Opera Young Artists conclude ‘Artsongs in the Afternoon’ series, Page 3

Seventy-Five Cents Chautauqua, New York The Official Newspaper of Chautauqua Institution | Thursday, August 2, 2012 Volume CXXXVI, Issue 35 Lithwick to discuss Internet’s effect on privacy, surveillance

Kelsey Burritt M is for Music Staff Writer Guest violinist Meyers and ‘Molly’ join Litton, Dahlia Lithwick, senior editor at Slate magazine, is packed and moving to Jerusa- CSO for evening of Mendelssohn, Mahler lem. She and her husband de- cided to take a sabbatical year with their two young sons, thanks in part to Chautauqua. Last year, Lithwick –– who writes the “Supreme Court Dispatches” and “Jurispru- dence” columns for Slate –– LITHWICK gave a speech about women justices in the Supreme Court “What I love is civil, ra- and how they were changing tional discourse,” she said. the way the Court looks at the “What I don’t love is people world. She enjoyed the speech screeching at each other — enough to write a book on the and the court became a little topic. screechy this year.” Aside from that, Lithwick Before Lithwick and her is itching for a change. She family leave for Jerusalem, said her family has a perfectly they are dropping in on Chau- comfortable life. She and her tauqua, to where her sons had husband decided it was time been clamoring to return to shake it up. since they left last season. MEYERS LITTON ERIC SHEA | Staff Photographer “I realized we’re measur- She will speak about pri- Guest conductor Andrew Litton leads the Chautauqua Symphony Orchestra through ing my children’s lives out in vacy, surveillance and the Capriccio Italien, Op. 45, by Pyotr Tchaikovsky Tuesday evening in the Amphitheater. Lego units,” Lithwick said. “I media at 10:45 a.m. today in just feel like one of the ways the Amphitheater as part of Kelsey Burritt Mahler’s Symphony No. 1 (Titan), led by guest conductor this country has gone off the the morning lecture series Staff Writer Andrew Litton. rails is we’ve lost empathy for for Week Six’s theme, “Digital The concert is a tribute to Emile Simonel, a CSO violist anything that isn’t exactly like Violinist Anne Akiko Meyers calls her 17th-century Identity.” for 45 years, who died in March. Simonel also worked as us. And so I want them to see “We’re more connected Stradivarius “Molly.” the CSO’s orchestra manager for a time. that most of the world isn’t ex- than we’ve ever been. We The violin, officially named the ex-“Napoleon/Moli- According to his daughter Alis Simonel-Keegan, at age actly like us.” had the Arab Spring, things tor” Stradivarius — which may have traveled through 87, Simonel had mailed in his contract for another season Lithwick’s desire to broad- that would never have hap- the hands of the French emperor — was crafted in 1697 and was still “like the Energizer Bunny.” His heart, she en her sons’ perspective of the pened without new media,” and passed down to socialite Juliette Recamier and Count said, belonged to Chautauqua. world isn’t the only reason the Lithwick said. “But we’ve also Gabriel-Jean-Joseph Molitor, until it landed in Meyers’ It is both Litton and Meyers’ first time visiting Chau- time seemed right to break become crazy solipsists that hands. tauqua. The two are close friends and colleagues, who re- away. She admitted the Rob- gaze at our own selves con- “The wood is very blonde and light compared to the corded the Mendelssohn concerto together 10 years ago. erts Court has been trying, stantly. Royal,” Meyers said. They have been collaborating since they met working for and the hubbub of the Afford- The Royal, or “Royal Spanish” Stradivarius, is her other the Swedish Radio Orchestra when Meyers was 18. able Care Act case, taxing. See LITHWICK, Page 4 violin, crafted in 1730, which she called “dark and hand- But the two do not exactly work around the corner from some.” one another. Litton is music director and conductor of the “Because of its blondness, it has a very crystalline, pure Bergen Philharmonic Orchestra in Norway, whereas Mey- sound that cuts like a laser,” she said. ers travels as one of the world’s premier solo violinists. CLSC author Rosen to speak At 8:15 p.m. tonight in the Amphitheater, Meyers will cut to the heart of Mendelssohn’s beloved Violin Concerto with the Chautauqua Symphony Orchestra followed by See CSO, Page 4 on importance of storytelling Jennifer Shore Staff Writer

“Take a look at the leaf, Jones discusses social media as new public square and you see the pattern of the tree in the veins of a leaf. And Jessica White the 2 p.m. Interfaith Lecture wanted to put to use what then in a pattern of a tree, you Staff Writer today in the Hall of Philoso- we were learning, even can see a lightning bolt. Or phy. though we couldn’t keep the you can take a look at a crack With better computers, The concepts are rela- magazine going.” on the sidewalk and see that cellphones and iPads com- tively new to Jones, who Though new media poses same pattern and follow it ing out seemingly every was editor and publisher challenges for the traditional in the blood vessels of your day, people are constantly of DisciplesWorld magazine church, Jones said it also eyes,” Leonard Rosen said. pushed to think digitally. for about 10 years until the creates opportunities. Some The fascination with the Add Facebook and Twit- publication folded. Around criticize social media for iso- world’s connections spurred ter to the mix, and society 2008, she said, the magazine lating people from one an- Rosen’s idea for All Cry Chaos, is now thinking digitally was making the transition other, but according to Jones’ the Chautauqua Literary and about friendship, commu- from print to digital — like research, people aren’t skip- Scientific Circle selection for nity, politics and even reli- most other print publica- ping church to sit in front Week Six. gion. tions — and was unable to of their computers. Instead, JONES Rosen began questioning He knew the main char- But Verity A. Jones, di- sustain a business model for media allows people who are the patterns he observed in acter could not be that math- rector of the New Media digital publishing, closing physically unable to get to the world. And to get answers, ematician because the read- Project, encourages people step back and start thinking in early 2010. Jones decided church to connect digitally. he studied mathematics with a er would know too much. to turn the tables and think more constructively, and re- to take what she had learned Even outside digital faith Rosen decided on veteran theologically about new me- flectively and theologically from the transition and cre- communities, people share tutor for six months, and then the “What if?” game began. Interpol agent Henri Poin- dia. Social media has revo- about what’s happening in ate the New Media Project, their religious views online. caré as the protagonist, lutionized the way people this major communication “What if a mathemati- a team of researchers who “People are religious, and which allowed readers to communicate and is quickly shift,” said Jones, who is also cian who understood these study and interpret new me- when you ask them to share “learn over his shoulder, one changing the idea of com- an ordained minister and patterns in nature and un- dia such as Facebook to help their lives, they start to do step at a time.” munity — something in a research fellow at Union derstood, in fact, that these religious people think theo- that online and in spaces like Although Rosen’s father which religious people and Theological Seminary in patterns we find in nature de- logically about technology. Facebook,” Jones said. “So and wife are engineers and leaders have vested interest, New York City. scribe the workings of global “My magazine closed be- should we as church leaders he went to a math and engi- she said. She will discuss the chal- cause of the digital revolu- financial markets?” Rosen or as church laypeople kind neering high school, Rosen “I hope for religious lead- lenges social media poses tion, and that was painful, asked. “What if this mathema- of ignore that, or can we go was never able to see the ers and thinkers of all kinds for the church, why it is im- but it was also an opportu- into that space and help to tician was assassinated? Why world in equations. to do more than just say, ‘Oh portant to think theologi- nity and invitation to think shape it?” would somebody want to do dear, I’ve got to learn how to cally and how to approach more broadly about these this? And that was the prem- do Facebook,’ but actually the media constructively at technologies,” she said. “We See JONES, Page 4 ise of which I based the novel.” See CLSC, Page 4

No instruments CSO, Litten The balance in needed to rock Jacques and serve up the paradox: the Amp for Kanae: When ‘rousing good Glantzman Boys’ and Girls’ the mind and time in Tuesday explores the Club heart meet concert undefinable Page 2 Page 5 Page 9 Page 15

High 82° Low 68° High 84° Low 72° High 88° Low 73° Today’s Weather Rain: 10% friDAY Rain: 20% SAT URday Rain: 10% Sunset: 8:36 p.m. Sunrise: 6:12 a.m. Sunset: 8:35 p.m. Sunrise: 6:13 a.m. Sunset: 8:34 p.m. Read a transcription of the entire morning lecture Q-and-A with every recap posted to the Daily’s website. www.chqdaily.com Page 2 The Chautauquan Daily Thursday, August 2, 2012 news

Briefly News from around the grounds

Artists at the Market The Artists at the Market is open 1–4 p.m. at the Farmers Market. Artists and vendors bring a variety of unique items. Shirley Lazarus Speaker Series The Hebrew Congregation presents the Shirley Lazarus Sunday Speaker Series at 8 p.m. Sunday in the sanctuary of Hurlbut Church. This week, Steve Mitchell will present “Doctors Without Borders: Personal Experiences.” All are welcome to attend. Refreshments are served and bus trans- portation within the grounds is provided at the end of the evening. Chautauqua Dialogues sign-ups The Chautauqua Dialogues program will hold sign-ups 30 minutes before the 2 p.m. Interfaith Lecture today in the Hall of Philosophy. The program is sponsored by the De- partment of Religion and is held 3:30–5 p.m. every Friday Daily file photo to discuss the week’s 2 p.m. lecture theme. Boys’ and Girls’ Club campers lip-sync and dance onstage at the Amp last year during the 28th annual Air Band event. Chautauqua Women’s Club • CWC invites the Chautauqua community to submit reci- pes for the Women’s Club cookbook project. Recipe submis- sion forms and additional information about this project No instruments needed to rock are available in the Clubhouse. • “I survived the July 4th Lecture With Jim Lehrer” T-shirts are available in the CWC Clubhouse for $20 in sizes L and XL as long as supplies last. Proceeds support the CWC, the Amp for Boys’ and Girls’ Club which provides for CWC-sponsored student scholarships, programs and the CWC facility. Grant Engle own act, but to see all of their ing,” Malone said. “We al- to experience the thrill of Gospel music workshop Staff Writer friends perform too.” ways feel accomplished after performing on the big stage All are welcome to join the Bahá’í of Chautauqua for a The Clubbers have spent the show.” was an added bonus. gospel music workshop with Van Gilmer this weekend Alongside the Chautau- parts of the past few weeks Max Tanau, who will com- “It means a great deal to in Smith Wilkes Hall. Rehearsals are from 9:30 a.m. to qua Symphony Orchestra, working on choreography, pete with Group 7 Boys, said them,” Flanagan said. “For 12 p.m. and 2–4 p.m. Saturday and 1–3 p.m. Sunday. The the Amphitheater stage has costumes and ideas for their he couldn’t divulge his band’s many, it’s their first and may- concert is 3 p.m. Sunday. Contact Linda Gillette at 716- hosted world-class musicians performance’s theme. Flana- theme to the Daily, as the in- be only time they’ll ever step 673-5950 with questions. from various music genres. gan said the groups put in a formation is sensitive, and he foot on the Amp stage. Plus, But the Boys’ and Girls’ Club Bird, Tree & Garden Club Life Member Luncheon lot of time at and away from doesn’t want to tip off rival they get to have their family is ready to show everyone Club working on their rou- teams with what his team was and friends there.” Reminder for all who have made BTG Luncheon reservations: how really to have a good tines. planning. But he gave a simple The Group 7 Girls started event will be at 12:15 p.m. Friday in the Athenaeum Hotel par- time. Katie Malone is one of the reason why he has looked for- to put the finishing touches lor. Mary Lee Talbot will present “What I’ve Learned So Far,” Clubbers will have the op- many Clubbers who have ward to Air Band every year on their performance Friday on her research of 100 years of BTG history. portunity to take the Amp been training for the event. he has come to Club. afternoon outside the Girls’ stage tonight and show their Chautauqua Literary and Scientific Circle alumni news Malone’s mother, a former “You get to be yourself and Club. lip-syncing, air guitar and Club counselor, was instru- hang out with your friends,” Aspiring Air Band stars • The CLSC Class of 1978 will hold its annual meeting at 4 choreographed dancing mental in the creation of Air Tanau said. “It’s just a really Julia Strohl, Lily Nagle, Becca p.m. Monday in the Alumni Hall Kate Kimball Room. skills at the 29th annual Air Band at Chautauqua 29 years fun thing to do.” Prangley and Catherine Mc- • The Finance Committee of the CLSC Alumni Association Band Competition. ago. There will be 14 air bands Farland all said their favorite will meet at 9 a.m. Friday in the Alumni Hall Kate Kimball Jennifer Flanagan, direc- Malone said her mother performing in front of the part of Air Band is getting to Room. tor of programming at Club, didn’t share any secret strat- Amp crowd and five judges. practice and dance around • The Executive Committee of the CLSC Alumni Associ- said there are several families egy to win the competition Acts will be judged on five with their friends. ation will meet at 4 p.m. Friday in the Alumni Hall Kate that plan their time at Chau- she helped organize. But the categories: most original, best Allison Spivak and Lily Kimball Room. tauqua around the Air Band member of Group 8 Girls said choreography, best costume, Rothschild, also of Group Piano lecture and recital performance, and the compe- she is looking forward to car- best lip-sync and best props. 7 Girls, said they most look tition never disappoints. rying on the family tradition. Winners for each category forward to the final moments The School of Music offers a piano lecture and recital by “It’s super high-energy,” “It’s fun because you get to will be announced on a points and adrenaline rush before Laurent Boukobza from 7–8 p.m. today in Sherwood-Marsh Flanagan said. “Everybody dance with your friends, and system. The group with the hitting the stage. Studios. Boukobza is a professor of piano and chair of pia- is excited — not just for their we always have fun practic- most total points will win the “My favorite part is when no studies at the University of Central Florida. title of “Best Overall.” we’re behind the curtain and Chautauqua Community Band During the almost three getting ready to go on stage,” The Chautauqua Community Band needs players on all decades of air guitars and Rothschild said. “It’s a big instruments. Rehearsal is 5:15–6:15 p.m. Saturday in the passionate lip-syncing at thrill to be there. When I go Amphitheater. Concert is 12:15 p.m. Tuesday on Bestor Pla- Chautauqua, Flanagan said, to see the other performanc- za. Band shirts and lunch provided. Call conductor Jason the competition has evolved es, it’s cool to think that I get Weintraub at 716-753-5250 with questions, or just show up. from an activity where par- to be on that stage too.” ents come and watch their Several of the girls of OFN travel recommendation kids to an event that attracts Group 7 pointed out that Due to the Old First Night Run/Walk/Swim beginning many Chautauquans, regard- their parents and older rela- at 9 a.m. Saturday, Chautauquans leaving the grounds on less of whether they have tives performed in the com- Saturday are encouraged to load cars on Friday evening or children involved with Club. petition years ago. Flanagan early Saturday. Traffic will be held at the gates as runners Part of that evolution in- said she is just starting to and walkers pass by during Saturday’s event. cluded moving the perfor- see second-generation Air mance from Smith Wilkes Band participants, and she Sandra D’Andrade’s Opera Trunk Show and Sale Hall to the Amp a few years is not surprised that parents Sandra D’Andrade’s 10th Annual Trunk Show and Sale, ago. Flanagan said the event encourage their kids to par- benefitting the Chautauqua Opera Company Young Artist simply outgrew the smaller ticipate. Program, is 9 a.m. to 4 p.m. today at the Main Gate Wel- venue, and Clubbers getting The Air Band Competition come Center. Bring a gate pass. will be at 4:30 p.m. today in the Amp. The competition will also include a special air band performance from members of the Sailing Club while the competitors’ scores are being calculated. Thursday, August 2, 2012 The Chautauquan Daily Page 3 NEWS Opera Young Artists conclude ‘Artsongs in the Afternoon’ series

