“Manuals” in General Information
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Proceedings 2005
LAC2005 Proceedings 3rd International Linux Audio Conference April 21 – 24, 2005 ZKM | Zentrum fur¨ Kunst und Medientechnologie Karlsruhe, Germany Published by ZKM | Zentrum fur¨ Kunst und Medientechnologie Karlsruhe, Germany April, 2005 All copyright remains with the authors www.zkm.de/lac/2005 Content Preface ............................................ ............................5 Staff ............................................... ............................6 Thursday, April 21, 2005 – Lecture Hall 11:45 AM Peter Brinkmann MidiKinesis – MIDI controllers for (almost) any purpose . ....................9 01:30 PM Victor Lazzarini Extensions to the Csound Language: from User-Defined to Plugin Opcodes and Beyond ............................. .....................13 02:15 PM Albert Gr¨af Q: A Functional Programming Language for Multimedia Applications .........21 03:00 PM St´ephane Letz, Dominique Fober and Yann Orlarey jackdmp: Jack server for multi-processor machines . ......................29 03:45 PM John ffitch On The Design of Csound5 ............................... .....................37 04:30 PM Pau Arum´ıand Xavier Amatriain CLAM, an Object Oriented Framework for Audio and Music . .............43 Friday, April 22, 2005 – Lecture Hall 11:00 AM Ivica Ico Bukvic “Made in Linux” – The Next Step .......................... ..................51 11:45 AM Christoph Eckert Linux Audio Usability Issues .......................... ........................57 01:30 PM Marije Baalman Updates of the WONDER software interface for using Wave Field Synthesis . 69 02:15 PM Georg B¨onn Development of a Composer’s Sketchbook ................. ....................73 Saturday, April 23, 2005 – Lecture Hall 11:00 AM J¨urgen Reuter SoundPaint – Painting Music ........................... ......................79 11:45 AM Michael Sch¨uepp, Rene Widtmann, Rolf “Day” Koch and Klaus Buchheim System design for audio record and playback with a computer using FireWire . 87 01:30 PM John ffitch and Tom Natt Recording all Output from a Student Radio Station . -
Download Piano Composition App for Windows 10 Musescore 2 Is a Powerful Windows 10 App for Music Composition and Practice
download piano composition app for windows 10 MuseScore 2 is a powerful Windows 10 app for music composition and practice. MuseScore 2 is an open sourced and highly functional app with a long list of features to help musicians compose or play music. The app is available for free on PCs through the Windows Store but isn't available on Windows 10 Mobile or any other Windows devices. A few highlights of MuseScore 2 include: Composing music with multiple parts. Ability to add lyrics. Option to import music from a vast Musescore library. Ability to export or print music. Playing back sheet music. Plugin support to enhance the app. If you compose music or just want to playback music as part of practicing to hear how it's supposed to sound, MuseScore 2 is a must have app. Composing with MuseScore 2. MuseScore 2 allows you to compose long scores with multiple staves of music. You can add from a wide range of instruments and place them on either the treble or bass clef. Writing music from scratch is pretty straightforward. You click on the staff and can either press the letter keys and enter their respective note or select them using a mouse. You can easily change the length of notes or rests and play around with your music. This is a big advantage over composing with paper and pencil. If you'd like to import a song that someone has already composed and tweak it you can use Musescore's large music library. Musescore users measure over 3 million so there isn't a shortage of music to choose from. -
Metadefender Core V4.12.2
