Suzan Cooke Interview
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Archiving Possibilities with the Victorian Freak Show a Dissertat
UNIVERSITY OF CALIFORNIA RIVERSIDE “Freaking” the Archive: Archiving Possibilities With the Victorian Freak Show A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ann McKenzie Garascia September 2017 Dissertation Committee: Dr. Joseph Childers, Co-Chairperson Dr. Susan Zieger, Co-Chairperson Dr. Robb Hernández Copyright by Ann McKenzie Garascia 2017 The Dissertation of Ann McKenzie Garascia is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS This dissertation has received funding through University of California Riverside’s Dissertation Year Fellowship and the University of California’s Humanities Research Institute’s Dissertation Support Grant. Thank you to the following collections for use of their materials: the Wellcome Library (University College London), Special Collections and University Archives (University of California, Riverside), James C. Hormel LGBTQIA Center (San Francisco Public Library), National Portrait Gallery (London), Houghton Library (Harvard College Library), Montana Historical Society, and Evanion Collection (the British Library.) Thank you to all the members of my dissertation committee for your willingness to work on a project that initially described itself “freakish.” Dr. Hernández, thanks for your energy and sharp critical eye—and for working with a Victorianist! Dr. Zieger, thanks for your keen intellect, unflappable demeanor, and ready support every step of the process. Not least, thanks to my chair, Dr. Childers, for always pushing me to think and write creatively; if it weren’t for you and your Dickens seminar, this dissertation probably wouldn’t exist. Lastly, thank you to Bartola and Maximo, Flora and Martinus, Lalloo and Lala, and Eugen for being demanding and lively subjects. -
Ghost Signs Are More Than Paintings on Brick
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2020 ghost signs are more than paintings on brick Eric Anthony Berdis Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Art Practice Commons © Eric Anthony Berdis Downloaded from https://scholarscompass.vcu.edu/etd/6287 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. ©2020 All Rights Reserved ghost signs are more than paintings on brick A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University Eric Anthony Berdis B.F.A. Slippery Rock University, 2013 Post-baccalaureate Tyler School of Art, 2016 M.F.A. Virginia Commonwealth University, 2020 Director: Hillary Waters Fayle Assistant Professor- Fiber and Area Head of Fiber Craft/ Material Studies Department Jack Wax Professor - Glass and Area Head of Glass Craft/ Material Studies Department Kelcy Chase Folsom Assistant Professor - Clay Craft/ Material Studies Department Dr. Tracy Stonestreet Graduate Faculty Craft/ Material Studies Department v Acknowledgments Thank you to my amazing studio mate Laura Boban for welcoming me into your life, dreams, and being a shoulder of support as we walk on this journey together. You have taught me so much and your strength, thoughtfulness, and empathy make me both grateful and proud to be your peer. Thank you to Hillary Fayle for the encouragement, your critical feedback has been imperative to my growth. -
The Caffe Cino
DESIGNATION REPORT The Caffe Cino Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 DESIGNATION REPORT The Caffe Cino LOCATION Borough of Manhattan 31 Cornelia Street LANDMARK TYPE Individual SIGNIFICANCE No. 31 Cornelia Street in the Greenwich Village neighborhood of Manhattan is culturally significant for its association with the Caffe Cino, which occupied the building’s ground floor commercial space from 1958 to 1968. During those ten years, the coffee shop served as an experimental theater venue, becoming the birthplace of Off-Off-Broadway and New York City’s first gay theater. Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 Former location of the Caffe Cino, 31 Cornelia Street 2019 LANDMARKS PRESERVATION COMMISSION COMMISSIONERS Lisa Kersavage, Executive Director Sarah Carroll, Chair Mark Silberman, Counsel Frederick Bland, Vice Chair Kate Lemos McHale, Director of Research Diana Chapin Cory Herrala, Director of Preservation Wellington Chen Michael Devonshire REPORT BY Michael Goldblum MaryNell Nolan-Wheatley, Research Department John Gustafsson Anne Holford-Smith Jeanne Lutfy EDITED BY Adi Shamir-Baron Kate Lemos McHale and Margaret Herman PHOTOGRAPHS BY LPC Staff Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 3 of 24 The Caffe Cino the National Parks Conservation Association, Village 31 Cornelia Street, Manhattan Preservation, Save Chelsea, and the Bowery Alliance of Neighbors, and 19 individuals. No one spoke in opposition to the proposed designation. The Commission also received 124 written submissions in favor of the proposed designation, including from Bronx Borough President Reuben Diaz, New York Designation List 513 City Council Member Adrienne Adams, the LP-2635 Preservation League of New York State, and 121 individuals. -
LGBTQIAP+ ETIQUETTE GUIDE and GLOSSARY of TERMS Co-Authored by Luca Pax, Queer Asterisk and the Vibrant Staff (2016, 2017)