Leah Harrison language, I always under- out a quartet, so he learned a Staff Writer stand what they want me few things about the series. to understand. All my col- “It’s definitely an interest- This afternoon’s art song leagues have done an incred- ing hall to sing in,” Walker recital marks the beginning ible job at that. And they all said. “As you hear different of the last hoorah for Chau- look like they’re having a voices sing — lower, higher, tauqua Opera Company’s good time. I hope I can just louder, softer — you sort of studio artists, starting a relax and enjoy the process.” get what the hall likes and string of four performances PutneyMoore has not sung doesn’t like, and what you in three days. The last install- art songs for five years. have to bring out musically ment in the “Artsongs in the “I’ve been singing a lot to carry all the way to the Afternoon” series, bass-bari- of sad, serious bel canto rep- back of the hall. tone Brad Walker, tenor Jesse ertoire, so it’s exciting and Darden’s experience lis- Darden and mezzo-soprano a little scary to go back to tening to his peers takes the Ellen PutneyMoore will per- the art songs,” she said. edge off any performance WALKER PUTNEYMOORE DARDEN form at 4 p.m. today in the “They’re something you nerves. Hall of Christ. have to have fun with in- “Whenever I listen to my Arms,” two heavy songs re- cabaret songs. They will split PutneyMoore will also Those singers have the stead of being so full of pa- colleagues, I’m immediately garding wartime. the songs — PutneyMoore sing three Rossini songs unique position of having thos all the time.” put at ease,” Darden said. Walker will sing se- will sing “Amor” and “Wait- from “La Regata Veneziana.” observed every other recital Walker enjoys art songs “The artistry is very high lections from Schubert’s in,” and Walker will perform In the first song, a woman is in this series, so they have for their tendency to show a with this group.” “Schwanengesang” that “Fur (Murray the Furrier)” giving her love a pep talk be- the greatest opportunity to multi-faceted character. Darden will sing three have text by Heinrich He- and “Song of Black Max (as fore a boat race. employ lessons learned from “I love it when you see the Liszt songs with text by ine. He has sung excerpts told by the De Kooning Boys).” “My favorite part is when watching their colleagues. person,” he said. “Art song Victor Hugo. The songs from the cycle before and Though those songs are gen- she says, ‘Win, or don’t bother “Everyone’s storytelling has this really cool ability are broad and grand like hopes to perform the whole erally recorded by women, coming home,’” PutneyMoore and communicative skills to both show the character many of Liszt’s piano com- set on his upcoming mas- Bolcom did not gender the said. “She’s my kind of lady.” have been incredible, so I’m you’re singing and also who positions, but they are also ter’s recital at the Univer- songs, and Walker attended The recital will end with going to try to emulate that,” you are as a person.” somewhat understated, sity of Kansas. a master class in which the a Chautauqua-specific ren- PutneyMoore said. “Even if The bass-baritone sang on comparatively. He will also Walker will join Putney- composer instructed a male dition of the “Paradox Trio” they’re singing in another the first art song recital to fill sing Finzi’s “Farewell to Moore in singing four Bolcom to sing “Black Max.” from The Pirates of Penzance. Local historian Flanders reflects on Chautauqua, shares stories

Beverly Hazen I’ve experienced,” he said. Milestones Staff Writer “I will give a review of the development and have some In memoriam The Chautauqua Storytell- humorous stories, like about ers Ravine program, spon- the bell tower.” His career took him across Piatigorsky; principal viola, sored by the Bird, Tree & Flanders will also give his the country, and he settled in American Symphony, under Garden Club, will take place thoughts about how Chautau- New York City in the early Stowkowski; principal violist, at 4:15 p.m. today at the Roger qua has or hasn’t changed. Tory Peterson Nature Class- “I have an avid interest Em ile Joseph Simonel Jr. 1960s. There, he met his life- personnel and tour manager, long love, Dolores Dardarian, Mantovani Orchestra; the room. William Flanders, year- in local history,” he said, Emile Joseph Simonel Jr., an opera singer and fellow Broadway shows Something round Chautauqua resident, “and have co-authored a 45-year member of the Chau- Detroit native. They were Funny Happened on the Way to will share his memories and book with Jon Schmitz, In- tauqua Symphony Orches- married in 1966. the Forum, Flora the Red Men- experiences of the Institution. stitution archivist and his- tra, died March 13, 2012. He That year also brought ace, DoReMi; 43 years princi- “I have known Chautau- torian, that gives an inside FLANDERS will be remembered during Emile to Chautauqua for the pal/co-principal, Winston- qua since I was a kid in first look on Chautauqua from grade,” Flanders said. “All 1907 to 1920.” tonight’s CSO concert in the first time, where he encoun- Salem Symphony (retired in Chautauqua’s development my life, except for college The 2011 Postcard Histo- Amphitheater and immedi- tered his second great pas- 2010); 45 years, Chautauqua and has witnessed it in more at Rensselaer Polytechnic ry Series book, Chautauqua ately following the concert sion: boats. He loved Chau- Symphony Orchestra (38 than one aspect. tauqua Lake, his music and years, assistant principal), in- Institute and military ser- Institution, is available at on the back porch of the Amp Flanders has some inter- with an opportunity to reflect boats. In 1968, Dolores and cluding 6 years as personnel vice in the army, I’ve been the Chautauqua Bookstore. esting stories to share. with his friends and family. Emile moved to North Caro- manager; and Greensboro at Chautauqua.” The Peterson classroom is Emile was born in 1924 in lina, initially staying in Old Symphony Orchestra. While he was a builder with “Some stories have been located in the upper Ravine Evansville, Ind., to mother Salem’s Fourth House. Their In Chautauqua and Greens- his father from 1946 through handed down from people behind the Hall of Christ. Margaret Bagby and father daughter, Alisa, was born in boro, Emile still had current the late ’80s, he learned quite in earlier generations, plus The program’s rain location is Emile Sr. He was raised in 1970. He joined the faculty of professional contracts. a bit on the background of other stories are from what Smith Wilkes Hall. Detroit, Mich. Emile’s music the University of North Caro- Emile was a proud, long- career began in his youth. lina School of the Arts, and standing member of Musi- He served in the trenches of was integral in the develop- cians Locals No. 802 and World War II on active duty ment of the school, arts, pro- No. 134. as a sergeant in Italy and ducing, symphony and cham- Emile is survived by his France, with the AAF 342nd ber music in the Southeast. wife, Dolores, and children Bomb Squad Demolition He left the faculty to serve Charles (Suzanne), Darnell Unit, and was a sharpshooter. as the director of attractions (Pamela), and Alisa (Jim). His Upon returning to the U.S., for NCSA for many years. He grandchildren through Alisa he obtained a Bachelor of Mu- was founding manager of the and Jim are Saoirse, Caoiliann, sic from Oberlin College, and Piedmont Chamber Orches- Conchobhar and Fionnuala. a Master of Music from the tra, a professional entity that The family created The University of Michigan. toured nationally and brought Emile Simonel Memorial He and his mentor and internationally renowned art- Fund through the Winston- lifelong friend Paul Doktor ists to the Southeast, where he Salem Foundation, acces- collaborated for four decades. remained until 1984. sible at www.wsfoundation. Emile played Doktor’s Pietro Emile’s career highlights org. Contributions will be Guarneri from the 1600s. He include 11 years with the De- used to support the HERO played in Detroit on many troit Symphony, including Equine Rescue Foundation of the earliest Motown re- the European Tour in 1979; 10 and to enrich the local mu- cordings, in churches and years with New York String sic community. People may with the Detroit Symphony Sextet; 6 years with New share stories and photos Orchestra. Emile was mar- York City Opera Orchestra; 8 of Emile on his Facebook ried and fathered two sons, Chamber Concerts at Carn- remembrance page or at Charles and Darnell. egie Hall with Heifetz and [email protected].

ADVERTISEMENT Questions?

A group of Chautauquans has volunteered to help answer questions from first-time visitors to the Institution and will be available at different locations around the grounds on weekends and at the beginning of the week. Assistance is available at a help table at the bottom of the Vincent brick walk and from roving volunteers across the plaza between the Post Office and Amphitheater 12–4 p.m. Sundays and 8:30– 10:30 a.m. and 12–2 p.m. Mondays and Tuesdays. “Drive through” stations at the two Main Gate entrances 2–5 p.m. Saturdays will be set up to assist those searching for their on-grounds accommodations. Page 4 The Chautauquan Daily Thursday, August 2, 2012 from page one

LITHWICK heard and validated. Lithwick said. FROM PAGE 1 “We have become so cava- To depend on the courts lier about privacy in this coun- to remove the U.S. from such try,” Lithwick said. “The last a sticky situation is unwise, “(There is) this sort of thing we want is privacy, be- she said. As the responsive creepy reality-TV model of cause we want to be famous, branch of government, courts ‘I’m only interested in stories and we want to be connected.” cannot move ahead of other that I’m the star of and that re- She worries about the governmental structures, and inforce my own singular fabu- alarming rate at which Amer- their responses are late and losity in the world,’” she said. icans have surrendered their poor, she said. Lithwick referenced Cass privacy in the most funda- “The law protects what Sunstein’s concept of the mental ways. they deem your reasonable “Daily Me” — originally con- “And not just airport expectation of privacy is. ceived by Nicholas Negro- checks, not just data mining, That’s the language. So as ponte at the Massachusetts not just that Google knows your expectation of privacy Institute of Technology — ref- everything about you and shrinks, the law protects less erencing a newspaper com- is happily handing it to the and less,” Lithwick said. “It’s piled by readers’ preferred government,” Lithwick said. not a circle; it’s sort of a noose sources that bolster their “It’s all stuff that we’ve sim- closing in around us.” sense of self and comfortably ply given away. And we don’t She pointed to a mindset situate them in their own way worry about it. We’re not at all in which assumed innocence of looking at the world. fussed about it.” allows complete exposure, “We want stories that re- The loss of privacy has meaning, “if I’m not doing inforce our stories, and I feel been met with a perfect storm anything wrong, I don’t care like there’s a way in which scenario, she said. Businesses who’s watching.” we’ve collapsed the idea that eagerly search for new ways That is an idea of privacy, there are experts,” she said. “It to track consumers, while the Lithwick said, that is antithet- means that, ‘If the only story legislative branch — swept ical to what the framers of the I’m interested in is me, who up in an anti-terror frenzy Constitution were trying to better to write it than me?’” — dismisses warrants and protect. With the uninterrupted probable cause if that means “I think it’s not just a sort presence of Twitter, Facebook catching the “bad guy.” of legal problem. I think we and blogs in daily life, the “We have an American couldn’t have expected the pleasure of being shared or public that, instead of push- courts to do better,” Lithwick retweeted is rising with the ing back, says, ‘Heck yeah! said. “But I expected us to do reckless desire to be seen, Am I gonna be on TV?’” better.” ERIC SHEA | Staff Photographer Instead of a paper score, Chautauqua Symphony Orchestra guest conductor and pianist Andrew CLSC “ W h e n tals, she said, which coincides Litton uses forScore, a music-reader application for the iPad. Litton discovered the application FROM PAGE 1 you look at nicely with this week’s morn- through friend and pianist Christopher O’Riley on Facebook. To turn pages on the application, the cover, you ing lecture platform theme of Litton uses AirTurn’s BT-105 page turner, a foot pedal device that uses Bluetooth technology to really don’t “Digital Identity.” Rosen will allow Litton to move forward and backward in the score at will. “I’ve always been fascinat- know what speak at 4 p.m. today in the ed that there is this other sym- to expect, but Hall of Philosophy. bol system out there that has “Most of the talk will be it’s very fun CSO Mozart. The piece walks a were around to commis- a purchase on the world that to read,” said devoted to why I think writ- FROM PAGE 1 fine line, she said, between sion Beethoven to write really can describe and ex- Sherra Bab- ing and reading fiction is ROSEN Classical and Romantic. something, would it have plain what is happening, but I cock, director both absurd on the face of “He brings total passion to “It’s just always a joy to can’t do it,” Rosen said. “This of the Department of Educa- it — but necessary,” Rosen happened?’” Meyers said. story gave me the opportunity tion. “It’s a really well-written said. “Humans have been works, and there’s also a lev- perform for me,” she said. On the program af- to visit that fascination, and mystery — and a kind of Jovi- listening to storytellers and el of comfort,” Meyers said. “And audiences just love ter Mendelssohn’s Violin at least I was able to glimpse an tale about what people can reading stories for thousands “Like you know that he’s not it. I mean, they could hum Concerto is Mahler’s Sym- it through the world of James endure.” of years. We don’t know the going to leave you stranded along if they wanted to.” phony No. 1 (Titan), whose Fenster, the mathematician.” The book discusses frac- human culture that doesn’t on the side of the road.” Mendelssohn composed original version for the honor its storytellers.” “One of my dearest the concerto for his friend symphony was composed Rosen, who has taught friends, Anne … is just su- and colleague Ferdinand in 1888, the same year as writing classes at Bentley and perb. Wonderful violinist,” David, the concertmaster Harvard universities, said Franck’s Symphony in D Litton said. “She plays (the of the Leipzig Gewandhaus he believes a good story has Minor, which the CSO everything in it but the an- concerto) beautifully.” Orchestra when Mendels- played Tuesday. swer. During his lecture, he Meyers began her vio- sohn was its conductor. Mahler revised the sym- will tell stories, make a point lin studies at age 4, and by The two were in close phony several times, tak- and hope Chautauquans will 11, performed on “The To- correspondence during the ing out an entire move- learn something from him, night Show” with Johnny six years that Mendelssohn ment called “Blumine” and his talk or his book. Carson. The next year, she wrote the concerto. making changes until 1898. But the biggest lesson performed with the New Meyers has also been “Mahler is one of those Rosen wants to instill in aspir- York Philharmonic. in close contact with com- composers whose revisions The Chautauquan Daily ing writers is to “get a day job.” Although she embarked posers during her career, He is not trying to be coy or are so fabulous that, except Celebrating 136 Years of Continuous Publication on the professional level premiering Schwantner’s out of a purely academic www.chqdaily.com playful, he said — it is difficult early in life, Meyers said “Angelfire ‘Fantasy’ for process, there’s no need to to earn a living as a writer. she feels she will always be Amplified Violin and Or- Editorial Staff “Otherwise, you can end go back and look at the ear- a student. chestra” in 2002. up living in a disheveled, ly stuff except to see, and Matt Ewalt Editor “With any craft that Meyers is now working paramount existence,” Rosen to prove to yourself, how Jordan Steves Managing Editor you’re learning and hon- with contemporary com- Jen Bentley Office Manager said. “It’s kind of the bohe- much better the revision ing your entire life, as an poser Mason Bates for his Ian Carlino Copy Editor mian life, and romantically, really was,” Litton said. Rebecca Myers Copy Editor that may be appealing, but in artist, you’re constantly first violin concerto. Bates Rabab Al-Sharif Dance, Institution administration, board “He knew what worked fact, it’s a cliché, and you have absorbing different mate- is known for his innova- of trustees, property owners association in concert and what didn’t to find another way to make rial and information and tive blending of electronica Kelsey Burritt Symphony, Logan Chamber Music Series, work in concert. It really College Club a living. And then if you love just trying to present it as and classical music. They was like a great chef going Jessie Cadle Theater, Family Entertainment Series it, if you must do it. That im- a collective whole,” Meyers will premiere the piece in George Cooper Archives back over a recipe going: pulse will have its moment.” said. “And that I’m able to December with Leonard Mary Desmond Religion: Interfaith Lectures, Mystic Heart, ‘You know, that was a little Abrahamic Program for Young Adults get up on stage and share Slatkin and the Pittsburgh 2012 Ernest Cawcroft Journalism Fellow whatever is going through Symphony Orchestra. too salty. Let’s do this.’” Grant Engle Recreation, Sports Club, The symphony was Boys’ and Girls’ Club JONES my head and my heart — “(It’s) just really thrilling Yemi Falodun School of Music, CLSC Young Readers FROM PAGE 1 I’m very, very fortunate.” to me. He’s slowly sending originally composed as a John Ford Features The Mendelssohn is me the notes right now. It’s symphonic poem, but later Joanna Hamer Visual arts, bookstore, library became a symphony with Leah Harrison Opera, Children’s School, filmmaker series surely one of the great- a very exciting process,” Religious leadership a slight variation to its Beverly Hazen Bird, Tree & Garden Club would probably be difficult est hits of the violin rep- Meyers said. Lori Humphreys Chautauqua Women’s Club, ertoire. But Meyers never Commissioning a con- structure –– switching the Contemporary Issues Forum in a space like Facebook, she tires of playing it. certo, however exciting, Minuet-Trio with the slow Laurence Léveillé Morning lectures said, but constructive reli- Sydney Maltese Development, Lincoln Ethics Series, “It doesn’t matter how is also difficult and com- movement, a variation re- gious presence might be help- special afternoon conversations many times I’ve played it, plicated. Funds must be flecting Beethoven. The Jennifer Shore Literary arts ful — whether through pasto- every time is different,” found to sponsor the piece, symphony also references Mary Lee Talbot Morning Worship ral care or friendly dialogue. Meg Viehe Interfaith News Meyers said. “I definitely and a premiere must be ar- Beethoven in the opening of Jessica White Religion: Interfaith Lecture previews, “Facebook is becoming a get nervous and excited ranged with an orchestra its first movement, and the Sacred Song services, Chautauqua Choir, new public square,” she said. third movement is a funeral Massey and Tallman organs for every performance. It willing to take the risk on Adam Birkan Photographer “And when we start to use doesn’t matter where it is a piece it has never heard. march based around “Frère Greg Funka Features Photographer that language, then we can in the world.” Above all, audiences can Jacques,” introduced by a Michelle Kanaar Photographer think about the importance of rare solo double bass. Lauren Rock Photographer Meyers called the Men- be reluctant to come out Eric Shea Photographer having religious voices in the delssohn a stylistic cross- and hear something new, Tonight’s concert, as it is public square.” over of Tchaikovsky and Meyers said. dedicated to the memory PDC RO U TioN STAFF “There are definite holes of Emile Simonel, will be Raymond Downey Production Manager followed by a reception on CHAUTAUQUA FOUNDATION and gaps in history where Jake Newton Design Editor you think, ‘Wow, if you the back porch of the Amp. Katie O’Leary Design Editor Ankur Patankar Design Editor Rebecca Reis Web Editor Days Until New Gifts Marcie Richardson Design Editor

