The Rabbi Mark G. Loeb Center for Lifelong Learning at Beth El

Total Page:16

File Type:pdf, Size:1020Kb

The Rabbi Mark G. Loeb Center for Lifelong Learning at Beth El The Rabbi Mark G. Loeb Center for Lifelong Learning at Beth El Congregation 2021-2022 5781-5782 The Arthur Wilner Foundation is honored to remember the legacy of Rabbi Mark G. Loeb by supporting the Rabbi Mark G.Loeb Center for Lifelong Learning. - Jeffrey Abarbanel, Trustee 2 | LEARNING AND CULTURAL OPPORTUNITIES Dear Adult Education Learners, I must share my pride for you, our community. The shift to new technology has been difficult for all of us; your swift response to adapt to this challenge this year is commendable. Personally, for me it was a difficult adjustment, but through the struggle I gained new skills. Now I can teach virtually. Thank you for taking the time to join the programs and classes this year; it shows true commitment to our goal for lifelong learning at Beth El. This coming year will continue to be a challenge since there will be many uncertainties. Due to the constant pandemic changes and updates, we will have to continue to adjust our plans. Our goal is offer learning events in person whenever possible. We will follow safety precautions and social distancing as long as needed and maintain updated guidelines for everyone. Developing new courses takes planning, commitment, foresight, and follow through. This coming year I am pleased to welcome members of Beth El’s staff and clergy to our Adult Education teaching team. They will be presenting classes that you won’t want to miss. These advances in programming are all made possible through the collaborative efforts of the Adult Education Committee and co-chairs, Dr. Neil Goldberg and Marcia Boonshaft. We continue to welcome support from our community at large; you can sponsor or dedicate a concert or one of our many programs, classes and events. Our response to Covid-19 has strengthened determination to offer programming for everyone. Our programming is reflective of the strength of our congregation, community, and team. I am proud to be able to offer presenters, entertainers and educators from across the country from Los Angeles, Chicago, Florida and New York. The Rabbi Mark G. Loeb Center for Lifelong Learning will continue to collaborate with Beth El’s Israel Affairs Committee to bring quality programs an events to support Israel. I would like to thank Janet Penn for her leadership, dedication and support as our Adult Education Committee Co-Chair. I value her friendship and look forward to her continued commitment and connection with adult education. Welcome to Marcia Boonshaft as our new Co-Chair. Marcia and Dr. Neil Goldberg will work together to bring outstanding, high quality programming to our community. Please join us this year as we learn new skills and information and celebrate being together in person. Register for returning and new classes and events. We look forward to sharing this new 2021-2022 season of learning opportunities with you. Wishing you an inspiring year of learning, Eyal Bor, PhD LEARNING AND CULTURAL OPPORTUNITIES | 3 The Rabbi Mark G. Loeb Center For Lifelong Learning At Beth El Was Established In Loving Memory Of Our Beloved Rabbi Emeritus Mark G. Loeb Our mission is to perpetuate Rabbi Loeb’s passion for knowledge by providing educational and cultural learning experiences for our congregants and for the community at large. Eyal Bor, PhD, Director Ellen Marks, Coordinator Neil Goldberg, MD and Marcia Boonshaft, Co-Chairs David Harrison, Beth El President BETH EL CONGREGATION 8101 Park Heights Avenue Baltimore, Maryland 21208 FOR INFORMATION, contact [email protected], or call 410-580-5166 www.bethelbalto.com 4 | LEARNING AND CULTURAL OPPORTUNITIES SECURITY STEPS TO FOLLOW WHEN ENTERING BETH EL • Have your photo ID available. • Stop to see the security guard to show your ID, have it scanned and receive a badge. • Carry your badge with you each time you visit Beth El. • If you enter the building at the Hubert Wing, take the elevator to the second floor, step to the silver box on the wall opposite the elevator, push the button, step back and show your ID badge to gain entrance. REFUND POLICY If you register for a class or program and decide not to attend, you may substitute a different event or put it on your Beth El account. There