LGBTQIAP+ ETIQUETTE GUIDE and GLOSSARY OF TERMS Co-authored by Luca Pax, Queer Asterisk and The Vibrant Staff (2016, 2017). www.queerasterisk.com www.bevibrant.com Sex, gender, and sexuality can be complicated subjects, and are deeply personal. Sex is comprised of our primary and secondary sex characteristics, anatomy, and chromosomes, and is separate from gender identity or expression. Gender identity can be described as an innermost understanding of self, and gender expression is how we embody or communicate who we are to the world. Sexual orientation is who we choose to be close with, and how. Sex does not always inform gender, and gender does not always inform sexuality. None of these categories exists solely on a continuum of male to female, or masculine to feminine, and people have non-binary genders and sexualities, as well as intersex, agender, and asexual identities. People with sex, gender, or sexuality identities that dominant society regards as “normative,” i.e. male or female, cisgender, or heterosexual, may have not actively thought much about how they define or claim their identities, because they have not had to. Many people whose identities are marginalized by society experience erasure and invisibility because they are seen as non- normative. This glossary of terms related to sex, gender, and sexuality is neither exhaustive nor absolute. Language and concepts of identity are constantly evolving, and often differ amongst intersections of race, class, age, etc. Many of these terms, as well as the communities that use them are White-centered. Everyone has a right to self-define their identities and have access to validating terminology that others will use to respect who they are. -
WPATH Standards of Care, Version
The World Professional Association for Transgender Health ProfessionalAssociationforTransgender The World Nonconforming People Transgender, and forGender- the Health of Transsexual, Standards ofCare Version ! www.wpath.org Standards of Care for the Health of Transsexual, Transgender, and Gender- Nonconforming People Eli Coleman, Walter Bockting, Marsha Botzer, Peggy Cohen-Kettenis, Griet DeCuypere, Jamie Feldman, Lin Fraser, Jamison Green, Gail Knudson, Walter J. Meyer, Stan Monstrey, Richard K. Adler, George R. Brown, Aaron H. Devor, Randall Ehrbar, Randi Ettner, Evan Eyler, Rob Garofalo, Dan H. Karasic, Arlene Istar Lev, Gal Mayer, Heino Meyer-Bahlburg, Blaine Paxton Hall, Friedmann Pfäfflin, Katherine Rachlin, Bean Robinson, Loren S. Schechter, Vin Tangpricha, Mick van Trotsenburg, Anne Vitale, Sam Winter, Stephen Whittle, Kevan R. Wylie & Ken Zucker © "#$" World Professional Association for Transgender Health (WPATH). All rights reserved. !th VersionI | www.wpath.org ISBN: X-XXX-XXXXX-XX I This is the seventh version of the Standards of Care since the original $%!% document. Previous revisions were in $%&#, $%&$, $%%#, $%%&, and "##$. Version seven was published in the International Journal of Transgenderism, $'((), $)*–"'". doi:$#.$#&#/$**'"!'%. "#$$.!##&!' The Standards of Care VERSION ! Table of Contents I. Purpose and Use of the Standards of Care ......................................$ II. Global Applicability of the Standards of Care ..................................... ' III. The Difference Between Gender Nonconformity and Gender -
CHARLIE BERENS Q GALLERY HOLIDAY FARE to Mix up Old and Manitowoc Minute Holiday Show Opens 10 Feasting Favorite PUBLISHER’S Note P
TO THE HOLIDAYS 10 WI FOODS TO FEAST UPON Get Out & Do What You Like to do NOVEMBER 2018 Christmas with the NELSONS Everyone is invited to this family CHARLIE celebration BERENS Tours WI with Manitowoc minute and More BLUES TRAVELER 30+ years and in their comfort zone UPCOMING EVENts: PLUS! Fox Cities | Green Bay TORNADO CLUB Marshfield | Oshkosh STEAK HOUSE Stevens Point | Waupaca A Madison classic Wausau | Wisconsin Rapids Marketing is essential for every business. But let’s face it, some days are a struggle to keep up with everything you are currently doing. Beyond that, in the digital age it can be downright confusing and intimidating to sort through your options. How can you keep up with the chaotic pace of doing business in an increasingly digital world? Let us help... Specializing in Contracted Digital Marketing Services Websites | eMail Marketing | Social Media | Google Business | Reputation Management www.foxxinteractiveservices.com Contact: (715) 412-1284 | [email protected] Get Out & Do What You Like to Do NOVEMBER 2018 p.22 THE NELSONS MAtthEW AND GUNNAR SHARE THEIR FAMILY CHRISTMAS WITH WIscoNSIN P. 4 P. 18 P. 28 P. 30 DEPARTMENTS BLUES TRAVELER CHARLIE BERENS Q GALLERY HOLIDAY FARE To mix up old and Manitowoc Minute Holiday Show opens 10 feasting favorite PUBLISHER’S NOTE p. 2 new in Milwaukee and beyond on in Stevens Point Wisconsin foods SUPPER CLUB p. 12 new tour Tornado Club Steak House Of Madison EVENTS CALENDAR p. 34 PUBLISHER’S NOTE NOVEMBER – A TIME FOR Family Fun Edition THANKS AND TOGETHERNESS November 2018, Vol. -
Article Under Her Eye: Digital Drag As Obfuscation and Countersurveillance
