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Itinéraires, 2017-1 | 2018 I Am Writing a Biography
Itinéraires Littérature, textes, cultures 2017-1 | 2018 Biographie et fiction I Am Writing a Biography. J’écris une biographie… Miriam Nichols Electronic version URL: http://journals.openedition.org/itineraires/3663 DOI: 10.4000/itineraires.3663 ISSN: 2427-920X Publisher Pléiade Electronic reference Miriam Nichols, « I Am Writing a Biography. », Itinéraires [Online], 2017-1 | 2018, Online since 15 February 2018, connection on 20 April 2019. URL : http://journals.openedition.org/itineraires/3663 ; DOI : 10.4000/itineraires.3663 This text was automatically generated on 20 April 2019. Itinéraires est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. I Am Writing a Biography. 1 I Am Writing a Biography. J’écris une biographie… Miriam Nichols Preface 1 Literary biography is a slippery genre. However splendid or useful individual examples of it may be, the genre itself lags behind fiction, poetry, and drama in star quality; its readership and shelf life depend as much on the prestige and currency of the subject as the skill of the biographer, and it requires a dogged willingness to stay with a single project for many years. Worse, on publication the biographer risks the ire of other scholars or sometimes living friends and relatives who don’t remember things quite the same way. Then there is the digital archive that threatens to supplant the genre altogether. 2 I have come to think of biography as a “why this and not that” kind of genre: why this writer and not that one? why recount this incident and not another? why tell a story rather than mount a digital archive? My purpose in this essay is to lay out these conundrums as I have encountered them and to explain my choices in trying to respond. -
Addison Street Poetry Walk
THE ADDISON STREET ANTHOLOGY BERKELEY'S POETRY WALK EDITED BY ROBERT HASS AND JESSICA FISHER HEYDAY BOOKS BERKELEY, CALIFORNIA CONTENTS Acknowledgments xi Introduction I NORTH SIDE of ADDISON STREET, from SHATTUCK to MILVIA Untitled, Ohlone song 18 Untitled, Yana song 20 Untitied, anonymous Chinese immigrant 22 Copa de oro (The California Poppy), Ina Coolbrith 24 Triolet, Jack London 26 The Black Vulture, George Sterling 28 Carmel Point, Robinson Jeffers 30 Lovers, Witter Bynner 32 Drinking Alone with the Moon, Li Po, translated by Witter Bynner and Kiang Kang-hu 34 Time Out, Genevieve Taggard 36 Moment, Hildegarde Flanner 38 Andree Rexroth, Kenneth Rexroth 40 Summer, the Sacramento, Muriel Rukeyser 42 Reason, Josephine Miles 44 There Are Many Pathways to the Garden, Philip Lamantia 46 Winter Ploughing, William Everson 48 The Structure of Rime II, Robert Duncan 50 A Textbook of Poetry, 21, Jack Spicer 52 Cups #5, Robin Blaser 54 Pre-Teen Trot, Helen Adam , 56 A Strange New Cottage in Berkeley, Allen Ginsberg 58 The Plum Blossom Poem, Gary Snyder 60 Song, Michael McClure 62 Parachutes, My Love, Could Carry Us Higher, Barbara Guest 64 from Cold Mountain Poems, Han Shan, translated by Gary Snyder 66 Untitled, Larry Eigner 68 from Notebook, Denise Levertov 70 Untitied, Osip Mandelstam, translated by Robert Tracy 72 Dying In, Peter Dale Scott 74 The Night Piece, Thorn Gunn 76 from The Tempest, William Shakespeare 78 Prologue to Epicoene, Ben Jonson 80 from Our Town, Thornton Wilder 82 Epilogue to The Good Woman of Szechwan, Bertolt Brecht, translated by Eric Bentley 84 from For Colored Girls Who Have Considered Suicide I When the Rainbow Is Enuf, Ntozake Shange 86 from Hydriotaphia, Tony Kushner 88 Spring Harvest of Snow Peas, Maxine Hong Kingston 90 Untitled, Sappho, translated by Jim Powell 92 The Child on the Shore, Ursula K. -
Jack Spicer Papers, 1939-1982, Bulk 1943-1965