are no refunds. In case of a pandemic or other extreme situation, classes will be offered remotely on Zoom or Facebook Live. INCLEMENT WEATHER POLICY In case of inclement weather, please call the Congregation Weather Hotline at 410-580-5080 for all information and updates. You can also check the Beth El website at www.bethelbalto.com. or the Beth El Facebook page. LEARNING AND CULTURAL OPPORTUNITIES | 5 Specializing in the Sale & restoration Of the world’s finest pianos 6 | LEARNING AND CULTURAL OPPORTUNITIES learn more at lindebladpiano.com 2021-2022 ADULT LIFELONG LEARNING REGISTRATION FORM Please register for all programs you plan to attend, even those with no charge. Numbers of participation will determine whether programs will take place. Unless classes are cancelled by Beth El, there will be no refunds; other classes can be substituted or a credit will be issued. Complete the required information in the appropriate spaces. You are welcome to sponsor multiple programs or events throughout the year; $54 per program is the sponsorship. All programs and events are online. Use this quick and easy link to register and pay online with a credit or debit card: https://www.bethelbalto.com/adult-education-registration. You can also register with a check made payable to Beth El Congregation using the form below. Name: _____________________________________________________ Address: ___________________________________________________ Contact Phone Number _______________________________________ Email ______________________________________________________ ________Yes, I am a Beth El Congregation member ________No, I am not a Beth El Congregation member Name of Program ____________________________________________ Fee, if any_______________ Yes, I will sponsor this program $54______ Name of Program ____________________________________________ Fee, if any_______________ Yes, I will sponsor this program $54______ Name of Program ____________________________________________ Fee, if any_______________ Yes, I will sponsor this program $54______ Name of Program ____________________________________________ Fee, if any_______________ Yes, I will sponsor this program $54______ LEARNING AND CULTURAL OPPORTUNITIES | 7 Name of Program ____________________________________________ Fee, if any_______________ Yes, I will sponsor this program $54______ Name of Program ____________________________________________ Fee, if any_______________ Yes, I will sponsor this program $54______ Name of Program ____________________________________________ Fee, if any_______________ Yes, I will sponsor this program $54______ Name of Program ____________________________________________ Fee, if any_______________ Yes, I will sponsor this program $54______ Name of Program ____________________________________________ Fee, if any_______________ Yes, I will sponsor this program $54______ Name of Program ____________________________________________ Fee, if any_______________ Yes, I will sponsor this program $54______ Name of Program ____________________________________________ Fee, if any_______________ Yes, I will sponsor this program $54______ Name of Program ____________________________________________ Fee, if any_______________ Yes, I will sponsor this program $54______ Name of Program ____________________________________________ Fee, if any_______________ Yes, I will sponsor this program $54______ Name of Program ____________________________________________ Fee, if any_______________ Yes, I will sponsor this program $54______ Name of Program ____________________________________________ Fee, if any_______________ Yes, I will sponsor this program $54______ 8 | LEARNING AND CULTURAL OPPORTUNITIES GIFT SHOP The Gift Shop is currently open by appointment only. To view our great selection of items, visit our Gift Shop website at bethelsisterhoodgiftshop.company.site. To make an appointment, contact: Carole Schechter at [email protected] 443-768-5020 or Rozzie Brilliant at [email protected] 410-218-1182. LEARNING AND CULTURAL OPPORTUNITIES | 9 DIRECTORY OF PROGRAMS Classes are listed alphabetically. October 2021 classes begin on page 16. January 2022 classes begin on page 43. Page “Grand” Tea Party! 