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SOL LEWITT Selected Books and Catalogues 2011 Dander, Patrizia and Ulrich Wilmes, eds. A Bit of Matter and a Little Bit More: Daled Collection. Verlag der Buchhandlung Walther Konig, Cologne, Germany, 2011, p. 224- 229. Davidson, Margaret. Contemporary Drawing: Key Concepts and Techniques. Watson- Guptill Publications, New York, NY, 2011, p. 62-63. Extended Drawing: Sol LeWitt, Robert Mangold, Bruce Nauman, Richard Serra, exhibition brochure, Bonnefantenmuseum, Maastricht, The Netherlands, p. 2-19. Weatherspoon Art Museum: 70 Years of Collecting, Weatherspoon Art Museum, Greensboro, 2011, p. 150. Witkovsky, Matthew, ed. Light Years: Conceptual Art and Photograph, 1964-1977, Art Institute of Chicago and Yale University Press; p. 28-29, 246-248. Modern Art, 1870-2000, Taschen, 2011, p. 517-528, 532-533. 2010 Furthermore, Fraenkel Gallery, San Francisco, CA, 2010, p. 16. Getlein, Mark. Living with Art, Ninth Edition, McGraw-Hill Companies, Inc., 2010, p. 154. Corwin, Sharon, Elizabeth Finch, and Lauren Lessing. Art at Colby: Celebrating the Fiftieth Anniversary of the Colby College Museum of Art, Colby College Museum of Art, Waterville, ME, 2009, p. 330-333. Arnason, H.H., and Elizabeth C. Mansfield. History of Modern Art, Sixth Edition, Pearson Education, Inc., Prentice Hall, Upper Saddle River, NJ, 2010, p. 548. 2009 Schellmann, Jörg. Forty Are Better Than One: Edition Schellmann 1969-2009, Schellmann Art Production, Munich and New York, 2009, p. 212-219, 374, 379, 389, 398-399, 403, 413, 427, 433-435. Thomas, Elizabeth. Matrix: Berkeley A Changing Exhibition of Contemporary Art, University of California, Berkeley Art Museum and Pacific Film Archive, 2009, p. 131. Yale University Art Gallery Bulletin 2009, State of the Art: Contemporary Sculpture, Yale University Art Gallery, New Haven, CT, 2009, p. 204. Lodermeyer, Peter, Karlyn de Jongh and Sarah Gold. Personal Structures: Time, Space, Existence, DuMont Buchverlag Gmbh & Co. KG, Cologne, Germany, 2009, p. 426- 427. Bonham-Carter, Charlotte and David Hodge. The Contemporary Art Book, Goodman, 2009, p. 139. Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné, The Museum of Modern Art, New York, 2009, p. 175-176. Cross, Susan, Markonish, Denise. Sol LeWitt 100 Views, MASS MoCA, North Adams, 2009. Cherix, Christophe. In & Out of Amsterdam: Travels in Conceptual Art. 1960-1976, The Museum of Modern Art, New York, NY, 2009, p. 99-106. Archer, Michael. Itʼs Like This, Hiroshima City Museum of Contemporary Art, Japan, 2009, p. 42. Kellein, Thomas. 1968. Die Grobe Unschuld, Kunsthalle Bielefeld, Germany, DuMont Buchverlag, 2009, p. 16, 38, 89, 259, 292, 307, 316, 408, 451, 501, 549. Maffei, Giorgio, Emanuele De Donno. Sol LeWitt Artist’s Books, Edizioni Viaindustriae, CMF Moduli, Foligno, Italy 2009. 2008 Cohen, Jean-Louis. New York. Paris: Citadelles & Mazenod, 2008. p. 419, 421. The Castle, The Collection. Castello di Rivoli Museum of Contemporary Art, Skira Editore, Milan, Italy 2008, p. 331-332. Order. Desire. Light. Contemporary Drawing. Irish Museum of Modern Art, Dublin, Ireland, 2008, p. 96. Glenstone: The Inaugural Exhibition. Glenstone Foundation, Potomac, MD, 2008, p.156. This Is Not To Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles, The Museum of Contemporary Art, Los Angeles, CA, 2008, p. 172-173. Heartney, Eleanor. Art & Today, Phaidon Press, New York, NY, 2008, p. 84, 86, 88, 298. Eshoo, Amy, ed. 560 Broadway: A New York Drawing Collection at Work, 1991-2006. Yale University Press, New Haven, CT, 2008. 