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Helen Pashgianhelen Helen Pashgian L Acm a Delmonico • Prestel
HELEN HELEN PASHGIAN ELIEL HELEN PASHGIAN LACMA DELMONICO • PRESTEL HELEN CAROL S. ELIEL PASHGIAN 9 This exhibition was organized by the Published in conjunction with the exhibition Helen Pashgian: Light Invisible Los Angeles County Museum of Art. Funding at the Los Angeles County Museum of Art, Los Angeles, California is provided by the Director’s Circle, with additional support from Suzanne Deal Booth (March 30–June 29, 2014). and David G. Booth. EXHIBITION ITINERARY Published by the Los Angeles County All rights reserved. No part of this book may Museum of Art be reproduced or transmitted in any form Los Angeles County Museum of Art 5905 Wilshire Boulevard or by any means, electronic or mechanical, March 30–June 29, 2014 Los Angeles, California 90036 including photocopy, recording, or any other (323) 857-6000 information storage and retrieval system, Frist Center for the Visual Arts, Nashville www.lacma.org or otherwise without written permission from September 26, 2014–January 4, 2015 the publishers. Head of Publications: Lisa Gabrielle Mark Editor: Jennifer MacNair Stitt ISBN 978-3-7913-5385-2 Rights and Reproductions: Dawson Weber Creative Director: Lorraine Wild Designer: Xiaoqing Wang FRONT COVER, BACK COVER, Proofreader: Jane Hyun PAGES 3–6, 10, AND 11 Untitled, 2012–13, details and installation view Formed acrylic 1 Color Separator, Printer, and Binder: 12 parts, each approx. 96 17 ⁄2 20 inches PR1MARY COLOR In Helen Pashgian: Light Invisible, Los Angeles County Museum of Art, 2014 This book is typeset in Locator. PAGE 9 Helen Pashgian at work, Pasadena, 1970 Copyright ¦ 2014 Los Angeles County Museum of Art Printed and bound in Los Angeles, California Published in 2014 by the Los Angeles County Museum of Art In association with DelMonico Books • Prestel Prestel, a member of Verlagsgruppe Random House GmbH Prestel Verlag Neumarkter Strasse 28 81673 Munich Germany Tel.: +49 (0)89 41 36 0 Fax: +49 (0)89 41 36 23 35 Prestel Publishing Ltd. -
Ellsworth Kelly and Andy Warhol Lead Swann Galleries' November
FOR IMMEDIATE RELEASE Contact: Alexandra Nelson October 25, 2016 Communications Director 212-254-4710 ext. 19 [email protected] Ellsworth Kelly and Andy Warhol Lead Swann Galleries’ November Contemporary Art Auction New York— On Tuesday, November 15, Swann Galleries will hold an auction of Contemporary Art, featuring works by Chuck Close, Christo, Richard Diebenkorn, Claes Oldenburg and Cy Twombly, among others. Prime works by Pop Art king Andy Warhol include the iconic 1964 screenprint of Elizabeth Taylor, aptly titled Liz, as well as the screenprint Campbell’s Soup I: Green Pea, 1968 ($30,000 to $50,000 and $15,000 to $20,000, respectively). Also available is a sheet of sixty unpeeled Banana Stickers (The Velvet Underground & Nico), 1967, the largest amount of intact stickers related to the landmark collaboration between Warhol and The Velvet Underground ever seen at auction, estimated to sell between $8,000 to $12,000. Abstract Expressionist masters are well represented. An excellent work from Robert Motherwell’s Elegy to the Spanish Republic series titled Lament for Lorca, 1981-82, is estimated at $10,000 to $15,000. Willem de Kooning’s first lithograph with printer Irwin Hollander, Woman at Clearwater Beach, 1971, is also present. According to Hollander, the work was inspired by the artist’s “trip to Japan…the seeing and feeling of calligraphy, sumi brush and Zen”—it is expected to realize $8,000 to $12,000. There is also a run of moody works by Adolph Gottlieb. Bridging print and sculpture is Jean Dubuffet’s Parcours, 1981, an unusual scrolled screenprint on silk. -
About Henry Street Settlement