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Business telephone 716-357-6235 of Chautauqua, August 7 is the day! All gifts Advertising telephone 716-357-6206 from new donors made online, by phone, Circulation telephone 716-357-6235 mail or by visiting the Foundation office on Fax number 716-357-9694 Editorial telephone 716-357-6205 or 357-6330 this day will be matched dollar for dollar. This Email address [email protected] is a wonderful opportunity to maximize the impact your gift will make to Chautauqua. Published by Chautauqua Institution, P.O. Box 1095, Chautauqua, N.Y. 14722, daily, Monday through Saturday, for a period of nine weeks, June 23 through August 25, 2012. The Institution is a not-for-profit organization, incorporated and chartered under the laws of the state of New York. Visit online: chautauquafoundation.org

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WWW.CHAUTAUQUAFOUNDATION.ORG Thursday, August 2, 2012 The Chautauquan Daily Page 5 The ARTS / News Jacques and Kanae: When the mind and heart meet Landscape architect Gowen Yemi Falodun presents shoreline action plan Staff Writer John Ford prove Chautauqua’s shore- Jacques Israelievitch rev- Staff Writer line areas, which he reviewed els in deciphering the notes from both land and lake. less-played. Kanae Matsu- As concerns grow about “The perspective is dif- moto loves to give spirit to the future of Chautauqua ferent: From the land side, the notes she plays. Together, Lake and its ecology, many erosion is unnatural, but it is they revitalize classics. property owners on and near happening,” he said. “From In a dedication to rarely the grounds have asked what the lake side, there is wave performed classical pieces, they can do to help arrest or action from storms and violinist Israelievitch and reverse the lake’s decline. from recreational use. The pianist Matsumoto will host Dean Gowen will offer shoreline is deteriorating. a recital at 4:30 p.m. today in some answers at 3:30 p.m. Basically, my mission is to Fletcher Music Hall. today in McKnight Hall. help mitigate the effects of One of the last times the Gowen, a Buffalo-area human activity on the lake.” two appeared on stage, they landscape architect, has Gowen was instrumental played all 10 Beethoven so- worked around the grounds in designing and installing natas in one day. It took six on high-profile projects and the rain garden buffer area hours. regularly advises the opera- that stores and cleans water “We came out fairly un- tions and gardens staff. runoff in the Fletcher Music scathed,” Israelievitch said. The focus of today’s gen- Hall area. He will offer some “So, when we finished the eral information meeting information and sugges- last sonata, I felt like we will be Gowen’s Sustainable Laurenc Ro k | Staff Photographer tions for property owners. could start all over again.” Chautauqua Lake Shore- Violinist Jacques Israelievitch and pianist Kanae Matsumoto rehearse together in Studio 17. “What’s good for your And they did, as they line Action Plan, which was lawn today will also be performed the grueling yet fiev and Schoenberg. over the gravestone that’s go- Matsumoto said. prepared at the request of great for the nuisance exhilarating task in Toronto “The beginning is ab- ing through, really eerie. And “It sort of haunts you Institution Director of Op- weeds which threaten the and at Chautauqua. solutely gorgeous, very it’s not just a painting; it’s re- when you get it in your ear,” erations Doug Conroe. “We don’t discuss when touching and moving,” Is- flecting his emotional side.” Israelievitch said. The new study comple- health of the lake,” he said. we play,” Matsumoto said. raelievitch said about the Matsumoto added she All the notes in the piece ments a drainage manage- Gowen will brief Chau- “We just listen to each other. Poulenc sonata written for feels close to Prokofiev in have equal importance, so it ment plan Gowen helped to tauquans on new organic And it’s just boom — there.” assassinated Spanish poet the work, which includes a has no sense of tonality. And prepare for the Institution fertilizers made with cut- Israelievitch and Matsu- Federico García Lorca. cocktail of emotions such as that makes it hard for the au- two years ago. That plan, he ting-edge process called moto bring a clear balance “And then, it comes to a agony, anger and sadness. dience to follow. said, focused on uphill parts pyrolysis. Chautauqua’s to their performances. Israe- grinding halt at the end like “It’s so twisted,” she said. “The third movement is of Chautauqua, including gardens department already lievitch is the artistic braini- the tragic ending of García “Maybe I’m a twisted person, very charming,” Israelievitch the golf course but stopping uses them to revitalize older ac, whereas Matsumoto is the Lorca being killed for no rea- I don’t know.” said. “The last movement is at the shoreline. gardens around the grounds fierce muse. son,” Israelievitch said. “It Schoenberg’s Phantasy for like fireworks, but then it ends Gowen’s earlier study and on the golf course. The “To me, sound is a reflec- doesn’t have a happy ending. Violin with Piano Accompa- quietly, exactly like it begins.” helped the Institution win technology used to make or- tion of your personality,” It’s not Hollywood.” niment, Op. 47, is more avant- Today’s recital will also a large grant last year to ganic fertilizers is expensive Matsumoto said. “When you Similarly, Prokofiev’s so- garde compared to the other feature Israelievitch and Mat- greatly improve storm wa- but evolving, and, Gowen play your instrument, you nata captures warfare, but on two pieces. sumoto’s new album, French ter runoff management on said, they might someday need to feel like you are the Russian frontier. “His music used to be Violin Sonatas. Recorded a the grounds, particularly on even be produced from re- ready to be naked.” “First of all, I love Rus- rather hermetic to the audi- few years ago at Chautauqua, a line from the golf course cycled lake weeds. Today’s current recital sian music,” Matsumoto said. ence,” Israelievitch explained the album features the Pou- through the Ravine, by the His new study, as with marks the fourth time Israe- “You hear KGB coming to the about Schoenberg’s dense lenc piece and compositions Girls’ Club and to the lake. many of Chautauqua’s en- lievitch and Matsumoto will door and banging, ‘This is composition. “Then he be- from Debussy, Gabriel Pierné While permit issues delayed vironmental initiatives, will play together in front of the the police! Open the door!’” came religious and started to and Ravel. progress earlier this year, the serve as a template for other Chautauquan audience. They There is a moving picture write music that was really “Music can be light, enter- project should proceed dur- municipalities in the county will perform overlooked that unfolds in the piece. reaching out to people.” taining or thought-provok- ing the coming off-season. and region and reduce the pieces from notable compos- “You hear it in the music,” “For the first time when ing,” Israelievitch said. “This Gowen said the new study Institution’s negative impact ers such as Poulenc, Proko- she said. “You hear the gust you hear it, it’s like, ‘Huh?’” is thought-provoking.” represents the plan to im- on Chautauqua Lake. Playwright Dohrn questions line of privacy in CTC’s ‘Muckrakers’

Jessie Cadle of Chautauqua Theater Com- and I’m always amazed at cro and macro level. “It’s a very odd and inter- Staff Writer pany’s New Play Workshop’s how they are only a few “Where do we stop once esting hybrid workshop that Signature Stage Readings. years younger than I am, we start saying that all in- they do there, where they Facebook will have 1 bil- CTC’s weekly Brown Bag, at but their ideas about privacy formation should be public throw a new play on its feet,” lion users by the end of 2012, 12:15 p.m. today in Bratton are just completely different and people should not have Dohrn said. according to Mashable.com. Theater, will discuss the play. (and) their ideas about what’s those kinds of boundaries?” The play is put together Within the past two years, CTC Resident Director an acceptable level of disclo- he said. during the course of three the WikiLeaks scandal ex- Ethan McSweeny will di- sure,” he said. He chose the two-person days. It is a small-scale pro- ploded, hurling hundreds rect the two-person show, Dohrn, a screenwriter format for the play because it duction with all production of documented secrets into which stars Conservatory and playwright, teaches at emphasizes the idea of the in- elements created by the four public Internet space. member Jessica Savage and Northwestern University timate in the spotlight. And CTC design fellows. The ac- After observing both of guest actor C.J. Wilson. The and frequently confronts that though the two are alone, tors have only those three those trends, playwright Zayd play aligns with this week’s question with his students. they both communicate on short days to cultivate a char- Dohrn questioned what pri- theme, “Digital Identity.” Dohrn does not have a Face- the phone at some point, acter under McSweeny and vacy means in the digital age. Muckrakers follows Mira, book account, but pictures of which demonstrates in the Dohrn’s direction. “What really started to a 25-year-old American, and him still appear online from digital world that technology But Dohrn looks forward DOHRN interest me was the idea of Stephen, a 39-year-old Eu- friends and family. interrupts even one-on-one to the experience and to im- public and private space and ropean, in Mira’s apartment “I realize that even though communication. proving the play during the people and the tensions that what it has become in 2012,” as they discuss and discover I’m opting out of it, my life Muckrakers marks Dohrn’s rehearsal process and be- arise between people and Dohrn said. “How much pri- what kinds of privacy do and is still public in the ways second time at Chautau- tween performances. The their intimate moments,” he vacy do we want? What pri- do not exist on governmental that all of our lives are these qua. His play Sick debuted intimate relationship he will said. “In theater, you can ask vacy do we want?” and personal levels. days,” Dohrn said. in 2008 as part of a previous help cultivate on stage be- really big questions — big He addressed those ques- The duality of the genera- His play is unsettling, CTC New Play Workshop. tween his two main charac- political questions about the tions in his play Muckrakers, tional gap related to privacy because he wants audience He looks forward to working ters is part of what first drew modern era and human be- which opens at 8 p.m. to- drew Dohrn to give the char- members to leave the theater with CTC Artistic Director him to playwriting. ings — but you ask them in a night in Bratton Theater and acters different ages. thinking about those ques- Vivienne Benesch and Mc- “As a writer, I’m drawn way that tells a story through runs through Aug. 4 as one “I teach college students, tions of privacy on both a mi- Sweeny again. to the interactions between very intimate connections.” Page 6 The Chautauquan Daily Thursday, August 2, 2012 religion ‘His spirit enables folks to rise up’

he Gospels were not written down until at least 40 leader,” he said. “His spirit enables folks to rise up and not to 50 years after the death of Jesus Christ. The words be in the mode of trying to destroy folks not like us.” attributed to him are not exact quotes. The other quote attributed to Jesus is “My God, My God, T“What we have in the New Testament are the remem- why have you forsaken me,” which Jesus said while nailed brances of the person, colored by tradition and lengths of to the cross. That is beautiful, because it shows a human time, except for two experiences, where I think we can safely moment for Jesus, Chalker said. If Jesus, in all of his strong say they are remembered word for word,” said the Rev. Ken- faith and holiness, could feel abandoned by God, “What neth Chalker at the Monday morning 9:15 a.m. Devotional Morning Worship does that mean for you and me?” Chalker asked. Hour. Column by MARY Desmond “Even though we may feel times of abandonment,” His text was Mark 5:21, and his title was “Word for Word.” Chalker said, “it is not that our faith is not good enough — In that Scripture, one of the two instances where Jesus is they are somehow God’s children representing the only pos- because Jesus had those, too. believed to be quoted word for word, appears. sible way of thinking about love and coming into God’s pres- “You and I are encouraged and inspired to rise up even A synagogue leader, Jairus, asks Jesus to help his daugh- ence,” Chalker said. “So to assert their righteousness in the beyond our greatest feelings of abandonment and loss. It’s ter who appears to be dying. name of God, they take the lives of little girls and little boys, a word-for-word memory that enables us to live a word-for- Before Jesus arrives at the home, the daughter dies. When and mothers and fathers, and aunts and uncles — within the word life of joy and encouragement and strength in facing Jesus and Jairus arrive, the many friends and mourners tell spirit of God.” issues in our lives.” Jairus to send Jesus away. Jesus goes into the room where “We live in a world that is so caught up in fighting over The Rev. John Morgan presided. The Rev. Luke Lindon Jairus’ daughter is lying dead and says to her, “Talitha religion, where, in the name of God, people kill one an- of the Sylvania United Church of Christ read scripture. It Koum,” which translates from Aramaic to mean “Little girl, other. It is now more important than ever that in the Bible is Lindon’s first visit to Chautauqua during the summer get up.” The girl awakens. one of the two most profound quotes of Jesus translates to season. The Motet Choir, led by organist and coordina- “Why is this important? We live in a time now, just as mean ‘Little girl, wake up,’” Chalker said. tor of worship and sacred music Jared Jacobsen, provided folks did then, when there are so many religious voices that “It’s a whole different perspective, and it’s part of what sacred music. The anthem was “How Lovely is Thy Dwelling in their arrogance, in their sanctimoniousness, assure us that it means, I believe, to follow in the steps of this great, great Place,” by Brahms.

