THE D.A.P. CATALOG SPRING 2019 Welcome to the Artbook | D.A.P

Total Page:16

File Type:pdf, Size:1020Kb

THE D.A.P. CATALOG SPRING 2019 Welcome to the Artbook | D.A.P THE D.A.P. CATALOG SPRING 2019 Welcome to the Artbook | D.A.P. Spring 2019 Catalog This season we are honored to represent 558 new titles on the arts: extraordinary monographs, exhibition catalogs, surveys, journals, facsimiles, catalogues raisonnés, anthologies, new translations and special editions, published by the world's finest imprints, small presses, museums, cultural institutions, artists' foundations, galleries and collections. Anonymous artist, Bowling Alley (1905). From Greetings from the Barricades, published by Four Corners Books. See page 42. Featured Releases 2 Limited Editions 99 Journals 101 CATALOG EDITOR Thomas Evans DESIGNER Spring Highlights 107 Martha Ormiston Art 108 CATALOG ASSISTANT Arthur Cañedo Photography 152 COPY WRITING Design 166 Arthur Cañedo, Janine DeFeo, Megan Ashley DiNoia, Thomas Evans Architecture 172 PHOTOGRAPHY Justin Lubliner, Carter Seddon PROOFREADER Specialty Books 185 Miles Champion Art 186 PRINTING Group Exhibitions 196 Sonic Media Solutions, Inc. Photography 200 FRONT COVER IMAGE Patrick Waterhouse, Side Portrait Right Restricted with Athena Nangala Granites from Restricted Images: Made with the Warlpiri of Central Australia, published by SPBH Editions. See page 67. Backlist Highlights 206 BACK COVER IMAGE Index 215 Paul Mogensen, no title (stepped wide and narrow spirals). From Paul Mogensen, published by Karma Books, New York. See page 119. 2 artbook.com Landscape Painting Now From Pop Abstraction to New Romanticism Edited by Todd Bradway. Text by Barry Schwabsky. Contributions by Susan A. Van Scoy, Robert R. Shane, Louise Sørensen. Although the fact may be surprising to some, landscape painting is positively thriving in the 21st century—indeed, the genre has arguably never felt as vital as it does today. The reasons why, if speculative, surely include our imminent environmental collapse and increasingly digitally mediated existence. Landscape Painting Now is the first book of its kind to take a global view of its subject, featuring more than eighty outstanding contemporary artists— both established and emerging—whose ages span seven decades and who hail from twenty-five different countries. Through its thematic organization into six chapters—Realism and Beyond, Post-Pop Landscapes, New Romanticism, Constructed Realities, Abstracted Topographies, and Complicated Vistas— the book affords a generous window into the very best of contemporary landscape painting, from Cecily Brown’s sensual, fleshy landscapes to Peter Doig’s magic realist renderings of Trinidad, Maureen Gallace’s serene views of beach cottages and the foaming ocean, David Hockney’s radiant capturings of seasonal change in the English countryside, Julie Mehretu’s dynamically cartographic abstractions, Alexis Rockman’s mural-sized, postapocalyptic dioramas, and far beyond. Landscape Painting Now features an extensive essay by Barry Schwabsky, art critic for The Nation. Schwabsky’s text weaves throughout the book, tracing the history of landscape painting from its origins in Eastern and Western art, through its transformation in the 20th century, to its present flourishing. Shorter texts by art historians Robert R. Shane, Louise Sørensen, and Susan A. Van Scoy introduce each artist, situating the importance of landscape within their practice and addressing key works. With over 400 color reproductions, including many details, this ambitious survey makes a compelling case for the continued relevance of landscape painting in our time. D.A.P. 9781942884262 U.S. $55.00 CDN $70.00 Hbk, 11 x 10.25 in. / 368 pgs / 420 color. Includes works by April/Art Etel Adnan Vincent Desiderio Isca Greenfield-Sanders Per Kirkeby Alexis Rockman Francis Alÿs Lois Dodd April Gornik Makiko Kudo Jean-Pierre Roy Hurvin Anderson Peter Doig Pat de Groot Li Dafang Tomás Sánchez Mamma Andersson Rackstraw Downes Daniel Heidkamp Liu Xiaodong Lisa Sanditz Lucas Arruda Tim Eitel Barkley L. Hendricks Damian Loeb George Shaw Jules de Balincourt Inka Essenhigh Israel Hershberg Antonio López García Mark Tansey Ali Banisadr Richard Estes David Hockney Enrique Martínez Celaya Alison Elizabeth Taylor Hernan Bas Genieve Figgis Shara Hughes Julie Mehretu Wayne Thiebaud Amy Bennett Jane Freilicher Yvonne Jacquette Justin Mortimer Luc Tuymans Cecily Brown Barnaby Furnas Merlin James Jordan Nassar Kay WalkingStick Nigel Cooke Maureen Gallace Yishai Jusidman Silke