2007 Treasures of the DIA: Detroit Institute of Arts, Detroit Institute of Arts, Detroit, 2007, p. 428. Art Works: The Progressive Collection, Distributed Art Publishers, New York, NY, 2007, p.104. Dreishpoon, Douglas, and David Bonetti. The Panza Collection: An Experience of Color and Light, The Buffalo Fine Arts Academy, Buffalo, New York, 2007. Contemporary + Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, CT, 2007. Kotz, Liz. Words to Be Looked At: Language in 1960ʼs Art, The MIT Press, London, England, 2007. Design contre Design, Galeries Nationales du Grand Palais, Paris, France, 2007. Wallworks: Contemporary Artists and Place, Art Gallery Ontario, Toronto, Ontario, 2007, p. 39-43. Bickers, Patricia and Andrew Wilson, eds. Talking Art: Inteviews with Artists Since 1976. London: Art Monthly and Ridinghouse, 2007, p. 414-421. Sol LeWitt: Scribble Wall Drawings, Pace Wildenstein, New York, NY, 2007. De Corral, Maria and John Lane. Fast Forward; Contemporary Collections for the Dallas Museum of Art, Dallas Museum of Art and Yale University Press, New Haven and London, CT, 2007, p .34, 51, 137. 2006 Art Metropole: The Top 100. National Gallery of Canada, Ottowa, Canada, 2006, p. 59, 73. Six Feet Under: Autopsy of Our Relation to the Dead, Kunstmuseum Bern, 2006, p. 92, 113, 154, 212, 217. van Voolen, Edward. My Grandparents, My Parents and I: Jewish Art and Culture, Munich: Prestel Verlag, 2006, p. 154-155. Nothing and Everything, Fraenkel Gallery, San Francisco, and Peter Freeman, Inc., New York, 2006, p. 12. Swanson, Dean, Stephen Fleischman and Martin Friedman. LeWitt x 2: Structure and Line and Selections from the LeWitt Collection, Madison: Madison Museum of Contemporary Art, 2006. Liesbrock, Heinz. Sol LeWitt: Seven Basic Colors and All their Combinations in a Square Within a Square, Dänischenhagen: Richter Verlag, 2006. Coen, Ester and Giovanni Maria Accame. Sol LeWitt, Galleria Studio G7, Bologna, Italy: Damiani, 2006. Ideal City – Invisible Cities, European Art Projects, Berlin, Germany, 2006, p. 216-221. 2005 Stedelijk Museum Amsterdam 2003/2004, Beeldrecht, Amsterdam, 2005, p. 9. Guglielmino, Giorgio. Ladies & Gentelmen, Torino, 2005, p. 70. Sol LeWitt, Madison Square Park Conservancy, New York, NY. 2004 Pakesch, Peter. Sol LeWitt: Wall, Kunthaus Graz am Landesmuseum Johanneum, Köln: Verlag der Buchhandlung Walther König, 2004. Design ≠ Art: Functional Objects from Donald Judd to Rachel Whiteread, Cooper-Hewitt, National Design Museum, New York, 2004. Goldstein, Ann. A Minimal Future? Art As Object 1958-1968, The Museum of Contemporary Art, Los Angeles, CA, 2004, p. 266-269. Ozaki, Shinichiro, ed. Traces: Body and Idea in Contemporary Art, The National Museum of Modern Art, Kyoto, Japan, 2004, p. 262-263. Singular Forms (Sometimes Repeated): Art from 1951 to the Present, The Solomon R. Guggenheim Foundation, New York, 2004. 2003 Buskirk, Martha. The Contingent of Contemporary Art, The MIT Press, Massachusetts, 2003, p. 39-40, 45-46, 48, 52,198, 215, 217. Ross, James, ed. The Farm, Keystone Conservancy Limited, Kaipara, New Zealand, 2003. Work Ethic, The Pennsylvania State University Press, PA, 2003, p. 158-159. 