http://oac.cdlib.org/findaid/ark:/13030/kt9199r33h No online items Finding Aid to the Jack Spicer Papers, 1939-1982, bulk 1943-1965 Finding Aid written by Kevin Killian The Bancroft Library University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2007 The Regents of the University of California. All rights reserved. Finding Aid to the Jack Spicer BANC MSS 2004/209 1 Papers, 1939-1982, bulk 1943-1965 Finding Aid to the Jack Spicer Papers, 1939-1982, bulk 1943-1965 Collection Number: BANC MSS 2004/209 The Bancroft Library University of California, Berkeley Berkeley, California Finding Aid Written By: Kevin Killian Date Completed: February 2007 © 2007 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Jack Spicer papers Date (inclusive): 1939-1982, Date (bulk): bulk 1943-1965 Collection Number: BANC MSS 2004/209 Creator : Spicer, Jack Extent: Number of containers: 32 boxes, 1 oversize boxLinear feet: 12.8 linear ft. Repository: The Bancroft Library Berkeley, California 94720-6000 Abstract: The Jack Spicer Papers, 1939-1982, document Spicer's career as a poet in the San Francisco Bay Area. Included are writings, correspondence, teaching materials, school work, personal papers, and materials relating to the literary magazine J. Spicer's creative works constitute the bulk of the collection and include poetry, plays, essays, short stories, and a novel. Correspondence is also significant, and includes both outgoing and incoming letters to writers such as Robin Blaser, Harold and Dora Dull, Robert Duncan, Lewis Ellingham, Landis Everson, Fran Herndon, Graham Mackintosh, and John Allan Ryan, among others. -
JK Bloomsday Interview
A Bloomsday Interview With Joanne Kyger in New York Trevor Carolan “I don’t think it was until I moved to Bolinas in 1969 that I really entered into a close relationship with the land around me in my writing. About the birds who live here, to this day the quail are probably my closest neighbors.” * “Poetry has a lot to do with awakening,” Joanne Kyger has noted. I came to appreciate this while teaching a humanities seminar at Simon Fraser University in Vancouver. The readings included a constellation of writers associated with “San Francisco: the Athens of the American West”, a large number of whom were Buddhist-influenced. I noticed how young male students gravitated to work by Jack Kerouac, Allen Ginsberg, Gary Snyder, Lawrence Ferlinghetti, or Kenneth Rexroth; by contrast, women students responded strongly to the poetry and poetics of Joanne Kyger and Diane di Prima. Accordingly, I began paying closer attention to the transpacific inflections that percolate through the work of other women writers like Maxine Hong Kingston, Amy Tan, Alice Walker, Jane Hirschfield, and bell hooks. In June, 2008, Joanne Kyger was a featured speaker at The Beats In India, an Asia Centre symposium in New York. The event celebrated the journey made in 1962 by Kyger, her then-husband Snyder, and fellow American poets Ginsberg and Peter Orlovsky, and addressed ‘what drew the Beats to India and how they inspired successive generations of Americans to turn to the East for spiritual and creative wisdom’. There was a sense of historical importance about the gathering. Two days later on Bloomsday, I spoke with Kyger at the loft home office of Vincent Katz, publisher of Kyger’s poetry collection, Not Veracruz (Libellum Books). -
Poem on the Page: a Collection of Broadsides
Granary Books and Jeff Maser, Bookseller are pleased to announce Poem on the Page: A Collection of Broadsides Robert Creeley. For Benny and Sabina. 15 1/8 x 15 1/8 inches. Photograph by Ann Charters. Portents 18. Portents, 1970. BROADSIDES PROLIFERATED during the small press and mimeograph era as a logical offshoot of poets assuming control of their means of publication. When technology evolved from typewriter, stencil, and mimeo machine to moveable type and sophisticated printing, broadsides provided a site for innovation with design and materials that might not be appropriate for an entire pamphlet or book; thus, they occupy a very specific place within literary and print culture. Poem on the Page: A Collection of Broadsides includes approximately 500 broadsides from a diverse range of poets, printers, designers, and publishers. It is a unique document of a particular aspect of the small press movement as well as a valuable resource for research into the intersection of poetry and printing. See below for a list of some of the poets, writers, printers, typographers, and publishers included in the collection. Selected Highlights from the Collection Lewis MacAdams. A Birthday Greeting. 11 x 17 Antonin Artaud. Indian Culture. 16 x 24 inches. inches. This is no. 90, from an unstated edition, Translated from the French by Clayton Eshleman signed. N.p., n.d. and Bernard Bador with art work by Nancy Spero. This is no. 65 from an edition of 150 numbered and signed by Eshleman and Spero. OtherWind Press, n.d. Lyn Hejinian. The Guard. 9 1/4 x 18 inches. -