MetaDefender Core v4.12.2 © 2018 OPSWAT, Inc. All rights reserved. OPSWAT®, MetadefenderTM and the OPSWAT logo are trademarks of OPSWAT, Inc. All other trademarks, trade names, service marks, service names, and images mentioned and/or used herein belong to their respective owners. Table of Contents About This Guide 13 Key Features of Metadefender Core 14 1. Quick Start with Metadefender Core 15 1.1. Installation 15 Operating system invariant initial steps 15 Basic setup 16 1.1.1. Configuration wizard 16 1.2. License Activation 21 1.3. Scan Files with Metadefender Core 21 2. Installing or Upgrading Metadefender Core 22 2.1. Recommended System Requirements 22 System Requirements For Server 22 Browser Requirements for the Metadefender Core Management Console 24 2.2. Installing Metadefender 25 Installation 25 Installation notes 25 2.2.1. Installing Metadefender Core using command line 26 2.2.2. Installing Metadefender Core using the Install Wizard 27 2.3. Upgrading MetaDefender Core 27 Upgrading from MetaDefender Core 3.x 27 Upgrading from MetaDefender Core 4.x 28 2.4. Metadefender Core Licensing 28 2.4.1. Activating Metadefender Licenses 28 2.4.2. Checking Your Metadefender Core License 35 2.5. Performance and Load Estimation 36 What to know before reading the results: Some factors that affect performance 36 How test results are calculated 37 Test Reports 37 Performance Report - Multi-Scanning On Linux 37 Performance Report - Multi-Scanning On Windows 41 2.6. Special installation options 46 Use RAMDISK for the tempdirectory 46 3. Configuring Metadefender Core 50 3.1. Management Console 50 3.2. -
Musical Notation Codes Index
Music Notation - www.music-notation.info - Copyright 1997-2019, Gerd Castan Musical notation codes Index xml ascii binary 1. MidiXML 1. PDF used as music notation 1. General information format 2. Apple GarageBand Format 2. MIDI (.band) 2. DARMS 3. QuickScore Elite file format 3. SMDL 3. GUIDO Music Notation (.qsd) Language 4. MPEG4-SMR 4. WAV audio file format (.wav) 4. abc 5. MNML - The Musical Notation 5. MP3 audio file format (.mp3) Markup Language 5. MusiXTeX, MusicTeX, MuTeX... 6. WMA audio file format (.wma) 6. MusicML 6. **kern (.krn) 7. MusicWrite file format (.mwk) 7. MHTML 7. **Hildegard 8. Overture file format (.ove) 8. MML: Music Markup Language 8. **koto 9. ScoreWriter file format (.scw) 9. Theta: Tonal Harmony 9. **bol Exploration and Tutorial Assistent 10. Copyist file format (.CP6 and 10. Musedata format (.md) .CP4) 10. ScoreML 11. LilyPond 11. Rich MIDI Tablature format - 11. JScoreML RMTF 12. Philip's Music Writer (PMW) 12. eXtensible Score Language 12. Creative Music File Format (XScore) 13. TexTab 13. Sibelius Plugin Interface 13. MusiXML: My own format 14. Mup music publication program 14. Finale Plugin Interface 14. MusicXML (.mxl, .xml) 15. NoteEdit 15. Internal format of Finale (.mus) 15. MusiqueXML 16. Liszt: The SharpEye OMR 16. XMF - eXtensible Music 16. GUIDO XML engine output file format Format 17. WEDELMUSIC 17. Drum Tab 17. NIFF 18. ChordML 18. Enigma Transportable Format 18. Internal format of Capella (ETF) (.cap) 19. ChordQL 19. CMN: Common Music 19. SASL: Simple Audio Score 20. NeumesXML Notation Language 21. MEI 20. OMNL: Open Music Notation 20. -
Notensatz Mit Freier Software
Notensatz mit Freier Software Edgar ’Fast Edi’ Hoffmann Community FreieSoftwareOG [email protected] 30. Juli 2017 Notensatz bezeichnet (analog zum Textsatz im Buchdruck) die Aufbereitung von Noten in veröffentlichungs- und vervielfältigungsfähiger Form. Der handwerkliche Notensatz durch ausgebildete Notenstecher bzw. Notensetzer wird seit dem Ende des 20. Jahrhunderts vom Computernotensatz verdrängt, der sowohl bei der Druckvorlagenherstellung als auch zur Verbreitung von Musik über elektronische Medien Verwendung findet. Bis in die zweite Hälfte des 15. Jahrhunderts konnten Noten ausschließlich handschriftlich vervielfältigt und verbreitet werden. Notensatz Was bedeutet das eigentlich? 2 / 20 Der handwerkliche Notensatz durch ausgebildete Notenstecher bzw. Notensetzer wird seit dem Ende des 20. Jahrhunderts vom Computernotensatz verdrängt, der sowohl bei der Druckvorlagenherstellung als auch zur Verbreitung von Musik über elektronische Medien Verwendung findet. Bis in die zweite Hälfte des 15. Jahrhunderts konnten Noten ausschließlich handschriftlich vervielfältigt und verbreitet werden. Notensatz Was bedeutet das eigentlich? Notensatz bezeichnet (analog zum Textsatz im Buchdruck) die Aufbereitung von Noten in veröffentlichungs- und vervielfältigungsfähiger Form. 2 / 20 Bis in die zweite Hälfte des 15. Jahrhunderts konnten Noten ausschließlich handschriftlich vervielfältigt und verbreitet werden. Notensatz Was bedeutet das eigentlich? Notensatz bezeichnet (analog zum Textsatz im Buchdruck) die Aufbereitung von Noten in veröffentlichungs- -