Otto-Knapp Corinne Wasmuht Will Cotton Tim Gardner Alex Kanevsky Celia Paul Matthew Wong Cynthia Daignault Franz Gertsch Alex Katz Sylvia Plimack Mangold Jonas Wood Verne Dawson Adrian Ghenie Anselm Kiefer Neo Rauch Lisa Yuskavage and many more 4 artbook.com artbook.com 5 “We publicly announced 50,000 but planned and built everything for 200,000, which was unheard of. It felt like it was in the air, things were getting uptight and all the assassinations in ’68 and all the political violence . It was the right time to bring everyone together and live the dream for a minute and remind ourselves of what was possible.” –MICHAEL LANG Woodstock: 3 Days of Peace & Music By Michael Lang. This is the official 50th-anniversary celebration of Woodstock, by the festival’s creator and founder, Michael Lang. A large illustrated edition, it includes hundreds of photographs and documents accompanied by Lang’s fascinating memories and insights into the most famous and influential festival of all time, with images of Jimi Hendrix, The Who, Crosby, Stills Nash & Young, Richie Havens, Creedence Clearwater Revival, Santana, Janis Joplin, Joan Baez, Sha-Na-Na, Country Joe McDonald and the Grateful Dead. The ephemera from Lang’s largely unseen archive include the original designs and plans for the event, correspondence, set-lists, information on artists’ fees and much more. This wealth of information is accompanied by the best photographs of the event by famous and unknown photographers such as Ralph Ackerman, John Dominis, Bill Epperidge, Dan Garson, Barry Z. Levine, Ken Regan, Lee Marshall and Baron Wolman, and notably featuring the archive of Henry Diltz.Diltz was the only official photographer at Woodstock and was there for two weeks, from an empty field of cows to first construction, crowds arriving and the aftermath. He also captured onstage performances and behind-the-scenes moments with the many artists involved. Woodstock is an exuberant volume that conveys the vision, hard work and elusive magic that made up “three days of peace and music.” REEL ART PRESS 9781909526624 U.S. $59.95 CDN $75.00 Hbk, 10 x 12 in. / 288 pgs / 150 color / 150 b&w. The official 50th-anniversary July/Music book on the festival that epitomizes the ‘60s 6 artbook.com artbook.com 7 Among Others: Blackness at MoMA Edited with text by Darby English, Charlotte Barat. Text by Mabel O. Wilson, et al. This expansive collection of essays on nearly 200 works in the collection of the Museum of Modern Art is the first substantial exploration of MoMA’s uneven historical relationship with black artists, black audiences and the broader subject of racial blackness. By addressing these subjects through the consideration of works produced either by black artists or in response to race-related subjects, Among Others confronts two kinds of truth: one plainly factual and informative, the other moral. It is equal parts historical investigation and truth-telling about the Museum’s role in the history of the cultural politics of race. The richly illustrated volume begins with two historical essays. The first, by Darby English and Charlotte Barat, traces the history of MoMA’s encounters with racial blackness since its founding—from an early commitment to African art and solo exhibitions devoted to the work of artists such as William Edmondson and Jacob Lawrence in the 1930s and 1940s to its activities during the Civil Rights Movement to the controversial Primitivism show of 1984 and beyond. The second essay, by Mabel O. Wilson, scrutinizes the Museum’s record in collecting the work of black architects and designers. Following these essays are nearly 200 plates, each accompanied by an essay by one of the over 100 authors who hail from a range of fields. Darby English (born 1974) is an Adjunct Curator in the Department of Painting and Sculpture at the Museum of Modern Art, New York, and the Carl Darling Buck Professor at the University of Chicago, where he teaches modern and contemporary art and cultural studies. He is the author of How to See a Work of Art in Total Darkness (2010) and 1971: A Year in the Life of Color (2016). THE MUSEUM OF MODERN ART 9781633450349 U.S. $65.00 CDN $82.00 Hbk, 9 x 10.5 in. / 488 pgs / 300 color. June/Art/African American Art & Culture/African Art & Culture Includes works by John Akomfrah Arthur Jafa William Pope.L Jean-Michel Basquiat William H. Johnson Noah Purifoy Romare Bearden Isaac Julien Faith Ringgold Kevin Beasley Jacob Lawrence Betye Saar Dawoud Bey Spike Lee Ibrahim el-Salahi Paul Chan Norman Lewis Chéri Samba Roy DeCarava