Under Her Eye: Digital Drag as Obfuscation Article and Countersurveillance Harris Kornstein New York University, USA [email protected] Abstract Among drag queens, it is common to post screenshots comically highlighting moments in which Facebook incorrectly tags their photos as one another, suggesting that drag makeup offers a unique method for confusing facial recognition algorithms. Drawing on queer, trans, and new media theories, this article considers the ways in which drag serves as a form of informational obfuscation, by adding “noise” in the form of over-the-top makeup and social media profiles that feature semi-fictional names, histories, and personal information. Further, by performing identities that are highly visible, are constantly changing, and engage complex forms of authenticity through modes of camp and realness, drag queens disrupt many common understandings about the users and uses of popular technologies, assumptions of the integrity of data, and even approaches to ensuring privacy. In this way, drag offers both a culturally specific framework for conceptualizing queer and trans responses to surveillance and a potential toolkit for avoiding, thwarting, or mitigating digital observation. Introduction When particular surveillance technologies, in their development and design, leave out some subjects and communities for optimum usage, this leaves open the possibility of reproducing existing inequalities… [But] could there be some potential in going about unknown or unremarkable, and perhaps unbothered, where CCTV, camera-enabled devices, facial recognition, and other computer vision technologies are in use? —Simone Browne, Dark Matters: On the Surveillance of Blackness (2015: 162–63) Around late 2014, I began to take note of a curious social media phenomenon: drag queens were posting screenshots to Facebook to highlight instances in which the platform’s predictive facial recognition algorithms incorrectly tagged their photos as one another. -
Beyond the Gay Ghetto
chapter 1 Beyond the Gay Ghetto Founding Debates in Gay Liberation In October 1969, Gay Liberation Theater staged a street performance the group called “No Vietnamese Ever Called Me a Queer.” These activ- ists brought their claims to two distinct audiences: fellow students at the University of California, Berkeley’s Sproul Plaza and fellow gay men at a meeting of the San Francisco–based Society for Individual Rights (SIR). The student audience was anti-war but largely straight, while SIR backed gay inclusion in the military and exemplified the moderate center of the “homophile” movement—“homophile” being the name for an existing and older network of gay and lesbian activism. Gay Liberation Theater adapted Muhammad Ali’s statement when refusing the draft that “no Viet Cong ever called me nigger” and, through this, indicted a society that demanded men kill rather than desire one another. They opposed the Vietnam War and spoke to the self-interest of gay men by declaring: “We’re not going to fight in an army that discriminates against us. Nor are we going to fight for a country that will not hire us and fires us. We are going to fight for ourselves and our lovers in places like Berkeley where the Berkeley police last April murdered homosexual brother Frank Bartley (never heard of him?) while cruising in Aquatic Park.” Frank Bartley was a thirty-three-year-old white man who had recently been killed by a plainclothes officer who claimed that Bartley “resisted arrest” and “reached for his groin.”1 In highlighting Bartley’s case, Gay Liberation Theater pushed back against the demands of assim- ilation and respectability and linked opposition to the Vietnam War with 17 Hobson - Lavender and Red.indd 17 29/06/16 4:30 PM 18 | Beyond the Gay Ghetto support for sexual expression. -
A Primary Care Toolkit Contents
August 2021 Gender-affirming Care for Trans, Two-Spirit, and Gender Diverse Patients in BC: A Primary Care Toolkit Contents Table of Contents ................................................................................................................................................................... w Indigenous people and Two-Spirit considerations ....................................................................................................... iii Acknowledgment and Disclaimer ...................................................................................................................................... iv Introduction ................................................................................................................................................................................1 Gender-affirming health care options ............................................................................................................................... 2 Social options ..................................................................................................................................................................... 2 Medical options ................................................................................................................................................................. 2 Surgical options ................................................................................................................................................................. 2 Role of the primary care provider -
