DOCSLIB.ORG

Download Sol Lewitt's Biography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Sol Lewitt's Biography ARTIST - SOL LEWITT Born in 1928, Hartford, CT, USA Died in 2007, New York, NY, USA EDUCATION - 1949 Syracuse University, B.F.A, NY, USA SOLO SHOWS - 1965 John Daniels Gallery, New York, NY, USA 1966 Dwan Gallery, New York, NY, USA 1967 Dwan Gallery, Los Angeles, NY, USA 1968 Galerie Konrad Fischer, Düsseldorf, Germany Dwan Gallery, New York, NY, USA Galerie Bischofberger, Zürich, Switzerland Galerie Heiner Friederich, Munich, Germany 1968–1969 Ace Gallery, Los Angeles, CA, USA 1969 Galerie Konrad Fischer, Düsseldorf, Germany Galleria L'Attico, Rome, Italy Galerie Ernst, Hannover, Germany Wall Drawings, Dwan Gallery, New York, NY, USA Sol LeWitt: Sculptures and Wall Drawings, Museum Haus Lange, Krefeld, Germany Galerie Bischofberger, Zürich, Switzerland 1970 Art & Project, Amsterdam, Netherlands Wisconsin State University, River Falls, WI, USA Galerie Yvon Lambert, Paris, France Wall Drawings, Galleria Sperone, Turin, Italy Dwan Gallery, New York, NY, USA Lisson Gallery, London, UK Gemeentemuseum, The Hague, Netherlands Galerie Heiner Friederich, Munich, Germany 1970–1971 Pasadena Art Museum, CA, USA 1971 Art & Project, Amsterdam, Netherlands Wall Drawings, Protetch-Rivkin Gallery, Washington D.C., USA Prints and Drawings, Dwan Gallery, New York, NY, USA Lisson Gallery, London, UK Galerie Stampa, Basel, Germany Galleria Toselli, Milano, Italy Informations-Raum 3, Basel, Germany Galerie Konrad Fischer, Düsseldorf, Germany Art & Project, Amsterdam, Netherlands Structures and Wall Drawings, John Weber Gallery, New York, NY, USA Dunkelmann Gallery, Toronto, Canada 1971–1972 Galerie Ernst, Hannover, Germany 1972 Wall Drawings, Sculpture, Massachusetts Institute of Technology, Hayden Gallery, Cambridge, UK Harcus-Krakow Gallery, Boston, MA, USA Dayton Art Institute, OH, USA Kunsthalle Bern, Switzerland Gallery A-402, California Institute of the Arts, Valencia, Spain Nova Scotia College of Art & Design, Halifax, Canada Galerie MTL, Brussels, Belgium Galerie Konrad Fischer, Düsseldorf, Germany Art & Project, Amsterdam, Netherlands Arcs, from corners & sides, circles, & grids and all their combinations, Kunsthalle Bern, Switzerland 1973 Cercles & lignes: Sol LeWitt, Galerie Yvon Lambert, Paris, France John Weber Gallery, New York, NY, USA Rosa Esman Gallery, New York, NY, USA Lisson Gallery, London, UK Museum of Modern Art, Oxford, UK Galleria L'Attico, Rome, Italy Galerie Toselli, Milano, Italy Galleria Marilena Bonomo, Bari, Italy Wall Drawings, Portland Center for the Visual Arts, OR, USA Six Wall Drawings, Cusack Gallery, Houston, TX, USA A Wall Drawing, Vehicule Art, Inc., Montreal, Canada Art & Project, Amsterdam/Galerie MTL, Brussels, Belgium 1974 Incomplete Open Cubes, Galerie Yvon Lambert, Paris, France Lisson Gallery, London, UK The Location of Eight Points, Max Protetch Gallery, Washington, D.C., USA Location of Three Geometric Figures, Palais des Beaux Arts, Brussels Rijksmuseum Kröller Muller, Otterlo, the Netherlands Wall Drawings and Structures: The Location of Six Geometric Figures: Variations of Incomplete Open Cubes, John Weber Gallery, New York Galerie December, Munster, Germany Ace Gallery, Los Angeles, CA, USA Daniel Weinberg Gallery, San Francisco, CA, USA Galleria Sperone, Turino, Italy Galleria Scipione, Macerata, Italy Galerie Vega, Liege, Belgium 1974–1975 Prints, Stedelijk Museum, Amsterdam Gian Enzo Sperone, New York, NY, USA 1974–1976 Fifty Drawings 1964–1974, New York Cultural Center, New York, NY, USA Vancouver Art Gallery, Canada Everson Museum of Art, Syracuse, NY, USA High Museum of Art, Atlanta, GA, USA San Francisco Museum of Modern Art, California, CA, USA Mint