THE CAPILANO REVIEW Select a Language, Then Splurge —Nicole Markotic´ Editor Brook Houglum
TCR THE CAPILANO REVIEW select a language, then splurge —Nicole Markotic´ Editor Brook Houglum Managing Editor Todd Nickel Editorial Board Andrea Actis, Colin Browne, Mark Cochrane, Pierre Coupey, Aurelea Mahood, Jenny Penberthy, George Stanley Contributing Editors Clint Burnham, Roger Farr, Andrew Klobucar, Erín Moure, Lisa Robertson, Sharon Thesen Founding Editor Pierre Coupey Designer Jan Westendorp Website Design Adam Jones The Capilano Review is published by Capilano University. Canadian subscription rates for one year are $28 for individuals, $50 for institutions. Outside Canada, please add $5. Address correspondence to The Capilano Review, 2055 Purcell Way, North Vancouver, BC v7j 3h5. Subscribe online at www.thecapilanoreview.ca/order/ For submission guidelines, please see our website, www.thecapilanoreview.ca/submissions. With your submission, please include a sase with Canadian postage or funds for return postage. The Capilano Review does not take responsibility for unsolicited manuscripts, neither do we accept simultaneous submissions, previously published work, nor submissions sent by email. Because copyright remains the property of the author or artist, no portion of this publication may be reproduced without the permission of the author or artist. The Capilano Review gratefully acknowledges the financial assistance of the British Columbia Arts Council, the Canada Council for the Arts, and Capilano University. We acknowledge the financial support of the Government of Canada through the Canada Periodical Fund of the Department of Canadian Heritage. The Capilano Review is a member of Magazines Canada, the Magazine Association of BC, and the Alliance for Arts and Culture (Vancouver). Publications mail agreement number 40063611. Return undeliverable Canadian addresses to circulation — The Capilano Review, 2055 Purcell Way, North Vancouver, BC v7j 3h5 issn 0315 3754 | Published February 2015 Printed in Vancouver, BC, by Hemlock Printers. -
Poetics at New College of California
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Gleeson Library Faculty and Staff Research and Scholarship Gleeson Library | Geschke Center 2-2020 Assembling evidence of the alternative: Roots and routes: Poetics at New College of California Patrick James Dunagan University of San Francisco, [email protected] Follow this and additional works at: https://repository.usfca.edu/librarian Part of the Poetry Commons Recommended Citation Dunagan, Patrick James, "Assembling evidence of the alternative: Roots and routes: Poetics at New College of California" (2020). Gleeson Library Faculty and Staff Research and Scholarship. 30. https://repository.usfca.edu/librarian/30 This Presentation is brought to you for free and open access by the Gleeson Library | Geschke Center at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Gleeson Library Faculty and Staff Research and Scholarship by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. ASSEMBLING EVIDENCE OF THE ALTERNATIVE: Roots And Routes POETICS AT NEW COLLEGE OF CALIFORNIA Anthology editor Patrick James Dunagan presenting material co-written with fellow anthology editors Marina Lazzara and Nicholas James Whittington. abstract The Poetics program at New College of California (ca. 1980-2000s) was a distinctly alien presence among graduate-level academic programs in North America. Focused solely upon the study of poetry, it offered a truly alternative approach to that found in more traditional academic settings. Throughout the program's history few of its faculty possessed much beyond an M.A. -
The Berkeley Poetry Conference