TO BENEFIT Henry Street Settlement ORGANIZED BY Art Dealers Association of America March 1– 5, Gala Preview February 28 FOUNDED 1962 Park Avenue Armory at 67th Street, New York City MEDIA MATERIALS Lead sponsoring partner of The Art Show The ADAA Announces Program Highlights at the 2017 Edition of The Art Show ART DEALERS ASSOCIATION OF AMERICA 205 Lexington Avenue, Suite #901 New York, NY 10016 [email protected] www.artdealers.org tel: 212.488.5550 fax: 646.688.6809 Images (left to right): Scott Olson, Untitled (2016), courtesy James Cohan; Larry Bell with Untitled (Wedge) at GE Headquarters, Fairfield, CT in 1984, courtesy Anthony Meier Fine Arts; George Inness, A June Day (1881), courtesy Thomas Colville Fine Art. #TheArtShowNYC Program Features Keynote Event with Museum and Cultural Leaders from across the U.S., a Silent Bidding Sale of an Alexander Calder Sculpture to Benefit the ADAA Foundation, and the Annual Art Show Gala Preview to Benefit Henry Street Settlement ADAA Member Galleries Will Present Ambitious Solo Exhibitions, Group Shows, and New Works at The Art Show, March 1–5, 2017 To download hi-res images of highlights of The Art Show, visit http://bit.ly/2kSTTPW New York, January 25, 2017—The Art Dealers Association of America (ADAA) today announced additional program highlights of the 2017 edition of The Art Show. The nation’s most respected and longest-running art fair will take place on March 1-5, 2017, at the Park Avenue Armory in New York, with a Gala Preview on February 28 to benefit Henry Street Settlement. -
Marian Goodman Gallery Robert Smithson
MARIAN GOODMAN GALLERY ROBERT SMITHSON Born: Passaic, New Jersey, 1938 Died: Amarillo, Texas, 1973 SELECTED SOLO EXHIBITIONS 2018 Robert Smithson: Time Crystals, University of Queensland, BrisBane; Monash University Art Museum, MelBourne 2015 Robert Smithson: Pop, James Cohan, New York, New York 2014 Robert Smithson: New Jersey Earthworks, Montclair Museum of Art, Montclair, New Jersey 2013 Robert Smithson in Texas, Dallas Museum of Art, Dallas, Texas 2012 Robert Smithson: The Invention of Landscape, Museum für Gegenwartskunst Siegen, Unteres Schloss, Germany; Reykjavik Art Museum, Reykjavik, Iceland 2011 Robert Smithson in Emmen, Broken Circle/Spiral Hill Revisited, CBK Emmen (Center for Visual Arts), Emmen, the Netherlands 2010 IKONS, Religious Drawings and Sculptures from 1960, Art Basel 41, Basel, Switzerland 2008 Robert Smithson POP Works, 1961-1964, Art Kabinett, Art Basel Miami Beach, Miami, Florida 2004 Robert Smithson, Museum of Contemporary Art, Los Angeles, California; Dallas Museum of Art, Dallas, Texas; Whitney Museum of American Art, New York, New York 2003 Robert Smithson in Vancouver: A Fragment of a Greater Fragmentation, Vancouver Art Gallery, Canada Rundown, curated by Cornelia Lauf and Elyse Goldberg, American Academy in Rome, Italy 2001 Mapping Dislocations, James Cohan Gallery, New York 2000 Robert Smithson, curated by Eva Schmidt, Kai Voeckler, Sabine Folie, Kunsthalle Wein am Karlsplatz, Vienna, Austria new york paris london www.mariangoodman.com MARIAN GOODMAN GALLERY Robert Smithson: The Spiral Jetty, organized -
Sol Lewitt Selected One-Artist
SOL LEWITT SELECTED ONE-ARTIST EXHIBITIONS DATES Born 1928, Hartford, Connecticut Died 2007, New York, New York EDUCATION 1949, Syracuse University, New York, BFA 2018 Sol LeWitt: Large Gouaches, Paula Cooper Gallery, New York, November 3–December 15, 2018. Sol LeWitt: Lines in All Directions, Mignoni, New York, November 1, 2018–February 9, 2019. By Hand: Sol LeWitt, The Mattatuck Museum, Waterbury, Connecticut, April 8–June 10, 2018. Sol LeWitt Wall Drawings: Expanding a Legacy, Yale University Art Gallery, New Haven, March 2–July 8, 2018 (extended through January 27, 2019). Sol LeWitt, Honor Fraser Gallery, Los Angeles, February 17–April 7, 2018. Sol LeWitt: 1 + 1 = 1 Million, Vito Schnabel Gallery, St. Moritz, Switzerland, February 15–March 11, 2018. 2017 Sol LeWitt: Selected One-artist Exhibitions 2 Sol LeWitt: Between the Lines, Fondazione Carriero, Milan, November 17, 2017–June 24, 2018. (Catalogue) Sol LeWitt: Structures, Massachusetts Museum of Contemporary Art, North Adams, opened May 28, 2017. One Wall, One Work: Sol LeWitt, Barbara Krakow Gallery, Boston, January 3–March 11, 2017. Sol LeWitt: 6 Wall Drawings, Musee des Beaux-Arts, Le Locle, Switzerland, February 19–October 15, 2017. 2016 Sol LeWitt: Wall Drawing #1183: Eight Bands of Color, Cahiers D’Art Gallery, Paris, October 20, 2016– January 28, 2017. Sol LeWitt, Paula Cooper Gallery, New York, September 8–October 22, 2016. Sol LeWitt, Cardi Gallery, Milan, January 27–April 15, 2016. 2015 Sol LeWitt, Galería Elvira González, Madrid, September 12–October 31, 2015. Sol LeWitt: Wall Drawings, Grids on Black and White, Konrad Fischer Galerie, Berlin, September 4–October 31, 2015. -