Museum of Art, Charlotte, NC, USA Tyler Museum of Art, Tyler, Texas, TX, USA Arkansas Arts Center, Little Rock, AK, USA Illinois State University, Normal, IL, USA The Winnipeg Art Gallery, Manitoba, Canada Museum of Art, Cornell University, Ithaca, New York, NY, USA 1975 Sol LeWitt, The Location of a Rectangle: Matrix 3, Wadsworth Atheneum, Hartford, CT, USA Wall Drawings, Israel Museum, Jerusalem, Israel Incomplete Open Cubes, Art & Project, Amsterdam, Netherlands Wall Drawings, Drawings, and Incomplete Open Cubes, Daniel Weinberg Gallery, San Francisco, CA, USA 1975 Incomplete Open Cubes and Wall Drawings, Scottish National Gallery of Modern Art, Edinburgh, Scotland Incomplete Open Cubes, Galleria Sperone, Turino, Italy Graphik: 1970–1975, Kunsthalle Basel, Germany Incomplete Open Cubes, Kunsthalle Basel, Germany Claire Copley Gallery, Los Angeles, CA, USA Printmakers' Workshop, Edinburgh, Scotland Lucio Amelio Modern Art Agency, Napoli, Italy Galerie Konrad Fischer, Düsseldorf, Germany Saman Gallery, Genoa, Italy Galleria Peccolo, Livorno, Italy Aronowitsch Gallery, Stockholm, Sweden Lines and Color, Annemarie Verna, Zürich, Switzerland Galeria Marilena Bonomo, Bari, Italy Rolf Preisig Gallery, Basel, Germany 1976 Visual Arts Museum, New York, NY, USA Dag Hammarskjöld Plaza Sculpture Garden, New York, NY, USA Incomplete Open Cubes, Kölnischer Kunstverein, Cologne, Germany Gian Enzo Sperone, Roma, Italy Drawings, Prints, and Cubes, Kornblatt Gallery, Baltimore, MD, USA Wall Drawings, Structures, and Prints, Fine Arts Gallery, University of Colorado, Boulder Wall Drawings, Claire Copley Gallery, Los Angeles, CA, USA Modular Drawings, Centre d'art contemporain, Geneva, Italy Geometric Figures, Galerie MTL, Brussels, Belgium Wall Drawings, Matrix Gallery, Wadsworth Atheneum, Hartford, CT, USA Galerie T.H. Keller, Kempfenhausen, Germany Incomplete Open Cubes, Stedelijk van Abbemuseum, Eindhoven, the Netherlands 1977 Geometric Figures within Geometric Figures, Utah Museum of Fine Arts, Salt Lake City, UT, USA Structures, John Weber Gallery, New York, NY, USA Lisson Gallery, London, UK Geometric Figures, Galerie Konrad Fischer, Düsseldorf, Germany The Art Gallery of New South Wales, Sydney, Australia National Gallery of Victoria, Melbourne, Australia Joslyn Art Museum, Omaha, NB, USA Torre Vecchio, Spoleto, Italy Marilena Bonomo, Bari, Italy University of North Dakota Art Gallery, Grand Forks, ND, USA Incomplete Open Cubes, Museum of Modern Art, Oxford, UK Saman Gallery, Genoa, Italy Art & Architecture Gallery, Yale School of Art, New Haven, CT, USA Incomplete Open Cubes, Prints, and Wall Drawings, University Gallery, University of Massachusetts, Amherst, MS, USA 1978 Prints, Brooklyn Museum of Art, New York, NY, USA Geometric Figures, Rolf Preisig Gallery, Basel, Germany Prints and Drawings, John Weber Gallery, New York, NY, USA Protetch MacIntosh Gallery, Washington, D.C., USA Drawings, Michael Berger Gallery, Pittsburgh, PA, USA Marilena Bonomo, Bari, Italy Hallen für Internationalle Neue Kunst, Zürich, Germany 1978–1979 Sol LeWitt, The Museum of Modern Art, New York, NY, USA Museum of Contemporary Art, Montreal, Canada Krannert Museum of Art, University of Illinois, Champaign, IL, USA Museum of Contemporary Art, Chicago, IL, USA La Jolla Museum of Contemporary Art, CA, USA 1979 Sol LeWitt: Geometric Structures, Lisson Gallery, London, UK Konrad Fischer Gallery, Düsseldorf, Germany Sol LeWitt: New Structures and Photogrids, Young/Hoffman Gallery, Chicago, IL, USA Galerie Yvon Lambert, Paris, France Margo Leavin Gallery, Los Angeles, CA, USA Rosa Esman Gallery, New York, NY, USA The Graphics of Sol LeWitt, New Britain Museum of American Art, New Britain, CT, USA 1980 John Weber Gallery, New York, NY, USA All