Improvisatory Music and Painting Interface
Improvisatory Music and Painting Interface Hugo Solís García Licenciado en Piano Universidad Nacional Autónoma de México November 2001 Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, in partial fulfillment of the requirements for the degree of Master of Science in Media Arts and Science at the Massachusetts Institute of Technology September 2004 © 2004 Massachusetts Institute of Technology All rights reserved Author: Hugo Solís García Program in Media Arts and Sciences August 16, 2004 Certified by: Tod Machover Professor of Music and Media Thesis Supervisor, MIT Program in Media Arts and Sciences Accepted by: Dr. Andrew B. Lippman Chair, Departmental Committee on Graduate Students Program in Media Arts and Sciences Title Improvisatory Music and Painting Interface Hugo Solís García Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning on August 16, 2004. in partial fulfillment of the requirements for the degree of Master Of Science in Media Arts and Sciences Massachusetts Institute of Technology Abstract Shaping collective free improvisations in order to obtain solid and succinct works with surprising and synchronized events is not an easy task. This thesis is a proposal towards that goal. It presents the theoretical, philosophical and technical framework of the Improvisatory Music and Painting Interface (IMPI) system: a new computer program for the creation of audiovisual improvisations performed in real time by ensembles of acoustic musicians. The coordination of these improvisations is obtained using a graphical language. This language is employed by one “conductor” in order to generate musical scores and abstract visual animations in real time. -
Lilypond Cheatsheet
LilyPond-MusicTypesetting Basic usage - LilyPond Version 2.14 and above Cheatsheet by R. Kainhofer, Edition Kainhofer, http://www.edition-kainhofer.com/ Command-line usage General Syntax lilypond [-l LOGLEVEL] [-dSCMOPTIONS] [-o OUTPUT] [-V] FILE.ly [FILE2.ly] \xxxx function or variable { ... } Code grouping Common options: var = {...} Variable assignment --pdf, --png, --ps Output file format -dpreview Cropped “preview” image \version "2.14.0" LilyPond version -dbackend=eps Use different backend -dlog-file=FILE Create .log file % dots Comment -l LOGLEVEL ERR/WARN/PROG/DEBUG -dno-point-and-click No Point & Click info %{ ... %} Block comment -o OUTDIR Name of output dir/file -djob-count=NR Process files in parallel c\... Postfix-notation (notes) -V Verbose output -dpixmap-format=pngalpha Transparent PNG #'(..), ##t, #'sym Scheme list, true, symb. -dhelp Help on options -dno-delete-intermediate-files Keep .ps files x-.., x^.., x_.. Directions Basic Notation Creating Staves, Voices and Groups \version "2.15.0" c d e f g a b Note names (Dutch) SMusic = \relative c'' { c1\p } Alterations: -is/-es for sharp/flat, SLyrics = \lyricmode { Oh! } cis bes as cisis beses b b! b? -isis/-eses for double, ! forces, AMusic = \relative c' { e1 } ? shows cautionary accidental \relative c' {c f d' c,} Relative mode (change less than a \score { fifth), raise/lower one octave \new ChoirStaff << \new Staff { g1 g2 g4 g8 g16 g4. g4.. durations (1, 2, 4, 8, 16, ...); append “.” for dotted note \new Voice = "Sop" { \dynamicUp \SMusic -
Symantec Web Security Service Policy Guide