THE BERKELEY POETRY CONFERENCE ENTRY FROM WIKIPEDIA: http://en.wikipedia.org/wiki/Berkeley_Poetry_Conference Leaders of what had at this time had been termed a revolution in poetry presented their views and the poems in seminars, lectures, individual readings, and group readings at California Hall on the Berkeley Campus of the University of California during July 12-24, 1965. The conference was organized through the University of California Extension Programs. The advisory committee consisted of Thomas Parkinson, Professor of English at U.C. Berkeley, Donald M. Allen, West Coast Editor of Grove Press, Robert Duncan, Poet, and Richard Baker, Program Coordinator. The roster of scheduled poets consisted of: Robin Blaser, Robert Creeley, Richard Durerden, Robert Duncan, Allen Ginsberg, Leroi Jones (Amiri Baraka), Joanne Kyger, Ron Lowewinson, Charles Olson, Gary Snyder, Jack Spicer, George Stanley, Lew Welch, and John Wieners. Leroi Jones (Amiri Baraka) did not participate; Ed Dorn was pressed into service. Seminars: Gary Snyder, July 12-16; Robert Duncan, July 12-16; LeRoi Jones (scheduled), July 19-23; Charles Olson, July 19-23. Readings (8-9:30 pm) New Poets, July 12; Gary Snyder, July 13; John Wieners, July14; Jack Spicer, July 15; Robert Duncan, July 16; Robin Blaser, George Stanley and Richard Duerden, July 17 New Poets, July 19; Robert Creeley, July 20; Allen Ginsberg, July 21; LeRoi Jones, July 22; Charles Olson, July 23; Ron Loewinsohn, Joanne Kyger and Lew Welch, July 24 Lectures: July 13, Robert Duncan, “Psyche-Myth and the Moment of Truth” July 14, Jack Spicer, “Poetry and Politics” July 16, Gary Snyder, “Poetry and the Primitive” July 20, Charles Olson, “Causal Mythology” July 21, Ed Dorn, “The Poet, the People, the Spirit” July 22, Allen Ginsberg, “What's Happening on Earth” July 23, Robert Creeley, “Sense of Measure” Readings: Gary Snyder, July 13, introduced by Thomas Parkinson. -
Contributors
Contributors MICHAEL BARNHOLDEN's books include Cir TED BYRNE is a Vancouver poet. Recent work cumstances: Alter Photographs (Talon 2009); Street includes Beautiful Lies (Capilano University Edi Stories: One Hundred Years of Homelessness (Anvil tions) and Sonnets: Louise Labe (forthcoming from 2007), and Reading the Riot Act (Anvil 2005). He Nomados). He first met George Stanley on page is the publisher of LINEbooks, and managing 15 of Caterpillar 11. He has always remembered the editor of West Coast Line. He teaches English at lines, "Tell me again what you said, it is possible Emily Carr and the Native Education College. He everything I think is wrong." He envies Mr. Stan claims to have met George Stanley at the York ley's status as a foreign-born Irishman and his Street East Commune in the early seventies at a absence from The New American Poetry. "North writers' meeting. of California Street" first appeared in The Rain (www.rainreview.net). KEN BELFORD is the author of seven books of poetry. Belford has lived in the roadless moun JOSHUA CLOVER is a scholar, poet, and jour tains of the headwaters of Northern BC's Nass nalist. His most recent books include The Ma River for half his life. He writes a lan(d)guage of trix, a book of film criticism, and 1989: Bob Dylan subsistence, with a sub-text of origins and evolu Didn't Have This to Sing About. He is currently a tion. Professor of Poetry and Poetics at the University of California, Davis. He was one of the judges DANIEL BOUCHARD: "I was introduced to who awarded the Shelley Memorial Award to George Stanley's poetry by Kevin Davies. -
SIMON THOMPSON / Our Man in Terrace: George Stanley
SIMON THOMPSON / Our Man in Terrace: George Stanley In an interview with Barry McKinnon in 1998, George Stanley talks about his poem sequence, "Mountains and Air," that appears in his 1983 volume Opening Day: Well, the poem starts in Terrace, not knowing why I'm there because it was one of the biggest changes in my life to suddenly be in Terrace-a kind of place where I'd previously never lived except for a very short period of time when I was in that little town in Arkansas. I never lived in any city of less than a quarter of a million people. (McKinnon) Stanley grew up in San Francisco, and as a young man spent little time away from it. Nearly everything about Terrace must have seemed new to him. The city is located about 500 miles north of Vancouver, and lies in the transitional zone between two climatic regions. A 1975 Department of Human Resources report notes: The coastal portion is characterized by rugged mountains and numerous coastal fjords ... The climate, although mild, can produce extremely heavy snowfalls ... The interior portion is characterized by forested rolling land dotted with numerous lakes .... The annual precipitation averages 30" and the climate is much more severe than on the coast. (Farstad 8) The region was unlike any to which Stanley was accustomed, as was the community itself. When he moved there in 1976, Terrace was home to about 21,000 people (Terrace Development Corporation 19). Terrace may have been one of the bigger communities in northern British Columbia, but that is not saying much. -