Four-Part Combinations of Six Geometric Figures, Galerie Watari, Tokyo, Japan Galleria Marilena Bonomo, Bari, Italy Grids & Color, Rudiger Schottle, Munich, Germany Photogrids, Protetch MacIntosh Gallery, Washington, D.C., USA Sol LeWitt: New Structures, Wall Drawings, Drawings, Young/Hoffman Gallery, Chicago, IL, USA Ugo Ferranti Gallery, Roma, Italy Statues (A Melodrama), John Weber Gallery, New York, NY, USA Sol LeWitt: Structures and Wall Drawings, Texas Gallery, Houston, TX, USA Larry Gagosian Gallery, Los Angeles and Venice, California, CA, USA 1981 Six geometric figures and all their double combinations, Galerie Yvon Lambert, Paris, France Mercer Union Art Gallery, Toronto, Canada Sol LeWitt Wall Drawings: 1968–1981, Wesleyan University Art Gallery, Middletown, CT, Italy Saman Gallery, Genoa, Italy Miami-Dade Community College Art Gallery, Miami, FL, USA Sol LeWitt: New Structures; Works on Paper, David Bellman Gallery, Toronto, Canada Project: Wall Drawings, Geometric Figures, Max Protetch Gallery, New York, NY, USA Sol LeWitt: Strukturen 1978–80, Annemarie Verna, Zürich, Switzerland Konrad Fischer Gallery, Düsseldorf, Germany Palace of Culture, Warsaw, Poland Sol LeWitt Wall Drawings: 1968–1981, Wadsworth Atheneum, Hartford, CT, USA Sol LeWitt: Six Geometric Figures, Real Art Ways, Hartford, CT, USA Paula Cooper Gallery, New York, NY, USA Graphics l and 2, Boston, MA, USA Wall Drawings and Drawings, Daniel Weinberg Gallery, San Francisco, CA, USA Photogrids, Brick Wall, Autobiography, On the Walls of the Lower East Side, University Art Gallery, New York, NY, USA Mexico State University, Las Cruces, NM, USA Wall Drawings and Drawings, Graeme Murray Gallery, Edinburgh, Scotland Van Krimpen Gallery, Amsterdam, Netherlands 1982 Drawings, David Bellman Gallery, Toronto, Canada Sol LeWitt Wall Drawings, Illinois Institute of Technology, Chicago, IL, USA Sol LeWitt: Structures, Ugo Ferranti Gallery, Roma, Italy Sol LeWitt: Wall Drawings, Galleria Marilena Bonomo, Bari, Italy William Aronowitsch Gallery, Stockholm, Sweden Wall Drawings: Sol LeWitt, Rudiger Schöttle Gallery, Munich, Germany Banco Gallery, Milano, Italy Banco Gallery,
Load more

Recommended publications
  • Helen Pashgianhelen Helen Pashgian L Acm a Delmonico • Prestel
    HELEN HELEN PASHGIAN ELIEL HELEN PASHGIAN LACMA DELMONICO • PRESTEL HELEN CAROL S. ELIEL PASHGIAN 9 This exhibition was organized by the Published in conjunction with the exhibition Helen Pashgian: Light Invisible Los Angeles County Museum of Art. Funding at the Los Angeles County Museum of Art, Los Angeles, California is provided by the Director’s Circle, with additional support from Suzanne Deal Booth (March 30–June 29, 2014). and David G. Booth. EXHIBITION ITINERARY Published by the Los Angeles County All rights reserved. No part of this book may Museum of Art be reproduced or transmitted in any form Los Angeles County Museum of Art 5905 Wilshire Boulevard or by any means, electronic or mechanical, March 30–June 29, 2014 Los Angeles, California 90036 including photocopy, recording, or any other (323) 857-6000 information storage and retrieval system, Frist Center for the Visual Arts, Nashville www.lacma.org or otherwise without written permission from September 26, 2014–January 4, 2015 the publishers. Head of Publications: Lisa Gabrielle Mark Editor: Jennifer MacNair Stitt ISBN 978-3-7913-5385-2 Rights and Reproductions: Dawson Weber Creative Director: Lorraine Wild Designer: Xiaoqing Wang FRONT COVER, BACK COVER, Proofreader: Jane Hyun PAGES 3–6, 10, AND 11 Untitled, 2012–13, details and installation view Formed acrylic 1 Color Separator, Printer, and Binder: 12 parts, each approx. 96 17 ⁄2 20 inches PR1MARY COLOR In Helen Pashgian: Light Invisible, Los Angeles County Museum of Art, 2014 This book is typeset in Locator. PAGE 9 Helen Pashgian at work, Pasadena, 1970 Copyright ¦ 2014 Los Angeles County Museum of Art Printed and bound in Los Angeles, California Published in 2014 by the Los Angeles County Museum of Art In association with DelMonico Books • Prestel Prestel, a member of Verlagsgruppe Random House GmbH Prestel Verlag Neumarkter Strasse 28 81673 Munich Germany Tel.: +49 (0)89 41 36 0 Fax: +49 (0)89 41 36 23 35 Prestel Publishing Ltd.
