Myrtle Barnes Jones Terms of Guarantee IV Mary Kettaneh Information on Sales & Use Tax V The Collection of Willa Kim and William Pène du Bois Buying at Doyle VI Carol Mercer Selling at Doyle VIII A New Jersey Estate Auction Schedule IX A New York and Connecticut Estate Company Directory X A New York Estate Absentee Bid Form XII Miriam and Howard Rand, Beverly Hills, California Dorothy Wassyng INCLUDING PROPERTY FROM A Private Beverly Hills Collector The Collection of Mr. and Mrs. Raymond J. Horowitz sold for the benefit of the Bard Graduate Center A New England Collection A New York Collector The Jessye Norman ‘White Gates’ Collection A Pennsylvania Collection A Private -
Parrish Art Museum Annual Report 2019
REPORT 2019 PARRISH ART MUSEUM METRICS 60,981 734 TOTAL ATTENDANCE EDITORIAL PLACEMENTS 1,753 66 RESIDENT BENEFITS MEMBERS SCHOOL & COMMUNITY PARTNERSHIPS 4,173 305 MUSEUM MEMBERS ARTS + LANGUAGE STUDENTS ENGAGED 18 375 EXHIBITIONS ARTIST-IN-RESIDENCY STUDENTS 141 1,350 NEW ACQUISITIONS ACCESS PARRISH PARTICIPANTS 151 253 PERMANENT COLLECTION WORKS ON VIEW COLLABORATIVE & OUTREACH PROGRAMS 72 335 CONCERTS, TALKS, FILMS, PROGRAMS SCHOOL, GROUP, AND DOCENT-LED TOURS 30,024 81 SOCIAL MEDIA FOLLOWERS WORKSHOP SESSIONS FOR ADULTS 437 114 MOBILE APP USERS FAMILY PROGRAMS AND VACATION WORKSHOPS 2019 HIGHLIGHTS In 2019, the Parrish Art Museum continued its commitment to deepening The Education department, in addition to a rich schedule of classes and and expanding community partnerships; presenting engaging, unique workshops for children and adults, completed its fourth successful year of public programs; creating initiatives targeting underserved groups; Access Parrish, reaching nearly 1,400 people through 8 community organizing exhibitions that offered fresh scholarship on important artists partnership. 2019 marked the launch of Art in Corrections—a pilot and timely topics; and building its collection through the generosity of program at Suffolk County Correctional Facility in Riverhead, facilitated by foundations, artists, and individuals. The Museum added 140 new our own teaching artists Monica Banks, Jeremy Dennis, Eric Dever, Laurie paintings, photographs, and drawings in 2019, and more than 60 were on Lambrecht, Bastienne Schmidt, and Barbara Thomas. view. We are grateful for everyone who supported the Museum in 2019— We are truly grateful to The Saul Steinberg Foundation for its gift of 64 Our program and education funders and supporters of benefit events like works by the artist, and to Louis K. -
Share Your Creations with Us on Social Media! Follow Us @Curriermuseum on Instagram and Follow Us on Facebook. #Currierfromhome
Jane Freilicher was an American representational painter known for her distinctive painterly realism. She is most noted for her Long Island landscapes seen from her Water Mill studio window, and her views of downtown Manhattan, often juxtaposed with still life objects in the foreground. Notice the tree in the foreground of Cherry Blossoms. Freilicher came of age in the era of Abstract Expressionism at the center of a group of influential artists and poets, including painters Willem de Kooning, Rudy Burckhardt, Joan Mitchell, Larry Rivers, Fairfield Porter, Alex Katz and Jane Freilicher, Cherry Blossoms poets John Ashbery, Kenneth Koch, and Frank O’Hara. To Painted Outdoors, 1977. Oil on learn more about Abstract Expressionism in the Currier’s canvas, 36 in. x 36 in. Gift of collection click here. Howard and Beverly Zagor. Activity: Q-tip Tree Painting Materials: • Paper and pencil • Drawing utensils such as crayons, markers, or colored pencils • Q-tips • Paint • Cups for paint Directions: • Use your pencil to draw a simple tree on your paper. • Add color to the ground and tree trunk and branches using your drawing utensils. • Dip a Q-tip in a paint color and dot it onto the paper to create leaves and flowers in the branches of the tree. Try layering different colors. • Use the Q-tip to add more dots to the ground for fallen leaves. Tips: • Try different color combinations to represent different times of the year, such as light green, pink, and white for spring cherry blossom trees or red, orange, and yellow for autumn foliage. • See what other household items you can use as a “paintbrush” such as toothpicks or chopsticks. -