70 1st Wednesdays @ Beth El, October 21 1st Wednesdays @ Beth El, November 31 1st Wednesdays @ Beth El, December 40 1st Wednesdays @ Beth El, January 53 1st Wednesdays @ Beth El, February 58 1st Wednesdays @ Beth El, March 60 1st Wednesdays @ Beth El, April 69 1st Wednesdays @ Beth El, May 74 1st Wednesdays @ Beth El, June 82 2022 Shabbat Kiddush Speaker Series: 62 Molding A Country, March 2022 Shabbat Kiddush Speaker Series: Molding A Country, April 71 2022 Shabbat Kiddush Speaker Series: Molding A Country, May 80 2022 Shabbat Kiddush Speaker Series: Molding A Country, June 82 A Day For Women 75 A Rabbi and a Theologian Walk Into a Bar Redux 72 A Weekend with Pizmon, Jewish A Capella Group 37 10 | LEARNING AND CULTURAL OPPORTUNITIES Agus Academy: iEngage, Hartman Curriculum Alexa, Which Tech Tools Are Right For Me? 22 Art in Spain 47 Art Making 36 Avital Sharansky: A Documentary 78 Alexa, Which Tech Tools Are Right For Me? 70 Baltimore Hebrew Institute Modern Hebrew at Beth El 24 Belief Systems 27 Between Cross and Crescent: Jewish Civilization From Mohammed to Spinoza 45 Bridge for Beginners 71 Bridge for Intermediate Level 27 Canasta for
Recommended publications
  • Wertheimer, Editor Imagining the Seth Farber an American Orthodox American Jewish Community Dreamer: Rabbi Joseph B
    Imagining the American Jewish Community Brandeis Series in American Jewish History, Culture, and Life Jonathan D. Sarna, Editor Sylvia Barack Fishman, Associate Editor For a complete list of books in the series, visit www.upne.com and www.upne.com/series/BSAJ.html Jack Wertheimer, editor Imagining the Seth Farber An American Orthodox American Jewish Community Dreamer: Rabbi Joseph B. Murray Zimiles Gilded Lions and Soloveitchik and Boston’s Jeweled Horses: The Synagogue to Maimonides School the Carousel Ava F. Kahn and Marc Dollinger, Marianne R. Sanua Be of Good editors California Jews Courage: The American Jewish Amy L. Sales and Leonard Saxe “How Committee, 1945–2006 Goodly Are Thy Tents”: Summer Hollace Ava Weiner and Kenneth D. Camps as Jewish Socializing Roseman, editors Lone Stars of Experiences David: The Jews of Texas Ori Z. Soltes Fixing the World: Jewish Jack Wertheimer, editor Family American Painters in the Twentieth Matters: Jewish Education in an Century Age of Choice Gary P. Zola, editor The Dynamics of American Jewish History: Jacob Edward S. Shapiro Crown Heights: Rader Marcus’s Essays on American Blacks, Jews, and the 1991 Brooklyn Jewry Riot David Zurawik The Jews of Prime Time Kirsten Fermaglich American Dreams and Nazi Nightmares: Ranen Omer-Sherman, 2002 Diaspora Early Holocaust Consciousness and and Zionism in Jewish American Liberal America, 1957–1965 Literature: Lazarus, Syrkin, Reznikoff, and Roth Andrea Greenbaum, editor Jews of Ilana Abramovitch and Seán Galvin, South Florida editors, 2001 Jews of Brooklyn Sylvia Barack Fishman Double or Pamela S. Nadell and Jonathan D. Sarna, Nothing? Jewish Families and Mixed editors Women and American Marriage Judaism: Historical Perspectives George M.
    [Show full text]
  • The Jewish Experience in the Catskills
    Union College Union | Digital Works Honors Theses Student Work 6-2011 A Lost Land: The ewJ ish Experience in the Catskills Briana H. Mark Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Jewish Studies Commons, and the United States History Commons Recommended Citation Mark, Briana H., "A Lost Land: The eJ wish Experience in the Catskills" (2011). Honors Theses. 1029. https://digitalworks.union.edu/theses/1029 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. A Lost Land: The Jewish Experience in The Catskill Mountains By Briana Mark *********** Submitted in partial fulfillment of the requirements for Honors in the Department of History Union College June 2011 1 Chapter One: Secondary Literature Review: The Rise and Fall of the Catskill Resorts When thinking of the great resort destinations of the world, New York City’s Catskill region may not come immediately to mind. It should. By the early twentieth century, the fruitful farmlands of Sullivan and Ulster Counties became home to hundreds of hotels and bungalow colonies that served the Jews of New York City. Yet these hotels were unlike most in America, for they not only represented an escape from the confines of the ghetto of the Lower East Side, but they also retained a distinct religious nature. The Jewish dietary laws were followed in most of the colonies and resorts, and religious services were also a part of daily life.