Glenn Ligon Yinka Shonibare Stan Douglas Kalup Linzy Malick Sidibé Marlene Dumas Kerry James Marshall Lorna Simpson Melvin Edwards Julie Mehretu Henry Taylor Samuel Fosso Zanele Muholi Hervé Télémaque LaToya Ruby Frazier Wangechi Mutu Alma Thomas Charles Gaines Alice Neel Mickalene Thomas Ellen Gallagher Senga Nengudi Kara Walker Sam Gilliam Chris Ofili Carrie Mae Weems Phillip Guston Gordon Parks Jack Whitten David Hammons Benjamin Patterson Sue Williamson ALSO AVAILABLE ALSO AVAILABLE Barkley L. Hendricks Raoul Peck Fred Wilson Charles White: Black Pope Jacob Lawrence: Leslie Hewitt Howardena Pindell Lynette Yiadom-Boakye 9781633450271 The Migration Series Hbk, U.S. $26.95 CDN $37.00 9781633450400 The Museum of Pbk, U.S. $35.00 CDN $47.50 and more Modern Art, New York The Museum of Modern Art, New York 8 artbook.com artbook.com 9 René Magritte: Life Line The Early Picasso Edited by Xavier Canonne, Julie Waseige, Guido Comis. Blue and Rose Periods In 1938, René Magritte delivered a lecture Edited with text by Raphaël Bouvier. Text by Claire Bernardi, entitled “La Ligne de vie” (“The Life Line”) in Laurent Le Bon, Marilyn McCully, Stéphanie Molins, Antwerp—one of the rare occasions in which the Emilia Philippot.
Recommended publications
  • Leandro Erlich: Towards a Collaborative Relationship Between Architecture and Art Isabel Tassara [email protected]
    The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Master's Projects and Capstones Theses, Dissertations, Capstones and Projects Winter 12-16-2016 Leandro Erlich: Towards A Collaborative Relationship Between Architecture and Art Isabel Tassara [email protected] Follow this and additional works at: https://repository.usfca.edu/capstone Part of the Architectural History and Criticism Commons, Contemporary Art Commons, Interior Architecture Commons, Modern Art and Architecture Commons, and the Museum Studies Commons Recommended Citation Tassara, Isabel, "Leandro Erlich: Towards A Collaborative Relationship Between Architecture and Art" (2016). Master's Projects and Capstones. 436. https://repository.usfca.edu/capstone/436 This Project/Capstone is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Master's Projects and Capstones by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. Leandro Erlich: Towards a Collaborative Relationship Between Architecture and Art Keywords: contemporary art, museum studies, architecture, interactive installation, international artist, art exhibition, Buenos Aires Argentina, Contemporary Jewish Museum by Isabel Tassara Capstone project submitted in partial FulFillment oF the requirements For
    [Show full text]
  • The Pulitzer Prizes 2020 Winne
    WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70
    [Show full text]
  • With Nike Shoes and Cigarettes, Katherine Bernhardt Codifies Our Contemporary Hieroglyphs,” Artsy, November 21, 2015
    Gottschalk, Molly, “In the Studio: With Nike Shoes and Cigarettes, Katherine Bernhardt Codifies Our Contemporary Hieroglyphs,” Artsy, November 21, 2015 In the Studio: With Nike Shoes and Cigarettes, Katherine Bernhardt Codifies Our Contemporary Hieroglyphs It’s a grey and rainy afternoon when I arrive at painter Katherine Bernhardt’s studio, a former car detailing shop with window decals still in place, on a quiet block of Brooklyn’s Flatbush neighborhood. But the environment the rising star ushers me into is, by comparison, a tropical paradise. 980 MADISON AVENUE NEW YORK, NY 10075 (212) 980-0700 | 601 SOUTH ANDERSON STREET LOS ANGELES, CA 90023 (323) 980-9000 WWW.VENUSOVERMANHATTAN.COM Despite her having just closed three concurrent solo shows at the New York and L.A. locales of Venus (formerly Venus Over Manhattan and Venus Over Los Angeles) and Carl Freedman, the long, narrow space is bursting at the seams with brightly colored, electric paintings of watermelons, sharks, and bananas. Some lay on the paint-splattered cement floor, drying; others are rolled in plastic or propped up on empty paint buckets against the walls. But to get to this painter’s haven, brimming with spray paint and gallon jugs of acrylic in infinite lush colors, you must pass through a lair of Moroccan rugs, piled high and tacked across the walls. It’s an ideal playground for Bernhardt’s four-year-old son Khalifa, who alternates climbing and lounging on the stacks and goes relatively unnoticed save for his scattered Mack Trucks and toy cars. But it also serves as a well of inspiration for Bernhardt’s surprisingly codified works and the flagship for her Berber rug importing business.
