Reflections on the Delmar Hotel and the Demise of the Catskills
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Wertheimer, Editor Imagining the Seth Farber an American Orthodox American Jewish Community Dreamer: Rabbi Joseph B
Imagining the American Jewish Community Brandeis Series in American Jewish History, Culture, and Life Jonathan D. Sarna, Editor Sylvia Barack Fishman, Associate Editor For a complete list of books in the series, visit www.upne.com and www.upne.com/series/BSAJ.html Jack Wertheimer, editor Imagining the Seth Farber An American Orthodox American Jewish Community Dreamer: Rabbi Joseph B. Murray Zimiles Gilded Lions and Soloveitchik and Boston’s Jeweled Horses: The Synagogue to Maimonides School the Carousel Ava F. Kahn and Marc Dollinger, Marianne R. Sanua Be of Good editors California Jews Courage: The American Jewish Amy L. Sales and Leonard Saxe “How Committee, 1945–2006 Goodly Are Thy Tents”: Summer Hollace Ava Weiner and Kenneth D. Camps as Jewish Socializing Roseman, editors Lone Stars of Experiences David: The Jews of Texas Ori Z. Soltes Fixing the World: Jewish Jack Wertheimer, editor Family American Painters in the Twentieth Matters: Jewish Education in an Century Age of Choice Gary P. Zola, editor The Dynamics of American Jewish History: Jacob Edward S. Shapiro Crown Heights: Rader Marcus’s Essays on American Blacks, Jews, and the 1991 Brooklyn Jewry Riot David Zurawik The Jews of Prime Time Kirsten Fermaglich American Dreams and Nazi Nightmares: Ranen Omer-Sherman, 2002 Diaspora Early Holocaust Consciousness and and Zionism in Jewish American Liberal America, 1957–1965 Literature: Lazarus, Syrkin, Reznikoff, and Roth Andrea Greenbaum, editor Jews of Ilana Abramovitch and Seán Galvin, South Florida editors, 2001 Jews of Brooklyn Sylvia Barack Fishman Double or Pamela S. Nadell and Jonathan D. Sarna, Nothing? Jewish Families and Mixed editors Women and American Marriage Judaism: Historical Perspectives George M. -
Shakespearean Actors Display Talents at ND
II III II 11111111111i'" Program Guide Specialty Shows 7 - 9 pm Daily ., Monday: Regressive Thursday: Hlp Hop WI! aRJ Tuesday: Rock-n-Roll/Sports Friday: Reggae Request Line: . Wednesday: Jazz Saturday: Hardcore/ 239-6400 ==============64 Sunday: Metal Punk These are the Voices of the Fighting Irish Monday Tuesday Wednesday Thursday Friday Saturday Sunday Mike BertinI Jason Hoida Mike Schwabe Pat Ninneman John Strieder Kathy Hordlek 7-9 a.m. "Rock Out With "Morning 'We're Brellking "H Hint Of 'Hot Brellkfllst Your Rooster Out" Stiffness" Pllrietllls' Hnesthesia" In No Time Rt RII" ~ ~ John Staunton Mystery D,J, Kristen Moria SullilJan Kelly Boglarsky ~/ffff/h • Sol & Cllrol's 'If I Rsked You To Baumler 'Mllnioclll "Bogue Not V#//ffM 9-11a.m. Spllnk Me, Would You Mudslinging BBO Plulldlse" Say N01 "Un Poco De Sko" Menllqerie' Uogue" 10:00 am - 1 :00 pm Paul Broderick John Dugan Greg Murphy Joson Wins lode Mike Montroy Rebecca Paul Saiz 'Jazun Jetsam's 11-lp.m. "Paul's Power "Nothing Short of "Midday "Bloodshot OSCillating Rudlo "Death By Ciletti Hour (or two)" Total War" Cramps" Karma" Sculpture' Disco" Chris Chris Infante Brad Barnhorst Karen 1-3p.m. Neil Higgins Kristen John Furey Scherzinger "Big Cheese "No LOlJe Lost" Holderer 'Rlldio Schlep Goes Downer" Harknett "Undergromd" Public' Dan langrill Jeff Sepeta Jeff Jotz Mike McMahon Shllwn Nowlerskl Jennifer Hnne Seifert 3-5 p.m. 'Don Lllngrill's "Uoices On The "Orifice Party "Me Rnd Your 'Songs O'Bjorn Rnd "ElJeryday Is Rudio Mood Ring' Fringe" '90" Mom" Fjords' Reiland Like Sundaq" Mark KelJin Brian Geraghty Kathy RleH Nunez Hlyson Naimoli Tom Fellrath "The Urban MCDonou~h • Eluls HilS Left 5-7 p.m. -
The ONE and ONLY Ivan