    [Show full text]
  • 6Th Annual History of the Catskills Conference August 25 - 27, 2000 Kutsher's Country Club Monticello, New York
    6th Annual History of the Catskills Conference August 25 - 27, 2000 Kutsher's Country Club Monticello, New York Schedule of Events Friday, August 25 6:00-7:00pm Cocktail Party for Conference Participants 8:30-10:00pm Phil Brown: Intro & Welcome to the Conference, History & Future of the Catskills Helen Kutsher: “Greetings from a Veteran Hotelkeeper” Mark Kutsher: “The Future of the Catskills” Marge Schneider, Catskill Resort Group: “The Redevelopment of the Concord and the re-emergence of Sullivan County as a Destination Resort” Saturday, August 26 10:00-11:15am Terry Kay: Reading from his 1994 novel Shadow Song, set in the northern Catskills 11:30am-12:45pm Sidney Offit: Reading from his novel He Had It Made, a 1959 novel set at the Aladdin Hotel, just republished in 1999 2:15-3:30pm Tania Grossinger: Reading from Growing up at Grossingers and talking about growing up as a "staff kid" 4:00-5:15pm Henry Foner & Larry Rivkin: “Chester's Zunbarg: A Focal Point of Progressive Culture in the Catskills” 8:30-9:45pm Irwin Richman, Penn State: “Catskill Color: A View through Postcards” Sunday, August 27 10:00-11:15am Jack Landman: “Sports in the Catskills” 11:30am-12:45pm Arthur Tanney: “Bungalow Stories” Room rates and reservations: call Kutsher's Country Club at (914) 794-600 or (800) 431-1273; or write at Kutsher's Country Club, Monticello, NY 12701 Conference Fees (half price for CI members) Full Conference Single Day Single Event $50 $25 $10 Catskills Institute: Box 1916, Brown University, Providence RI 02912; [email protected] 1 “Kitchen Lit” By Martha Mendelsohn The Jewish Week: September 1, 2000 The "mountains" evoke marathon meals rather than literary salons, but writers whose books are set in the borscht belt served up verbal schmaltz spiked with cynicism at Kutsher's Country Club last weekend.
    [Show full text]
  • A Yiddish Guide to Jack Carter
    A YIDDISH GUIDE TO JACK CARTER by Marjorie Gottlieb Wolfe Syosset, New York Comic, Jack Carter, passed away. His manic storytelling made him a comedy star in television’s infancy and helped sustain a show business career through eight decades. A spokesman, Jeff Sanderson, said the cause was respiratory failure. Although he fell short of the top tier of entertainers, he had countless appearances on talk shows and on comedy series. “nomen” (name) Jack Carter’s original surname was Chakrin. “tate-mame” (parents) Carter’s parents, Jewish immigrants from Russia, owned a candy store. He was born in Brighton Beach, Brooklyn. “zukhn” (to search) “People spend their lives searching for their one true love, their other half. I found mine in college, dancing in a fraternity house driveway. Lucky for me, she found me right back.” (quote) “khasene” (marriage) Carter was married three times: To Joan Mann, to Paula Stewart (the ex-wife of Burt Bacharach), and to Roxanne Stone. The latter were married in 1971, divorced in 1977, and remarried in 1992. He leaves behind his wife, Roxanne, two sons, Michael and Chase, and grand- children, Jake and Ava. “milkhome” (war) Carter was drafted during W. W. II, when he toured with the cast of Irving Berlin’s show, “This is the Army.” “zikh” (himself) Carter starred with Elvis Presley in the 1964 film, “Viva Las Vegas.” He played himself; The Horizontal Lieutenant, The Extraordinary Seaman,” and “The Funny Farm.” California Carter lived in California since 1970. He says, “The produce stores are like Cartier’s. The tomatoes are real gems.” “tummler” (noisemaker) A list of Borscht-Belt tummlers who made it to the big time includes Danny Kaye, Jan Pierce, Jan Murray, Tony Curtis, Jerry Lewis, Red Buttons, Phil Silvers, Moss Hart, Jack Albertson, Joey Adams, Phil Foster, and JACK CARTER.