View Prospectus
Archive from “A Secret Location” Small Press / Mimeograph Revolution, 1940s–1970s We are pleased to offer for sale a captivating and important research collection of little magazines and other printed materials that represent, chronicle, and document the proliferation of avant-garde, underground small press publications from the forties to the seventies. The starting point for this collection, “A Secret Location on the Lower East Side,” is the acclaimed New York Public Library exhibition and catalog from 1998, curated by Steve Clay and Rodney Phillips, which documented a period of intense innovation and experimentation in American writing and literary publishing by exploring the small press and mimeograph revolutions. The present collection came into being after the owner “became obsessed with the secretive nature of the works contained in the exhibition’s catalog.” Using the book as a guide, he assembled a singular library that contains many of the rare and fragile little magazines featured in the NYPL exhibition while adding important ancillary material, much of it from a West Coast perspective. Left to right: Bill Margolis, Eileen Kaufman, Bob Kaufman, and unidentified man printing the first issue of Beatitude. [Ref SL p. 81]. George Herms letter ca. late 90s relating to collecting and archiving magazines and documents from the period of the Mimeograph Revolution. Small press publications from the forties through the seventies have increasingly captured the interest of scholars, archivists, curators, poets and collectors over the past two decades. They provide bedrock primary source information for research, analysis, and exhibition and reveal little known aspects of recent cultural activity. The Archive from “A Secret Location” was collected by a reclusive New Jersey inventor and offers a rare glimpse into the diversity of poetic doings and material production that is the Small Press Revolution. -
The George Stanley Issue the Phantoms Have Gone Away & Left a Space for Beauty
TCR THE CAPILANO REVIEW The George Stanley Issue The phantoms have gone away & left a space for beauty. —george stanley Editor Brook Houglum Managing Editor Tamara Lee The Capilano Press Colin Browne, Pierre Coupey, Roger Farr, Crystal Hurdle, Andrew Klobucar, Aurelea Mahood, Society Board Jenny Penberthy, Elizabeth Rains, Bob Sherrin, George Stanley, Sharon Thesen Contributing Editors Clint Burnham, Erín Moure, Lisa Robertson Founding Editor Pierre Coupey Designer Jan Westendorp Website Design Adam Jones and James Thomson Intern Iain Angus Volunteer Ania Budko The Capilano Review is published by The Capilano Press Society. Canadian subscription rates for one year are $25 hst included for individuals. Institutional rates are $35 plus hst. Outside Canada, add $5 and pay in U.S. funds. Address correspondence to The Capilano Review, 2055 Purcell Way, North Vancouver, BC v7j 3h5. Subscribe online at www.thecapilanoreview.ca For our submission guidelines, please see our website or mail us an sase. Submissions must include an sase with Canadian postage stamps, international reply coupons, or funds for return postage or they will not be considered—do not use U.S. postage on the sase. The Capilano Review does not take responsibility for unsolicited manuscripts, nor do we consider simultaneous submissions or previously published work; e-mail submissions are not considered. Copyright remains the property of the author or artist. No portion of this publication may be reproduced without the permission of the author or artist. Please contact accesscopyright.ca for permissions. The photograph of Robin Blaser on page 200 is drawn from David Farwell’s collection with his permission.