The 2018 Prize Winners
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History Catalog 2020
History 2020 press.princeton.edu CONTENTS General Interest 1 US History 8 European History 12 Middle East History 17 African History 19 Asian History 20 Histories of Economic Life Series 22 The Princeton Economic History of the Western World Series 25 World History 26 Human Rights & Crimes against Humanity Series 28 History of Science & Knowledge 29 New in Paperback 31 Jacket art: J. Thullen, Execution of Dakota Indians, Mankato, Minnesota, 1884. Courtesy of the Minnesota Historical Society. GENERAL INTEREST A World Divided A global history of human rights in a world of nation-states that grant rights to some while denying them to others Once dominated by vast empires, the world is now divided into close to 200 independent countries with laws and constitutions proclaiming human rights—a transformation that suggests that nations and human rights inevitably developed together. But the reality is far more problematic, as Eric Weitz shows in this compelling global history of the fate of human rights in a world of nation-states. Through vivid histories drawn from virtually every continent, A World Divided describes how, since the eighteenth century, nationalists have struggled to establish their own states that grant human rights to some people. At the same time, they have excluded others through forced assimilation, ethnic cleansing, or even genocide. From Greek rebels, American settlers, and Brazilian abolitionists in the nineteenth century to anticolonial Africans and Zionists in the “In this magisterial and riveting work of global twentieth, nationalists have confronted a crucial history, Weitz chronicles the gradual, uneven, question: Who has the "right to have rights?" A World and disputed emergence of contemporary Divided tells these stories in colorful accounts focusing norms of international human rights from the on people who were at the center of events. -
Contextualizing Disaster
Contextualizing Disaster This open access edition has been made available under a CC BY-NC-ND 4.0 license, thanks to the support of Knowledge Unlatched. Catastrophes in Context Series Editors: Gregory V. Button, former faculty member of University of Michigan at Ann Arbor Mark Schuller, Northern Illinois University / Université d’État d’Haïti Anthony Oliver-Smith, University of Florida Volume ͩ Contextualizing Disaster Edited by Gregory V. Button and Mark Schuller This open access edition has been made available under a CC BY-NC-ND 4.0 license, thanks to the support of Knowledge Unlatched. Contextualizing Disaster Edited by GREGORY V. BUTTON and MARK SCHULLER berghahn N E W Y O R K • O X F O R D www.berghahnbooks.com This open access edition has been made available under a CC BY-NC-ND 4.0 license, thanks to the support of Knowledge Unlatched. First published in 2016 by Berghahn Books www.berghahnbooks.com ©2016 Gregory V. Button and Mark Schuller Open access ebook edition published in 2019 All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system now known or to be invented, without written permission of the publisher. Library of Congress Cataloging-in-Publication Data Names: Button, Gregory, editor. | Schuller, Mark, 1973– editor. Title: Contextualizing disaster / edited by Gregory V. Button and Mark Schuller. Description: New York : Berghahn Books, [2016] | Series: Catastrophes in context ; v. -
The Perceived Credibility of Professional Photojournalism Compared to User-Generated Content Among American News Media Audiences
Syracuse University SURFACE Dissertations - ALL SURFACE August 2020 THE PERCEIVED CREDIBILITY OF PROFESSIONAL PHOTOJOURNALISM COMPARED TO USER-GENERATED CONTENT AMONG AMERICAN NEWS MEDIA AUDIENCES Gina Gayle Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Gayle, Gina, "THE PERCEIVED CREDIBILITY OF PROFESSIONAL PHOTOJOURNALISM COMPARED TO USER-GENERATED CONTENT AMONG AMERICAN NEWS MEDIA AUDIENCES" (2020). Dissertations - ALL. 1212. https://surface.syr.edu/etd/1212 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT This study examines the perceived credibility of professional photojournalism in context to the usage of User-Generated Content (UGC) when compared across digital news and social media platforms, by individual news consumers in the United States employing a Q methodology experiment. The literature review studies source credibility as the theoretical framework through which to begin; however, using an inductive design, the data may indicate additional patterns and themes. Credibility as a news concept has been studied in terms of print media, broadcast and cable television, social media, and inline news, both individually and between genres. Very few studies involve audience perceptions of credibility, and even fewer are concerned with visual images. Using online Q methodology software, this experiment was given to 100 random participants who sorted a total of 40 images labeled with photographer and platform information. The data revealed that audiences do discern the source of the image, in both the platform and the photographer, but also take into consideration the category of news image in their perception of the credibility of an image. -