    [Show full text]
  • Tighten Your Borscht Belt Forsubmission2
    Tighten Your Borscht Belt __________________________ A full-length play By Hilary Bluestein-Lyons Hilary Bluestein-Lyons 132 Laburnam Crescent Rochester, NY 14620 [email protected] (520)275-7240 CHARACTERS: HATTIE ZELIG: 30, is a Jewish stand-up comedian, working in and around NYC and the Catskill resorts. She was born and raised in New York City, and has a slight Yiddish accent, which is stronger when around family. ZEB ZELIG: 32, is Hattie’s husband and manager. Prior to going overseas during WWII, he and Hattie had a vaudeville act, so he knows the ins and outs of entertainment. He also manages several other entertainers. LILLIAN (LIL) STERN: 30, also Jewish, is Hattie’s best friend since childhood. Her husband passed away in 1944, fighting in WWII. Lillian had a steady career as a comedic Hollywood actress, but in 1950 became blacklisted. She is now a stand- up comedian, working primarily in the Catskills. RUTH: 52, is Hattie’s mother. She was born in Germany, but has lived in the US since she was 6. She speaks with a Yiddish accent. Ruth’s husband abandoned her and her two daughters (Hattie and Sophie) when they were teenagers, but she has never given up hope that he will return. Ruth has devoted her whole life to raising her daughters, supporting them as a seamstress. She watches Hattie and Zeb’s 8-year-old daughter, Frieda, when Hattie is performing. TIME: SUMMER 1952 PLACE: From the 1920s to the 1980s an area of about 250 square miles in the Catskill Mountains of New York was home to hundreds of resorts, hotels, motels and bungalow colonies frequented by vacationing Jews from New York City who, due to anti- Semitism, were denied accommodations elsewhere.
    [Show full text]
  • Department of English and American Studies Sid Caesar and His
    Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Be. Vojtěch Vokurka Sid Caesar and His Writers: Revolution in American Comedy Masters Diploma Thesis Supervisor: GeneTerruso, M.F.A. 2018 / declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. Vojtěch Vokurka Acknowledgement I would like to thank my supervisor, Mr. Gene Terruso, for his time, for his ideas and for introducing me to Sid Caesar and his work. Also, I would like to thank Sid Caesar, his actors and writers for keeping me entertained while I was working on this thesis. Table of Contents Introduction 6 1. Caesar's Shows 8 1.1 When Liebman Met Caesar 8 1.1 The Cast 13 1.3 The Writers 16 1.4 Evolution of American Sketch Comedy 19 2. Jewishness in Caesar's Humor 23 2.1 Roots of Jewish Comedy in America 23 2.2 Muting the Jewishness 25 2.3 Characteristics of Jewish Humor 27 2.4 Reaching the General Audience 33 2.5 Being Openly Jewish 35 2.6 Evolution of American Humor 39 3. Parody in Caesar's Sketches 45 3.1 Caesar's Parodies 45 3.2 Parody on Saturday Night Live 48 3.3 Movie Parodies 50 4. Caesar and Physical Comedy 54 4.1 History of Physical Comedy 54 4.2 Physical Comedy in Caesar's Sketches 56 4.3 Physical Comedy in the Years after Caesar 59 Conclusion 64 Bibliography 66 Primary Sources 66 Secondary Sources 70 Introduction When comedian Sid Caesar died in 2014, the news outlets all over the United States printed their obituaries.