Abrahamic Program Friday in the Methodist dren and grandchildren Evening Prayer at 7 p.m. to- for Young Adults House chapel. The Hebrew Congregation night in the Lutheran House. sponsors a Havdalah service Young adults gather at 8 Chabad Lubavitch from 6:45–7:30 p.m. Saturday Muslim Service p.m. tonight on Pastor Paul’s in the grove behind the Hall porch for a Porch Chat. Rabbi Zalman Vilenkin Safi Haider, APYA Muslim of Philosophy. Jewish coordinator leads a discussion, “Mai- coordinator, leads a service of The Hebrew Congregation Michael Harvey leads a monides — A Guide to the Jum’a for all ages at 1 p.m. Fri- will present a musicale at 3:15 Havdalah service from 6:45– Perplexed,” at 9:15 a.m. to- Interfaith News day in the Hall of Christ. Pre- p.m. Aug. 7 at the Everett Jew- 7:30 p.m. Saturday in the day in Alumni Hall Library instruction begins at 12:30. His Compiled by Meg Viehe ish Life Center at Chautau- grove behind the Hall of Phi- Room. It is one of the major fellow APYA coordinators, qua. The recital will feature losophy. works of Maimonides and is Michael Harvey, Nikhat Dha- considered the main source Eikev, Deuteronomy 7:12. Clark and Park. music school students who rani and Emily Perper, sup- Baptist House Mr. and Mrs. Martin Sha- are the recipients of the He- of his philosophical work. Hebrew Congregation port Haider. Rabbi Vilenkin leads a piro sponsor this week’s brew Congregation’s scholar- The Rev. Ramonia Lee Kiddush at 12 p.m. Presbyterian House discussion of “The Bible De- The Hebrew Congregation ship awards. talks about “Speaking of Je- Shabbat ends at 9:10 p.m. coded” at 9:15 a.m. Friday in holds a Kabbalat Shabbat ser- The Hebrew Congregation sus: The Art of Communica- will sponsor its third com- The Rev. David Gilbert Alumni Hall Library Room. Chautauqua Dialogues vice, a service to welcome the tions in the Multi-Genera- leads Vespers from 7–7:45 Make and braid your own Sabbath, from 5–6 p.m. Friday munity Shabbat dinner at 6:30 tional Church” at the 7 p.m. p.m. tonight in the Presbyte- challah at 12:15 p.m. Friday The Chautauqua Dia- at the Miller Bell Tower. Rabbi p.m. Aug. 10 in the Athenae- Vespers tonight in Baptist rian House chapel. His topic, on the porch of the Everett logues program holds sign- Samuel Stahl, rabbi emeritus, um Hotel parlor. The dinner House. includes the installation of ”Christianity After Religion: Jewish Life Center at Chau- ups 30 minutes before the Temple Beth El, San Antonio, new officers. It is a prepaid Where Do We Go From Here?” Catholic Community tauqua. 2 p.m. Interfaith Lecture in Texas, conducts the service. event and reservations can includes a slide presentation. Shabbat candle-lighting the Hall of Philosophy. The Beth Neuman Bates, Temple be made by calling Burt or Daily Masses are at 8:45 time is 8:16 p.m. program is sponsored by the Torah, Boynton Beach, Fla., is Service of Blessing and Healing a.m. Mondays through Satur- A community Shabbat Department of Religion and Sandy Zucker at 716-789-2020. soloist. For information about The Service of Blessing and days in the Episcopal Chapel dinner is held at 7:15 p.m. is held every Friday to dis- The cost is $30 for adults and the memorial or healing por- Healing, sponsored by the of the Good Shepherd. Friday at the Everett Jewish cuss the week’s 2 p.m. lec- $15 for children. tion of the service, call 716- Department of Religion, takes The Rev. James Daprile Life Center at Chautauqua. ture theme. Contact Roger 357-5042. The rain venue is Hurlbut Church Meal Ministry place at 10:15 a.m. every week- speaks on “From the Journey Space is limited. Call 716- Doebke at 716-451-4007 with the Pier Building. day in the Randell Chapel of for the Journey: Reflections 357-3467, or email zevilen- questions. Thursday evening turkey The Hebrew Congregation the United Church of Christ on Walking the Camino de [email protected] for reservations. dinner offers roast turkey Episcopal Chapel of will hold a Shabbat service headquarters. Santiago, Spain” at 12:45 Fee: $36 for adults, $18 for the Good Shepherd at 9:30 a.m. Saturday in the breast, stuffing, mashed po- p.m. today in the Methodist children. sanctuary of Hurlbut Church. tatoes, gravy, cranberry, veg- United Church of Christ House chapel. Rabbi Vilenkin presides Holy Eucharist is celebrat- Rabbi John Bush, Temple An- etables, a homemade dessert The Rev. Joseph Scardel- at Shabbat services 9:30 a.m. ed at 7:45 a.m. weekdays in she Hesed, Erie, Pa., conducts and a beverage. It is $12 for The Rev. Luke Lindon fo- la speaks on “What Makes Saturday at the EJLCC li- the Chapel of the Good Shep- the service. Joanna Bush is the adults and $8 for children. cuses on the theme of “Unity Good Liturgy” at 12:45 p.m. brary. The Torah reading is herd, located at the corner of in Diversity” at 7 p.m. tonight song leader. Following servic- Lutheran House es a Kiddush lunch is served, in Randell Chapel. sponsored by Jackie and Lar- The Rev. David W. Marko- United Methodist ry Katz in honor of their chil- wich presides at a service of The Rev. David Morse leads a discussion on “Is There a Future for the United Methodist Church and Other Mainline Denominations?” at 7 p.m. tonight in the United Methodist chapel. Unity of Chautauqua The Rev. William Gill speaks on “To Love is to Be Free” at 6:30 p.m. tonight in the Hall of Missions. The pre- sentation is part of the New Thought Speakers Series. Unity of Chautauqua and the Department of Religion sponsor morning meditation at 8 a.m. weekdays in the Hall of Missions.

Bike Safety Tips

B ikes must be operated at a reasonable and respectful speed — and in no instance at more than 12 mph. Thursday, August 2, 2012 The Chautauquan Daily Page 7 LECTURE Allenby: Evolve with technology, or become obsolete

Laurence Léveillé empathic, but it’s adaptive, to the second part of the ques- Staff Writer and not simply because people tion. I think this is an interest- don’t want to talk to each other. ing area, because, of course, What I mean by that is, let’s we have always changed and People have grown up to say that I engage in a personal our technologies have always believe that self is built with- discussion with you. As I do, if changed. If you look at the very in them. But Braden Allenby it’s face-to-face, we share an broad sweep of history, what argues that the Cartesian enormous amount of informa- you find is, at least in terms of perspective is wrong. tion, right? I notice the changes economic productivity, there To Allenby, Lincoln Pro- in the face; I notice when are literally thousands of years fessor of Engineering and there’s a laugh indicating that where we exist at subsistence Ethics at Arizona State Uni- he thinks I’m a jerk. I get all of level. There’s a few people that versity, self is the ability to this feedback. It’s a very broad- manage to pull some surplus adapt and integrate with the band communication. It takes off, but by and large, almost environment as it changes. a long time, and it takes a lot of everybody exists at subsistence level. Then you see a huge In his lecture, titled “Slow effort, energy and focus. When I’m interacting with somebody takeoff with the Industrial Revo- Sunset of the Self,” Allenby on Twitter, in contrast, there’s lution — nothing new there. spoke about the meaning of almost no bandwidth required. Along with that, you do see self in a technological world I get a little bit of information changes in self. There was a and how multitasking has al- about them. I do something in book that came out many years lowed younger generations return. It’s done in 20 seconds, ago called the Bicameral Mind, to adapt to it. His Wednes- and I move on. If you live in an which basically argued that the day morning lecture in the environment that is information- kind of person you were 2,000 Amphitheater was the third dense, inevitably, I think, you years ago was fundamentally of Week Six, themed “Digital will find that more and more different than the kind of person Identity.” of your transactions are of the you are now. The self was The world currently faces a Twitter kind, as opposed to the fundamentally different. That deep interaction kind. What that depends on how you measure it digital divide between those and everything else, but I think who have access to comput- implies to me is not necessar- ily that one is good or bad. I that’s probably a reasonable ers and those who do not. One personally think it’s bad. But, way to look at it, because I think solution to close the gap has I would, right? That’s because being human means that you been to provide computers for my belief structure reflects the are tightly coupled into your the underprivileged. But there time and period and technolo- time, your space, your technol- is another angle to consider. gies I’m accustomed to and ogies and your culture. Because If Allenby’s son were all that sort of stuff. But I think of that, I think that it clearly has given a functional magnetic what it does say is that the evo- changed. What is different now, resonance imaging, or fMRI, lution toward lower-bandwidth I think — and this is an argu- while multitasking and Al- communication is one that’s ment you can take both ways, so I’ll give you the argument lenby did the same, the two driven by agility and adaptation and I’ll give you my perspective, scans’ outcomes would look to current environments, not necessarily just by the technol- but I do not say my perspective different, Allenby said. is right. The question is: Are we “It’s a fundamental differ- ogy — which is, of course, a part of the environment, but by now in a period of change that ence in the way that brain is the fact that there’s much more is so fundamental that it’s dif- wired,” he said. information being managed ferent somehow from periods of People’s brains are wired now than there was before. change that have gone before? differently if they grow up I think you can argue that both embedded in social media, This may go to some of ways. My personal take is that the things you talk about which means the cause of the Q the combination of change this week: what is the mental and accelerating change in digital divide could be more state of a suicide bomber? Is than a lack of access to tech- fundamental technologies — that self or group? nanotech, biotech, information nology, Allenby said. and communication technolo- “In fact,” he said, “what we This is not my field, so let me be a little care- gies, robotics (we didn’t even are doing is probably creat- ADAM BIRKAN | Staff Photographer A ful. I think the mental state of talk about lethal autonomous ing different human varietals Braden Allenby, Lincoln Professor of Engineering and Ethics at Arizona State University, delivers robots and whether or not they Monday’s morning lecture in the Amphitheater. a suicide bomber necessar- with an opportunity for dis- ily has to be at least partially have selves, and who is the self crimination that we have not group, because what you’re that gets blamed when they go had since the species began.” “If, in fact, like the ape, evolve,” Allenby said. “There asking an individual to do is to wrong) and cognitive science — There are people who be- you are built to become some- may be far less limit on how destroy themselves. We have because of the very rapid and lieve multitasking degrades thing different as you are ex- rapidly the socially appropri- fairly strong inhibitions against accelerating changes in those people’s intellectual capa- posed and adapt to new tech- ate self can evolve.” that kind of behavior. But, of fields, I think it is arguable that bilities, Allenby said, but it nologies,” he said, “then you Because Allenby is unable course, some people still do it. we now face a period where should not be viewed as a are something very different, to multitask like his son and Suicide, even some forms of far more the human is a design space than it has ever been in good or bad thing. and your self is something because of limitations, he very risky behavior — suicide very different.” said he and others like him Editor’s note: This Q&A has been bombing — to do that, you the past. There is at least fore- Access to information has seeable technology that would fundamentally changed, he Time also has an effect on have become obsolete. edited for clarity and length. have to submerge your indi- vidual existence in the values of allow me to design any part of said. Whereas he was able to people’s sense of self. The first Doctors in places such I’m wondering about the group. Now notice: this isn’t you. Not just genetics. I will be go to the library to find books system of time was developed as Harvard and Stanford this: I really appreci- necessarily a bad thing. If you able to redesign your neurosys- because of railroads, Allenby universities believe the first Q tems. I will be able to redesign from the catalog, today’s so- ated your observation about couldn’t do that, you wouldn’t said, but there has been a person to live to 150 years the way you think. I will be able ciety has more information how we’re set up to get rid of have strong churches, perhaps. to redesign your emotional that needs to be processed. shift due to the Internet. has already been born in the things we don’t need, be- You wouldn’t have militaries. structure. That’s coming. It’s Multitasking became a re- People have adapted to country, he said. cause I’m getting rid of a lot The group side of the self is a going to take a while, but that’s sponse to managing the flow receiving information at a Allenby said he had asked of things like names and oth- very important side of the self. clearly coming. That’s different. of that information, he said. faster pace, and the different his students if it would be a er sorts of things. It makes My impression as an outsider What it means to be human has The real question, Allenby patterns of information re- good idea for him to live un- me wonder about that part looking at the literature I have always changed — sometimes said, is whether multitasking structure the brain. In turn, til he is 150 years old — they of self that goes to empathy. is that the group-self is not as well studied or understood as rapidly, sometimes slowly — is adaptive. Allenby said, sense of self said it was a wonderful idea. I’m particularly curious about but, I can’t think of a period in “Does it make them more also changes. “It’s a terrible idea,” he whether there has been re- the Cartesian self. But it’s be- ginning to be appreciated more history where so much of the fit for the environment “If I think of the self in said. “I don’t think my self is search that indicates whether human has been contingent terms of the Cartesian indi- capable of evolving as rapidly this adaptive process to and more as critical for precise- they’re actually in?” he said. ly these kinds of reasons. precisely because it is becom- “And the answer to that, I’m vidual, I begin to get a failure as the technologies evolving.” technology and the enormity ing an engineering space. If afraid, is yes.” mode, because it just doesn’t In this world, people must of information and multitask- Hasn’t the brain or the you don’t want me to engineer ing makes us more transac- The film “2001: A Space map under what’s happen- continue to adopt new per- Q sense of self changed you, you’d better figure out tional in our relationships and Odyssey” became a core ex- ing,” he said. spectives and adapt to stay in throughout human history what you don’t want me touch- less empathetic. Is there any — your point about the apes ample to Allenby’s lecture. In In part, self is an informa- line with technology. ing, because I’m going after factual truth in that? being a specific example tion processing system, Al- To evolve effectively, Al- everything I can get my grubby the film’s first scene, which — and if that’s all true, why lenby said, and it allows indi- lenby said, younger people Like multitasking, this is little engineer paws on. Not me Allenby described, an ape even worry about it? These personally, of course, but our discovers that a bone can be viduals to couple with other must fill positions of author- A an area that you have to be careful of, because what you questioners go to the Bud- society, our culture. You know used as a weapon. Allenby systems. It is a way to make ity more quickly than they tend to find is that whatever the dhist philosophy that posits why? Because the culture that sense of the world. are currently. differentiated between the researcher’s opinion is, it gets there’s no such thing as the learns how to do that is going ape that once played with the Individuals are built to What distinguishes peo- backed up by the research. self, and in fact, our attach- to be the culture that grows bones and the one that used couple with social and tech- ple from everything else, he That’s not to say they’re not ment to this non-existent to dominate future worlds. it as a weapon. nological environments. said, is their ability to couple trying to do good research. It’s thing is the source of all suf- The Russians know that, the Though the ape was the When there are periods of to changing environments to say that we really haven’t fering. Would you comment Chinese know that, the Indians same externally, it funda- rapid change, people must while maintaining the illu- even properly formulated the on those thoughts? know that, we know that. This is mentally changed internally adapt quickly, he said. sion of self. questions. So, you have to take First, let me comment on not simply a talkfest. This is the — the image of self, he said. But the ability to change is “I think what makes us things with a grain of salt. My basically whether or not bleeding edge of cultural com- A petition in the world today. It’s The same concept applies to limited. truly human is precisely our answer would be: if empathy anything has changed. Second, not something to take lightly. technology, as people have “There is a limit to how ability to transcend the hu- requires greater bandwidth, let me comment on all of Bud- had to integrate to it. rapidly an individual self can man,” Allenby said. then yes, we are becoming less dhism. With any luck I won’t get ­—Transcribed by Grant Engle WESTFIELD Page 8 The Chautauquan Daily Thursday, August 2, 2012 religion Moss: Analog religion can gain insights, strength from new digital technologies

