Collectors Forum Art Acquisitions History 1991-2014
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2636-011 Seattle Art Museum Records
UNlVERSllY U BRARIJES w UNIVERSITY of WASHI NGTON Spe ial Colle tions 2764 Seattle Art Museum Records Inventory Accession No: 2636-011 Special Collections Division University of Washington Libraries Box 352900 Seattle, Washington, 98195-2900 USA (206) 543-1929 This document forms part of the Preliminary Guide to the Seattle Art Museum Records. To find out more about the history, context, arrangement, availability and restrictions on this collection, click on the following link: http://digital.lib.washington.edu/findingaids/permalink/SeattleArtMuseum2636/ Special Collections home page: http://www.lib.washington.edu/specialcollections/ Search Collection Guides: http://digital.lib.washington.edu/findingaids/search Seattle Art Museum Acc. #?.636-11 Modern Art Department CONTAINER LIST _ Box EXHIBITION FILES 1 LIST OF EXHIBITIONS FROM FILE DRAWER, APRIL 1975 through 1976 May 8 - June B, 1975: University of Washington Masters Theses Exhibition Organized by the Seattle Art Museum and the University of Washington Participants: Bob Magruder, V'lou Oliveira - ceramics Tim Ely, Larry Stair & Dennis Evans - design Margie Ogle, Jeanne Ilgen - metal jewelry Alan Bradley, Peggy Cooley, Jo David, Isabel Hamilton, Steve McClelland, Ithipol Thangchalok - painting Carl Chew, Brad Keil, Barbara McAusland, Sherry Markovitz, M~ke Peterson - printmaking Francie Allen, Stuart Branston, Tom Duchscher, Jim Feroe, Dave Gallagher, Kim Hoffman, Margaret Hays - sculpture Carol Wood, Pat Spatk, Sherry Charles, Melinda PhilJips - textiles May 8 - June 22, 1975: Prints from the Untitled Press Organized by the Wadsworth Atheneum, Hartford, Connecticut Participants: Cy Twombly, Brice Marden, David Bradshaw, Bob Petersen, Robert Whitman, Robert Rauschenberg, Hisachika Taka Hashi April 1 - May 6, 1975: Selections From Seattle Art Museum Permanent Collection Organized by the Seattle Art Museum. -
The Galleries
THE GALLERIES ART at the convention center A SELF-GUIDED TOUR Enriching Your Visit: Taking the Tour The Public Art Program Washington State Convention Center features approximately The Washington State Convention Center (WSCC) public 100 works of art on public display around four levels of its North and South Gallerias. Several other works are located in art program, perhaps the largest of its kind in the nation, its office and convention lobby areas. Areas of the facility that was established to provide an environment that enriches may not be available to the public due to convention- the experience of all who visit the meeting facility. With well related activities are clearly noted. over 100 works on display, art has been a popular feature since the facility opened in 1988. Initially, art was incorporated into This self-guided, self-paced tour booklet was designed to the original building design with assistance from the state’s direct you to the many different areas where artworks are cur- Percent for the Arts Program. Since then, due to a commit- rently on display. A few of the works listed inthis booklet are ment to provide civic benefits to our community, the WSCC has located outside of the WSCC. offered an ever-changing collection, readily accessible at no This self-tour begins on Level 1 just south of the Convention charge to meeting attendees and the general public. Place entrance. The indicated route will direct you back to the south escalators for easy access to the next level. All areas of In 1997, the board established the WSCC Art Foundation at this tour are also accessible by elevator. -
Northwest Fine Art & Antique Auction
Northwest Fine Art & Antique Auction August 27th, 2009 - 717 S 3rd St, Renton 14% Buyers Premium in Effect Auction Pick-up: Half Hour Following Auction or Friday, 08/28 & Tuesday, 09/01: Noon-5PM Lot Description 21 2 Boxes Loose Richard Lachman Cut Ink Drawings 1 Richard Kirsten "House of Many 22 3ea Richard Lachman Colored Ink Drawings Memories" Acrylic 22x16" 23 Box Richard Lachman Square Ink Drawings 2 Edna Crews "Snowcapped Forest" 24 4ea Richard Lachman Portrait Ink Drawings Watercolor 16x20.75" 25 Richard Lachman Large Sketchbook & 3 James Farr "Infinite Cycle of Renewal" Loose Ink Drawings 1973 Tempera 23.5x18.5" 26 Stack Richard Lachman Ink Drawings - 4 1997 S/N Abstract Etching Sketchbook Pages 5 Norman Lundin "Russian Landscape: 27 5x11' Oriental Rug Morning River" Charcoal/Pastel 26x37" 28 2 Carol Stabile Pastel Framed Paintings 6 K.C. McLaughlin "Exterior with 29 1969 Surrealist Mixed Media Painting Awnings" Dry Pigment 17x25" 34x30" - Signed Riote? 