Web Security Service Policy Guide Revision: NOV.07.2020 Symantec Web Security Service/Page 2 Policy Guide/Page 3 Copyrights Broadcom, the pulse logo, Connecting everything, and Symantec are among the trademarks of Broadcom. The term “Broadcom” refers to Broadcom Inc. and/or its subsidiaries. Copyright © 2020 Broadcom. All Rights Reserved. The term “Broadcom” refers to Broadcom Inc. and/or its subsidiaries. For more information, please visit www.broadcom.com. Broadcom reserves the right to make changes without further notice to any products or data herein to improve reliability, function, or design. Information furnished by Broadcom is believed to be accurate and reliable. However, Broadcom does not assume any liability arising out of the application or use of this information, nor the application or use of any product or circuit described herein, neither does it convey any license under its patent rights nor the rights of others. Policy Guide/Page 4 Symantec WSS Policy Guide The Symantec Web Security Service solutions provide real-time protection against web-borne threats. As a cloud-based product, the Web Security Service leverages Symantec's proven security technology, including the WebPulse™ cloud community. With extensive web application controls and detailed reporting features, IT administrators can use the Web Security Service to create and enforce granular policies that are applied to all covered users, including fixed locations and roaming users. If the WSS is the body, then the policy engine is the brain. While the WSS by default provides malware protection (blocks four categories: Phishing, Proxy Avoidance, Spyware Effects/Privacy Concerns, and Spyware/Malware Sources), the additional policy rules and options you create dictate exactly what content your employees can and cannot access—from global allows/denials to individual users at specific times from specific locations. -
Roberto Sierra's Missa Latina: Musical Analysis and Historical Perpectives Jose Rivera
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Roberto Sierra's Missa Latina: Musical Analysis and Historical Perpectives Jose Rivera Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC ROBERTO SIERRA’S MISSA LATINA: MUSICAL ANALYSIS AND HISTORICAL PERPECTIVES By JOSE RIVERA A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 Copyright © 2006 Jose Rivera All Rights Reserved To my lovely wife Mabel, and children Carla and Cristian for their unconditional love and support. ii ACKNOWLEDGEMENTS This work has been possible with the collaboration, inspiration and encouragement of many individuals. The author wishes to thank advisors Dr. Timothy Hoekman and Dr. Kevin Fenton for their guidance and encouragement throughout my graduate education and in the writing of this document. Dr. Judy Bowers, has shepherd me throughout my graduate degrees. She is a Master Teacher whom I deeply admire and respect. Thank you for sharing your passion for teaching music. Dr. Andre Thomas been a constant source of inspiration and light throughout my college music education. Thank you for always reminding your students to aim for musical excellence from their mind, heart, and soul. It is with deepest gratitude that the author wishes to acknowledge David Murray, Subito Music Publishing, and composer Roberto Sierra for granting permission to reprint choral music excerpts discussed in this document. I would also like to thank Leonard Slatkin, Norman Scribner, Joseph Holt, and the staff of the Choral Arts Society of Washington for allowing me to attend their rehearsals. -
Latexsample-Thesis
INTEGRAL ESTIMATION IN QUANTUM PHYSICS by Jane Doe A dissertation submitted to the faculty of The University of Utah in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Mathematics The University of Utah May 2016 Copyright c Jane Doe 2016 All Rights Reserved The University of Utah Graduate School STATEMENT OF DISSERTATION APPROVAL The dissertation of Jane Doe has been approved by the following supervisory committee members: Cornelius L´anczos , Chair(s) 17 Feb 2016 Date Approved Hans Bethe , Member 17 Feb 2016 Date Approved Niels Bohr , Member 17 Feb 2016 Date Approved Max Born , Member 17 Feb 2016 Date Approved Paul A. M. Dirac , Member 17 Feb 2016 Date Approved by Petrus Marcus Aurelius Featherstone-Hough , Chair/Dean of the Department/College/School of Mathematics and by Alice B. Toklas , Dean of The Graduate School. ABSTRACT Blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah. Blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah. Blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah. Blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah. Blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah. Blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah. Blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah. Blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah. -