THE SIXTH EXTINCTION: an UNNATURAL HISTORY Copyright © 2014 by Elizabeth Kolbert
The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. THE SIXTH EXTINCTION: AN UNNATURAL HISTORY Copyright © 2014 by Elizabeth Kolbert. All rights reserved. For information, address Henry Holt and Co., 175 Fifth Avenue, New York, N.Y. 10010. www.henryholt.com Jacket photograph from the National Museum of Natural History, courtesy of the Smithsonian Institution e-ISBN 978-0-8050-9979-9 First Edition: February 2014 If there is danger in the human trajectory, it is not so much in the survival of our own species as in the fulfillment of the ultimate irony of organic evolution: that in the instant of achieving self- understanding through the mind of man, life has doomed its most beautiful creations. —E. O. WILSON Centuries of centuries and only in the present do things happen. —JORGE LUIS BORGES CONTENTS Title Page Copyright Notice Copyright Epigraph Author’s Note Prologue I: The Sixth Extinction II: The Mastodon’s Molars III: The Original Penguin IV: The Luck of the Ammonites V: Welcome to the Anthropocene VI: The Sea Around Us VII: Dropping Acid VIII: The Forest and the Trees IX: Islands on Dry Land X: The New Pangaea XI: The Rhino Gets an Ultrasound XII: The Madness Gene XIII: The Thing with Feathers Acknowledgments Notes Selected Bibliography Photo/Illustration Credits Index About the Author Also by Elizabeth Kolbert AUTHOR’S NOTE Though the discourse of science is metric, most Americans think in terms of miles, acres, and degrees Fahrenheit. -
Leandro Erlich: Towards a Collaborative Relationship Between Architecture and Art Isabel Tassara [email protected]
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Master's Projects and Capstones Theses, Dissertations, Capstones and Projects Winter 12-16-2016 Leandro Erlich: Towards A Collaborative Relationship Between Architecture and Art Isabel Tassara [email protected] Follow this and additional works at: https://repository.usfca.edu/capstone Part of the Architectural History and Criticism Commons, Contemporary Art Commons, Interior Architecture Commons, Modern Art and Architecture Commons, and the Museum Studies Commons Recommended Citation Tassara, Isabel, "Leandro Erlich: Towards A Collaborative Relationship Between Architecture and Art" (2016). Master's Projects and Capstones. 436. https://repository.usfca.edu/capstone/436 This Project/Capstone is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Master's Projects and Capstones by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. Leandro Erlich: Towards a Collaborative Relationship Between Architecture and Art Keywords: contemporary art, museum studies, architecture, interactive installation, international artist, art exhibition, Buenos Aires Argentina, Contemporary Jewish Museum by Isabel Tassara Capstone project submitted in partial FulFillment oF the requirements For -
POLITICO, John Harris and Carrie Budoff Brown
STATEMENTS FROM NEWS ORGS EXCLUDED – POLITICO, John Harris and Carrie Budoff Brown: “We’ve reached out to the White House, and rest assured that we plan to very vigorously assert and defend an independent media’s right to cover the institution of the Presidency. Selectively excluding news organizations from White House briefings is misguided and our expectation is that this action will not be repeated. We have one of the largest teams in Washington covering this White House—a major editorial and financial commitment on behalf of our audience. This commitment is an enduring one, and our coverage of the Trump Administration will of course continue without interruption.” --WASHPOST, Marty Baron: “It’s appalling that the White House would exclude news outlets like the New York Times, CNN, Politico, the Los Angeles Times, and BuzzFeed from its publicly announced briefings. This is an undemocratic path that the administration is traveling. There is nothing to be gained from the White House restricting the public’s access to information. We are currently evaluating what our response will be if this sort of thing happens again." – Marty Baron, Washington Post. --NYT, Dean Baquet: “Nothing like this has ever happened at the White House in our long history of covering multiple administrations of different parties. We strongly protest the exclusion of The New York Times and the other news organizations. Free media access to a transparent government is obviously of crucial national interest.” --BUZZFEED: “While we strongly object to the White House’s apparent attempt to punish news outlets whose coverage it does not like, we won’t let these latest antics distract us from continuing to cover this administration fairly and aggressively.” --CNN: “This is an unacceptable development by the Trump White House. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