7 Edna Crews "Moonlit Meadow" 30 Signed F.W. Die? "Eye" Ink/Canvas 16x20" Watercolor 16.5x21.5" 31 Fred Marshall A.W.S. "Harbor - Puget 8 Edna Crews "Winter Meadow" Acrylic Sound" 1970 Watercolor 17x20.5" 31.5x23" 32 Fred Marshall Framed Watercolor 9 Richard Lachman "Cocktail Party" 1980 "Landscape with Deer" 16x21" Ink/Paper 16x22" 33 Flora Correa "Weeds Blowing" 1977 Collage 10 Richard Lachman "Dixy & Jaques" 24x12" Mixed Media 18x26" 34 Bonnie Anderson "Bucket of Lemons" Oil 11 Richard Lachman "Day Before Eden" 8x10" Mixed Media 18x26" 35 Bonnie Anderson "Lemon Drop Tree" Oil 12 Natalie McHenry Untitled – 38x14.25" "Marionettes" Watercolor 19x25" 36 Ray Hill Untitled - "Lake Scene" 1969 13 Edna Crews Untitled - "Mystic Bird" Watercolor 14x20" Oil/Board 40x30" 37 Signed S. -
Annual Report for the Year 2003–2004
2003–2004 ANNUAL REPORT SAM Students with Sanislo Feast SAM CONNECTS ART TO LIFE CONTEMPORARY CHINESE ARTIST LI JIN’S A FEAST made a permanent impression on the fourth- and fifth-grade students at Sanislo Elementary School. Inspired by the fifty-nine- foot-long painting depicting food from a traditional Chinese dinner on a background of recipes written in Chinese calligraphy, the students set out to re-create their own version. Art teachers Ruth Winter and Carolyn Autenrieth designed the project to celebrate the diversity of cultures at their school. Students painted their favorite ethnic foods, and staff helped transcribe the recipes into the students’ original languages. On display at the Seattle Asian Art Museum last spring, the students’ work, Sanislo Feast, a fifty-foot-long art scroll portraying food and languages from seventeen different nations and cultures, reflected the heritage of Sanislo students and staff. Students, families and teachers commemorated the unveiling of their “masterpiece” with a special celebration at SAAM. cover: Li Jin, China, born 1958, A Feast, 2001, ink on Xuan paper, 39 3/8 x 708 5/8 in., Courtesy of the artist and CourtYard Gallery, Beijing right: Wolfgang Groschedel and Kunz Lochner, Equestrian armor for Philip II, ca. 1554, etched steel and gold, Patrimonio Nacional, Real Armería, Madrid SEATTLE ART MUSEUM TABLE OF CONTENTS 1 Director’s Letter 17 Betty Bowen Award 2 Board of Trustees 18 Reaching Out to Youth & Families 3 Broadening, Deepening, Diversifying 19 Teaching and Learning 4–5 One Museum, Three -
Annual Report Fiscal Year 2010 July 1, 2009–June 30, 2010
Annual Report Fiscal Year 2010 July 1, 2009–June 30, 2010 For the 2009–2010 fiscal year, Tacoma Art Museum presented a series of exhibitions focusing on its mission of “emphasizing the art and artists of the Northwest” alongside nationally and internationally acclaimed artists across all media. The summer of 2009 began with the dynamic pairing of jewelry exhibitions, Ornament as Art: Avant-Garde Jewelry from the Helen Williams Drutt Collection, the only West Coast venue of the major exhibi- tion organized by the Museum of Fine Arts, Houston, and Loud Bones: The Jewelry of Nancy Worden, which was curated by Ta- coma Art Museum. The autumn exhibitions included A Concise History of Northwest Art, featuring highlights of the museum’s Northwest art collection and exploring the development of the region’s art from the 1890s to the present. Joe Feddersen: Vital Signs, organized by Hallie Ford Museum of Art at Willamette University, presented a retrospective look at Native American art- ist Joe Feddersen, a nationally acclaimed printmaker, basket maker, and glass artist. One of the museum’s most treasured col- lections was featured in The Movement of Impressionism: Europe, America, and the Northwest, a survey of how a painting style spread from late 19th-century Paris to the Northwest. The museum’s works by Edgar Degas, Camille Pissarro, and Pierre-Au- guste Renoir along with works by Everett Shinn, Maurice Prendergast, and others were supplemented by important loans of Northwest impressionists. The winter season featured The Secret Language of Animals, a two-gallery exhibition exploring the changing ways artists used animals as symbols for human relationships across three centuries of American and European art. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
The Weyerhauser Art Collection + MORE!