Archive and Compressed [Edit]
Archive and compressed [edit] Main article: List of archive formats • .?Q? – files compressed by the SQ program • 7z – 7-Zip compressed file • AAC – Advanced Audio Coding • ace – ACE compressed file • ALZ – ALZip compressed file • APK – Applications installable on Android • AT3 – Sony's UMD Data compression • .bke – BackupEarth.com Data compression • ARC • ARJ – ARJ compressed file • BA – Scifer Archive (.ba), Scifer External Archive Type • big – Special file compression format used by Electronic Arts for compressing the data for many of EA's games • BIK (.bik) – Bink Video file. A video compression system developed by RAD Game Tools • BKF (.bkf) – Microsoft backup created by NTBACKUP.EXE • bzip2 – (.bz2) • bld - Skyscraper Simulator Building • c4 – JEDMICS image files, a DOD system • cab – Microsoft Cabinet • cals – JEDMICS image files, a DOD system • cpt/sea – Compact Pro (Macintosh) • DAA – Closed-format, Windows-only compressed disk image • deb – Debian Linux install package • DMG – an Apple compressed/encrypted format • DDZ – a file which can only be used by the "daydreamer engine" created by "fever-dreamer", a program similar to RAGS, it's mainly used to make somewhat short games. • DPE – Package of AVE documents made with Aquafadas digital publishing tools. • EEA – An encrypted CAB, ostensibly for protecting email attachments • .egg – Alzip Egg Edition compressed file • EGT (.egt) – EGT Universal Document also used to create compressed cabinet files replaces .ecab • ECAB (.ECAB, .ezip) – EGT Compressed Folder used in advanced systems to compress entire system folders, replaced by EGT Universal Document • ESS (.ess) – EGT SmartSense File, detects files compressed using the EGT compression system. • GHO (.gho, .ghs) – Norton Ghost • gzip (.gz) – Compressed file • IPG (.ipg) – Format in which Apple Inc. -
Real-Time Generation of Music Notation Via Audience Interaction Using Python and GNU Lilypond Kevin C
Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME05), Vancouver, BC, Canada Real-Time Generation of Music Notation via Audience Interaction Using Python and GNU Lilypond Kevin C. Baird University at Buffalo 222 Baird Hall Amherst, NY 14221 01-716-564-1172 [email protected] ABSTRACT 2.2Storage as MusicXML No Clergy is an interactive music performance/installation in In order to perform stochastic transformations on the notation, which the audience is able to shape the ongoing music. In it, No Clergy needs some method of storing musically significant members of a small acoustic ensemble read music notation from information about each page of notation. I chose Recordare's computer screens. As each page refreshes, the notation is altered MusicXML, described by them as “a universal translator for and shaped by both stochastic transformations of earlier music common Western musical notation from the 17th century with the same performance and audience feedback, collected via onwards. It is designed as an interchange format for notation, standard CGI forms. analysis, retrieval, and performance applications.”[10] Each most recent XML file is accessed during the generation of subsequent Keywords pages of notation, while older files are compressed and stored. notation, stochastic, interactive, audience, Python, Lilypond 2.3Rendering of Notation Markup 1.INTRODUCTION After the “conductor” has executed the bash wrapper script, it No Clergy currently runs on a Debian GNU/Linux system. The will then have created one GNU Lilypond markup file for each ideal performance setting has one person serving as the instrument. Lilypond is a Scheme-based music typesetting “conductor” logged in to a shell on the server.