The Good, the Bad, and the Evils of the #Metoo Movement's Sexual
Akel: The Good, the Bad, and the Evils of the #MeToo Movement’s Sexual Akel camera ready (Do Not Delete) 12/27/2018 11:01 AM NOTES THE GOOD, THE BAD, AND THE EVILS OF THE #METOO MOVEMENT’S SEXUAL HARASSMENT ALLEGATIONS IN TODAY’S SOCIETY: A CAUTIONARY TALE REGARDING THE COST OF THESE CLAIMS TO THE VICTIMS, THE ACCUSED, AND BEYOND TABLE OF CONTENTS INTRODUCTION ........................................................................... 104 I. BACKGROUND ......................................................................... 107 A. What Is the #MeToo Movement? ................................. 107 B. Historically, Why It Took #MeToo for People to Listen ................................................... 108 C. How the #MeToo Movement Gained Popularity ........ 113 II. CONSEQUENCES WITHOUT LIMITS ......................................... 115 A. The Victims .................................................................. 115 B. The Accused ................................................................ 116 C. The Third Parties ........................................................ 120 1. Companies............................................................. 120 2. Taxpayers .............................................................. 121 3. Stockholders .......................................................... 122 D. Local Effects: San Diego, California .......................... 123 E. International Effects .................................................... 124 1. France .................................................................. -
Anonymous Sources: More Or Less and Why and Where?
Southwestern Mass Communication Journal A journal of the Southwest Education Council for Journalism & Mass Communication ISSN 0891-9186 | Vol. 30, No. 2 | Spring 2015 Anonymous Sources: More or less and why and where? Hoyt Purvis University of Arkansas Anonymous sources have been important factors in some of the major news stories of our time. But does this reliance on unnamed sources to too far? The use and possible abuse of anonymous sources is a matter of continuing controversy in the media and can have a direct bearing on the credibility of the media. Questions related to the use of such sources are examined in a study of the use of anonymous sources in 14 daily editions of three daily newspapers, focusing on the quantity of articles using anonymous sources, their subject matter, location, and rationale for using unnamed sources. This is done within the context of the ongoing controversy about the reliance on such sources in major news organizations. Results of this study are reported and analyzed and provide some clear indications about the extent and nature of the use of anonymous sources, and point to a possible over-dependence and problematic trend. Suggested citation: Purvis, H. (2015). Anonymous sources: More or less and why and where?. Southwestern Mass Communication Journal, 30(2). Retrieved from http://swecjmc.wp.txstate.edu. The Southwestern Mass Communication Journal Spring 2015 V. 30, No. 2 The Southwestern Mass Communication Journal (ISSN 0891-9186) is published semi-annually by the Southwest Education Council for Journalism and Mass Communication. http://swmcjournal.com Also In This Issue: Anonymous Sources: More or less and why and where? Hoyt Purvis, University of Arkansas Are You Talking To Me? The Social-Political Visual Rhetoric of the Syrian Presidency’s Instagram Account Steven Holiday & Matthew J. -
The Lowdown on Showdowns: We Don't Look 100 and Neither Do You
EXECUTIVE SUMMARY The Lowdown on Showdowns: PilotingWe around Don’t Partisan Look Divides 100 in Immigration, and Neither Infrastructure, Do You:and Industry 2020 Perspectives from the Pioneers of CEO Leadership Forums Washington, DC | March 13, 2018 The Roosevelt Hotel New York | December 17 - 18, 2019 PRESENTING SPONSORS The AmericanLEADERSHIP PARTNERS Colossus: The Best of Times and the Worst of Times? The Yale Club of New York City & The New York Public Library | June 12 - 13, 2018 LEADERSHIP PARTNERS We Don’t Look 100 and Neither Do You: 2020 Perspectives from the Pioneers of CEO Leadership Forums The Roosevelt Hotel New York | December 17–18, 2019 Agenda Host: Jeffrey A. Sonnenfeld, Senior Associate Dean, Yale School of Management The Changed Cultural Portfolio of Leadership 7 OPENING COMMENTS Carla A. Hills, U.S. Trade Representative (1989-1993); 5th U.S. Secretary of Housing and Urban Development