KATHERINE APPLEGATE The ONE AND ONLY Ivan illustrations by Patricia Castelao Dedication for Julia Epigraph It is never too late to be what you might have been. —George Eliot Glossary chest beat: repeated slapping of the chest with one or both hands in order to generate a loud sound (sometimes used by gorillas as a threat display to intimidate an opponent) domain: territory the Grunt: snorting, piglike noise made by gorilla parents to express annoyance me-ball: dried excrement thrown at observers 9,855 days (example): While gorillas in the wild typically gauge the passing of time based on seasons or food availability, Ivan has adopted a tally of days. (9,855 days is equal to twenty-seven years.) Not-Tag: stuffed toy gorilla silverback (also, less frequently, grayboss): an adult male over twelve years old with an area of silver hair on his back. The silverback is a figure of authority, responsible for protecting his family. slimy chimp (slang; offensive): a human (refers to sweat on hairless skin) vining: casual play (a reference to vine swinging) Contents Cover Title Page Dedication Epigraph Glossary hello names patience how I look the exit 8 big top mall and video arcade the littlest big top on earth gone artists shapes in clouds imagination the loneliest gorilla in the world tv the nature show stella stella’s trunk a plan bob wild picasso three visitors my visitors return sorry julia drawing bob bob and julia mack not sleepy the beetle change guessing jambo lucky arrival stella helps old news tricks introductions stella and ruby home -
The Jewish Experience in the Catskills
Union College Union | Digital Works Honors Theses Student Work 6-2011 A Lost Land: The ewJ ish Experience in the Catskills Briana H. Mark Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Jewish Studies Commons, and the United States History Commons Recommended Citation Mark, Briana H., "A Lost Land: The eJ wish Experience in the Catskills" (2011). Honors Theses. 1029. https://digitalworks.union.edu/theses/1029 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. A Lost Land: The Jewish Experience in The Catskill Mountains By Briana Mark *********** Submitted in partial fulfillment of the requirements for Honors in the Department of History Union College June 2011 1 Chapter One: Secondary Literature Review: The Rise and Fall of the Catskill Resorts When thinking of the great resort destinations of the world, New York City’s Catskill region may not come immediately to mind. It should. By the early twentieth century, the fruitful farmlands of Sullivan and Ulster Counties became home to hundreds of hotels and bungalow colonies that served the Jews of New York City. Yet these hotels were unlike most in America, for they not only represented an escape from the confines of the ghetto of the Lower East Side, but they also retained a distinct religious nature. The Jewish dietary laws were followed in most of the colonies and resorts, and religious services were also a part of daily life. -
6Th Annual History of the Catskills Conference August 25 - 27, 2000 Kutsher's Country Club Monticello, New York
6th Annual History of the Catskills Conference August 25 - 27, 2000 Kutsher's Country Club Monticello, New York Schedule of Events Friday, August 25 6:00-7:00pm Cocktail Party for Conference Participants 8:30-10:00pm Phil Brown: Intro & Welcome to the Conference, History & Future of the Catskills Helen Kutsher: “Greetings from a Veteran Hotelkeeper” Mark Kutsher: “The Future of the Catskills” Marge Schneider, Catskill Resort Group: “The Redevelopment of the Concord and the re-emergence of Sullivan County as a Destination Resort” Saturday, August 26 10:00-11:15am Terry Kay: Reading from his 1994 novel Shadow Song, set in the northern Catskills 11:30am-12:45pm Sidney Offit: Reading from his novel He Had It Made, a 1959 novel set at the Aladdin Hotel, just republished in 1999 2:15-3:30pm Tania Grossinger: Reading from Growing up at Grossingers and talking about growing up as a "staff kid" 4:00-5:15pm Henry Foner & Larry Rivkin: “Chester's Zunbarg: A Focal Point of Progressive Culture in the Catskills” 8:30-9:45pm Irwin Richman, Penn State: “Catskill Color: A View through Postcards” Sunday, August 27 10:00-11:15am Jack Landman: “Sports in the Catskills” 11:30am-12:45pm Arthur Tanney: “Bungalow Stories” Room rates and reservations: call Kutsher's Country Club at (914) 794-600 or (800) 431-1273; or write at Kutsher's Country Club, Monticello, NY 12701 Conference Fees (half price for CI members) Full Conference Single Day Single Event $50 $25 $10 Catskills Institute: Box 1916, Brown University, Providence RI 02912; [email protected] 1 “Kitchen Lit” By Martha Mendelsohn The Jewish Week: September 1, 2000 The "mountains" evoke marathon meals rather than literary salons, but writers whose books are set in the borscht belt served up verbal schmaltz spiked with cynicism at Kutsher's Country Club last weekend. -