    [Show full text]
  • Curating Now: Imaginative Practice/Public Responsibility Full Text Edited by Paula Marincola
    QUESTIONS OF PRACTICE Curating Now: Imaginative Practice/Public Responsibility Full Text Edited by Paula Marincola THE PEW CENTER FOR ARTS & HERITAGE / PCAH.US / @PEWCENTER_ARTS CURATING NOW: IMAGINATIVE PRACTICE/PUBLIC RESPONSIBILITY OCT 14-15 2000 Paula Marincola Robert Storr Symposium Co-organizers Philadelphia Exhibitions Initiative Funded by The Pew Charitable Trusts Administered by The University of the Arts The Philadelphia Exhibitions Initiative is a granting program funded by The Pew Charitable Trusts and administered by The University of the Arts, Philadelphia, that supports exhibitions and accompanying publications.“Curating Now: Imaginative Practice/Public Responsibility” has been supported in part by the Pew Fellowships in the Arts’Artists and Scholars Program. Philadelphia Exhibitions Initiative 230 South Broad Street, Suite 1003 Philadelphia, PA 19102 215-985-1254 [email protected] www.philexin.org ©2001 Philadelphia Exhibitions Initiative All rights reserved ISBN 0-9708346-0-8 Library of Congress catalog card no. 2001 131118 Book design: Gallini Hemmann, Inc., Philadelphia Copy editing: Gerald Zeigerman Printing: CRW Graphics Photography: Michael O’Reilly Symposium and publication coordination: Alex Baker CONTENTS v Preface Marian Godfrey vii Introduction and Acknowledgments Paula Marincola SATURDAY, OCTOBER 14, 2000 AM 3 How We Do What We Do. And How We Don’t Robert Storr 23 Panel Statements and Discussion Paul Schimmel, Mari-Carmen Ramirez, Hans-Ulrich Obrist,Thelma Golden 47 Audience Question and Answer SATURDAY,
    [Show full text]
  • Work and World: on the Philosophy of Curatorial Practice
    WORK AND WORLD: ON THE PHILOSOPHY OF CURATORIAL PRACTICE A Dissertation Submitted to the Temple University Graduate Board ______________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY ________________________________________________________________________ by Susan Elizabeth Spaid August 2013 Examining Committee Members: Joseph Margolis, Ph.D.,Advisory Chair, Philosophy, Temple University Lewis Gordon, Ph.D., Philosophy, Temple University Susanna Gold, Ph. D., Art History, Temple University Sherri Irvin, Ph.D., External Member, Philosophy, Oklahoma University TABLE OF CONTENTS ABSTRACT………………………………………………………………….……...…….v ACKNOWLEDGMENTS……………………………………………….………………vii .. LIST OF TABLES………………………………………………………………………..ix LIST OF FIGURES……………………………………………………………………….x INTRODUCTION………………………………………...……………………………...xi CHAPTER 1. THE CURATOR Care…………………………………….…………………………………………….1 Imagination………………………………………………….……………………….7 Discourse……………………………………………………………………………10 Collections………………………………………………………………………….11 Curated Exhibitions………………………………………………………………...17 Belongingness………………………………………………………………………19 Inferential Properties...…….………………………………………………………..27 Relational Clusters………………………………………………………………….32 Exacted Exhibitions………………………………………………………………...37 Nonartistic Pursuits…………………………………………………………………42 Tasteful Pursuits…………………………………………………………………….50 Work and World………………………………….…………………………………52 Uncurated Exhibitons……………………………………………………………….56 2. SPECTATOR Candidacy………………………………………………………………………......60
    [Show full text]
  • Pulitzer Prize Winners and Finalists
    WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70
    [Show full text]
  • Jeff Koons Selected Bibliography
