Francoforte 2020
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Leandro Erlich: Towards a Collaborative Relationship Between Architecture and Art Isabel Tassara [email protected]
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Master's Projects and Capstones Theses, Dissertations, Capstones and Projects Winter 12-16-2016 Leandro Erlich: Towards A Collaborative Relationship Between Architecture and Art Isabel Tassara [email protected] Follow this and additional works at: https://repository.usfca.edu/capstone Part of the Architectural History and Criticism Commons, Contemporary Art Commons, Interior Architecture Commons, Modern Art and Architecture Commons, and the Museum Studies Commons Recommended Citation Tassara, Isabel, "Leandro Erlich: Towards A Collaborative Relationship Between Architecture and Art" (2016). Master's Projects and Capstones. 436. https://repository.usfca.edu/capstone/436 This Project/Capstone is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Master's Projects and Capstones by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. Leandro Erlich: Towards a Collaborative Relationship Between Architecture and Art Keywords: contemporary art, museum studies, architecture, interactive installation, international artist, art exhibition, Buenos Aires Argentina, Contemporary Jewish Museum by Isabel Tassara Capstone project submitted in partial FulFillment oF the requirements For -
UAS Integration in the NAS Project: Overview of Flight Test Series 6
NASA/TM—2020—20205004052 UAS Integration in the NAS Project: Overview of Flight Test Series 6 Michael L. Marston Clancy JG Armstrong Flight Research Center, Edwards, California Alexander D. Flock Millennium Engineering Armstrong Flight Research Center, Edwards, California Victor M. Loera American Systems Corporation Armstrong Flight Research Center, Edwards, California Sam K. Kim Armstrong Flight Research Center, Edwards, California Michael J. Vincent Langley Research Center, Hampton, Virginia Minghong G. Wu and Conrad Rorie Ames Research Center, Moffett Field, California Wayne W. Bridges Flight Research Associates Ames Research Center, Moffett Field, California Wei-Ching Wang Universities Space Research Association Ames Research Center, Moffett Field, California July 2020 NASA STI Program ... in Profile Since its founding, NASA has been dedicated CONFERENCE PUBLICATION. to the advancement of aeronautics and space science. Collected papers from scientific and technical The NASA scientific and technical information (STI) conferences, symposia, seminars, or other program plays a key part in helping NASA maintain meetings sponsored or this important role. co-sponsored by NASA. The NASA STI program operates under the auspices SPECIAL PUBLICATION. Scientific, of the Agency Chief Information Officer. It collects, technical, or historical information from NASA organizes, provides for archiving, and disseminates programs, projects, and missions, often NASA’s STI. The NASA STI program provides access concerned with subjects having substantial to the NTRS Registered and its public interface, the public interest. NASA Technical Reports Server, thus providing one of the largest collections of aeronautical and space TECHNICAL TRANSLATION. science STI in the world. Results are published in both English-language translations of foreign non-NASA channels and by NASA in the NASA STI scientific and technical material pertinent to Report Series, which includes the following report NASA’s mission. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Fringe Season 1 Transcripts
PROLOGUE Flight 627 - A Contagious Event (Glatterflug Airlines Flight 627 is enroute from Hamburg, Germany to Boston, Massachusetts) ANNOUNCEMENT: ... ist eingeschaltet. Befestigen sie bitte ihre Sicherheitsgürtel. ANNOUNCEMENT: The Captain has turned on the fasten seat-belts sign. Please make sure your seatbelts are securely fastened. GERMAN WOMAN: Ich möchte sehen wie der Film weitergeht. (I would like to see the film continue) MAN FROM DENVER: I don't speak German. I'm from Denver. GERMAN WOMAN: Dies ist mein erster Flug. (this is my first flight) MAN FROM DENVER: I'm from Denver. ANNOUNCEMENT: Wir durchfliegen jetzt starke Turbulenzen. Nehmen sie bitte ihre Plätze ein. (we are flying through strong turbulence. please return to your seats) INDIAN MAN: Hey, friend. It's just an electrical