A Yiddish Guide to Jack Carter
A YIDDISH GUIDE TO JACK CARTER by Marjorie Gottlieb Wolfe Syosset, New York Comic, Jack Carter, passed away. His manic storytelling made him a comedy star in television’s infancy and helped sustain a show business career through eight decades. A spokesman, Jeff Sanderson, said the cause was respiratory failure. Although he fell short of the top tier of entertainers, he had countless appearances on talk shows and on comedy series. “nomen” (name) Jack Carter’s original surname was Chakrin. “tate-mame” (parents) Carter’s parents, Jewish immigrants from Russia, owned a candy store. He was born in Brighton Beach, Brooklyn. “zukhn” (to search) “People spend their lives searching for their one true love, their other half. I found mine in college, dancing in a fraternity house driveway. Lucky for me, she found me right back.” (quote) “khasene” (marriage) Carter was married three times: To Joan Mann, to Paula Stewart (the ex-wife of Burt Bacharach), and to Roxanne Stone. The latter were married in 1971, divorced in 1977, and remarried in 1992. He leaves behind his wife, Roxanne, two sons, Michael and Chase, and grand- children, Jake and Ava. “milkhome” (war) Carter was drafted during W. W. II, when he toured with the cast of Irving Berlin’s show, “This is the Army.” “zikh” (himself) Carter starred with Elvis Presley in the 1964 film, “Viva Las Vegas.” He played himself; The Horizontal Lieutenant, The Extraordinary Seaman,” and “The Funny Farm.” California Carter lived in California since 1970. He says, “The produce stores are like Cartier’s. The tomatoes are real gems.” “tummler” (noisemaker) A list of Borscht-Belt tummlers who made it to the big time includes Danny Kaye, Jan Pierce, Jan Murray, Tony Curtis, Jerry Lewis, Red Buttons, Phil Silvers, Moss Hart, Jack Albertson, Joey Adams, Phil Foster, and JACK CARTER. -
Audio Catalog
over both a sampled lounge singer and couldn't find a major label for this al- some of the most dissonant noise this bum. Although it's been available in side of a subway tunnel-and sometimes Canada for some time now, Russell has it's funky and tuneful,el laJames Brown marketed it mostly through a toll -free or E.U. The messages aren't pretty, and telephonenumber, 800-DAR-KANG, if urban holocaust makes you queasy, that reappears in the name of his record label. Go ahead. He's only a phone call stick to George Michael. But if you're up Magazine for a no -holds -barred adventure, "Back away. A.N. -11-1C from Hell" is as real as it gets. Sample "Ferry Kloss broughtDolby sound, Cr02 cassette tape.and Slayer television quote: "To the maximum, I keep askin' SLAYER: Seasons in the Abyss. large screen projection and made the 'em/When's the city gonna fix where the (vocals and instrumentals).War Ensem- into !wing rooms, blacks are from?" P.P. ble; Blood Red; Spirit in Black; Expend- donunant speakerssystemsofthree decades: Acoustic Research inthe able Youth; Dead Skin Mask; Hallowed 195ds, KLII in the '60s,and TOM RUSSELL BAND: Poor Man's Point;and four others. DEF AMERICAN C) Advent in the /Os. Car n - 224307-4, @ 224307-2 (42 min). Now he's atit again at Dream.Tom Russell (vocals, guitar, gri- di- tas); vocal and instrumental accompani- bridge SoundWorks, selling Performance:Brutal m, to the public. ' ment.Blue Wing; The Heart of the Work- Recording:Good ing Man; Veteran's Day; Walkin' on the Moon; Outbound Plane; Bergenfield; Why do I, a reasonably mature guy, like Spanish Burgundy;and six others. -
Tighten Your Borscht Belt Forsubmission2