Mary Desmond the user remain stationary, Staff Writer Moss said. “The danger of the clash Have you ever owned a 78, in the faith community is 45 or 33? Have you called an viewing the change as a lin- audio device a HiFi or a re- ear hierarchy of competition, cord player? Have you owned that one is better than the an 8-track? Have you mailed other, not recognizing that a letter, or looked up a phone each culture has something number in the phonebook? to teach to each person,” he Have you been to the library said. — for books? Moss said the Bible, in the If you answered yes to any Old and New testaments, of- of those questions, then you fers examples that can help are an analog immigrant, the people understand the prin- Rev. Otis Moss III told his ciples of the digital age. The audience during Tuesday’s 2 Ark of the Covenant was the p.m. Interfaith Lecture in the first mobile app — short for Hall of Philosophy. application, an “app” is a In this week’s second re- program that runs on a mo- ligious lecture on the Week bile or digital device — ever ADAM BIRKAN | Staff Photographer Six theme, “The Life of Faith created, he said. It was mo- The Rev. Otis Moss III speaks Tuesday afternoon in the Hall of Philosophy. and the Digital Age,” Moss bile, because it did not re- discussed the societal clash quire that people be in one of the “analog immigrants” particular place to worship. and the “digital natives” in “The focus was communi- result, it went viral,” he said. how to improve a Google want to go, and between lated from her faith commu- a lecture titled “God, Google ty, not necessarily the space “And then as a result of going product, they have the capac- them there are roads, or nity, but she when she logged and iPods: Digital Faith and that they were worshipping viral, all of the sudden, there ity to contribute. links, that facilitate the pro- on, church members could Analog Religion.” He argued in,” Moss said. was a revolution in the pro- Google provided for the cess of getting to the nodes, pray with and include her in that our religious society is With Solomon’s temple, cess — again the democrati- democratization of educa- or final destinations, Moss their Sunday celebration. On separated by an understand- the mobile nature of faith zation of faith.” tion, Moss said. Today, there said. its website, she also found a ing of technology — there and worship changed. The Today, the challenges fac- are schools and platforms “Faith communities are community of fellow church are the digital natives, who temple became a sacred place ing religious culture stem online where people can log nodes but are also links to members living in Vietnam were born in the ’70s, ’80s to which people had to go to from the analog immigrant’s on to receive information and help people reach wider and then connected with and ’90s, and who live in a hear the word of God. tendency to place empha- training on subjects. groups — dialogue with oth- them. While Moss preaches world in which technology is God remobilized the faith sis on text-based faith and That sort of openness, or er people — and that is the from the pulpit, he keeps his based on the binary codes — with the introduction of Je- methodology and the digital democratization of thought, beauty of network theory,” cellphone and watches the and the analog immigrants, sus, Moss said. Jesus mobi- native’s cultural framework in education has spread to he said. people born earlier who are interactions of those using lized faith by showing that that emphasizes lived faith faith. Now more than ever, “When you look at it from accustomed to wave technol- the online technology. faith was not about where over arguing who is right or people are adopting the a spiritual standpoint, we ogy and stationary forms of The church has an ac- worship takes place but wrong. “Google culture” when ad- raise the question of how can technology. tive Facebook page, Twitter about lived faith. “The tradition ends up dressing their faith commu- we be links to help people Moss is senior pastor of “It became democratized, handle and an e-newsletter, becoming more important nities. People crave an open- reach particular nodes where Trinity United Church of and this created a challenge, which is delivered to 8,500 than faith, and faith ends up source dialogue when it they can grow and develop.” Christ in Chicago. Before especially for a Hellenistic becoming more important comes to religion; they want The final aspect of under- people. It even has electronic arriving at his current posi- world that was very focused than love — in other words, to be able to bring their own standing digital faith is an giving, which now supports tion, Moss was pastor of the on hierarchy,” he said. that we focus on the tradition ideas to the table for discus- understanding of Facebook 18 percent of the church’s Tabernacle Baptist Church in Jesus was the first tweeter, and lift up the tradition more sion. and Twitter through the budget. Augusta, Ga. While he was Moss said. Take the beati- than we do in understanding The analog church be- “As a result of that, we there, the church’s member- tudes, such as, “Blessed are ideas of Martin Buber. Buber our relationship and digging comes nervous when young ended up hiring a digital ship grew from 125 people the poor in spirit, for theirs developed the “I-it,” “I-you,” deeply in our spirituality,” people talk about open- pastor who is online, who is to more than 2,100. Moss is is the kingdom of God.” They “I-thou” relationships. In “I- Moss said. source faith, which is why there to build a relationship a graduate of the Yale Divin- are easily memorized, short it,” the person sees everyone The nature of music de- the younger members of re- with people who are online,” ity School and has authored phrases. That democratized as objects; in I-you,” he or vices has transformed dra- ligious communities are rel- she begins to see everyone Moss said. books, sermons and poetry. the faith, allowing the illiter- matically during the past His first book, Redemption in egated to their youth groups, as human with humanity; in In addition to Sunday wor- ate to be active and involved decades, from 78s to MP3 a Red Light District: Messages in it. Moss said. “I-thou,” the person begins ship, the church has also built formats. But playing the song of Hope, Healing, and Empower- The shift toward digital “They have so much they to understand how clearly up its Bible studies courses. It “Amazing Grace” on any ment, was published in 1999. mobilization and democrati- can bring to the table, and we are interconnected. Our has Bible study on Wednes- one of those formats doesn’t The changes people, and zation of faith continued on in reality, any great social spirituality is deepest and day nights, sometimes with change the song, the message particularly faith communi- through the 14th and 15th movement that has caused most linked when people as many as 300 physical at- is only delivered differently, ties, grapple with today have centuries. The Gutenberg Bi- change in America has al- reach the “I-thou” point. To- tendants and as many as 500 Moss said. been in effect for long peri- ble, in the 1450s, shifted the ways been led by a younger day, people use Facebook watching, participating and ods of time, but have been authority to control religious “In many terms, what generation,” Moss said. and social media to develop interacting online. sped up by a rapid paradigm texts from monks to the pub- this younger generation is so Unlike most corporations, that interconnectedness and The majority of the virtual shift in technology, he said. lic, Moss said. It became even scared about with this digital Google does not try to keep the sense of community the members come from Illinois, The great separation be- more mobile in 1501 with the faith, is that we have 8-track people on its page — it serves “I-thou” calls for, Moss said. Texas, Georgia and Ohio, faith communities in an MP3 tween analog and digital invention of pocket-sized to link people to where they The porch-talk-style commu- but the church also has par- world,” Moss said. technologies is mobility. Cell- typeface, which allowed for want to go. The open-source nity of the South, and Chau- ticipants from as far as South Religious people tied to phones, personal comput- the creation of a Bible that idea has propelled creation tauqua, no longer predomi- Africa, Switzerland, South the analog mindset should ers and GPS systems all fall could be moved, shared and of micro-communities, Moss nates, so people have turned Korea, Australia and Thai- realize that there have always said. Recently, The New York under the umbrella of digital transported easily. to social media, Moss said. land. been technological changes Times received a grant to fo- technology, and they allow “In many ways, I would At the Trinity United “It’s a really unique thing PRAXIS and progressions in religion cus more on creating micro- their users to move freely argue that Martin Luther de- Church of Christ in Chicago, — it really shrinks the world and the church. Hymnbooks, neighborhood blogs. while staying connected. An- cided to tweet 95 pieces on Moss said they have been on so many levels,” Moss said. alog technology requires that the door of a church, and as a organs, microphones — even “What they found was moving into a digital realm paper — are all new technol- there was this rich resource Worship is no longer limit- and away from analog. The ed to those sitting in the pews. ogies, Moss said. of community and people church has a membership Sometimes the church’s You- Computer science, tech- who wanted to share their of 7,500. On an average Sun- Tube videos have reached nology and the digital faith stories about what was hap- day, 5,000 to 5,500 people 100,000 hits, which means it have much to offer to the pening on their block,” he attend service in person. At is communicating virtually analog religious community, said. “The beauty of digital the same time, 3,000 attend he said. faith and digital democ- virtually, through the use of to thousands of people in “The beautiful thing about racy is that it allows people a live video stream. Recently, numerous regions. It is now Google is Google brings a to plug into small cadres so the church updated its tech- working on developing sat- spiritual ethic to program- they are able to communicate nology to become even more ellite churches with larger groups of members. AT THE PRAXISHISTORIC ATHENAEUM HOTEL ming,” Moss said. and lift up what is happen- interactive. The open-source nature of ing in their communities.” “We put in a new format “Sometimes, there’s this Google is one of its strongest thought that if new technol- SATURDAY, AUGUST 4, 2012 Computer science also cre- where you can watch the characteristics. Open-source ates a basis for network the- service, and all of those who ogy comes into play, I there- means Google provides the ory, which says everything are online can communicate fore must remove what used COMMUNITY public the programming is connected. On a map, for with each other,” Moss said. to be — that’s not the ques- The second Praxis, "Community" will feature Chef Warhol's language necessary to add example, there are cities, or With that system, commu- tion,” Moss said. “The ques- reinventions of dishes from a community meal or a classic things to the framework. If nodes. They are the hubs of nity members who are sepa- tion is how can we take the potluck dinner. Chautauqua is a community in which people anyone has an idea about information where people rated from the church be- digital community and the gather to share thoughts and ideas through civil discourse cause of geographic location analog community and al- while celebrating the talents of it's members and guests. can still feel connected and low them to worship togeth- As Chef Warhol explains, "people will always bring their er, work together, minister best dish to be passed at a community dinner." He and his immersed in a loving faith team will celebrate the tradition of a community dinner with community, Moss said. One together. That is the idea of classic family-style dishes. member, a teacher who was what this Google culture re- working in Vietnam, felt iso- ally means.” All dinners: 5-Course meals, held in the Hotel Parlor, $69 or $89 with wine or beer pairings. Seatings 5:30 – 8 p.m. How has an experience at CHQ inspired you? TELL US YOUR CHQ STORY One more dinner will be held later this season Visit us at ciweb.org/CHQstories or PAINTED on the St. Elmo porch Tuesday and Thursday, Noon–2 p.m. Modernist and molecular culinary technics will be used to @CHQ Tag your videos interpret the works and lives of the world’s most cherished “CHQ Stories”or email artists. Ingredients will be plated as if the artist painted it. Tweet with the hashtag #CHQStories a direct YouTube link to Thursday, Aug. 16, 2012 [email protected] /CHQ1874 Scan this QR code to view the CHQ Stories playlist www.atheneaum-hotel.com • Reservations: call 716.357.4444 Upload photos/videos to our page Thursday, August 2, 2012 The Chautauquan Daily Page 9 symphony CSO, Litton serve up ‘rousing good time’ in Tuesday concert