    [Show full text]
  • Ellsworth Kelly and Andy Warhol Lead Swann Galleries' November
    FOR IMMEDIATE RELEASE Contact: Alexandra Nelson October 25, 2016 Communications Director 212-254-4710 ext. 19 [email protected] Ellsworth Kelly and Andy Warhol Lead Swann Galleries’ November Contemporary Art Auction New York— On Tuesday, November 15, Swann Galleries will hold an auction of Contemporary Art, featuring works by Chuck Close, Christo, Richard Diebenkorn, Claes Oldenburg and Cy Twombly, among others. Prime works by Pop Art king Andy Warhol include the iconic 1964 screenprint of Elizabeth Taylor, aptly titled Liz, as well as the screenprint Campbell’s Soup I: Green Pea, 1968 ($30,000 to $50,000 and $15,000 to $20,000, respectively). Also available is a sheet of sixty unpeeled Banana Stickers (The Velvet Underground & Nico), 1967, the largest amount of intact stickers related to the landmark collaboration between Warhol and The Velvet Underground ever seen at auction, estimated to sell between $8,000 to $12,000. Abstract Expressionist masters are well represented. An excellent work from Robert Motherwell’s Elegy to the Spanish Republic series titled Lament for Lorca, 1981-82, is estimated at $10,000 to $15,000. Willem de Kooning’s first lithograph with printer Irwin Hollander, Woman at Clearwater Beach, 1971, is also present. According to Hollander, the work was inspired by the artist’s “trip to Japan…the seeing and feeling of calligraphy, sumi brush and Zen”—it is expected to realize $8,000 to $12,000. There is also a run of moody works by Adolph Gottlieb. Bridging print and sculpture is Jean Dubuffet’s Parcours, 1981, an unusual scrolled screenprint on silk.
    [Show full text]
  • About Henry Street Settlement
    TO BENEFIT Henry Street Settlement ORGANIZED BY Art Dealers Association of America March 1– 5, Gala Preview February 28 FOUNDED 1962 Park Avenue Armory at 67th Street, New York City MEDIA MATERIALS Lead sponsoring partner of The Art Show The ADAA Announces Program Highlights at the 2017 Edition of The Art Show ART DEALERS ASSOCIATION OF AMERICA 205 Lexington Avenue, Suite #901 New York, NY 10016 [email protected] www.artdealers.org tel: 212.488.5550 fax: 646.688.6809 Images (left to right): Scott Olson, Untitled (2016), courtesy James Cohan; Larry Bell with Untitled (Wedge) at GE Headquarters, Fairfield, CT in 1984, courtesy Anthony Meier Fine Arts; George Inness, A June Day (1881), courtesy Thomas Colville Fine Art. #TheArtShowNYC Program Features Keynote Event with Museum and Cultural Leaders from across the U.S., a Silent Bidding Sale of an Alexander Calder Sculpture to Benefit the ADAA Foundation, and the Annual Art Show Gala Preview to Benefit Henry Street Settlement ADAA Member Galleries Will Present Ambitious Solo Exhibitions, Group Shows, and New Works at The Art Show, March 1–5, 2017 To download hi-res images of highlights of The Art Show, visit http://bit.ly/2kSTTPW New York, January 25, 2017—The Art Dealers Association of America (ADAA) today announced additional program highlights of the 2017 edition of The Art Show. The nation’s most respected and longest-running art fair will take place on March 1-5, 2017, at the Park Avenue Armory in New York, with a Gala Preview on February 28 to benefit Henry Street Settlement.