    [Show full text]
  • Reflections on the Delmar Hotel and the Demise of the Catskills
    Reflections on the Delmar Hotel and the Demise of the Catskills pp. 198-213 in Philip Brown, edited, In the Catskills: A Century of the Jewish Experience in “The Mountains.” New York: Columbia University Press, 2002. Jerry A. Jacobs 727 S. Latches Lane Merion, PA 19066 610-664-7132 [email protected] For many years I rarely discussed my parents’ hotel, but lately I find myself mentioning it more often. As I settle into my forties and watch my two little girls grow up, I wonder how to tell them what it meant to me to grow up in the Catskills. When I had the chance to read Phil Brown’s book, Catskill Culture, I admired his ability to come to terms with this period in his life. I thought that perhaps it was time to take a stab at it myself. And to try to understand how the Catskills vanished so quickly and so completely that an archive had to be established to ensure that some traces survive. In our family there was often talk about writing a book about the hotel. But how to capture the zaniness, the colorful characters, the exhausting routine and the special camaraderie that made up the Delmar Hotel? We would try organizing it around a day-in-the-life. My mom rose at six to begin to prepare for breakfast, first for the staff, then for the guests. My dad bantered with a guest who was up at dawn waiting to complain about something askew. The day ended at 11 PM as the nightly performance in the casino drew to a close and the last trays in the tea room, where guests would repair after the show, were put away.
    [Show full text]
  • Jewish American Comedy's Expression of Anxiety in a Time of Change, 1965-1973 Emily Schorr Lesnick Macalester College, [email protected]
    Macalester College DigitalCommons@Macalester College American Studies Honors Projects American Studies Department 2011 Can We Laugh? Jewish American Comedy's Expression of Anxiety in a Time of Change, 1965-1973 Emily Schorr Lesnick Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/amst_honors Part of the American Film Studies Commons, American Popular Culture Commons, Cultural History Commons, and the Ethnic Studies Commons Recommended Citation Lesnick, Emily Schorr, "Can We Laugh? Jewish American Comedy's Expression of Anxiety in a Time of Change, 1965-1973" (2011). American Studies Honors Projects. Paper 5. http://digitalcommons.macalester.edu/amst_honors/5 This Honors Project is brought to you for free and open access by the American Studies Department at DigitalCommons@Macalester College. It has been accepted for inclusion in American Studies Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Can We Laugh? Jewish American Comedy's Expression of Anxiety in a Time of Change, 1965-1973 Emily Schorr Lesnick American Studies Honors Project Advisor: Peter Rachleff 1 TABLE OF CONTENTS CHAPTER I | INTRODUCTION 4 CHAPTER II | REPRESENTING OURSELVES : THEORETICAL INFLUENCES 9 CHAPTER III | ENTERING A JEWISH HISTORY OF DIATRIBES AND DIALOGUE 24 CHAPTER IV | PERFORMING HISTORIES : JEWISH AMERICAN CULTURAL HISTORY 33 CHAPTER V | THE GAZE , THE SPECTATOR , THE SELF : REPRESENTATIONS IN THE
    [Show full text]
  • Myers, Allison.Pdf
    FROM ALEICHEM TO ALLEN: THE JEWISH COMEDIAN IN POPULAR CULTURE by Allison Myers A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Bachelor of Arts in English with Distinction. Spring 2010 Copyright 2010 Allison Myers All Rights Reserved FROM ALEICHEM TO ALLEN: THE JEWISH COMEDIAN IN POPULAR CULTURE by Allison Myers Approved: ______________________________________________________________________________________ Elaine Safer, Ph.D. Professor in charge of thesis on behalf of the Advisory Committee Approved: ______________________________________________________________________________________ Ben Yagoda, M.A. Committee member from the Department of English Approved: ______________________________________________________________________________________ John Montaño, Ph.D. Committee member from the Board of Senior Thesis Readers Approved: ______________________________________________________________________________________ Ismat Shah, Ph.D. Chair of the University Committee on Student and Faculty Honors ACKNOWLEDGMENTS I would like to express utmost gratitude to my thesis advisor, Elaine Safer, for all the guidance she has given and for all the jokes she has told me over the course of writing my thesis. I also extend my thanks to Ben Yagoda and John Montaño, my thesis committee, for guiding me in this process. It is because of University of Delaware’s incredible Undergraduate Research Program that I was able to pursue my interests and turn it into a body of work, so I owe the department, and specifically Meg Meiman, many thanks. Finally, I am grateful for every fellow researcher, family member and friend who has lent me a book, suggested a comedian, or just listened to me ramble on about the value of studying Jewish humor. iii TABLE OF CONTENTS Abstract .................................................................................................................................................................