Tighten Your Borscht Belt __________________________ A full-length play By Hilary Bluestein-Lyons Hilary Bluestein-Lyons 132 Laburnam Crescent Rochester, NY 14620 [email protected] (520)275-7240 CHARACTERS: HATTIE ZELIG: 30, is a Jewish stand-up comedian, working in and around NYC and the Catskill resorts. She was born and raised in New York City, and has a slight Yiddish accent, which is stronger when around family. ZEB ZELIG: 32, is Hattie’s husband and manager. Prior to going overseas during WWII, he and Hattie had a vaudeville act, so he knows the ins and outs of entertainment. He also manages several other entertainers. LILLIAN (LIL) STERN: 30, also Jewish, is Hattie’s best friend since childhood. Her husband passed away in 1944, fighting in WWII. Lillian had a steady career as a comedic Hollywood actress, but in 1950 became blacklisted. She is now a stand- up comedian, working primarily in the Catskills. RUTH: 52, is Hattie’s mother. She was born in Germany, but has lived in the US since she was 6. She speaks with a Yiddish accent. Ruth’s husband abandoned her and her two daughters (Hattie and Sophie) when they were teenagers, but she has never given up hope that he will return. Ruth has devoted her whole life to raising her daughters, supporting them as a seamstress. She watches Hattie and Zeb’s 8-year-old daughter, Frieda, when Hattie is performing. TIME: SUMMER 1952 PLACE: From the 1920s to the 1980s an area of about 250 square miles in the Catskill Mountains of New York was home to hundreds of resorts, hotels, motels and bungalow colonies frequented by vacationing Jews from New York City who, due to anti- Semitism, were denied accommodations elsewhere. -
Department of English and American Studies Sid Caesar and His
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Be. Vojtěch Vokurka Sid Caesar and His Writers: Revolution in American Comedy Masters Diploma Thesis Supervisor: GeneTerruso, M.F.A. 2018 / declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. Vojtěch Vokurka Acknowledgement I would like to thank my supervisor, Mr. Gene Terruso, for his time, for his ideas and for introducing me to Sid Caesar and his work. Also, I would like to thank Sid Caesar, his actors and writers for keeping me entertained while I was working on this thesis. Table of Contents Introduction 6 1. Caesar's Shows 8 1.1 When Liebman Met Caesar 8 1.1 The Cast 13 1.3 The Writers 16 1.4 Evolution of American Sketch Comedy 19 2. Jewishness in Caesar's Humor 23 2.1 Roots of Jewish Comedy in America 23 2.2 Muting the Jewishness 25 2.3 Characteristics of Jewish Humor 27 2.4 Reaching the General Audience 33 2.5 Being Openly Jewish 35 2.6 Evolution of American Humor 39 3. Parody in Caesar's Sketches 45 3.1 Caesar's Parodies 45 3.2 Parody on Saturday Night Live 48 3.3 Movie Parodies 50 4. Caesar and Physical Comedy 54 4.1 History of Physical Comedy 54 4.2 Physical Comedy in Caesar's Sketches 56 4.3 Physical Comedy in the Years after Caesar 59 Conclusion 64 Bibliography 66 Primary Sources 66 Secondary Sources 70 Introduction When comedian Sid Caesar died in 2014, the news outlets all over the United States printed their obituaries. -
Jewish American Comedy's Expression of Anxiety in a Time of Change, 1965-1973 Emily Schorr Lesnick Macalester College, [email protected]
Macalester College DigitalCommons@Macalester College American Studies Honors Projects American Studies Department 2011 Can We Laugh? Jewish American Comedy's Expression of Anxiety in a Time of Change, 1965-1973 Emily Schorr Lesnick Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/amst_honors Part of the American Film Studies Commons, American Popular Culture Commons, Cultural History Commons, and the Ethnic Studies Commons Recommended Citation Lesnick, Emily Schorr, "Can We Laugh? Jewish American Comedy's Expression of Anxiety in a Time of Change, 1965-1973" (2011). American Studies Honors Projects. Paper 5. http://digitalcommons.macalester.edu/amst_honors/5 This Honors Project is brought to you for free and open access by the American Studies Department at DigitalCommons@Macalester College. It has been accepted for inclusion in American Studies Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Can We Laugh? Jewish American Comedy's Expression of Anxiety in a Time of Change, 1965-1973 Emily Schorr Lesnick American Studies Honors Project Advisor: Peter Rachleff 1 TABLE OF CONTENTS CHAPTER I | INTRODUCTION 4 CHAPTER II | REPRESENTING OURSELVES : THEORETICAL INFLUENCES 9 CHAPTER III | ENTERING A JEWISH HISTORY OF DIATRIBES AND DIALOGUE 24 CHAPTER IV | PERFORMING HISTORIES : JEWISH AMERICAN CULTURAL HISTORY 33 CHAPTER V | THE GAZE , THE SPECTATOR , THE SELF : REPRESENTATIONS IN THE -