    G A G O S I A N Jeff Koons Selected Bibliography Books and Catalogues: 2017 Koons, Jeff. Gazing Ball Paintings. New York: Gagosian. ----------. Masters: A Collaboration with Jeff Koons. France: Louis Vuitton. 2016 Koons, Jeff. Jeff Koons: Now. London: Other Criteria. Risaliti, Sergio. Jeff Koons in Florence. Florence: Forma. 2015 Holzwarth, Hans Werner. Jeff Koons. Basic Art Series. Cologne: Taschen. Pissarro, Joachim. Jeff Koons: The Gazing Ball or the Eye of Janus. Brussels: Almine Rech Gallery. Rothkopf, Scott. Jeff Koons: Retrospectiva. Bilbao: Guggenheim Museum Bilbao. Speyer, Jerry and Nicholas Baume and Jerome de Noirmont and Lauren Le Bon and Larry Gagosian. Jeff Koons: Split Rocker. New York: Gagosian Gallery. Tinari, Philip. Jeff Koons: Hulk Elvis. Hong Kong: Gagosian Gallery. 2014 Champion, Julie and Caroline Edde. Jeff Koons: La Retrospective: The Album of the Exhibition. Belgium: Centre Pompidou. Champion, Julie and Nicolas Liucci-Goutnikov. Jeff Koons: La Retrospective: The Portfolio of the Exhibition. France: Centre Pompidou. Koons, Jeff and Norman Rosenthal. Jeff Koons: Conversations with Norman Rosenthal. Hove, England: Thames & Hudson. Koons, Jeff and Norman Rosenthal, Jeff Koons: Entretiens avec Norman Rosenthal. Hove, England: Thames & Hudson. Rothkopf, Scott, supervised by Bernard Blistène. Jeff Koons: La Retrospective. Exhibition catalogue. France: Centre Pompidou. Rothkopf, Scott. Jeff Koons: A Retrospective. New York: Whitney Museum of American Art. ----------. Jeff Koons: Split-Rocker. New York: Gagosian Gallery. ----------.Jeff Koons: Gazing Ball. New York: David Zwirner. 2012 Koons, Jeff, Matthias Ulrich, Vinzenz Brinkmann, Joachim Pissarro, and Max Hollein. Jeff Koons: The Painter & The Sculptor. Ostfildern, Germany: Hatje Cantz. Koons, Jeff, and Theodora Vischer. Jeff Koons. Fondation Beyeler.
    [Show full text]
  • On Corruption
    EXPANDED SPORTS COVERAGE SUBSCRIBER EXCLUSIVE Questions? Call 1-800-Tribune Monday, October 29, 2018 Breaking news at chicagotribune.com Victims named, details emerge Neighbors say Pittsburgh synagogue shooting CHICAGO suspect showed few signs of hate-filled vitriol VIGIL On Sunday By Avi Selk, Mark Berman “They showed his photo, and hundreds of and Joel Achenbach my stomach just dropped,” said people gathered at The Washington Post Kerri Owens, who has lived next Federal Plaza in door to Bowers for two years, Chicago for a PITTSBURGH — The man recalling the moment she saw his candlelight vigil for who told authorities he just picture on the news. “I was sick to the 11 people killed wanted “to kill Jews” shortly after my stomach knowing he had been in a Pittsburgh a grisly mass shooting in a Pitts- on the other side of the wall from synagogue and the burgh synagogue was described me.” two people killed Sunday as a loner who showed Investigators on Sunday fin- Wednesday in a few outward signs of the vitriol he ished searching Bowers’ home as grocery store in displayed in a trail of hate-filled they continued sorting through Kentucky. online rants. the only public clues of the hate he Chicagoland, Neighbors knew Robert Bow- seems to have harbored: online Page 3 ers as a truck driver who rarely screeds written under Bowers’ hosted visitors but exchanged name that hinted at a radical turn pleasantries as he came and went over the last year. from his first-floor apartment in a U.S. Attorney Scott Brady in Barbara Goodman complex in Pittsburgh’s suburban Pittsburgh said Sunday night that and her son Ravi South Baldwin neighborhood.