Jane Freilicher Selected Press
JANE FREILICHER SELECTED PRESS Jane Freilicher Is the "Absurdly Underrated" Artist Who Painted Flowers Like No One Else Could JULIA FELSENTHAL APRIL 20, 2018 [EXTRACT] Jane Freilicher, Early New York Evening, 1954 Photo: Courtesy of Paul Kasmin Gallery 509 West 27th Street New York NY 10001 + 1 212 563 4474 kasmingallery.com Jane Freilicher in the studio, 1972, Photo: Joe Hazan. Jane Freilicher, The Painting Table, 1954. Photo: Courtesy of Paul Kasmin Gallery. The paintings in the Kasmin show—all but two date back to the ’50s (many hung in her and Ashbery’s homes)—were made in the heady early days of these creative friendships (Hazan compares her mother and the poets to Patti Smith and Robert Mapplethorpe in Just Kids). It was an era when O’Hara, who wrote a slew of poems devoted to “Jane,” would come over and help her stretch her canvases; when Ashbery would drop by to watch her paint; when Kenneth Koch, her onetime upstairs neighbor, would don a gorilla mask and scare passengers on the elevated train that rumbled past their windows. (He once said of Freilicher: “I never enjoyed conversation with anyone so much in my 509 West 27th Street New York NY 10001 + 1 212 563 4474 kasmingallery.com life.”) A pair of paintings were made in 1952, the year that Ashbery, O’Hara, and James Schuyler motored out to the Hamptons to shoot a short film penned by Schuyler called Presenting Jane. They never finished it, but recently recovered clips of the footage reveal a very young Freilicher seemingly walking on water. -
Eyewitness Top 10 Travel Guides
TOP 10 MADEIRA CHRISTOPHER CATLING EYEWITNESS TRAVEL Left Funchal Casino Middle Flower sellers at Funchal market Right Casks of Verdelho Madeira Contents Contents Madeira’s Top 10 Produced by DP Services, London Funchal Cathedral (Sé) 8 Reproduced by Colourscan, Singapore Printed and bound in Italy by Graphicom Museu de Arte Sacra, First American Edition, 2005 07 08 09 10 9 8 7 6 5 4 3 2 1 Funchal 10 Published in the United States by DK Publishing, Inc., Adegas de São Francisco, 375 Hudson Street, New York, New York 10014 Funchal 12 Reprinted with revisions 2007 Museu da Quinta das Copyright 2005, 2007 © Dorling Kindersley Limited, London A Penguin Company Cruzes, Funchal 14 All rights reserved under International and Pan- American Copyright Conventions. No part of this Mercado dos Lavradores, publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any Funchal 18 means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission of the copyright owner. Published in Jardim Botânico, Funchal 20 Great Britain by Dorling Kindersley Limited ISSN 1479-344X Quinta ISBN 0-75660-905-4 ISBN 978-0-75660-905-4 do Palheiro Ferreiro 24 Within each Top 10 list in this book, no hierarchy of quality or popularity is implied. Monte 26 All 10 are, in the editor’s opinion, of roughly equal merit. Curral das Freiras 30 Floors are referred to throughout in accordance with Portuguese usage; ie the “first floor” is the floor above ground level. Pico do Arieiro 32 The information in this DK Eyewitness Top 10 Travel Guide is checked regularly. -
Gruen Press Release-1
YOUNG IN THE HAMPTONS Photographs of the 1950s & 1960s by John Jonas Gruen September 18-October 31, 2013 Opening Reception: Wednesday, September 18, 6-8 pm _________________________________________________________________ “How good it was to be young and in the Hamptons!” writes John Jonas Gruen, who was indeed young and in the Hamptons during the golden years of the 1950s and 1960s. Gruen, a leading photographer and art and music critic of the age, documented this mythical era with hundreds of black and white photographs of legendary painters, poets, actors, musicians, composers and conductors, taken over many summers throughout these decades. Young, sexy and carefree, these were the towering figures in their fields, before they even knew that they were. These were the artists who gave birth to the painting movement of Abstract Expressionism, the literary style known as the New York School of Poets and the Minimalism of mid century composers. Selections from this photography series have been shown in galleries