2002 Works From the DaimlerChrysler Collection and from the Paul Maenz Collection: A Dialogue. Berlin: Impressum, 2002. 2001 LeWitt, Sol, Adachiara Zevi. Sol Lewitt Wall Drawings, Proa Fundacion, Buenos Aires, Argentina, December 2001. Kellein, Thomas, ed. Art Works: The Marzona Collection Art around 1968, Hatje Cantz Verlag, Germany, 2001, p. 110 - 115. LeWitt, Sol and Sachiko Cho. Equivalent, Kusnacht: Inktree Eds, 2001. Marzona Villa Manin: a private collection. Hatje Cantz, Germany, 2001, p. 46-47, 113, 180-181. Potts, Alex. The Sculptural Imagination, Yale University Press, New Haven and London, 2001, p. 256, 289, 340. Alberro, Alexander, and Patricia Norvell. Recording Conceptual Art, Berkeley: University of California Press, 2001, p. 112-23. Rorimer, Anne. New Art in the 60s and 70s Redefining Reality, Thames & Hudson Ltd., London, 2001, p. 22, 23, 154-160, 230-233. 2000 Garrels, Gary, ed. Sol LeWitt: A Retrospective, The San Francisco Museum of Modern Art, New Haven: Yale University Press, 2000. Nacking, Asa, and Bo Nilsson, eds. Century Of Innocence: The History of the White Monochrome, Rooseum Center for Contemporary Art, Malmo Sweden, and Liljevalchs Konsthall, Stockholm, Sweden. 1999 Emerson, Stephanie. Afterimage: Drawing Through Process, The Museum of Contemporary Art, Los Angeles, CA, The MIT Press, Cambridge, MA and London, England. The American Century: Art & Culture 1950 - 2000, The Whitney Museum of American Art, New York, New York, 1999. Princenthal, Nancy. Sol LeWitt Wall Drawings, Paula Cooper Gallery. New York, 1999. Schick, Ulrike. Sol LeWitt Wall Drawing, Museum Moderner Kunst Landkreis Cuxhaven, Otterndorf, Germany. 1998 Causey, Andrew. Sculpture Since 1945, Oxford University Press. Borthe, Rolf. Die Sammlung Paul Maenz, Neues Museum Weimar, Cantz Verlag. Sauer, Christel. Minimal Art: Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Morris, Bank Brussels Lambert, 1998. Cora, Bruno. Sol LeWitt in Italia, Centro Espositivo della Rocca Paolina, Perugia, Italy. 1997 Davies, Hugh. Blurring the Boundaries: Installation Art 1969-1996, Museum of Contemporary Art, San Diego, CA. Iles, Chrissie, and Russell Roberts, eds. In Visible Light: Photography and Classification in Art, Science and the Everyday, Museum of Modern Art, Oxford, England. Stringer, John. Material Perfection: Minimal Art & Its Aftermath: Selected from the Kerry Stokes Collection, Lawrence Wilson Art Gallery, University of Western Australia, Perth, Australia. Fine, Ruth E., Karin Breuer, and Steven A. Nash. Thirty Five Years at Crown Point Press: Making Prints, Doing Art, University of California Press, Berkeley and Los Angeles, 1997. 1996 Drucker, Johanna, ed. Art at the End of the 20th Century: Selections from the Whitney
Recommended publications