    [Show full text]
  • Marian Goodman Gallery Robert Smithson
    MARIAN GOODMAN GALLERY ROBERT SMITHSON Born: Passaic, New Jersey, 1938 Died: Amarillo, Texas, 1973 SELECTED SOLO EXHIBITIONS 2018 Robert Smithson: Time Crystals, University of Queensland, BrisBane; Monash University Art Museum, MelBourne 2015 Robert Smithson: Pop, James Cohan, New York, New York 2014 Robert Smithson: New Jersey Earthworks, Montclair Museum of Art, Montclair, New Jersey 2013 Robert Smithson in Texas, Dallas Museum of Art, Dallas, Texas 2012 Robert Smithson: The Invention of Landscape, Museum für Gegenwartskunst Siegen, Unteres Schloss, Germany; Reykjavik Art Museum, Reykjavik, Iceland 2011 Robert Smithson in Emmen, Broken Circle/Spiral Hill Revisited, CBK Emmen (Center for Visual Arts), Emmen, the Netherlands 2010 IKONS, Religious Drawings and Sculptures from 1960, Art Basel 41, Basel, Switzerland 2008 Robert Smithson POP Works, 1961-1964, Art Kabinett, Art Basel Miami Beach, Miami, Florida 2004 Robert Smithson, Museum of Contemporary Art, Los Angeles, California; Dallas Museum of Art, Dallas, Texas; Whitney Museum of American Art, New York, New York 2003 Robert Smithson in Vancouver: A Fragment of a Greater Fragmentation, Vancouver Art Gallery, Canada Rundown, curated by Cornelia Lauf and Elyse Goldberg, American Academy in Rome, Italy 2001 Mapping Dislocations, James Cohan Gallery, New York 2000 Robert Smithson, curated by Eva Schmidt, Kai Voeckler, Sabine Folie, Kunsthalle Wein am Karlsplatz, Vienna, Austria new york paris london www.mariangoodman.com MARIAN GOODMAN GALLERY Robert Smithson: The Spiral Jetty, organized
    [Show full text]
  • Sol Lewitt Selected One-Artist
    SOL LEWITT SELECTED ONE-ARTIST EXHIBITIONS DATES Born 1928, Hartford, Connecticut Died 2007, New York, New York EDUCATION 1949, Syracuse University, New York, BFA 2018 Sol LeWitt: Large Gouaches, Paula Cooper Gallery, New York, November 3–December 15, 2018. Sol LeWitt: Lines in All Directions, Mignoni, New York, November 1, 2018–February 9, 2019. By Hand: Sol LeWitt, The Mattatuck Museum, Waterbury, Connecticut, April 8–June 10, 2018. Sol LeWitt Wall Drawings: Expanding a Legacy, Yale University Art Gallery, New Haven, March 2–July 8, 2018 (extended through January 27, 2019). Sol LeWitt, Honor Fraser Gallery, Los Angeles, February 17–April 7, 2018. Sol LeWitt: 1 + 1 = 1 Million, Vito Schnabel Gallery, St. Moritz, Switzerland, February 15–March 11, 2018. 2017 Sol LeWitt: Selected One-artist Exhibitions 2 Sol LeWitt: Between the Lines, Fondazione Carriero, Milan, November 17, 2017–June 24, 2018. (Catalogue) Sol LeWitt: Structures, Massachusetts Museum of Contemporary Art, North Adams, opened May 28, 2017. One Wall, One Work: Sol LeWitt, Barbara Krakow Gallery, Boston, January 3–March 11, 2017. Sol LeWitt: 6 Wall Drawings, Musee des Beaux-Arts, Le Locle, Switzerland, February 19–October 15, 2017. 2016 Sol LeWitt: Wall Drawing #1183: Eight Bands of Color, Cahiers D’Art Gallery, Paris, October 20, 2016– January 28, 2017. Sol LeWitt, Paula Cooper Gallery, New York, September 8–October 22, 2016. Sol LeWitt, Cardi Gallery, Milan, January 27–April 15, 2016. 2015 Sol LeWitt, Galería Elvira González, Madrid, September 12–October 31, 2015. Sol LeWitt: Wall Drawings, Grids on Black and White, Konrad Fischer Galerie, Berlin, September 4–October 31, 2015.