in Southampton and Miami, but this upcoming exhibition at Susan Eley Fine Art will be the first showing in a New York City gallery of these portraits as an entity. The some 45 photographs--on view from September 18-October 31, 2013--have been carefully selected with Gruen and his assistant/co-editor Sam Swasey. Many of the images were published in 2003 in the book Young In the Hamptons, and the Whitney Museum of American Art owns about 300 images from the series. Among the subjects featured are painters Willem de Kooning, Jasper Johns, Robert Rauschenberg, Jim Dine, Larry Rivers; poets Frank O’Hara, John Ashbery, Kenneth Koch, James Schuyler; playwright Edward Albee; composer Leonard Bernstein; pianists Robert Fizdale and Arthur Gold; acting teacher Stella Adler and art dealer Tibor de Nagy. -
Reconsidering the Immigration Story of President Woodrow Wilson's
Reconsidering the Immigration Story of President Woodrow Wilson’s Paternal Grandparents By Erick Montgomery Accounts of James Wilson and his wife specify different origins in the North of Ireland, imply varying dates, and disagree on other details. Which facts hold up to today’s standards? uccessive biographers refine and reinterpret American presidential histories. They may repeat incorrect information, including ancestry, Swithout revisiting documentation, using today’s research technologies, or applying modern genealogy standards. This was the case with stories of President Woodrow Wilson’s paternal ancestry. The president’s grandfather, James Wilson of Steubenville, Ohio, was born on 20 February 1787 and died on 17 October 1850.1 He was a newspaper publisher, Whig politician, successful businessman, and abolitionist.2 His wife, Ann (Adams) Wilson, born on 29 December 1791, died at her daughter Elizabeth Begges’s home in Cleveland, Ohio, on 6 September 1863.3 TRADITIONAL REPORTS Accounts of James Wilson and his wife specify conflicting origins in the North of Ireland, imply varying dates, and disagree on other details. Sources include © Erick Montgomery; Historic Augusta, Incorporated; Post Office Box 37; Augusta, GA 30903; [email protected]. Mr. Montgomery, executive director of Historic Augusta, is the author of Thomas Woodrow Wilson: Family Ties and Southern Perspectives (Augusta, Ga.: Historic Augusta, 2006). The author thanks Nicola Morris for transcribing articles from Irish newspapers. Referenced websites were accessed on 5 March 2014. 1. Union Cemetery (Steubenville, Ohio), James and Ann A. Wilson gravestone; photograph by author, 2004; author’s files. Also, “Sudden Demise,”Steubenville Weekly Herald, Steubenville, Ohio, 23 October 1850, page 2, col. -
Our Lady of Good Counsel Church
OurOur LadyLady ofof GoodGood CounselCounsel ChurchChurch 2500 Bermuda Ave., San Leandro, CA Mailing address : 14112 Azores Place, San Leandro, CA 94577 OFFICE : (510) 614-2765 RECTORY: (510) 969-7013 Parish Office hour : 9:30 AM—2:30 PM Monday to Friday Pastor: FR. JAN RUDZEWICZ DEACON THOMAS MARTIN Secretary: LINO POBLETE www.olgcsanleandro.com RADICAL TRANSFORMATION On this Thirteenth Sunday in Ordinary Time, the readings describe anything but an ordinary time. They are disturbing and they leave us disturbed. The Old Testament reading recounts a young man’s radi- cal break with the past to follow a new path. The Gospel describes how life as we know it is abruptly changed if we follow the call of Christ. The psalm and Paul assure us that such life-altering change is possible only because of the power of God’s love. We are presented with a stark choice. To love as God loves, we must leave our old lives behind. We must leave behind not just the bad, the selfish, and the evil but the ordi- nary, our daily work, and the important, our families, our lives. Loving as God loves requires a radical transformation, not a smooth transition. THIRTEENTH SUNDAY IN ORDINARY TIME— JUNE 30, 2019 BAPTISMS AND WEDDING MASSES: Call Rectory : (510) 969-7013 Saturday Vigil : 5:00 pm Sunday: 8:30am, 11:00am & 12:30 pm (in Polish) ADORATION IN THE CHAPEL Weekdays: (Monday - Friday ) 9:00 am Monday—Saturday—9:30am—7 pm First Saturday—8:00 am First Friday– 8pm-9pm—at the Church 9pm-12mn—at the Chapel Holy Days: 9:00 am & 7:30 pm PARISH HALL INFORMATION Second