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    SOL LEWITT SELECTED BIBLIOGRAPHY BOOKS AND EXHIBITION CATALOGUES 2018 American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 186–187, illustrated. Cameron, Dan and Fatima Manalili. The Avant-Garde Collection. Newport Beach, California: Orange County Museum of Art, 2018: 57, illustrated. Destination Art: 500 Artworks Worth the Trip. New York: Phaidon, 2018: 294, 374, illustrated. LeWitt, Sol. “Sol LeWitt: A Primary Medium.” In Auping, Michael. 40 Years: Just Talking About Art. Fort Worth, Texas and Munich: Modern Art Museum of Fort Worth; DelMonico BooksꞏPrestel, 2018: 84–87, illustrated. Picasso – Gorky – Warhol: Sculptures and Works on Paper, Collection Hubert Looser (exhibition catalogue). Edited by Florian Steininger. Krems an der Donau, Austria and Zürich: Kunsthalle Krems; Fondation Hubert Looser, 2018: 104, illustrated. Sol LeWitt: Between the Lines (exhibition catalogue). Texts by Francesco Stocchi. Rem Koolhaas and Adachiara Zevi. Milan: Fondazione Carriero, 2018 Sol LeWitt: Wall Drawings. Edited by Lindsay Aveilhé. [New York]: Artifex Press, 2018. 2017 Sol LeWitt: Selected Bibliography—Books 2 The Art Museum. London: Phaidon, 2017: 387, illustrated. Booknesses: Artists’ Books from the Jack Ginsberg Collection (exhibition catalogue). Johannesburg, South Africa: University of Johannesburg Art Gallery, 2017: 129, 151, 221, illustrated. Delirious: Art at the Limits of Reason 1950–1980 (exhibition catalogue). Texts by Kelly Baum, Lucy Bradnock and Tina Rivers Ryan. New York: Met Breuer, 2017: pl.21, 22, 23, 24, illustrated. Doss, Erika. American Art of the 20th–21st Centuries. New York and Oxford: Oxford University Press, 2017: fig. 113, p.178, illustrated. Gross, Béatrice.
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  • Galerie Lelong &

    Galerie Lelong &

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  • Treatment of Donald Judd's Untitled 1977

    Treatment of Donald Judd's Untitled 1977

    Article: Treatment of Donald Judd’s Untitled 1977: Retention of the original acrylic sheets Author(s): Eleonora E. Nagy, Bettina Landgrebe, and Shelley M. Smith Source: Objects Specialty Group Postprints, Volume Eighteen, 2011 Pages: 113-125 Compilers: Sanchita Balachandran, Christine Del Re, and Carolyn Riccardelli © 2011 by The American Institute for Conservation of Historic & Artistic Works, 1156 15th Street NW, Suite 320, Washington, DC 20005. (202) 452-9545 www.conservation-us.org Under a licensing agreement, individual authors retain copyright to their work and extend publications rights to the American Institute for Conservation. Objects Specialty Group Postprints is published annually by the Objects Specialty Group (OSG) of the American Institute for Conservation of Historic & Artistic Works (AIC). A membership benefit of the Objects Specialty Group, Objects Specialty Group Postprints is mainly comprised of papers presented at OSG sessions at AIC Annual Meetings and is intended to inform and educate conservation-related disciplines. Papers presented in Objects Specialty Group Postprints, Volume Eighteen, 2011 have been edited for clarity and content but have not undergone a formal process of peer review. This publication is primarily intended for the members of the Objects Specialty Group of the American Institute for Conservation of Historic & Artistic Works. Responsibility for the methods and materials described herein rests solely with the authors, whose articles should not be considered official statements of the OSG or the AIC. The OSG is an approved division of the AIC but does not necessarily represent the AIC policy or opinions. TREATMENT OF DONALD JUDD’S UNTITLED 1977: RETENTION OF THE ORIGINAL ACRYLIC SHEETS ELEONORA E.