    [Show full text]
  • Jewish Migration in Postwar America: the Case of Miami and Los Angeles
    Jewish Migration in Postwar America Handlin's trenchant reflections not only tion, seeing them as a continuum, but m. both. Jewish Migration in Postwar America: The mobilization of the war years drew neighborhoods of their childhood and sen The Case of Miami and Los Angeles out the South and West. Most of the Jewis not strayed far from their home towns duri sion. 5 Now, en route to the Pacific war the Deborah Dash Moore of them passed through Los Angeles and \ (VASSAR COLLEGE) and easy way of life that they saw. Othe found themselves stationed in one of the war. When their wives came down to visit city. 6 Smaller numbers went to bases near Even a small city such as Tucson, Arizona of its base for training bombardiers and P' offered excited them. "You betcha, Ilovel The Second World War and its aftennath ushered in a period of enonnous changes friends in Philadelphia and said there's n· for American Jews. The destruction of European Jewry shattered the familiar con­ down here and anything I'd tell you wou) tours of the Jewish world and transfonned American Jews into the largest, that I'm here there's no way that I'll ever wealthiest, most stable and secure Jewish community in the diaspora. American He married a native Dallas Jew and sIX Jews' extensive participation in the war effort at home and abroad lifted them out of community that reflected some of the va their urban neighborhoods into the mainstream of American life. 1 In the postwar delphia.
    [Show full text]
  • An Actors Attempt at Stand-Up Comedy
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2015 A Jew from Nebraska: An Actors Attempt at Stand-up Comedy Jeffrey Nathan University of Central Florida Part of the Acting Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Nathan, Jeffrey, "A Jew from Nebraska: An Actors Attempt at Stand-up Comedy" (2015). Electronic Theses and Dissertations, 2004-2019. 1427. https://stars.library.ucf.edu/etd/1427 A JEW FROM NEBRASKA: AN ACTOR’S ATTEMPT AT STAND-UP COMEDY by JEFF NATHAN B.A. University of Nebraska, 2005 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2015 Major Professor: Christopher Niess © 2015 Jeff Nathan ii ABSTRACT Stand-up comedy has been a major influence on American culture and has given the “Everyman” the ability to laugh at ourselves. Stand-up comedians have been performing in nightclubs, bars, clubs, and, most importantly, theatres for the past 60 years. Stand-up comedy can take many forms: a monologue of entertaining incidents that form a story, or a string of one- liners, or a succession of jokes.
    [Show full text]
  • Gender and the Meritocratic Myth of Authenticity in the Cultural Production of Stand-Up Comedy by Stephanie Brown
    OPEN MIC? GENDER AND THE MERITOCRATIC MYTH OF AUTHENTICITY IN THE CULTURAL PRODUCTION OF STAND-UP COMEDY BY STEPHANIE BROWN DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications and Media in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Doctoral Committee: Professor Angharad Valdivia, Chair Professor Cameron McCarthy Professor CL Cole Associate Professor Julie Turnock ABSTRACT This dissertation demonstrates the ways in which gender plays a role in the validating of authenticity and merit in the cultural and industrial spaces of stand-up comedy. Merit and authenticity are arbitrary signifiers invoked by comics, fans, critics, and industry gatekeepers to protect the privilege of straight, white men who continue to dominate the field. I argue that the ideology of comedic authenticity is a means through which to police the boundaries of stand-up comedy while masking its underlying sexism, racism, and homophobia. More specifically, I argue that women, operationalized here as an industrial identity category, are constructed as comedy outsiders who must continually prove their worth through a shifting and slippery set of aesthetic and cultural norms and conditions. Further I explore the emotional and material labor women must perform to achieve success within the field, both on the local level and the industrial level. I draw attention to gatekeeping in stand-up comedy by theorizing it not as a type of rhetoric or artistic form,
    [Show full text]