storm. MORGAN STEIG: I understand. INDIAN MAN: Here. Gum? MORGAN STEIG: No, thank you. FLIGHT ATTENDANT: Mein Herr, sie müssen sich hinsetzen! (sir, you must sit down) Beruhigen sie sich! (calm down!) Beruhigen sie sich! (calm down!) Entschuldigen sie bitte! Gehen sie zu ihrem Sitz zurück! [please, go back to your seat!] FLIGHT ATTENDANT: (on phone) Kapitän! Wir haben eine Notsituation! (Captain, we have a difficult situation!) PILOT: ... gibt eine Not-... (... if necessary...) Sprechen sie mit mir! (talk to me) Was zum Teufel passiert! (what the hell is going on?) Beruhigen ... (...calm down...) Warum antworten sie mir nicht! (why don't you answer me?) Reden sie mit mir! (talk to me) ACT I Turnpike Motel - A Romantic Interlude OLIVIA: Oh my god! JOHN: What? OLIVIA: This bed is loud. JOHN: You think? OLIVIA: We can't keep doing this. -
With Nike Shoes and Cigarettes, Katherine Bernhardt Codifies Our Contemporary Hieroglyphs,” Artsy, November 21, 2015
Gottschalk, Molly, “In the Studio: With Nike Shoes and Cigarettes, Katherine Bernhardt Codifies Our Contemporary Hieroglyphs,” Artsy, November 21, 2015 In the Studio: With Nike Shoes and Cigarettes, Katherine Bernhardt Codifies Our Contemporary Hieroglyphs It’s a grey and rainy afternoon when I arrive at painter Katherine Bernhardt’s studio, a former car detailing shop with window decals still in place, on a quiet block of Brooklyn’s Flatbush neighborhood. But the environment the rising star ushers me into is, by comparison, a tropical paradise. 980 MADISON AVENUE NEW YORK, NY 10075 (212) 980-0700 | 601 SOUTH ANDERSON STREET LOS ANGELES, CA 90023 (323) 980-9000 WWW.VENUSOVERMANHATTAN.COM Despite her having just closed three concurrent solo shows at the New York and L.A. locales of Venus (formerly Venus Over Manhattan and Venus Over Los Angeles) and Carl Freedman, the long, narrow space is bursting at the seams with brightly colored, electric paintings of watermelons, sharks, and bananas. Some lay on the paint-splattered cement floor, drying; others are rolled in plastic or propped up on empty paint buckets against the walls. But to get to this painter’s haven, brimming with spray paint and gallon jugs of acrylic in infinite lush colors, you must pass through a lair of Moroccan rugs, piled high and tacked across the walls. It’s an ideal playground for Bernhardt’s four-year-old son Khalifa, who alternates climbing and lounging on the stacks and goes relatively unnoticed save for his scattered Mack Trucks and toy cars. But it also serves as a well of inspiration for Bernhardt’s surprisingly codified works and the flagship for her Berber rug importing business. -
Curating Now: Imaginative Practice/Public Responsibility Full Text Edited by Paula Marincola
QUESTIONS OF PRACTICE Curating Now: Imaginative Practice/Public Responsibility Full Text Edited by Paula Marincola THE PEW CENTER FOR ARTS & HERITAGE / PCAH.US / @PEWCENTER_ARTS CURATING NOW: IMAGINATIVE PRACTICE/PUBLIC RESPONSIBILITY OCT 14-15 2000 Paula Marincola Robert Storr Symposium Co-organizers Philadelphia Exhibitions Initiative Funded by The Pew Charitable Trusts Administered by The University of the Arts The Philadelphia Exhibitions Initiative is a granting program funded by The Pew Charitable Trusts and administered by The University of the Arts, Philadelphia, that supports exhibitions and accompanying publications.“Curating Now: Imaginative Practice/Public Responsibility” has been supported in part by the Pew Fellowships in the Arts’Artists and Scholars Program. Philadelphia Exhibitions Initiative 230 South Broad Street, Suite 1003 Philadelphia, PA 19102 215-985-1254 [email protected] www.philexin.org ©2001 Philadelphia Exhibitions Initiative All rights reserved ISBN 0-9708346-0-8 Library of Congress catalog card no. 2001 131118 Book design: Gallini Hemmann, Inc., Philadelphia Copy editing: Gerald Zeigerman Printing: CRW Graphics Photography: Michael O’Reilly Symposium and publication coordination: Alex Baker CONTENTS v Preface Marian Godfrey vii Introduction and Acknowledgments Paula Marincola SATURDAY, OCTOBER 14, 2000 AM 3 How We Do What We Do. And How We Don’t Robert Storr 23 Panel Statements and Discussion Paul Schimmel, Mari-Carmen Ramirez, Hans-Ulrich Obrist,Thelma Golden 47 Audience Question and Answer SATURDAY, -
Work and World: on the Philosophy of Curatorial Practice