    [Show full text]
  • Marlborough Gallery
    Marlborough DENNIS OPPENHEIM 1938 — Born in Electric City, Washington 2011 — Died in New York, New York The artist lived and worked in New York, New York. Education 1965 — B.F.A., the School of Arts and Crafts, Oakland, California 1966 — M.F.A., Stanford University, Palo Alto, California Solo Exhibitions 2020 — Dennis Oppenheim, Galerie Mitterand, Paris, France 2019 — Feedback: Parent Child Projects from the 70s, Shirley Fiterman Art Center, The City University of New York, BMCC, New York, New York 2018 — Violations, 1971 — 1972, Marlborough Contemporary, New York, New York Broken Record Blues, Peder Lund, Oslo, Sweden 2016 — Art Institute of Chicago, Chicago, Illinois Storm King Art Center, New Windsor, New York 2015 — Wooson Gallery, Daegu, Korea MAMCO, Geneva, Switzerland Halle Nord, Geneva, Switzerland 2014 — MOT International, London, United Kingdom Museo Magi'900, Pieve di Cento, Italy 2013 — Henry Moore Institute, Leeds, United Kingdom Museo Pecci Milano, Milan, Italy Yorkshire Sculpture Park, West Yorkshire, United Kingdom Marlborough 2012 — Centro de Arte Palacio, Selected Works, Murcia, Spain Kunst Merano Arte, Merano, Italy Haines Gallery, San Francisco, California HaBeer, Beersheba, Israel 2011 — Musée d'Art moderne Saint-Etienne Metropole, Saint-Priest-en-Jarez, France Eaton Fine Arts, West Palm Beach, Florida Galerie Samuel Lallouz, Quebec, Canada The Carriage House, Gabarron Foundation, New York, New York 2010 — Thomas Solomon Gallery, Los Angeles, California Royale Projects, Indian Wells, California Buschlen Mowatt Galleries, Vancouver, British Columbia, Canada Galleria Fumagalli, Bergamo, Italy Gallerie d'arts Orler, Venice, Italy 2009 — Marta Museum, Herford, Germany Scolacium Park, Catanzaro, Italy Museo Marca, Catanzarto, Italy Eaton Fine Art, West Palm Beach, Florida Janos Gat Gallery, New York, New York 2008 — Ace Gallery, Beverly Hills, California 4 Culture Gallery, Seattle, Washington Edelman Arts, New York, New York D.O.
    [Show full text]
  • Robert Rauschenberg
    Robert Rauschenberg Born in Port Arthur, United States. 1925 – 2008 Solo Exhibitions 2017 – Window to China, gl Holtegaard, Holte, Denmark. 2016 – Robert Rauschenberg, Tate Modern, London, England. 2014 – Rauschenberg: China/America Mix, Bob Rauschenberg Gallery, Florida SouthWestern State College, Fort Myers, USA. – Rauschenberg: Collecting and Connecting, Nasher Museum of Art at Duke University, Durham, USA. – Robert Rasuchenberg: The Fulton Street Studio, 1953–1954, Craig F. Starr Gallery, New York, USA. – Robert Rauschenberg: Works on Metal, Gagosian Gallery, Beverly Hills, USA. 2013 – Jammers, Gagosian Gallery, London, England. – 2012 Early Photographs, Gagosian Gallery, London, England. 2011 – The Private Collection of Robert Rauschenberg, Gagosian Gallery, 980 Madison Avenue, New York, USA. – Robert Rauschenberg, Gagosian Gallery, Paris, France. – Robert Rauschenberg, Gagosian Gallery, New York, USA. 2008 – Robert Rauschenberg: Scenarios and the Ancient Incident, Pace Gallery, New York, USA. – Robert Rauschenberg: Runts, Pace Gallery, New York, USA. – Last Turn-Your Turn: Robert Rauschenberg and the Environmental Crisis, Jacobson Howard Gallery, New York, USA. 2007 – Let the World In: Prints by Robert Rauschenberg from the National Gallery of Art and Related Collections, The National Gallery of Art, Washington D.C, USA. – Robert Rauschenberg: Three Decades, Galleri Faurschou, Beijing, China. – Robert Rauschenberg: Travelling ’70-’76, Museu de Arte Contemporânea de Serralves, Porto, Portugal. – Travelled to: Haus der Kunst, Munich, Germany and Museo d’Arte Contemporanea Donna Regina, Naples, Italy. – Signs of Life: Robert Rauschenberg Posters, Black Mountain College of Arts Center in Asheville, USA. – Robert Rauschenberg: Cardboards and Related Pieces, Menil Collection, Houston, USA. – Robert Rauschenberg: Scenarios, Bob Rauschenberg Gallery, Edison State College, Fort Myers, USA. Page 1 / 15 – Rauschenberg’s Currents: Features and Surface, Michael C.
