August 2, 2012 Volume CXXXVI, Issue 35 Lithwick to Discuss Internet’S Effect on Privacy, Surveillance
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Opera Young Artists conclude ‘Artsongs in the Afternoon’ series, Page 3 Seventy-Five Cents Chautauqua, New York The Official Newspaper of Chautauqua Institution | Thursday, August 2, 2012 Volume CXXXVI, Issue 35 Lithwick to discuss Internet’s effect on privacy, surveillance KELSEY BURRITT M is for Music Staff Writer Guest violinist Meyers and ‘Molly’ join Litton, Dahlia Lithwick, senior editor at Slate magazine, is packed and moving to Jerusa- CSO for evening of Mendelssohn, Mahler lem. She and her husband de- cided to take a sabbatical year with their two young sons, thanks in part to Chautauqua. Last year, Lithwick –– who writes the “Supreme Court Dispatches” and “Jurispru- dence” columns for Slate –– LITHWICK gave a speech about women justices in the Supreme Court “What I love is civil, ra- and how they were changing tional discourse,” she said. the way the Court looks at the “What I don’t love is people world. She enjoyed the speech screeching at each other — enough to write a book on the and the court became a little topic. screechy this year.” Aside from that, Lithwick Before Lithwick and her is itching for a change. She family leave for Jerusalem, said her family has a perfectly they are dropping in on Chau- comfortable life. She and her tauqua, to where her sons had husband decided it was time been clamoring to return to shake it up. since they left last season. MEYERS LITTON ERIC SHEA | Staff Photographer “I realized we’re measur- She will speak about pri- Guest conductor Andrew Litton leads the Chautauqua Symphony Orchestra through ing my children’s lives out in vacy, surveillance and the Capriccio Italien, Op. 45, by Pyotr Tchaikovsky Tuesday evening in the Amphitheater. Lego units,” Lithwick said. “I media at 10:45 a.m. today in just feel like one of the ways the Amphitheater as part of KELSEY BURRITT Mahler’s Symphony No. 1 (Titan), led by guest conductor this country has gone off the the morning lecture series Staff Writer Andrew Litton. rails is we’ve lost empathy for for Week Six’s theme, “Digital The concert is a tribute to Emile Simonel, a CSO violist anything that isn’t exactly like Violinist Anne Akiko Meyers calls her 17th-century Identity.” for 45 years, who died in March. Simonel also worked as us. And so I want them to see “We’re more connected Stradivarius “Molly.” the CSO’s orchestra manager for a time. that most of the world isn’t ex- than we’ve ever been. We The violin, officially named the ex-“Napoleon/Moli- According to his daughter Alis Simonel-Keegan, at age actly like us.” had the Arab Spring, things tor” Stradivarius — which may have traveled through 87, Simonel had mailed in his contract for another season Lithwick’s desire to broad- that would never have hap- the hands of the French emperor — was crafted in 1697 and was still “like the Energizer Bunny.” His heart, she en her sons’ perspective of the pened without new media,” and passed down to socialite Juliette Recamier and Count said, belonged to Chautauqua. world isn’t the only reason the Lithwick said. “But we’ve also Gabriel-Jean-Joseph Molitor, until it landed in Meyers’ It is both Litton and Meyers’ first time visiting Chau- time seemed right to break become crazy solipsists that hands. tauqua. The two are close friends and colleagues, who re- away. She admitted the Rob- gaze at our own selves con- “The wood is very blonde and light compared to the corded the Mendelssohn concerto together 10 years ago. erts Court has been trying, stantly. Royal,” Meyers said. They have been collaborating since they met working for and the hubbub of the Afford- The Royal, or “Royal Spanish” Stradivarius, is her other the Swedish Radio Orchestra when Meyers was 18. able Care Act case, taxing. See LITHWICK, Page 4 violin, crafted in 1730, which she called “dark and hand- But the two do not exactly work around the corner from some.” one another. Litton is music director and conductor of the “Because of its blondness, it has a very crystalline, pure Bergen Philharmonic Orchestra in Norway, whereas Mey- sound that cuts like a laser,” she said. ers travels as one of the world’s premier solo violinists. CLSC author Rosen to speak At 8:15 p.m. tonight in the Amphitheater, Meyers will cut to the heart of Mendelssohn’s beloved Violin Concerto with the Chautauqua Symphony Orchestra followed by See CSO, Page 4 on importance of storytelling JENNIFER SHORE Staff Writer “Take a look at the leaf, Jones discusses social media as new public square and you see the