WORK AND WORLD: ON THE PHILOSOPHY OF CURATORIAL PRACTICE A Dissertation Submitted to the Temple University Graduate Board ______________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY ________________________________________________________________________ by Susan Elizabeth Spaid August 2013 Examining Committee Members: Joseph Margolis, Ph.D.,Advisory Chair, Philosophy, Temple University Lewis Gordon, Ph.D., Philosophy, Temple University Susanna Gold, Ph. D., Art History, Temple University Sherri Irvin, Ph.D., External Member, Philosophy, Oklahoma University TABLE OF CONTENTS ABSTRACT………………………………………………………………….……...…….v ACKNOWLEDGMENTS……………………………………………….………………vii .. LIST OF TABLES………………………………………………………………………..ix LIST OF FIGURES……………………………………………………………………….x INTRODUCTION………………………………………...……………………………...xi CHAPTER 1. THE CURATOR Care…………………………………….…………………………………………….1 Imagination………………………………………………….……………………….7 Discourse……………………………………………………………………………10 Collections………………………………………………………………………….11 Curated Exhibitions………………………………………………………………...17 Belongingness………………………………………………………………………19 Inferential Properties...…….………………………………………………………..27 Relational Clusters………………………………………………………………….32 Exacted Exhibitions………………………………………………………………...37 Nonartistic Pursuits…………………………………………………………………42 Tasteful Pursuits…………………………………………………………………….50 Work and World………………………………….…………………………………52 Uncurated Exhibitons……………………………………………………………….56 2. SPECTATOR Candidacy………………………………………………………………………......60 -
Pulitzer Prize Winners and Finalists
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Purgatory and Prison: Punitive Spaces in Old and Middle
PURGATORY AND PRISON: PUNITIVE SPACES IN OLD AND MIDDLE ENGLISH LITERATURE A Dissertation by KATAYOUN TORABI Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Britt Mize Co-Chair of Committee, Nancy Warren Committee Members, Laura Mandell Justin Lake Head of Department, Maura Ives August 2018 Major Subject: English Copyright 2018 Katayoun Torabi ABSTRACT This dissertation investigates the connection between incarceration and purgative penance as it developed in medieval Christian tradition, with a particular focus on the ways in which that connection is represented in Old and Middle English literature. Both earthly and otherworldly prisons, I argue, were closely linked through their purpose of reform and rehabilitation. Prisons were seen as transformative spaces and punitive measures were a means of correcting and reintegrating transgressive members of the community. Medieval communities felt compelled to assist prisoners with alms, clothing, food, and spiritual guidance. In order to facilitate this aid, prisons were centrally located, punitive sentences were short, and prison boundaries were permeable, allowing inmates easy access to the outside world. Likewise, the community felt an obligation to care for and rehabilitate the transgressive dead in Purgatory through intercessory prayer, alms, and masses until the deceased received absolution and were released into Heaven. Because prisons were seen as morally and spiritually transformative spaces, a similar rhetoric emerged around earthly and otherworldly carceral spaces. Purgatory and—to a certain extent—Limbo were imagined as G-d’s divine prison in Old and Middle English literature; and prisons were often described by medieval writers as a kind of earthly Purgatory. -
Jeff Koons Selected Bibliography
G A G O S I A N Jeff Koons Selected Bibliography Books and Catalogues: 2017 Koons, Jeff. Gazing Ball Paintings. New York: Gagosian. ----------. Masters: A Collaboration with Jeff Koons. France: Louis Vuitton. 2016 Koons, Jeff. Jeff Koons: Now. London: Other Criteria. Risaliti, Sergio. Jeff Koons in Florence. Florence: Forma. 2015 Holzwarth, Hans Werner. Jeff Koons. Basic Art Series. Cologne: Taschen. Pissarro, Joachim. Jeff Koons: The Gazing Ball or the Eye of Janus. Brussels: Almine Rech Gallery. Rothkopf, Scott. Jeff Koons: Retrospectiva. Bilbao: Guggenheim Museum Bilbao. Speyer, Jerry and Nicholas Baume and Jerome de Noirmont and Lauren Le Bon and Larry Gagosian. Jeff Koons: Split Rocker. New York: Gagosian Gallery. Tinari, Philip. Jeff Koons: Hulk Elvis. Hong Kong: Gagosian Gallery. 