    [Show full text]
  • Minimal Art and Body Politics in New York City, 1961-1975 By
    Minimal Art and Body Politics in New York City, 1961-1975 by Christopher M. Ketcham M.A. Art History, Tufts University, 2009 B.A. Art History, The George Washington University, 1998 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ARCHITECTURE: HISTORY AND THEORY OF ART AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY SEPTEMBER 2018 © 2018 Christopher M. Ketcham. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author:__________________________________________________ Department of Architecture August 10, 2018 Certified by:________________________________________________________ Caroline A. Jones Professor of the History of Art Thesis Supervisor Accepted by:_______________________________________________________ Professor Sheila Kennedy Chair of the Committee on Graduate Students Department of Architecture 2 Dissertation Committee: Caroline A. Jones, PhD Professor of the History of Art Massachusetts Institute of Technology Chair Mark Jarzombek, PhD Professor of the History and Theory of Architecture Massachusetts Institute of Technology Tom McDonough, PhD Associate Professor of Art History Binghamton University 3 4 Minimal Art and Body Politics in New York City, 1961-1975 by Christopher M. Ketcham Submitted to the Department of Architecture on August 10, 2018 in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Architecture: History and Theory of Art ABSTRACT In the mid-1960s, the artists who would come to occupy the center of minimal art’s canon were engaged with the city as a site and source of work.
    [Show full text]
  • Stanford Auctioneers Fine Art, Pop Art, Photographs: Day 1 of 3 Friday – January 26Th, 2018
    Stanford Auctioneers Fine Art, Pop Art, Photographs: Day 1 of 3 Friday – January 26th, 2018 www.stanfordauctioneers.com | [email protected] 1: PAUL KLEE - "M" Garden Gate ["Portail du jardin M"] USD 300 - 400 Paul Klee (Swiss/German, 1879 - 1940). ""M" Garden Gate ["Portail du jardin M"]". Original color collotype. 1932. Printed 1957. Signed in the image, lower left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 8 5/16 x 9 3/16 in. (211 x 233 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II and its aftermath until 1957. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [23634-2-225] 2: ANDY WARHOL - $$ [dollar signs] USD 4,000 - 5,000 Andy Warhol (American, 1928 - 1987). "$$ [dollar signs] [drawing]". Marker drawing on paper. c1979. Signed in black marker, lower center. White wove bond paper. The "full sheet". Fine condition. Provenance: Private collector, Sweden, acquired c.1991 possibly from Frederick W. Hughes (Warhol's business manager); thence to our consignor. Overall size: 11 x 8 1/2 in. (279 x 216 mm). Marker drawings of dollar signs by Warhol are scarce/rare. Our example is rare as it was drawn on Warhol’s “Andy Warhol Enterprises, Inc.” letterhead at the Factory (or as it was known then, “the office”). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York.