    [Show full text]
  • Francoforte 2020
    RIGHTS GUIDE 2020 MELVILLE HOUSE PUBLISHING Brooklyn, NY • London, UK Rights Guide Fall, 2020 Contact us at [email protected] Find a list of our subagents at www.mhpbooks.com/rights FRONT LIST NON-FICTION 3 Until the World Shatters 4 Midnight's Borders 5 Twilight in Hazard 6 Trout Water 7 Pedro's Theory FICTION 9 Northern Heist 10 Leonard and Hungry Paul 11 Night in Tehran 12 The Fugitivities 13 The Care of Strangers 14 Useless Miracle 15 U UP? 16 The Revisionaries 17 The Ancient Hours THE LAST INTERVIEW 19 Frida Kahlo 20 Toni Morisson 21 Ruth Bader Ginsburg BACK LIST 24 NON-FICTION 32 FICTION FRONT LIST NON-FICTION UNTIL THE WORLD SHATTERS Truth, Lies, and the Looting of Myanmar DANIEL COMBS This first in-depth piece of reportage about the largest natural resource heist in Asia reveals Myanmar's world of secret-keepers and truth-tellers In Myanmar, where civil war, repressive between the insurgent army his family government, and the $40 billion a year supports and the business and military jade industry have shaped life for decades, leaders his career depends on. His attempt everyone is fighting for their own version of to get rich quickly leads him to Myanmar's the truth. Until the World Shatters takes us biggest, worst kept secret: the connection deep into a world in which journalists seek between the jade industry and the longest to overcome censorship and intimidation, running war in the world. ethnic minorities wage guerilla war against Until the World Shatters weaves Phoe a government they claim refuses to grant Wa and Bum Tsit's stories to reveal a larger basic human rights; devout Buddhists portrait of Myanmar's history, politics, and launch violent anti-Muslim campaigns; people in a time and place where public and artists try to build their own havens of trust has disappeared.
    [Show full text]
  • Harriet "Harry" Dodge 839 N. Ave 64 Los Angeles, Ca 90042 [email protected] Education 2003
    harriet "harry" dodge 839 n. ave 64 los angeles, ca 90042 [email protected] www.harrydodge.com education 2003 mfa, milton avery graduate school of the arts, bard college, ny. 1987 san francisco state, sf, ca. 1984 university of illinois at champaign-urbana, champaign-urbana, il. solo exhibitions 2015 the cybernetic fold, wallspace gallery, ny, ny. 2013 meaty beaty big & bouncy, aldrich contemporary art museum, ridgefield, ct. curated by kelly taxter 2012 frowntown, wallspace gallery, ny, ny. 2010 don't talk to strangers, pleasure dome, toronto, canada. 2008 new video (with stanya kahn), elizabeth dee gallery, ny.* 2007 new video (with stanya kahn), carlier/gebauer, berlin, gdr.* 2006 new video (with stanya kahn), elizabeth dee gallery, ny.* 2002 american baseball cover songs (world series), fisher, bard college, ny. 1995 this little light of mine, luna sea, sf, ca. 1994 gender delinquency, the bearded lady, sf, ca. selected group exhibitions *denotes a showing of collaborative work w/ stanya kahn 2016 the promise of total automation, kunsthalle wien, wien, austria. curated by anne fauceret routine pleasures, MAK center /schindler house, la, ca. curated by michael ned holte 2015 sylvia bataille, JOAN, la, ca. curated by rebecca matalon and adam marnie one after another, in succession, charlie james gallery, la, ca. curated by johanna breiding black and white mike, center for the arts eagle rock, la, ca. curated by benjamin weissman the heart is the frame, los angeles contemporary exhibitions, la, ca. curated by shoghig halajian 2014 made in L.A., the hammer museum, los angeles, ca. curated by connie butler and michael ned holte (catalog).