pattern of the tree in the veins of a leaf. And JESSICA WHITE the 2 p.m. Interfaith Lecture wanted to put to use what then in a pattern of a tree, you Staff Writer today in the Hall of Philoso- we were learning, even can see a lightning bolt. Or phy. though we couldn’t keep the you can take a look at a crack With better computers, The concepts are rela- magazine going.” on the sidewalk and see that cellphones and iPads com- tively new to Jones, who Though new media poses same pattern and follow it ing out seemingly every was editor and publisher challenges for the traditional in the blood vessels of your day, people are constantly of DisciplesWorld magazine church, Jones said it also eyes,” Leonard Rosen said. pushed to think digitally. for about 10 years until the creates opportunities. Some The fascination with the Add Facebook and Twit- publication folded. Around criticize social media for iso- world’s connections spurred ter to the mix, and society 2008, she said, the magazine lating people from one an- Rosen’s idea for All Cry Chaos, is now thinking digitally was making the transition other, but according to Jones’ the Chautauqua Literary and about friendship, commu- from print to digital — like research, people aren’t skip- Scientific Circle selection for nity, politics and even reli- most other print publica- ping church to sit in front Week Six. gion. tions — and was unable to of their computers. Instead, JONES Rosen began questioning He knew the main char- But Verity A. Jones, di- sustain a business model for media allows people who are the patterns he observed in acter could not be that math- rector of the New Media digital publishing, closing physically unable to get to the world. And to get answers, ematician because the read- Project, encourages people step back and start thinking in early 2010. Jones decided church to connect digitally. he studied mathematics with a er would know too much. to turn the tables and think more constructively, and re- to take what she had learned Even outside digital faith Rosen decided on veteran theologically about new me- flectively and theologically from the transition and cre- communities, people share tutor for six months, and then the “What if?” game began. Interpol agent Henri Poin- dia. Social media has revo- about what’s happening in ate the New Media Project, their religious views online. caré as the protagonist, lutionized the way people this major communication “What if a mathemati- a team of researchers who “People are religious, and which allowed readers to communicate and is quickly shift,” said Jones, who is also cian who understood these study and interpret new me- when you ask them to share “learn over his shoulder, one changing the idea of com- an ordained minister and patterns in nature and un- dia such as Facebook to help their lives, they start to do step at a time.” munity — something in a research fellow at Union derstood, in fact, that these religious people think theo- that online and in spaces like Although Rosen’s father which religious people and Theological Seminary in patterns we find in nature de- logically about technology. Facebook,” Jones said. “So and wife are engineers and leaders have vested interest, New York City. scribe the workings of global “My magazine closed be- should we as church leaders he went to a math and engi- she said. She will discuss the chal- cause of the digital revolu- financial markets?” Rosen or as church laypeople kind neering high school, Rosen “I hope for religious lead- lenges social media poses tion, and that was painful, asked. “What if this mathema- of ignore that, or can we go was never able to see the ers and thinkers of all kinds for the church, why it is im- but it was also an opportu- into that space and help to tician was assassinated? Why world in equations. to do more than just say, ‘Oh portant to think theologi- nity and invitation to think shape it?” would somebody want to do dear, I’ve got to learn how to cally and how to approach more broadly about these this? And that was the prem- do Facebook,’ but actually the media constructively at technologies,” she said. “We See JONES, Page 4 ise of which I based the novel.” See CLSC, Page 4 No instruments CSO, Litten The balance in needed to rock Jacques and serve up the paradox: the Amp for Kanae: When ‘rousing good Glantzman Boys’ and Girls’ the mind and time in Tuesday explores the Club heart meet concert undefinable Page 2 Page 5 Page 9 Page 15 HIGH 82° LOW 68° HIGH 84° LOW 72° HIGH 88° LOW 73° TODAY’S WEATHER Rain: 10% FRIDAY Rain: 20% SAT URDAY Rain: 10% Sunset: 8:36 p.m. Sunrise: 6:12 a.m. Sunset: 8:35 p.m.