Terrorizing Gender: Transgender Visibility and the Surveillance Practices of the U.S
Terrorizing Gender: Transgender Visibility and the Surveillance Practices of the U.S. Security State A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Mia Louisa Fischer IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Dr. Mary Douglas Vavrus, Co-Adviser Dr. Jigna Desai, Co-Adviser June 2016 © Mia Louisa Fischer 2016 Acknowledgements First, I would like to thank my family back home in Germany for their unconditional support of my academic endeavors. Thanks and love especially to my Mom who always encouraged me to be creative and queer – far before I knew what that really meant. If I have any talent for teaching it undoubtedly comes from seeing her as a passionate elementary school teacher growing up. I am very thankful that my 92-year-old grandma still gets to see her youngest grandchild graduate and finally get a “real job.” I know it’s taking a big worry off of her. There are already several medical doctors in the family, now you can add a Doctor of Philosophy to the list. I promise I will come home to visit again soon. Thanks also to my sister, Kim who has been there through the ups and downs, and made sure I stayed on track when things were falling apart. To my dad, thank you for encouraging me to follow my dreams even if I chased them some 3,000 miles across the ocean. To my Minneapolis ersatz family, the Kasellas – thank you for giving me a home away from home over the past five years. -
Badass, Motherfucker, and Meat-Eater: Kit Yan’S Trans of Color Slammin’ Critique and the Archives of Possibilities Bo Luengsuraswat
23 Badass, Motherfucker, and Meat-Eater: Kit Yan’s Trans of Color Slammin’ Critique and the Archives of Possibilities Bo Luengsuraswat Abstract: This article examines Badass, a spoken word performance by Chinese American female-to-male transgender slam poet Kit Yan. Performed live on stage across the country and disseminated online via YouTube, Yan’s intense, fast-paced articulation of contradictory masculinities in Badass provides a powerful insight into the construction of gender, identity, and community through a trans of color perspec- tive. …yo, i may not be a badass in this life but last night, i fucking fucked the shit out of your mother – Kit Yan, Badass The clear understanding, then, that Asian American male subjectivity is the hybrid result of internalized ideals and lived material contradictions that were once external allows us a compelling qualification to historical debates about authenticity—realness and fakeness—in Asian American studies. – David Eng, Racial Castration: Managing Masculinity in Asian America1 24 nineteen sixty nine 1:1 2012 Badass t the height of the heat wave in early August 2009, I met Kit Yan and the Good Asian Drivers crew at the Café Club Fais Do Do in Los Angeles (Figure 1). As featured Aperformers of the night, spoken word artist Yan, songwriter Melissa Li, and musician Ashley Bayer transformed the cozy space of the Café into a lively activist scene through their thought-provoking, radical queer-feminist lyrics and songs. Both Yan and Li, together in this performance group they co-founded in 2007, performed solo and collaborative pieces with the topics ranging from their cross-country road trip, to the politics of inclusion in the queer community, to a transfeminist take on women’s issues. -
The Patient-Centered Transgender Health Toolkit
National Organization of Nurse Practitioner Faculties Patient- Centered Transgender Health A Toolkit for Nurse Practitioner Faculty and Clinicians A Work Product from the Sexual and Reproductive Health Special Interest Group 1 Table of Contents Introduction ......................................................................................................................................................... 3 Cultural Humility................................................................................................................................................. 4 Sexual Health History ........................................................................................................................................ 4 Ethical Issues ........................................................................................................................................................ 5 Alignment with NONPF Core Competencies ........................................................................................... 6 Definitions of Terms Used in Caring for Transgender Individuals ...................................................12 Videos on Transgender Care .........................................................................................................................14 Website Resources ...........................................................................................................................................14 Appendix Appendix 1: Resource List ........................................................................................................................16