The Weyerhauser Art Collection + MORE! December 11th @ 5PM - EARLY START! 16% Buyers Premium In-House 19% Online & Phone Bidding Online Bidding Through LiveAuctioneers 717 S Third St Renton, WA (425) 235-6345 SILENT AUCTION ITEMS 6 4pc Antique Chinese Pheasant Silk Rank Lot 1,000's END @ 8:00PM Badges 10.5"x11" and 11"x12" Sets. Two Mandarin square front chest plate and back Lot Description patch sets. Polychrome silk embroidery. Staining and some edge fray. Qing dynasty. 1 Antique Chinese Silk Embroidered Dragon 7 7pc Antique Chinese Silk Embroidery. Robe 40"x52". Depicts four panels of Includes a large forbidden stitch panel forward facing five-clawed dragons in gold 27"x14", a pair of blue and white forbidden thread. Forbidden stitch sleeves with stitch lotus panels 8"x9.5" each, a round blossoming lotus flowers. Some staining. shou symbol panel 8.5" diameter, a pheasant Late Qing dynasty. Mandarin square rank badge 8"x8", and a 2 3pc Antique Chinese Pheasant Rank Badges gold thread leopard Mandarin square rank 11"x12" Each Approx. Each Mandarin chest badge 11"x12". There is also half a square has gold thread with silk chest plate rank badge. All have edge fray embroidered blossoming flowers. Also a and some soiling. Qing dynasty. coral colored beaded moon at the top corner. 8 Antique Chinese Imperial Dragon Kesi Silk Scattered fray and some staining. Qing Round Rank Badge 11" Diameter. Depicts a dynasty. gold thread five-clawed dragon with 3 4pc Antique Chinese Pheasant Rank Badges flaming pearl. Light soiling. Qing dynasty. 11"x12" Each Approx. -
Fine Art & Antique Auction
FINE ART & ANTIQUE AUCTION 2-SESSION - 11/10 & 11/11 - 6:00PM 14% Buyers Premium In-House - 19% Online & Phone Bidding 717 S Third St Renton, WA (425) 235-6345 FIRST SESSION - 11/10 - 6:00PM Ink/Paper 5"x16" 15 Oronzo Vito Gasparo (1903-1969 NY/CA) Lot Description Untitled Modern Portrait 1947 Watercolor/Paper 14"x10" in Piecrust Frame 1 Scottish (Scots) Guard Full Mannequin 16 Domenic Cretara (CA) Study for "Cain & Uniform with Accessories Abel" Ink/Paper 5"x6" Unsigned - 2 Scottish (Scots) Guard Three-Quarter Shadowbox Framed with Absolute Gallery Uniform Mannequin with Accessories Label on Verso 3 Scottish (Scots) Guard Half Uniform 17 Guy Anderson (WA) Pencil Signed Mannequin with Accessories Exhibition Poster 17.5"x11.5" 4 Vintage Circus Clown Toy Prize 25 Cent 18 1971 Joan Miro Galerie Berggruen Framed Vending Machine 48" - Working with Exhibition Poster 28"x20" Key, Even Wear 19 Joan Miro Galerie Maeght Framed 5 1955 Coca-Cola Model 44 Vendolator Exhibition Poster 32"x22.5" 5-Cent Coin Operated Vending Machine 20 Domenic Cretara (CA) "Skirmish" Ink/Panel with Key 58"x19" - Light Wear 8"x8" - Absolute Gallery Label on Verso 6 Vintage Coca-Cola Advertising Metal 21 1983 Allen Wolf (WA) Francine Seders 6-Pack Bottle Rack 47" - Even Wear Framed Exhibition Poster 15"x20" 7 Bernard Bleha (WA) "The Delegates" 22 J.F. Favre (French) "Tahiti Des Navigateurs" 1974 Silkscreen Signed & Numbered Signed & Numbered 89/120 Lithograph 4/29 - 28"x22" Loose 18"x24" - Tipped to Matt 8 C.T. Chew (WA) Pencil Signed Stamp 23 Barbara A. -
National Endowment for the Arts Annual Report 1976
1976 Annual Report National Endowment National Council ior the Arts on the Arts National Endowment National Council 1976 on the Arts Annual Report tor the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended June 30, 1976, and the Transition Quarter ended September 30, 1976. Respectfully, Nancy Hanks Chairman The President The White House Washington, D.C. April 1976 Contents Chairman’s Statement 4 Organization 6 National Council on the Arts 7 Architecture ÷ Environmental Arts 8 Dance 20 Education 30 Expansion Arts 36 Federal-State Partnership 50 Literature 58 Museums 66 Music 82 Public Media 100 Special Projects 108 Theatre 118 Visual Arts 126 The Treasury Fund 140 Contributors to the Treasury Fund, Fiscal Year 1976 141 History of Authorizations and Appropriations 148 Financial Summary, Fiscal Year 1976 150 Staff of the National Endowment for the Arts 151 Chairman’s Statement In recognition of the great value to the public of the cans felt the arts to be essential to the quality of life for country’s arts, artists, and cultural institutions, the National participation, many cultural institutions face mounting themselves and their children. Similar attitudes have been gaps between costs and earnings which must be filled by Endowment for the Arts was established in 1965 to help expressed in resolutions of the National Association of to strengthen the arts professionally and to ensure that additional contributions. -