Anthony Bannon Guest Reviewer REVIEW

I’m sorry that I have to since the ancient Greeks. One challenge Maestro Litton like does hear the conversation in this, but I can’t let go a char- Finzi’s work, subtly complex, acterization that the Gerard as the range of strings sum- Finzi piece for piano and mon different shadings. And strings he conducted and the piano, in Litton’s hands, performed with the Chau- has its own polyglot — love- tauqua Symphony Orchestra ly trills unexpectedly, or a was “a palate cleanser.” It slightly discordant stepping was not at all the sorbet the outside a chord, maintaining maestro promised Tuesday attention, calling the listener evening. It was not a parfait, to focus, to discover an emo- either. It wasn’t even gelato. tional truth, unexpectedly. It is true that Finzi’s short It feels like a sad, sweet work called Ecologue Op. 10 philosophy — learned, yet is only 9 minutes long, and it melancholy. Simple, rich, elo- is also true that it fit between quent. what the conductor — speak- The piano reaches, and ing extemporaneously to reaches, quietly reaches and the audience — called “two then touches the strings, and larger dishes”: Tchaikovsky’s they turn together, and sepa- Capriccio Italien Op. 45, rate, a dance for the mind. which is 15 minutes long, One would never want to see and Franck’s Symphony in D it performed in a space — Minor, which is all of 37 min- other than moving the mind utes. in that sacred space of sound. One might argue that by And then it ends with the sonic weight, the Finzi work cellos and a single chord from is light, with far fewer occu- the piano. And you miss it. ERIC SHEA | Staff Photographer pied seats than either of the Early on, the audience clearly orchestrated — those Guest Conductor Andrew Litton leads the Chautauqua Symphony Orchestra in its Tuesday performance other two, which are full or- sensed it was in for a special swirling gusts of the wind in the Amphitheater. chestra productions. Both the evening, for the cymbal-ring- instruments, a Tchaikovsky Tchaikovsky and the Franck ing, horn-calling, tarantella- undercurrent as articulate employ a tuba, which is singing “Capriccio” by Pi- as can be, and a pleasure for heavyweight against Finzi’s otr Ilyich Tchaikovsky was discernment. Yes, restrained strings-only. just about as wonderful as it at first, and then the mea- Maybe Litton was just be- gets. Litton, who now leads sured conductor jumping in ing modest. I prefer to think the Bergen Philharmonic place to pound in the finale, it modesty, because he was Orchestra in Norway after big and dramatic — worth the Finzi pianist and the more than a decade in Dallas, the wait of restraint. conductor. It was, though, a held the often voluptuously Litton pointed out in his modesty both unnecessary performed piece at first in a remarks to the audience that and, from my seat in the Am- close, even guarded, restraint Cesar Franck, a Belgian con- phitheater, misplaced. seeming to wait just a hair’s temporary of Tchaikovsky, That temporally slight breath longer than expected was practiced as an organist. work the maestro played, by before introducing the first Litton pointed attention to the 20th-century English- themes. that orientation of the com- man (1901–1956), is the kind The refinement pushed poser heard in his sympho- of sound miracle that seems against a noisy night in the ny. And what a delight: The capable of continuing for- audience. The super-sneezer horns and the deep strings ever. In culinary terms, it un- was out, and spasmodic sounded the part of the or- dersets the table and leaves cougher, and the droppers gan. the diner seeking more. And and late-arriving clompers, Litton’s Franck would be spiritually, it creates a place too. But Tchaikovsky did impossible on anyone’s car where an aesthetic of dura- prevail. As with the Franck radio, his swelling-up of the tion has no firm hold. The later, Litton choreographed a score building to high am- remembering them. In called out with the French evening — not the dessert, composition — aptly a frag- dynamic range in the orches- plitude from someplace in Franck’s symphony, the au- horns and timpani for the not the respite — was the ment, the second movement tra’s voice that was most com- the vicinity of silence for a dience holds fast the themes first bows. delicate, soulful Finzi. of an unfinished concerto, pelling. The orchestra was joyride of music. The sym- of the first movement. They It is a symphony filled worked on throughout four mighty and then shrewd, phony is an exposition of remain, an undercurrent with color, held with an ar- Anthony Bannon is the execu- decades — has eternity on measured in its conduct, us- the sublime — from dark- beneath the surface, quick chitecture that yields the tive director of the Burchfield its side. Moreover, it was not ing even cymbals with deli- ness, from the silence, to the to return in the third move- pleasure of surprise as it sat- Penney Art Center, a multi-arts performed until after the cacy. full vantage of the moun- ment, a masterpiece weave, isfies through its memorable presenter on the campus of Buf- composer’s death and then The appreciation was pal- tain top. after the sweet second songs. falo State College. Previously, first heard at his funeral. pable in the big Amphithe- In musical theater, they movement where the voice Those were big moments he was an arts writer for The An “ecologue” is a pas- ater space, noisemakers not- say the play is a success if of each of the instruments indeed — the Franck and Buffalo News and director of toral poem, usually in the withstanding. This was good the audience leaves hum- appears, especially beguil- the Tchaikovsky, very well George Eastman House in Roch- form of a dialogue, employed stuff, a rousing good time, ming the tunes — and ing in the English horn, played. But the heart of the ester, N.Y. Page 10 The Chautauquan Daily Thursday, August 2, 2012 philanthropy Franks makes commitment to ensure ‘special place’ Chautauqua keeps going

Sydney Maltese “I think every- tise impressed her. ing” may be hard to describe, Staff Writer body that I know “I went to the Op- Franks said she experiences likes the music era Guild luncheon it particularly when greeted Eleanor B. Franks recalls that opera affords,” and met some of the by strangers at Chautauqua. the days when her mother Franks said. “It young men,” Franks “People are more friendly would stand in line for op- gives young peo- said. “Some of them here. Many times you just era tickets. As a teenager, she ple a chance to en- have already been walk down the street and and her mother would go to joy opera and be a singing in operas, people that you’re walking opera performances — back part of it, especially other than Chautau- past say hello, or good morn- when the Metropolitan Op- those who partici- qua.” ing, or something like that,” era traveled. pate — the singers.” Opera is not the she said. “And you don’t find Franks, who lives in Lake- Franks was a vocalist and only enjoyment Franks finds that everywhere else. It’s a to- wood, N.Y., off-season, esti- sang in her church choir and at the Institution. She also tally different feeling here.” mates that her infatuation in a music club. Her apprecia- attends morning and after- Franks also recognizes the with opera began in the mid- tion for singing is apparent, noon lectures, is a member of feeling in her interactions 1930s. and she attends many of the the Bird, Tree & Garden Club with her neighbors, who “I guess I’ve been a fan master classes offered at the and has served on the Chau- have been coming to Chau- ever since,” Franks said. Institution. She especially en- tauqua Women’s Club schol- tauqua as long as she has. Franks’ late husband, My- joys those with School of Mu- arship committee. “It’s just wonderful to ron B. Franks, was also an op- sic Voice Chair Marlena Ma- Franks loves to cook, and know these people,” she said. era enthusiast. The two came las and Chautauqua Opera it is a good thing — her house “We look forward to their to Chautauqua every summer Company Artistic and Gen- is often full with any number coming, and they look for- for years, and she still looks eral Director Jay Lesenger. of her four children and their ward to our arrival too.” forward to it each season. “They’re phenomenal — children. Difficulty in encapsulating “He was always interested what they can do and how “It certainly means a great all that makes Chautauqua sin- in opera music, so we just fol- the voice truly sounds differ- deal in their lives, or they gular does not prevent Franks lowed through with it,” she ent after they listen to what wouldn’t be coming back,” she from being certain that Chau- said. “Then we bought our she has to say and what he said. “And while they have op- tauqua must be preserved by house here, and I’ve been go- has to say,” Franks said. portunities where they live, those who love it best. ing to the opera ever since.” She also had the oppor- and they do attend musical “It’s a really special place, LAUREN ROCK | Staff Photographer In her honor, Myron estab- tunity to meet some of the things, there’s a different feel- always has been,” Franks Eleanor B. Franks with her granddogs lished the Eleanor B. Franks young vocalists studying at ing about Chautauqua.” said. “It’s wonderful, so it has Fund for the Opera in 1981. Chautauqua, and their exper- Though the “different feel- to keep going.” Boyle Fund supports CSO performance Locke Irwin Fund The Boyle Family Fund for gas industry. In 1942, Peace and has provided the Chautauqua Symphony he became a director of primary funding for the Orchestra, a fund held in First Seneca Bank & Trust Abrahamic Community supports Lithwick lecture the Chautauqua Foundation, Company in Oil City and Program. Helen died in sponsors tonight’s perfor- later chaired the executive February 2008. The Locke Irwin Fund the post in 1981, she was Forest, also very much a mance of the CSO featuring committee. The Boyles have six chil- provides funding for today’s named editor emerita and Chautauquan, practiced law guest conductor Andrew Lit- The Boyle family has dren: Mary Boyle-Arnn, 10:45 a.m. lecture by Dahlia Chautauqua’s official histo- for more than 50 years and ton and violinist Akiko Mey- been active in Chautau- Michael, Mig, Patrick, John Lithwick. rian, a post she held until served as treasurer and vice ers. qua’s life for many years. and Peter who continue to Established in 1982 by Al- 1999. As a historian, Alfre- president of the Lee Norse The fund was established Mr. Boyle served as an In- enjoy Chautauqua. freda L. and Forest B. Irwin, da authored three editions Company, director at the through gifts to the stitution trustee from 1976 the Locke Irwin Fund is a of Three Taps of the Gavel: Exchange Bank and Trust Foundation by Edward and to 1984 and as a director of If you would be interested in permanent endowment fund Pledge to the Future. She also Company, vice president held within the Chautauqua Helen Boyle. Ed Boyle was the Foundation from 1984 discussing the possibility of founded the Chautauqua at Pennsylvania Bank and Foundation to support the Network, edited the Chau- president and publisher to 1994. From 1980 to 1983, establishing an endowment to Trust, and director at Penn- Chautauqua Institution ar- tauqua Network News and of the Oil City Derrick and he chaired the Chautauqua support the performing arts bank (now part of National chives, Chautauqua Sym- traveled extensively on be- well-known in the oil and Fund. He died in Decem- or another aspect of Chau- phony Orchestra or Chau- half of the Institution. She City). Forest was active in ber 2000. Throughout the tauqua’s programs, please tauqua morning lecture authored many articles for the Pennsylvania commu- years, Helen was involved contact Karen Blozie, direc- platform. Alfreda Irwin was publications, journals and nity, serving the Kiwanis with the Opera Board; the tor of gift planning, at 716- born the daughter of Meth- newspapers, as well as a Club, hospital board, Amer- Bird, Tree & Garden Club; 357-6244, or email her at odist minister Rev. Alfred church play — Stone Against ican Red Cross, Franklin Chautauqua Society for [email protected]. C. and Nellie Hess Locke. the Heart, published in 1983. Public Library and the Polk She graduated from Ohio Alfreda is one of two peo- State School, among many Wesleyan University in 1933 ple in Chautauqua’s history others. with a degree in English and to twice receive the Chau- At Chautauqua, Forest journalism, and she contin- tauqua Salute. Institution was deeply involved in the ued as an English graduate President Dr. Daniel Bratton Chautauqua Literary and assistant in 1934. She mar- awarded her the Chautau- Scientific Circle, Sports ried attorney Forest B. Ir- qua Medal, the highest honor Club and United Methodist win and raised their family bestowed by the Institution. House in various capacities. of one son and five daugh- For that award ceremony, she He died March 15, 1989. The ters in Franklin, Pa., where wore her great-grandmoth- bowling green at Chautau- she started her career as a er’s cape — her great-grand- qua was named in his hon- writer, journalist and radio father, Dr. James Galagher, or, and the Smith Memorial host. Alfreda came to the In- was the family’s first Chau- Library Heritage Room is stitution as a child with her tauquan. grandparents. Forest bought Alfreda died Jan. 22, named in honor of Alfreda’s the family cottage at 39 Pal- 2000. In addition to her five extraordinary contributions estine as a Mother’s Day gift daughters, she is survived by to Chautauqua. in 1955. 11 grandchildren, 11 great- Living all summer at grandchildren, two great- Chautauqua, Alfreda be- great-grandchildren and came a reporter for The three step-grandchildren. Chautauquan Daily in 1958, Her husband preceded her in assistant editor in 1959 and death, and her son, Tom, died editor in 1966. Retiring from in November 2007. GALLERY

•Stedman Corners Coffee •Premium and Herbal Teas •Pastries cafe •Fresh Composed Salads •Artisan Sandwiches •Desserts & Cold Beverages

at Fowler-Kellogg OPEN: Art Sat. – Thurs.: 9 a.m. – 3 p.m. Center Fri.: 9 a.m. – 7p.m. Thursday, August 2, 2012 The Chautauquan Daily Page 11 DANCE / SYMPHONY Lehrer to share journey from athlete to dancer in CDC lecture

RABAB AL-SHARIF she, being a the fi rst week, I knew some- ed a jazz class and then bal- He learned good technique a very specifi c style.” Staff Writer very strong thing in my life was drasti- let. Before he knew it, Lehrer along the way. After rising to associate f e m a l e , cally about to change,” he wasn’t going home for sum- Lehrer said he doesn’t director at Giordano, Lehrer At 19, Jon Lehrer, founder said, ‘Are said. “It was the most amaz- mers so he could take private think he would have liked thought it was time to take of LehrerDance, took his fi rst you kidding ing experience of my life.” lessons to catch up, audition- dance, had he taken a ballet the next step and start his dance class on a dare. me?’” The course was a general ing and performing in shows class fi rst. own company. After living in Queens his A f t e r modern class rather than one at school. “It just would have been entire life, Lehrer decided to l e c t u r i n g that taught a specifi c tech- “It was great,” he said. “It too foreign to me,” he said. In 2007, LehrerDance was head upstate to attend the LEHRER him on nique, such as Graham or really changed my life.” Even without a lifetime born in Buff alo. State University of New York her course Horton, he said. Lehrer will talk about his of training, Lehrer got into “We’re known for our ex- at Buff alo, because it off ered amount — which included “That defi nitely would transition in a lecture, “From two major companies dur- treme athleticism combined many programs, and he had the same general electives have scared me away,” Leh- Athlete to Dancer: the Story ing his 12-year career: Erick with technical virtuosity,” no idea what he wanted to he was taking along with rer said. of LehrerDance,” hosted by Hawkins Dance and Giorda- Lehrer said. study. her dance classes, rehearsal Growing up in Queens, the Chautauqua Dance Circle no Dance Chicago. People always ask Leh- “I didn’t know what schedule and a job — she in- Lehrer wasn’t exposed to at 3 p.m. today in Smith Wil- Although one is a Gra- rer if the company is jazz or I wanted to do,” he said. formed him that dance class- the arts, but was into athlet- kes Hall. ham-like classical modern modern, and he tells them it “I knew I’d fi nd it there, es were more than just danc- ics. He even received college Lehrer geared his entire company and the other a though.” ing around all day. She still scholarship money from professional career on be- world-renowned jazz compa- is organically athletic. During his freshman year, had to read books and write playing baseball. ing an athletic male dancer, ny, both are athletic in their Lehrer will also introduce he started to date a dancer. papers. Dance seemed very ath- he said. He played to his own right, Lehrer said. his company to Chautau- When the two received their She bet Lehrer he couldn’t letic to him, making that strengths. Both Erick Hawkins and quans with a demonstration grades at the end of the se- get an A in a dance class. transition much smoother, “I knew that I wouldn’t be Gus Giordano were just try- at the lecture. mester, his girlfriend had “She fi nally said, ‘OK, if he said. a Baryshnikov — I wouldn’t ing to say something with Dancers Manny Nay- fared much better than he you think it’s so darn easy, “It was just one of those be a ballet dancer,” he said. dance, he said. lor and Colleen Walsh will had. why don’t you take a dance great modern classes where “There was no way in hell “Erick was trying to say it perform “Fuse” during the In what he called “typical class,’” he said. you can run, and jump, and that starting at 19 I was go- in his way, and Gus was trying talk. male fashion,” he teased her During his sophomore roll, and they’re teaching you ing to get into a ballet com- to say it in his way,” he said. about her course load. year, Lehrer accepted the technique along the way,” pany.” “They appear to be polar op- Lehrer did manage to get “I said ‘Of course you got challenge and signed up for a Lehrer said. “So I just fell in He said he did not have posites in what they present, an A in that fi rst dance class. all A’s, all you do is dance beginner-level modern class. love with it.” the training, but what he did but they were both just trying As for the girl — he married all day,’” Lehrer said. “And “Honest to goodness, after The next semester, he add- have was a raw physicality. to express themselves through her.