Myers, Allison.Pdf
FROM ALEICHEM TO ALLEN: THE JEWISH COMEDIAN IN POPULAR CULTURE by Allison Myers A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Bachelor of Arts in English with Distinction. Spring 2010 Copyright 2010 Allison Myers All Rights Reserved FROM ALEICHEM TO ALLEN: THE JEWISH COMEDIAN IN POPULAR CULTURE by Allison Myers Approved: ______________________________________________________________________________________ Elaine Safer, Ph.D. Professor in charge of thesis on behalf of the Advisory Committee Approved: ______________________________________________________________________________________ Ben Yagoda, M.A. Committee member from the Department of English Approved: ______________________________________________________________________________________ John Montaño, Ph.D. Committee member from the Board of Senior Thesis Readers Approved: ______________________________________________________________________________________ Ismat Shah, Ph.D. Chair of the University Committee on Student and Faculty Honors ACKNOWLEDGMENTS I would like to express utmost gratitude to my thesis advisor, Elaine Safer, for all the guidance she has given and for all the jokes she has told me over the course of writing my thesis. I also extend my thanks to Ben Yagoda and John Montaño, my thesis committee, for guiding me in this process. It is because of University of Delaware’s incredible Undergraduate Research Program that I was able to pursue my interests and turn it into a body of work, so I owe the department, and specifically Meg Meiman, many thanks. Finally, I am grateful for every fellow researcher, family member and friend who has lent me a book, suggested a comedian, or just listened to me ramble on about the value of studying Jewish humor. iii TABLE OF CONTENTS Abstract ................................................................................................................................................................. -
The Waterboys L’Électron Libre Du Rock Irlandais
The Waterboys L’électron libre du rock irlandais Good Luck, Seeker Cooking Vinyl Contact scène Naïade Productions www.naiadeproductions.com 1 [email protected] / +33 (0)2 99 85 44 04 / +33 (0)6 23 11 39 11 Biographie The Waterboys est un groupe de musique créé en 1983 par Mike Scott. Les membres du groupe, passés et présents, sont essentiellement écossais et irlandais. Le groupe voyagea et élut domicile dans différentes villes telles que Londres, Dublin, An Spidéal, New York et Findhorn. The Waterboys a abordé différents styles musicaux durant son existence, mais la majeure partie de sa musique peut être décrite comme un mélange de musique folk celtique et de rock ‘n’ roll, ou folk rock. Après dix années d’enregistrements et de tournées, la formation musicale se sépara au début des années 90 et Mike Scott poursuivit une carrière solo. Reformé en 2000, The Waterboys reprit son rythme d’enregistremens d’albums et de tournées. Le leader du groupe souligna lui-même une continuité entre le groupe The Waterboys et son travail personnel, affirmant que « pour moi, il n’y a pas de différence entre Mike Scott et The Waterboys; ils signifient tous deux la même chose. Ils sont à la fois moi-même et ceux qui m’accompagnent durant mes tournées musicales ». Leur quinzième album Where The Action Is est sorti le 24 mai 2019 et a annoncé le retour des Waterboys sur scène. A l’été suivant, le groupe a parcouru de nombreuses scènes françaises pour le plus grand plaisir du public ! « Pour moi, il n’y a pas de différence entre Mike Scott et The Waterboys; ils signifient tous deux la même chose.