Reem Fawzy, Founder & CEO, Rimo Tours Group & Pink Taxi Egypt Farooq Kathwari, Chairman, President & CEO, Ethan Allen Kay Koplovitz, Founder, USA Networks; Managing Partner, Springboard Growth Capital Beth Van Duyne, Mayor (2011-2017), Irving, Texas Kerwin Charles, Dean, Yale School of Management Joanne Lipman, Distinguished Fellow, Princeton University; Former Editor, USA TODAY Jonathan Greenblatt, CEO & National Director, Anti-Defamation League Manuel Dorantes, Strategic Advisor, Vatican’s Dicastery for Communication Jonathan Mariner, Founder & President, TaxDay; Retired EVP & CFO, Major League Baseball Eileen Murray, Co-Chief Executive Officer, Bridgewater Associates Greg Fischer, Mayor, Louisville, Kentucky RESPONDENTS Katherine E. Fleming, Provost, New York University Laura R. Walker, Former President & CEO, New York Public Radio Kristin Decas, CEO & Port Director, The Port of Hueneme Elizabeth DeMarse, Former Chair, President & CEO, TheStreet, Inc. -
Macdowell Virtual National Benefit Invest in Artists October 19, 2020 Program
MacDowell Virtual National Benefit Invest in Artists October 19, 2020 Program Welcome Remarks from MacDowell Board Chair Nell Painter* Greeting from Andrew Sean Greer* “Democracy” from Soft Power by David Henry Hwang & Jeanine Tesori* performed by Karen Olivo with remarks from Jeanine Tesori* MacDowell: Our History, Mission, and Future narrated by Nell Painter* Excerpt clip from Lingua Franca with remarks from Isabel Sandoval* The Inaugural Marian MacDowell Arts Advocacy Award honoring ARRAY introduction by Jane Alexander* presentation by Darren Walker acceptance by Ava DuVernay on behalf of ARRAY Program Greeting from Tayari Jones* A Tribute to Audre Lorde* performed by Marsha Stephanie Blake, Eisa Davis*, Karen Pittman, and Charlayne Woodard directed by Whitney White music by JJJJJerome Ellis* “Inside the Mind Of...” from Grandmother by Austin Yip* performed by Patrick Yim Closing Remarks from Nell Painter* * denotes MacDowell Fellow Check out our silent auction! ibidmobile.net/tmc/auction Featuring artwork by MacDowell Fellows, special virtual and socially distant experiences, and limited edition collectibles. Bidding closes on October 19th at 9:00 p.m. ET. Good luck! Artist Participants JANE ALEXANDER* is an actress, an author, and a wildlife conservationist. She served as Chairman of the NEA under President Clinton. She has performed in over 100 plays, 75 films for TV and the big screen and is the recipient of numerous awards for her roles. Her recent book Wild Things, Wild Places details her global travels with field biologists. Recent acting work of hers can be seen on television, specifically Lifetime TV and Amazon’s forthcoming series Modern Love. At MacDowell, Jane wrote a one woman multi-media show about birds, incorporating music, projections and six themes. -
Shaping 21St Century Journalism Leveraging a “Teaching Hospital Model” in Journalism Education by C.W
New America Foundation Shaping 21st Century Journalism Leveraging a “Teaching Hospital Model” in Journalism Education By C.W. Anderson, Tom Glaisyer, Jason Smith and Marika Rothfeld, October 2011 Report Summary As the media industry evolves to meet the challenges of the emerging digitally-networked era, so too are journalism schools. Democracy and healthy local communities require this evolution. As the media industry reshapes itself, a tremendous opportunity emerges for America‖s journalism programs. Neither news organizations nor journalism programs will disappear, but both must rethink their missions, particularly now that many more people can be journalists (at least, on an occasional basis) and many more people produce media than ever before. The Walter Cronkite School of Journalism at Arizona State Journalism education programs have an University (Photo credit: Sean Horan/Flickr) opportunity to become “anchor institutions” in the emerging informational ecosystem. Many schools have long embraced elements of this vision, but satisfying the information needs of communities will require schools to take on all the challenges of engaging as serious and valuable producers of meaningful journalism. To date, some programs have avoided or shirked these responsibilities, failing to leverage broadcast licenses as part of their educational mission or inadequately supporting the pursuit of meaningful journalism by students. A move to embrace a community news mission would add a powerful momentum to the recommendation of the Knight Commission Report on the Information Needs of Democracies that “higher education, community and nonprofit institutions [should increase their role] as hubs of journalistic activity and other information-sharing for local communities.” This call was echoed in the recently issued Federal Communications Commission report on the changing media landscape in a broadband age.