Marlborough Gallery
Marlborough DENNIS OPPENHEIM 1938 — Born in Electric City, Washington 2011 — Died in New York, New York The artist lived and worked in New York, New York. Education 1965 — B.F.A., the School of Arts and Crafts, Oakland, California 1966 — M.F.A., Stanford University, Palo Alto, California Solo Exhibitions 2020 — Dennis Oppenheim, Galerie Mitterand, Paris, France 2019 — Feedback: Parent Child Projects from the 70s, Shirley Fiterman Art Center, The City University of New York, BMCC, New York, New York 2018 — Violations, 1971 — 1972, Marlborough Contemporary, New York, New York Broken Record Blues, Peder Lund, Oslo, Sweden 2016 — Art Institute of Chicago, Chicago, Illinois Storm King Art Center, New Windsor, New York 2015 — Wooson Gallery, Daegu, Korea MAMCO, Geneva, Switzerland Halle Nord, Geneva, Switzerland 2014 — MOT International, London, United Kingdom Museo Magi'900, Pieve di Cento, Italy 2013 — Henry Moore Institute, Leeds, United Kingdom Museo Pecci Milano, Milan, Italy Yorkshire Sculpture Park, West Yorkshire, United Kingdom Marlborough 2012 — Centro de Arte Palacio, Selected Works, Murcia, Spain Kunst Merano Arte, Merano, Italy Haines Gallery, San Francisco, California HaBeer, Beersheba, Israel 2011 — Musée d'Art moderne Saint-Etienne Metropole, Saint-Priest-en-Jarez, France Eaton Fine Arts, West Palm Beach, Florida Galerie Samuel Lallouz, Quebec, Canada The Carriage House, Gabarron Foundation, New York, New York 2010 — Thomas Solomon Gallery, Los Angeles, California Royale Projects, Indian Wells, California Buschlen Mowatt Galleries, Vancouver, British Columbia, Canada Galleria Fumagalli, Bergamo, Italy Gallerie d'arts Orler, Venice, Italy 2009 — Marta Museum, Herford, Germany Scolacium Park, Catanzaro, Italy Museo Marca, Catanzarto, Italy Eaton Fine Art, West Palm Beach, Florida Janos Gat Gallery, New York, New York 2008 — Ace Gallery, Beverly Hills, California 4 Culture Gallery, Seattle, Washington Edelman Arts, New York, New York D.O. -
Robert Rauschenberg
Robert Rauschenberg Born in Port Arthur, United States. 1925 – 2008 Solo Exhibitions 2017 – Window to China, gl Holtegaard, Holte, Denmark. 2016 – Robert Rauschenberg, Tate Modern, London, England. 2014 – Rauschenberg: China/America Mix, Bob Rauschenberg Gallery, Florida SouthWestern State College, Fort Myers, USA. – Rauschenberg: Collecting and Connecting, Nasher Museum of Art at Duke University, Durham, USA. – Robert Rasuchenberg: The Fulton Street Studio, 1953–1954, Craig F. Starr Gallery, New York, USA. – Robert Rauschenberg: Works on Metal, Gagosian Gallery, Beverly Hills, USA. 2013 – Jammers, Gagosian Gallery, London, England. – 2012 Early Photographs, Gagosian Gallery, London, England. 2011 – The Private Collection of Robert Rauschenberg, Gagosian Gallery, 980 Madison Avenue, New York, USA. – Robert Rauschenberg, Gagosian Gallery, Paris, France. – Robert Rauschenberg, Gagosian Gallery, New York, USA. 2008 – Robert Rauschenberg: Scenarios and the Ancient Incident, Pace Gallery, New York, USA. – Robert Rauschenberg: Runts, Pace Gallery, New York, USA. – Last Turn-Your Turn: Robert Rauschenberg and the Environmental Crisis, Jacobson Howard Gallery, New York, USA. 2007 – Let the World In: Prints by Robert Rauschenberg from the National Gallery of Art and Related Collections, The National Gallery of Art, Washington D.C, USA. – Robert Rauschenberg: Three Decades, Galleri Faurschou, Beijing, China. – Robert Rauschenberg: Travelling ’70-’76, Museu de Arte Contemporânea de Serralves, Porto, Portugal. – Travelled to: Haus der Kunst, Munich, Germany and Museo d’Arte Contemporanea Donna Regina, Naples, Italy. – Signs of Life: Robert Rauschenberg Posters, Black Mountain College of Arts Center in Asheville, USA. – Robert Rauschenberg: Cardboards and Related Pieces, Menil Collection, Houston, USA. – Robert Rauschenberg: Scenarios, Bob Rauschenberg Gallery, Edison State College, Fort Myers, USA. Page 1 / 15 – Rauschenberg’s Currents: Features and Surface, Michael C. -