    [Show full text]
  • DOUGLAS HUEBLER Biography
    P A U L A C O O P E R G A L L E R Y DOUGLAS HUEBLER Biography Born: Born in Ann Arbor, Michigan 1924. Deceased 1997. Educated University of Michigan, B.S. 1952, M.F.A. 1955; Cleveland School of Art 1948; Academie Julian, Paris 1948. Selected One-Person Exhibitions 2017 “Douglas Huebler: Works from the 1960s,” Paula Cooper Gallery, New York, NY 2012 “Crocodile Tears,” Paula Cooper Gallery, New York, NY 2007 “Crocodile Tears,” Susan Inglett Gallery, New York, NY 2006 “Douglas Huebler - Collection in process #1,” Musée d’Art Moderne et Contemporain, Geneva, Switzerland 2002 “Douglas Huebler,” Camden Arts Centre, London, England 1992 FRAC, Limousin, Limoges, France 1991 Johnen & Schöttle, Köln, Germany 1990 Sperone/Westwater Gallery, New York, NY Richard Kuhlenschmidt Gallery, Los Angeles, CA Leo Castelli, New York, NY Holly Solomon Gallery, New York, NY Galerie Rudiger Schöttle, Münich, Germany Lia Rumma, Naples, Italy 1989 “Douglas Huebler: Crocodile Tears: Recent Additions,” Musée d’Art Contemporain, Lyon France 1985 “Douglas Huebler,” La Jolla Museum of Contemporary Art, La Jolla, CA 1984 “In Context,” Museum of Contemporary Art, Los Angeles, CA “Douglas Huebler: The Map and the Territory,” Los Angeles Center for Photographic Studies, Los Angeles, CA (6/3 – 7/7/84) 1983 Leo Castelli, New York, NY 1981 “Douglas Huebler: Crocodile Tears,” Leo Castelli Gallery, New York, NY 1980 “Douglas Huebler: 10+,” Dittmar Memorial Gallery, Northwestern University, Evanston, IL Galerie Yvon Lambert, Paris, France 1979 “Recent Works,” Mandeville Art Gallery,
    [Show full text]
  • SOL LEWITT a Film by Chris Teerink an Icarus Films Release / DCP / NR / the Netherlands / 72 Mins
    SOL LEWITT A film by Chris Teerink An Icarus Films Release / DCP / NR / The Netherlands / 72 mins “A fitting and serious tribute.” – A. O. Scott, The New York Times U.S. Theatrical Premiere May 7, 2014 Film Forum, New York City Contact: (718) 488-8900 www.IcarusFilms.com Serious documentaries are good for you. SYNOPSIS “Conceptual artists leap to conclusions logic cannot reach,” Sol LeWitt (1928-2007) said in a rare audio-interview from 1974. Notoriously camera-shy, Lewitt refused awards and rarely granted interviews. In the first ever documentary about the artist, made by Chris Teerink with the blessing of LeWitt’s estate, the pioneering conceptual American artist comes alive. Sol LeWitt’s artwork often involved simple ideas, communicated simply—he often simply faxed instructions to a museum or gallery as to how they were to create a piece—yet LeWitt’s instructions generate astounding visual and intellectual complexity. For example, to create Wall drawing #801: Spiral, a white line spiraled down the black wall of a cupola 3.2 miles long. Sol LeWitt documents the piece’s 2011 installation in Maastricht, the Netherlands, which takes eight assistants 30 days to complete; when the painstaking work is done and the scaffolding taken away, the result is the transformative. Using extensive interviews and documentation of artwork installed around the world, Sol LeWitt sensitively explores the artist’s work and philosophy. SELECTED FESTIVALS Best Portrait, 2013 International Festival of Films on Art (ArtFIFA), Montreal Best Documentary, 2013 International
    [Show full text]
  • Being There Art Assignment 4 Sol Lewitt Wall Drawing #50A, 1970
    BEING THERE ART ASSIGNMENT 4 SOL LEWITT WALL DRAWING #50A, 1970 This activity packet for middle and high school students was designed for Sol LeWitt’s Wall Drawing #50A, 1970, part of the Modern Art Museum of Fort Worth’s permanent collection. Sol LeWitt (1928–2007) was pivotal in the creation of conceptual art, a radical new approach to art in the 1960s. The artist had no interest in painting realistically or telling stories in his work. He instead asserted the importance of the concept or idea. In fact, his wall drawings are executed by other people who follow his instructions. His text “Paragraphs on Conceptual Art” (1967) was one of the first coherent proposals for conceptual art and challenged new thinking about what art could be. “If the artist carries through his idea and makes it into visible form, then all the steps in the process are of importance. The idea itself, even if not made visual, is as much a work of art as any finished product,” stated LeWitt. He continued, “All intervening steps—scribbles, sketches, drawings, failed works, models, studies, thoughts, conversations—are of interest. Those that show the thought process of the artist are sometimes more interesting than the final product.” Please watch and read the selected videos and texts about Sol LeWitt’s wall drawings and about conceptual art. These resources will provide you with context about the artist before you begin the activities. Resources: *If hyperlinks are disabled in your browser, please copy and paste the URLs directly into your search bar. Sol LeWitt,
    [Show full text]