    [Show full text]
  • Featured Releases Spring Highlights 107 Specialty Books
    Annonymous artist, Bowling Alley (1905). From Greetings from the Barricades, published by Four Corners Books. See page 42. Featured Releases 2 Limited Editions 99 Journals 101 CATALOG EDITOR Thomas Evans DESIGNER Spring Highlights 107 Martha Ormiston Art 108 CATALOG ASSISTANT Arthur Cañedo Photography 152 COPY WRITING Design 166 Arthur Cañedo, Janine DeFeo, Thomas Evans, Megan Ashley DiNoia Architecture 172 PHOTOGRAPHY Justin Lubliner, Carter Seddon PROOFREADER Specialty Books 185 Miles Champion Art 186 PRINTING Group Exhibitions 196 Sonic Media Solutions, Inc. Photography 200 FRONT COVER IMAGE Artisti, from Title, published by SPBH Editions. See page X. BACK COVER IMAGE Backlist Highlights 206 Paul Mogensen, no title (stepped wide and narrow spirals). From Paul Mogensen , published by Karma Books, Index 215 New York. See page 119. Landscape Painting Now From Pop Abstraction to New Romanticism Edited by Todd Bradway. Text by Barry Schwabsky. Contributions by Susan A. Van Scoy, Robert R. Shane’, Louise Sørensen. Although the fact may be surprising to some, landscape painting is positively thriving in the 21st century—indeed, the genre has arguably never felt as vital as it does today. The reasons why, if speculative, surely include our imminent environmental collapse and increasingly digitally mediated existence. Landscape Painting Now is the first book of its kind to take a global view of its subject, featuring more than eighty outstanding contemporary artists— both established and emerging—whose ages span seven decades and who hail from
    [Show full text]
  • The 2018 Prize Winners
    THE 2018 PRIZE WINNERS Columbia University today announced the 2018 Pulitzer Prizes, awarded on the recommendation oF the Pulitzer Prize Board. JOURNALISM BREAKING NEWS PHOTOGRAPHY Ryan Kelly oF The Daily Progress, Charlottesville, Va. PUBLIC SERVICE FEATURE PHOTOGRAPHY The New York Times and The New Yorker Photography StaFF oF Reuters BREAKING NEWS REPORTING StafF of The Press Democrat, Santa Rosa, CaliF. LETTERS, DRAMA AND MUSIC INVESTIGATIVE REPORTING StafF of The Washington Post FICTION EXPLANATORY REPORTING Less by Andrew Sean Greer (Lee Boudreaux Books/ StafFs of The Arizona Republic and USA Today Network Little, Brown and Company) LOCAL REPORTING DRAMA StafF of The Cincinnati Enquirer Cost of Living by Martyna Majok NATIONAL REPORTING HISTORY StafFs oF The New York Times and The Washington Post The GulF: The Making oF an American Sea by Jack E. Davis INTERNATIONAL REPORTING (Liveright/W.W. Norton) Clare Baldwin, Andrew R.C. Marshall and Manuel Mogato BIOGRAPHY of Reuters Prairie Fires: The American Dreams oF Laura Ingalls FEATURE WRITING Wilder by Caroline Fraser (Metropolitan Books) Rachel Kaadzi Ghansah, Freelance reporter, GQ POETRY COMMENTARY HalF-light: Collected Poems 1965-2016 by Frank Bidart John Archibald of Alabama Media Group, (Farrar, Straus and Giroux) Birmingham, Ala. GENERAL NONFICTION CRITICISM Locking Up Our Own: Crime and Punishment in Black Jerry Saltz of New York magazine America by James Forman Jr. (Farrar, Straus and Giroux) EDITORIAL WRITING MUSIC Andie Dominick of The Des Moines Register Damn. by Kendrick Lamar, recording released on April 14, 2017. EDITORIAL CARTOONING Jake Halpern, freelance writer, and Michael Sloan, freelance cartoonist, The New York Times The Pulitzer Prizes, Columbia University, 709 Pulitzer Hall, 2950 Broadway, New York, NY 10027 THE 2018 PRIZES IN JOURNALISM 1.
    [Show full text]