Minimal Art and Body Politics in New York City, 1961-1975 By
Minimal Art and Body Politics in New York City, 1961-1975 by Christopher M. Ketcham M.A. Art History, Tufts University, 2009 B.A. Art History, The George Washington University, 1998 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ARCHITECTURE: HISTORY AND THEORY OF ART AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY SEPTEMBER 2018 © 2018 Christopher M. Ketcham. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author:__________________________________________________ Department of Architecture August 10, 2018 Certified by:________________________________________________________ Caroline A. Jones Professor of the History of Art Thesis Supervisor Accepted by:_______________________________________________________ Professor Sheila Kennedy Chair of the Committee on Graduate Students Department of Architecture 2 Dissertation Committee: Caroline A. Jones, PhD Professor of the History of Art Massachusetts Institute of Technology Chair Mark Jarzombek, PhD Professor of the History and Theory of Architecture Massachusetts Institute of Technology Tom McDonough, PhD Associate Professor of Art History Binghamton University 3 4 Minimal Art and Body Politics in New York City, 1961-1975 by Christopher M. Ketcham Submitted to the Department of Architecture on August 10, 2018 in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Architecture: History and Theory of Art ABSTRACT In the mid-1960s, the artists who would come to occupy the center of minimal art’s canon were engaged with the city as a site and source of work. -
Stanford Auctioneers Fine Art, Pop Art, Photographs: Day 1 of 3 Friday – January 26Th, 2018
Stanford Auctioneers Fine Art, Pop Art, Photographs: Day 1 of 3 Friday – January 26th, 2018 www.stanfordauctioneers.com | [email protected] 1: PAUL KLEE - "M" Garden Gate ["Portail du jardin M"] USD 300 - 400 Paul Klee (Swiss/German, 1879 - 1940). ""M" Garden Gate ["Portail du jardin M"]". Original color collotype. 1932. Printed 1957. Signed in the image, lower left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 8 5/16 x 9 3/16 in. (211 x 233 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II and its aftermath until 1957. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [23634-2-225] 2: ANDY WARHOL - $$ [dollar signs] USD 4,000 - 5,000 Andy Warhol (American, 1928 - 1987). "$$ [dollar signs] [drawing]". Marker drawing on paper. c1979. Signed in black marker, lower center. White wove bond paper. The "full sheet". Fine condition. Provenance: Private collector, Sweden, acquired c.1991 possibly from Frederick W. Hughes (Warhol's business manager); thence to our consignor. Overall size: 11 x 8 1/2 in. (279 x 216 mm). Marker drawings of dollar signs by Warhol are scarce/rare. Our example is rare as it was drawn on Warhol’s “Andy Warhol Enterprises, Inc.” letterhead at the Factory (or as it was known then, “the office”). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. -
DOUGLAS HUEBLER Biography
P A U L A C O O P E R G A L L E R Y DOUGLAS HUEBLER Biography Born: Born in Ann Arbor, Michigan 1924. Deceased 1997. Educated University of Michigan, B.S. 1952, M.F.A. 1955; Cleveland School of Art 1948; Academie Julian, Paris 1948. Selected One-Person Exhibitions 2017 “Douglas Huebler: Works from the 1960s,” Paula Cooper Gallery, New York, NY 2012 “Crocodile Tears,” Paula Cooper Gallery, New York, NY 2007 “Crocodile Tears,” Susan Inglett Gallery, New York, NY 2006 “Douglas Huebler - Collection in process #1,” Musée d’Art Moderne et Contemporain, Geneva, Switzerland 2002 “Douglas Huebler,” Camden Arts Centre, London, England 1992 FRAC, Limousin, Limoges, France 1991 Johnen & Schöttle, Köln, Germany 1990 Sperone/Westwater Gallery, New York, NY