2019 Annual Report
2019 ANNUAL REPORT 2019 Annual Report 1 MISSION STATEMENT 3 From the Board The Museum of Northwest Art collects, preserves, interprets, and 4 From the Executive exhibits art created in the Pacific Director Northwest, supports artists, and strives to integrate art into the lives of all people. 5 Board & Staff Exhibitions COLLECTIONS & EXHIBITIONS 6 MoNA collects and exhibits contemporary art from across the 8 Education Northwest, including Alaska, British Columbia, California, Idaho, 9 Testimonials Montana, Oregon and Washington. 10 Volunteers & MoNA Store EDUCATION MoNA’s Education Department 11 Acquisitions & Financials provides an inclusive environment and stimulating programming that supports the development and 12 Supporters expression of all people. 15 Legacy Society Image — CB Bell Media, The Art Legacy of Joan Kirkman exhibition reception, June 2019 2 Museum of Northwest Art FROM THE BOARD At the time of writing, we find ourselves in a very different world. This is a trying time and we have all been affected by what has transpired in the first few months of 2020. There are a couple of changes to the 2019 Annual Report that we would like to make explicitly clear. First, the Board of Trustees chose to forego an independent audit of the Museum’s finances for 2019. Because of its operating budget, the Museum is not required by federal law to undergo an annual audit. The Board chose to realize the cost savings possible through eliminating an expense that was about 2% of the annual operating budget. Instead, we plan to conduct an audit on a triennial or quadrennial schedule. The Board believes this plan to be sustainable, given the detailed oversight that is provided by the Finance Committee. -
Oral History Interview with William Ivey
Oral history interview with William Ivey Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with William Ivey AAA.ivey83 Collection Overview Repository: Archives of American Art Title: Oral history interview with William Ivey Identifier: AAA.ivey83 Date: 1983 May 24-31 Creator: Ivey, William, 1919-1992 (Interviewee) Johns, Barbara (Interviewer) Extent: 6 Sound cassettes (Sound recording) -
Lot Description 1 Shanyue Guan (1912
Northwest Fine Art & Asian Antiques, June 27th 15% Buyers Premium In-House 18% Online & Phone Bidding Online Bidding Through LiveAuctioneers 717 S Third St Renton, WA (425) 235-6345 piece is gallery framed. Lot Description 12 Fengmian Lin (1900-1991 China) Attributed Landscape Sumi Scroll Painting 26"x26". 1 Shanyue Guan (1912-2000 China) Missing rollers. Attributed Mountainous Landscape 13 Qian Songyan (1898-1985 China) Attributed Chinese Horizontal Scroll Painting Men in Boat Amongst Landscape 36.75"x192" Image. Depicts a panoramic 18.25"x17.25" Image. landscape of houses on mountains with 14 Pair Gong Qi (1912-2005 China) Attributed boats meandering through the water. Calligraphy Chinese Scroll Paintings 2 Baishi Qi (1864-1957 China) Attributed 54"x12.75" Each Image. "Autumn Lotus" Floral Chinese Scroll 15 Chinese Revolution Era Horizontal Scroll Painting 53.5"x24.5" Image. Painting 27"x33.5" Image. 3 Zhen Yang Signed Chinese Calligraphy 16 Banqaio Zheng (1693-1765 China) Scroll Painting of a Poem by Xun Lu Attributed "Spring Orchid" & Calligraphy 31.25"x13" Image. Chinese Scroll Painting 50"x27.5" Image. 4 Zheng Baqiao Signed Chinese "Bamboo Qing Dynasty with Box. Various roll creases & Rock" Scroll Painting 46.25"x25.75" from age. Image. 17 Nong Jin Signed "Five Oxen" Horizontal 5 Chinese Green Scroll Painting of Figures Chinese Scroll Painting 8.5"x73" Image. with Stylized Elephant 61.25"x23.5" 19th/20th Century Copy. Some light staining Image. and water damage. 6 Chinese Green Scroll Painting of Figures 18 Antique Chinese Female Beauty in with Salt Barrel 63.5"x23.75" Image.