Felix Mendelssohn (1809–1847) rated as the King’s enthusi- journeyman stage. the royalties it would earn.” Violin Concerto in E minor, asms shifted in other direc- He was called upon to Desperate for success, Op. 64 (1844) tions. It appears what the replace an ailing Arthur Ni- Mahler contrived a story- kisch in conducting Wag- Felix Mendelssohn should King really wanted was to line and named it “Titan,” ner’s Ring cycle. The orches- have been a prolifi c concerto have Mendelssohn as court after the novel by Jean Paul tra members wrote a formal composer. Here was a com- musician — and Mendels- — whose real name, Johann complaint that Mahler “… poser whose font of melody sohn found that distasteful. Richter, brought memories not infrequently demands never dried up and whose It took three years and the Symphony Notes of Mahler’s fi rst love. Still, it what is absolutely impos- gift for instrumental colors death of his mother, before COLUMN BY LEE SPEAR did not sit right with audi- sible,” but the performances was extraordinary. What he he could extract himself from ences. were brilliant. Mahler was lacked was time. He was in the Berlin contract and re- He tried changing the together, there was no place But Johanna Richter was a showered with praise for in- such continuous demand turn to Leipzig. Sadly, at that titles of the movements. for the soloist to insert any- blue-eyed blonde soprano in terpretive mastery. He had that he eked out time for point he had only three years Later, he cut one of the thing. his opera company, and he reached the big leagues. composition in 45-minute left to live. movements, the one en- Mendelssohn even wrote found time to fall in love. In Baron Karl von Weber, chunks. Once free of the Berlin out the cadenza for the fi rst their love story his fi rst sym- grandson of the composer titled “Blumine,” a tender He wrote his friend violin- position, he turned to writ- movement and inserted it in phony began to take shape. Carl Maria von Weber, one of thing he had composed for ist Ferdinand David in 1838, ing the violin concerto for a way that allows no room His letters reveal how Mahler’s idols, gave Mahler Johanna. (It was lost until “A concerto in E minor keeps his friend David. It became a for extemporization in this smitten he was — “She is his fi rst opportunity to com- 1968). Frustrated, in 1896 he running through my mind, I work of gratitude to the vio- traditionally improvisational everything lovable in this pose professionally. An in- wiped out the title “Titan,” can’t get it out of my head.” linist, who had covered for moment. By locating the ca- world. I would shed all my complete opera by Weber was the descriptive headings, All it needed was to be writ- Mendelssohn in Leipzig all denza at the end of the devel- blood for her.” She was his in the Baron’s library, and he and all remnants of the sto- ten down and orchestrated, the while he was gone on the opment instead of near the fi rst sexual partner. Mahler’s off ered Mahler the task of ry — “Just call it Symphony but fi nding available time Berlin misadventure. end of the movement, Men- possessiveness — he was fi nishing it. The completed No. 1 — period!” eluded Mendelssohn until In this work, Mendelssohn delssohn gave it a structural called a “tyrannical lover” comic opera Die drei Pintos From its beginnings, the 1844. formulated a new defi nition function — it took on the job by one acquaintance — ulti- was a phenomenal success. piece has aroused confl ict. The concerto, and who of a concerto. Up to that point of setting the stage for the mately doomed the relation- Mahler wrote his parents, Bruno Walter described hear- knows how much more, it was expected that a concer- ship. They were together, on recap of themes, normally a “From today, I am become a ing it, saying, “I marveled at would have materialized to was essentially a virtuoso task taken by the orchestral and off , for about 18 months. ‘famous’ man.” much sooner if Mendelssohn showpiece for a specifi c per- the singular courage of this “retransition.” During periods of separa- Mahler was living his had not received a royal sum- former, a work fi lled with py- unknown composer.” Edu- Mendelssohn’s Violin tion Mahler wrote abject love dream. Audiences in opera mons from the new King of rotechnics tailored to suit the ard Hanslick reviewed it, Concerto broke the long- poems to Johanna. He called houses around Europe were Prussia, Friedrich Wilhelm player’s personal skills, and “One of us must be crazy, standing tradition of con- them “songs,” knowing that hearing music he had com- IV, calling him to Berlin. formulated to impress the ear and it isn’t me!” certos consisting of a set of he would eventually set them posed. And even better, he The king announced grand with showmanship. “Nature’s tones, not mu- independent showpieces to music. was receiving royalties from plans to take the arts to new Mendelssohn took a dif- sic,” Mahler warned the or- — only modestly related to The aff air ended tearfully the performances. Buoyed by heights. Mendelssohn would ferent route. The opening chestra about the opening. each other. The concerto is an on New Year’s Eve, 1884. the success, Mahler returned become director of music at is, as he promised David it Some of his images are obvi- artistically-integrated whole The next morning Mahler to his symphony, enthusiasti- the Royal Academy, and he would be, all on the E string ous, you can’t miss the cuck- with three closely linked described the breakup in a cally sharing each idea with would be in charge of creat- — the highest and most bril- oo, but it is more a state of parts. The opposing goals of letter, including the infor- the Weber family. ing a Royal Prussian Conser- liant sounding violin string. mind than outright mimicry a concerto — showpiece vs. mation “… I have composed He later recalled the night vatory of Music that would Yet the theme is passionate artistic whole — have never a cycle of songs …, all dedi- he completed the fi rst move- that makes the introduction rival anything in Europe. rather than pyrotechnic, and been fully reconciled. The cated to her. She hasn’t seen ment: “It was around mid- Arcadian. As he moves grad- It meant leaving his posi- it is a quiet statement by the battle continues, but thanks them. What can they tell her night — I ran to the Webers’ ually into “real” music, it is a tions in Leipzig, where he soloist rather than a orches- largely to Mendelssohn’s val- beyond what she already and played it to them both love song for Johanna Richter was already conductor of tral forte that sets the stage. orous risk-taking, there is an knows?” ….” The opening of the fi rst that becomes the theme of the Gewandhaus Orchestra Mendelssohn’s original- Those became his fi rst alternative to what Brahms movement represents Nature the movement. and was deep into the plan- ity also shows in the way masterpiece, the autobio- called empty virtuosity. arising after a long Winter, The energetic scherzo that ning process for a Leipzig he stitches the three move- graphical songs of love and projected against a shimmer- follows includes a rustic folk Conservatory suspiciously ments together, replacing Gustav Mahler (1860-1911) loss, “Lieder eines fahrenden ing background wash of the dance as its trio, intention- similar to the one the King pauses between movements Symphony No. 1 in D Gesellen” (Songs of a Way- note A — every A possible in ally primitive to maintain was proposing in Berlin. It with continuous music. To (1884-88) farer). “The songs are a se- the strings, from the lowest A the natural unsophisticated seems likely that the King’s some, that appeared to be an quence in which a journey- in the basses to high harmon- imagery of the work. advisors, knowing his desire insult to the violin soloists By the age of 21, Mahler man, who has had a great ics in the violins. The shim- The third movement is to entice Mendelssohn to his and audiences of his time. knew he was a composer, but sorrow, goes out into the mering continues nearly four a parody funeral march. court, engaged in a bit of cul- Applause between move- his ear (and a penchant for world and wanders aim- minutes, while cuckoos and tural espionage to discover ments had been not merely domination) meant he could Mahler’s choice of “Frère lessly ….” It would be years trumpet calls awaken the Mendelssohn’s hopes for the acceptable, but encouraged. earn a living as a conduc- Jacques” as the dirge is a bit before he made them pub- natural world. The Baron and future, so the King might Audiences expected that a tor. He conducted at opera of black humor (“Are you lic, but the music of Johan- Frau Weber pressed in on ei- match them point-for-point. soloist would respond by of- houses around central Eu- sleeping, Brother John?”) that na’s songs wrapped itself ther side of him at the piano The actual tipping point fering up a musical bonbon rope, never lasting long in audiences initially found around the fi rst symphony, to handle the shimmering was not something the King as an encore before moving any position. His goal was outrageous. which Mahler was just be- octaves above and below. off ered, but the fact that Men- to the next movement. Most to compose. Conducting was Then, with a bolt from ginning to fashion. “All three of us were so en- delssohn’s recently widowed soloists arrived at concerts merely his day job. If things the blue, Mahler sweeps After the breakup, he thusiastic and happy that I mother was living in Berlin, with a supply of short, un- went awry in one city, he away the funeral march in resigned his post and left had no fi ner hour with my and she wanted him to come. accompanied showpieces to moved on. a crash of sound (“… a cry town, taking the song cycle First Symphony. Afterwards choose from at those spots. In 1883, Mahler was con- from a wounded heart…”) Almost immediately after ac- and symphonic sketches we went out, strolling hap- Mendelssohn’s scheme put cepting the appointment, he ducting at the opera theater with him. After one sea- pily together.” that launches the fi nale, that out of the question. regretted the decision. The in Kassel. The job was de- son conducting in Prague In addition to awakening and marches on toward its With the movements linked grand musical plans evapo- vouring his time, leaving (1885–86), he became second nature, the fi rst movement triumphant, heroic, conclu- nothing for composition, conductor in the Leipzig awakened passions between sion, with French horns in- and he was constantly quar- Theater, where his career Mahler and Frau Weber. Fu- structed to stand, raise the reling with management. abruptly broke out of its eled by the love aff air, Mahler bells of their horns and try blazed through the work — a to drown out the rest of the fi ve-movement symphonic orchestra. poem — in a fi restorm of Mahler reported that he creative activity. Inevitably got chills whenever conduct- the scandal broke, and once ing it. Concerning audiences’ again Mahler left for another misgivings, he said, “Damn city. and blast — where do people At the fi rst performance keep their ears and hearts if of his symphony — or “sym- they can’t understand this!” phonic poem” as it was then — in Budapest, he was star- “Symphony Notes” provide his- tled by the cool reception. torical context for the works on Listeners were mystifi ed. the CSO programs. To supple- “I naively imagined that it ment the notes with musical would be child’s play for the details and specifi c strategies for players and audience, that it listeners, Lee Spear presents a would please immediately “Pre-Concert Lecture” at 6:45 and that I was going to be p.m. in the Hurlbut Church able to live comfortably on sanctuary. Admission is free. Page 12 The Chautauquan Daily Thursday, August 2, 2012 SCHOLARSHIPs