Richard Kuhlenschmidt Gallery, Los Angeles, CA Leo Castelli, New York, NY Holly Solomon Gallery, New York, NY Galerie Rudiger Schöttle, Münich, Germany Lia Rumma, Naples, Italy 1989 “Douglas Huebler: Crocodile Tears: Recent Additions,” Musée d’Art Contemporain, Lyon France 1985 “Douglas Huebler,” La Jolla Museum of Contemporary Art, La Jolla, CA 1984 “In Context,” Museum of Contemporary Art, Los Angeles, CA “Douglas Huebler: The Map and the Territory,” Los Angeles Center for Photographic Studies, Los Angeles, CA (6/3 – 7/7/84) 1983 Leo Castelli, New York, NY 1981 “Douglas Huebler: Crocodile Tears,” Leo Castelli Gallery, New York, NY 1980 “Douglas Huebler: 10+,” Dittmar Memorial Gallery, Northwestern University, Evanston, IL Galerie Yvon Lambert, Paris, France 1979 “Recent Works,” Mandeville Art Gallery, -
SOL LEWITT a Film by Chris Teerink an Icarus Films Release / DCP / NR / the Netherlands / 72 Mins
SOL LEWITT A film by Chris Teerink An Icarus Films Release / DCP / NR / The Netherlands / 72 mins “A fitting and serious tribute.” – A. O. Scott, The New York Times U.S. Theatrical Premiere May 7, 2014 Film Forum, New York City Contact: (718) 488-8900 www.IcarusFilms.com Serious documentaries are good for you. SYNOPSIS “Conceptual artists leap to conclusions logic cannot reach,” Sol LeWitt (1928-2007) said in a rare audio-interview from 1974. Notoriously camera-shy, Lewitt refused awards and rarely granted interviews. In the first ever documentary about the artist, made by Chris Teerink with the blessing of LeWitt’s estate, the pioneering conceptual American artist comes alive. Sol LeWitt’s artwork often involved simple ideas, communicated simply—he often simply faxed instructions to a museum or gallery as to how they were to create a piece—yet LeWitt’s instructions generate astounding visual and intellectual complexity. For example, to create Wall drawing #801: Spiral, a white line spiraled down the black wall of a cupola 3.2 miles long. Sol LeWitt documents the piece’s 2011 installation in Maastricht, the Netherlands, which takes eight assistants 30 days to complete; when the painstaking work is done and the scaffolding taken away, the result is the transformative. Using extensive interviews and documentation of artwork installed around the world, Sol LeWitt sensitively explores the artist’s work and philosophy. SELECTED FESTIVALS Best Portrait, 2013 International Festival of Films on Art (ArtFIFA), Montreal Best Documentary, 2013 International -
Being There Art Assignment 4 Sol Lewitt Wall Drawing #50A, 1970
BEING THERE ART ASSIGNMENT 4 SOL LEWITT WALL DRAWING #50A, 1970 This activity packet for middle and high school students was designed for Sol LeWitt’s Wall Drawing #50A, 1970, part of the Modern Art Museum of Fort Worth’s permanent collection. Sol LeWitt (1928–2007) was pivotal in the creation of conceptual art, a radical new approach to art in the 1960s. The artist had no interest in painting realistically or telling stories in his work. He instead asserted the importance of the concept or idea. In fact, his wall drawings are executed by other people who follow his instructions. His text “Paragraphs on Conceptual Art” (1967) was one of the first coherent proposals for conceptual art and challenged new thinking about what art could be. “If the artist carries through his idea and makes it into visible form, then all the steps in the process are of importance. The idea itself, even if not made visual, is as much a work of art as any finished product,” stated LeWitt. He continued, “All intervening steps—scribbles, sketches, drawings, failed works, models, studies, thoughts, conversations—are of interest. Those that show the thought process of the artist are sometimes more interesting than the final product.” Please watch and read the selected videos and texts about Sol LeWitt’s wall drawings and about conceptual art. These resources will provide you with context about the artist before you begin the activities. Resources: *If hyperlinks are disabled in your browser, please copy and paste the URLs directly into your search bar. Sol LeWitt,