2014 Champion, Julie and Caroline Edde. Jeff Koons: La Retrospective: The Album of the Exhibition. Belgium: Centre Pompidou. Champion, Julie and Nicolas Liucci-Goutnikov. Jeff Koons: La Retrospective: The Portfolio of the Exhibition. France: Centre Pompidou. Koons, Jeff and Norman Rosenthal. Jeff Koons: Conversations with Norman Rosenthal. Hove, England: Thames & Hudson. Koons, Jeff and Norman Rosenthal, Jeff Koons: Entretiens avec Norman Rosenthal. Hove, England: Thames & Hudson. Rothkopf, Scott, supervised by Bernard Blistène. Jeff Koons: La Retrospective. Exhibition catalogue. France: Centre Pompidou. Rothkopf, Scott. Jeff Koons: A Retrospective. New York: Whitney Museum of American Art. ----------. Jeff Koons: Split-Rocker. New York: Gagosian Gallery. ----------.Jeff Koons: Gazing Ball. New York: David Zwirner. 2012 Koons, Jeff, Matthias Ulrich, Vinzenz Brinkmann, Joachim Pissarro, and Max Hollein. Jeff Koons: The Painter & The Sculptor. Ostfildern, Germany: Hatje Cantz. Koons, Jeff, and Theodora Vischer. Jeff Koons. Fondation Beyeler. -
THE D.A.P. CATALOG SPRING 2019 Welcome to the Artbook | D.A.P
THE D.A.P. CATALOG SPRING 2019 Welcome to the Artbook | D.A.P. Spring 2019 Catalog This season we are honored to represent 558 new titles on the arts: extraordinary monographs, exhibition catalogs, surveys, journals, facsimiles, catalogues raisonnés, anthologies, new translations and special editions, published by the world's finest imprints, small presses, museums, cultural institutions, artists' foundations, galleries and collections. Anonymous artist, Bowling Alley (1905). From Greetings from the Barricades, published by Four Corners Books. See page 42. Featured Releases 2 Limited Editions 99 Journals 101 CATALOG EDITOR Thomas Evans DESIGNER Spring Highlights 107 Martha Ormiston Art 108 CATALOG ASSISTANT Arthur Cañedo Photography 152 COPY WRITING Design 166 Arthur Cañedo, Janine DeFeo, Megan Ashley DiNoia, Thomas Evans Architecture 172 PHOTOGRAPHY Justin Lubliner, Carter Seddon PROOFREADER Specialty Books 185 Miles Champion Art 186 PRINTING Group Exhibitions 196 Sonic Media Solutions, Inc. Photography 200 FRONT COVER IMAGE Patrick Waterhouse, Side Portrait Right Restricted with Athena Nangala Granites from Restricted Images: Made with the Warlpiri of Central Australia, published by SPBH Editions. See page 67. Backlist Highlights 206 BACK COVER IMAGE Index 215 Paul Mogensen, no title (stepped wide and narrow spirals). From Paul Mogensen, published by Karma Books, New York. See page 119. 2 artbook.com Landscape Painting Now From Pop Abstraction to New Romanticism Edited by Todd Bradway. Text by Barry Schwabsky. Contributions by Susan A. Van Scoy, Robert R. Shane, Louise Sørensen. Although the fact may be surprising to some, landscape painting is positively thriving in the 21st century—indeed, the genre has arguably never felt as vital as it does today. -
On Corruption
EXPANDED SPORTS COVERAGE SUBSCRIBER EXCLUSIVE Questions? Call 1-800-Tribune Monday, October 29, 2018 Breaking news at chicagotribune.com Victims named, details emerge Neighbors say Pittsburgh synagogue shooting CHICAGO suspect showed few signs of hate-filled vitriol VIGIL On Sunday By Avi Selk, Mark Berman “They showed his photo, and hundreds of and Joel Achenbach my stomach just dropped,” said people gathered at The Washington Post Kerri Owens, who has lived next Federal Plaza in door to Bowers for two years, Chicago for a PITTSBURGH — The man recalling the moment she saw his candlelight vigil for who told authorities he just picture on the news. “I was sick to the 11 people killed wanted “to kill Jews” shortly after my stomach knowing he had been in a Pittsburgh a grisly mass shooting in a Pitts- on the other side of the wall from synagogue and the burgh synagogue was described me.” two people killed Sunday as a loner who showed Investigators on Sunday fin- Wednesday in a few outward signs of the vitriol he ished searching Bowers’ home as grocery store in displayed in a trail of hate-filled they continued sorting through Kentucky. online rants. the only public clues of the hate he Chicagoland, Neighbors knew Robert Bow- seems to have harbored: online Page 3 ers as a truck driver who rarely screeds written under Bowers’ hosted visitors but exchanged name that hinted at a radical turn pleasantries as he came and went over the last year. from his first-floor apartment in a U.S. Attorney Scott Brady in Barbara Goodman complex in Pittsburgh’s suburban Pittsburgh said Sunday night that and her son Ravi South Baldwin neighborhood.