This summer, thanks to the generous support of this community, Chautauqua has awarded Annual Scholarship Recipients (cont’d) $610,000 in scholarships against an overall need of over $1 million. Of the total awarded, approximately one half is from gifts through the annual fund designated for scholarship Last First Area Home Scholarship support, one-quarter is from earnings from scholarship endowments held by the Chautauqua Bogard Andrew VOICE OH Dr. and Mrs. Joseph Rait Scholarship Foundation, and one-quarter is from the general operating revenues of Chautauqua Institution. Johnson Tiffany ART CT Subagh Khalsa and Subagh Winkelstern Scholarship Clay Jenny ART PA The Joan Lincoln Ceramics Scholarship Fund Annual Scholarship Recipients Berger Molly ART PA The Joan Lincoln Ceramics Scholarship Fund Girdler John ART KY The Joan Lincoln Ceramics Scholarship Fund Smith Matthew ART IN The Joan Lincoln Ceramics Scholarship Fund Last First Area Home Scholarship Waterbury Alexandra DANCE NY Mr. and Mrs. Brad Currie Scholarship Bergmann Bailey DANCE PA General Chautauqua Scholarship for Dance Stillman Morgan DANCE IN The Chautauqua Dance Circle Scholarship Lisbin Andrew MSFO NY General Chautauqua Scholarship for MSFO Habony Laine DANCE TX The Chautauqua Dance Circle Scholarship Anderson Leah CTC RI General Chautauqua Scholarship for CTC LaFreniere Isabella DANCE MI The CDC Kindness Foundation Scholarship Brody Lynda ART PA General Chautauqua Scholarship for Art Heier Alexandra DANCE MA The Chautauqua Dance Circle Scholarship Mavroleon Nicolette VOICE NJ The Hebrew Congregation Award Kay Benjamin DANCE FL The Lester T. Gootnick M.D. and Margery She Xiaoxue MSFO CA The Hebrew Congregation Award Gootnick Memorial Dance Scholarship Lee Daniel MSFO MI The Hebrew Congregation Award Orazi Cecilia MSFO OH The Constance Barton and William Northrop Ericsson Samuel MSFO MA The Hebrew Congregation Award Scholarship Arsenault Julian VOICE CA The Hebrew Congregation Award Zharoff Elizabeth VOICE PA The Margaret Rofot Memorial Scholarship Dickinson Scott MSFO IL The Mu Phi Epsilon Scholarship Wryk Marta VOICE Poland The Margaret Rofot Memorial Scholarship Sloat Kathryn MSFO NY NFMC-New York Federation Award Lang Spencer VOICE OR The Margaret Rofot Memorial Scholarship Marcin John MUSIC MD NFMC-Pennsylvania Federation Award Grina Bjorn MSFO MN The Robert and Joan Spirtas Scholarship Cordray Perri MSFO OH NFMC-Ohio Federation Award An Soyeon MUSIC Korea Steve and Barb Landay Scholarship Mor Aaron VOICE NY NFMC-Eleanor Pascoe Award Tang Yi Qing MUSIC China Steve and Barb Landay Scholarship Bogard Andrew VOICE OH NFMC-Indiana Federation Award Switala Alexandra MSFO TX The Penrose-Mahaffey Scholarship Fund Cha Jeongcheol VOICE NJ The Jamestown Rotary Club Scholarship Soares Tomaz MSFO RJ The Penrose-Mahaffey Scholarship Fund Vucekovich Joy MSFO IL The Rachel and Rudolph J. Schreck Scholarship Neiva de Castro Luisa MSFO Brazil The Robert and Mary Pickens Scholarship Mor Aaron VOICE NY The Westfield-Mayville Rotary Club Award Lee Hyanggee MSFO PA The Robert and Mary Pickens Scholarship Kroeger Paul VOICE TX The Westfield-Mayville Rotary Club Award Caldwell Anna ART PA VACI Auction at Strohl Art Center Scholarship Braga Caroline VOICE NJ The Westfield-Mayville Rotary Club Award Hotaling Matthew ART NY VACI Auction at Strohl Art Center Scholarship McDermott Hannah VOICE CA The Westfield-Mayville Rotary Club Award Whitney Julia ART IL VACI Auction at Strohl Art Center Scholarship Parsons Charles MUSIC CA CWC - Robert V. Woodside Memorial Scholarship Kambic Caitlin ART PA VACI Auction at Strohl Art Center Scholarship Fund Sawle Jenny ART DC VACI Auction at Strohl Art Center Scholarship McKissick Alexander VOICE CT CWC - in memory of Esther Bellini Burlingame Wright Autumn ART PA VACI Auction at Strohl Art Center Scholarship Arnold Torrell ART NY CWC - to honor Don Kimes and Lois Jubeck McIlnay Erika ART IL VACI Auction at Strohl Art Center Scholarship Maus Lyndsi MUSIC LA CWC - Eleanor McKnight Scholarship in memory Feminear Mary VOICE NY Phil and Rachel Rogers Scholarship of Robert S. Bargar Bogard Andrew VOICE OH Phil and Rachel Rogers Scholarship Tanaka Rie MUSIC WI CWC - Bob and Ann Fletcher Scholarship to honor Salvito Christopher MSFO NJ The Marsha J. Alico Memorial Music Scholarship their children and grandchildren Brody Lynda ART PA The Robert J. Alico Jr. Memorial Art Scholarship Connors Christopher MSFO OH CWC - to honor Jan Eberle Stammer Peter (Murray) MSFO NY Mr. and Mrs. Peter A. Georgescu Scholarship Everett Stephanie MSFO TX CWC - The Glen R. Johnson Family Scholarship in Kim Yueun MUSIC The Quack Moore Music Fund memory of Lori Johnson Wallace Marcin John MUSIC MD The Quack Moore Music Fund Bish Sarah MSFO NY CWC - The Renjilian Family Scholarship for Cello Gee Kyle VOICE FL Anonymous Scholarship for the Arts Calebaugh Kasey MSFO AZ CWC - Bob and Joyce Tate Scholarship Walker York CTC CA Anonymous Scholarship for the Arts Hunninghake Patrick MSFO IN CWC - The Barton/Northrop Scholarship in Martin-Nielson Philip DANCE NY Ms. Izumi Hara and Mr. David Koschik Scholarship Trumpet to honor Paul Weber Ferguson Jr James DANCE FL The Joseph and Anna Gartner Foundation Dance Luebke Matthew MSFO TX CWC - in honor of Norman Weizenbaum Scholarship Tran Sarah MSFO TX CWC - Elizabeth Babcox Flute Scholarship to Saito Misaki MUSIC FL Ms. Laura Miller Piano Scholarship honor Laura B Barnes Cedel Brandon VOICE PA Ms. Laura Miller Voice Scholarship Lin Peiming MSFO MI CWC - to honor Cheryl Saunders in Violin Sagiv Tamar MSFO Israel Mr. and Mrs. Lloyd Richard Miller Scholarship Soekojo Winnie MUSIC FL CWC - Joan Keogh/James Lynch Scholarship Gonzalez Raquel VOICE KS Dr. and Mrs. G. James Sammarco Scholarship Sawle Jenny ART DC CWC - in memory of Bess Conrow Offutt Oliver Kali DANCE OH Mr. and Mrs. Arthur Sherwood Scholarship Spencer Stephen CTC OH CWC - The Dr. Kenneth and Cheryl Gorelick Fund Smoak Jenny MSFO NC MSFO Brass scholarship in memory of Robert Park Min MSFO TX CWC - to honor Jacques Israelievitch Vitkowsky Lisbin Andrew MSFO NY CWC - The Anne and John Burden Scholarship in Peters Timothy ART NY Karen and James Greb Art Scholarship memory of Frances and William Staples Cha Jeongcheol VOICE NJ The Andy Anderson Scholarship in honor of Garvin Alessandra MSFO MD CWC - to honor Arie Lipsky Marlena Malas Lipstone Jessica MSFO CA CWC - to honor Richard Sherman Choi Grace DANCE PA The Clement and Karen Arrison Dance Scholarship Clawson Ryan DANCE SC CWC - to honor Jean-Pierre Bonnefoux and Hoffman Theo VOICE NY The Heidi Albrecht Easterbrook Memorial Voice Patricia McBride Scholarship Xue Mei Lun ART WA CWC - to honor Norman Weizenbaum Tobin Josh CTC NC The Justin Kuhn Theater Scholarship Wright Autumn ART PA CWC - to honor the Artists at the Market Miodragovic Monika MUSIC IL The Frances Lapinski Piano Scholarship Pikler Amy MSFO IL CWC - Morton and Natalie Abramson Scholarship Dunn Rachel DANCE NC The Beverley and Richard Meer Dance Scholarship in Violin Bao Billy MSFO Canada The Kurt and Karen Miller Scholarship Kim Sofia MSFO CA CWC - to honor Sally Bradley in Violin Ashcroft Sarah VOICE MI The Hale and Judy Oliver Scholarship Liu Yuyang MUSIC China CWC - to honor Rebecca Penneys Park Laura MSFO IL The Hale and Judy Oliver Scholarship Chandler Theophilus MSFO NC CWC - The Anne Winkelstein Scholarship in Sun Jiao MUSIC China The Hale and Judy Oliver Scholarship memory of Dr. Alan Winkelstein Uchida Yuri MSFO IL The Hale and Judy Oliver Scholarship deVries Joshua MSFO NY CWC - Ann H. Sullivan Brass Scholarship for Brass Delfin Michael MUSIC CA The Hale and Judy Oliver Scholarship to honor Daniel F. Sullivan Tashjian Hans VOICE NY The Hale and Judy Oliver Scholarship Arsenault Julian VOICE CA CWC - to honor Marty W. Merkley Stoddard Philip VOICE AZ The Hale and Judy Oliver Scholarship Hempel Hillary MSFO IL CWC - Morton and Natalie Abramson Scholarship Xue Lishan MUSIC China The Hale and Judy Oliver Scholarship in Violin Hage Roy VOICE VA The Hale and Judy Oliver Scholarship Bradley Kathryn MSFO MO CWC - The Bob and Ann Fletcher Scholarship in Bastow Jarrett MSFO IL The Jeff and Judy Posner Scholarship Fund honor of their children and grandchildren Lee Hyanggee MSFO PA The Molly F. Rinehart and Charles L. Christian Lynn Deanna MSFO CA CWC - Anonymous Scholarship to honor David G. Scholarship Williams Mehring Devon VOICE CT Voice Scholarship in honor of Bonita Sito Gildea Justine DANCE PA CWC - Dr. & Mrs. Bartley Griffith Scholarship to honor Colette and Charlotte Griffith Goldberg-Leopold Shona MSFO PA CWC - to honor Roger Kaza Morales Astrid MUSIC Mexico CWC - Nancy and Dick Langston Scholarship in memory of Alvin James Coulter Endowed Scholarship Recipients Xiong Xiaoyi MUSIC FL CWC - Joan Keogh/James Lynch Scholarship Fontenot Emma DANCE AL CWC - The Lou and Debi Clementi Family Sridharan Sathya CTC NY The William E. Miller, Jr. Theater Scholarship Foundation Scholarship Zimmerman Tyler VOICE PA The Richard B. Rubin Scholarship Fund Lee Jisun MSFO IL CWC - Tom and Edie Fiske Smolinski Scholarship Smith Taylor MSFO MO The Helen M. Overs Fund to honor Susan Helm Husby David MSFO MN Beverly and Marvin Fiegelman Scholarship Fund Kostic Claire MSFO NY CWC - Walter and Virginia Cox Scholarship in for the Performing Arts memory of Wally Cox Everett Stephanie MSFO TX General Scholarship Gracco Michael VOICE CT CWC - in memory of Donald Dame Strange David United Kingdom The Chautauqua Bell Tower Scholarship Fund Tiesi Christopher VOICE FL CWC - John and Ann Burden Scholarship in Bernard Molly CTC NY The Bestor Scholarship Fund memory of Helen and John Burden De La Fuente Fernando MSFO CA Ward T. Bower Memorial Scholarship Heinrich-Szasz Lilla VOICE NJ CWC - Bedrosian Family Scholarship Germer Molly MSFO PA Dorothy Boynton Charles and Harry T. Charles Soares Tomaz MSFO RJ CWC - to honor Maestro Timothy Muffitt Trust Fund Mehring Devon VOICE CT CWC - to honor Marlena and Spiro Malas Garvin Alessandra MSFO MD Clarkson Family Scholarship Husby David MSFO MN CWC - to honor Oliver Dow and Diane Persin Soekojo Winnie MUSIC FL Eleanor B. Daugherty Scholarship Fund Economakis An Soyeon MUSIC Korea Eleanor B. Daugherty Scholarship Fund Zain Sabrina CTC CA CWC - to honor Vivienne Benesch and Ethan Tang Yi Qing MUSIC China Eleanor B. Daugherty Scholarship Fund McSweeny Saito Misaki MUSIC FL Eleanor B. Daugherty Scholarship Fund Norman Matthew MSFO ID CWC - to honor John Marcellus Zhang Tong MUSIC China Eleanor B. Daugherty Scholarship Fund Cohon Maya MSFO WA CWC - Bob and Joyce Tate Scholarship Wu Kevin MUSIC NV Eleanor B. Daugherty Scholarship Fund Swike Curtis MSFO NY CWC - The Dr. Joseph A. & Anne T. Prezio Brass Xue Lishan MUSIC China Eleanor B. Daugherty Scholarship Fund Scholarship in honor of Marty W. Merkley Tanaka Rie MUSIC WI Eleanor B. Daugherty Scholarship Fund Zhang Jizhe MSFO Canada CWC - Dr. and Mrs. Edward L. Paul Scholarship Heubusch Jayson MSFO FL Diamond Jubilee Class of 1948 Scholarship Carpio Shannon MSFO VA CWC - Elizabeth Babcox Clarinet Scholarship to Benjamin Rebecca MSFO IN The Robert Hunt and Mary Campbell Eckhardt honor Julia B. Gaede Memorial Scholarship Young Maureen MSFO WI CWC - The Anita and Sidney Holec Brass Hawthorne Sean MSFO NY The Mary Cummings Paine Eudy Scholarship Scholarhip to honor Anne T. Prezio Alegria Juan & Kristine IL The Groff-Simpson Family Scholarship Omage Olivia DANCE NY CWC - to honor Christina Giannini Kellogg Laura MSFO MI The Genevieve Foote Findley Scholarship Moafi Sepideh CTC CA Mrs. Gloria Palmer Fuller Scholarship Sun Jiao MUSIC China The Jessie D. Grassie Class of 1882 Scholarship Ott Jarrett VOICE PA A.L. and Jennie L. Luria Scholarships Maus Lyndsi MUSIC LA The Cyril T.M. Hough Memorial Scholarship Lieberman Talya VOICE PA A.L. and Jennie L. Luria Scholarships Xiong Xiaoyi MUSIC FL The Dorothy M. Jackson Memorial Scholarship in Didion Kelsey CTC NC The Friends of the Theater Scholarship Piano Cox Roderick MSFO GA The David Effron Conducting Fellowship Vucekovich Joy MSFO IL The Thomas E. Kaufman Memorial Music Scholarship Davids Carrie MSFO CT The Mary Helen Boyle and Ted Arnn Scholarship Tiesi Christopher VOICE FL The Felicia and Andy Landis Memorial Scholarship Germer Molly MSFO PA The Mr. W.F. Clinger Scholarship Covington Christian MSFO NC The Marianne Elser Markham Endowment Fund Savage Jessica CTC NY Mr. and Mrs. Don Greenhouse Scholarship Bish Sarah MSFO NY The Ralph J. Miller and Florence L. Miller Memorial Hawthorne Sean MSFO NY Rebecca M. and Dr. Alan Kamen Cello Scholarship for Music Scholarship Maloney Hannah DANCE NC Gerald and Rev. Dorothea Maloney Scholarship Bokulic Ivo MSFO IL The Sylvia Lucas Miller Scholarship in Music McIlnay Erika ART IL The Roberta McKibbin Memorial Art Scholarship Tanaka Rie MUSIC WI The Gertrude T. Munger Piano Award De La Fuente Fernando MSFO CA The George and Susan Moran Murphy Goldberg-Leopold Shona MSFO PA The Lily Lee Nixon Fund Scholarship Maus Lyndsi MUSIC LA The Mary Elizabeth Peffer Memorial Scholarship Roll Max CTC CT Mr. and Mrs. Sanford Nobel Scholarship Connors Christopher MSFO OH 1938 Pennybacker Memorial Scholarship Pederson Hanna MSFO PA Ms. Virginia M. Stahlsmith Scholarship Hess Amy MSFO PA The Pennsylvania Scholarship Paeratakul Jessada MSFO LA Mr. and Mrs. Ellis Cowling Scholarship Xue Lishan MUSIC China The Henry Rauch Piano Scholarship Heubusch Jayson MSFO FL Dr. and Mrs. Bartley P. Griffith Scholarship Holmberg Mackenzie MSFO AK The Joseph A. and Florence A. Roblee Scholarship Stankus Claire ART NY The Edward and Wendy Cohen Ceramics Hearon Scott & Melanie OK The Roblee Scholarship for Families Scholarship Kostic Claire MSFO NY The Ruth Skinner Hutchins Scholarship Yang Renqian ART NY The Edward and Wendy Cohen Ceramics Sloat Kathryn MSFO NY The Dessie B. Tichenor Scholarship Fund Scholarship Cohon Maya MSFO WA The Cora Tustin Memorial Scholarship Lewis Alexander VOICE NY The Toni and Joseph Goldfarb Scholarship Braga Caroline VOICE NJ The Alfredo Valenti Scholarship Fund Grippando Kaylee DANCE FL The Frances Snygg Memorial Dance Scholarship Stammer Peter (Murray) MSFO NY The Glenn G. Vance Music Scholarship Fund Han Austin MSFO UT The Edward and Ellen Harmon Scholarship Calebaugh Kasey MSFO AZ The Nina T. Wensley Scholarship Wallin Natasha MSFO CO Jacob and Anne Palomaki Scholarship in honor of Sagiv Tamar MSFO Israel The Howard G. Gibbs Scholarship Fund Jared Jacobsen Lynn Deanna MSFO CA The Max and Edythe Kahn Scholarship Fund Evans Leland MSFO GA Thursday Morning Brass Scholarship Fund Norman Matthew MSFO ID The Max and Edythe Kahn Scholarship Fund Geiger Christine MSFO NV Thursday Morning Brass Scholarship Fund Orazi Cecilia MSFO OH The Max and Edythe Kahn Scholarship Fund Ruf-Maldonado Clara DANCE NY Mr. and Mrs. James Hauck Scholarship Covington Christian MSFO NC The Galen and Ruth Roush Scholarship Fund Covington Christian MSFO NC The Ron and Rosie Kilpatrick Scholarship Bunch Kelly MSFO CA Gladys Brooks Scholarship Endowment Fund Holmes Stephanie ART PA The Kay Logan Ceramics Scholarship in honor of Kim Sofia MSFO CA The Robert D. Hiller Scholarship Fund Jeff Greenham Kiernan-Linn Kaledora DANCE NY The Carnahan-Jackson Scholarship Fund Sridharan Sathya CTC NY Steve and Polly Percy Scholarship Grippando Kaylee DANCE FL The Carnahan-Jackson Scholarship Fund Thompson Reid CTC CT Steve and Polly Percy Scholarship Carter Austin DANCE GA The Carnahan-Jackson Scholarship Fund Ren Jie MUSIC FL Harold and Martha Reed Scholarship Park Laura MSFO IL The Ronald Perry Smith Scholarship Fund Kellogg Laura MSFO MI Norman and Marilyn Weizenbaum Scholarship Bogard Andrew VOICE OH The Mardelle Dressler Dobbins Scholarship Holding Carolyn CTC NY Barbara and Joel Jacob Scholarship Zimmerman Tyler VOICE PA The Charles G. Schwartz Scholarship Ittoop Elisheba CTC DC Barbara and Joel Jacob Scholarship Xiong Xiaoyi MUSIC FL The Rosalyn Goldberg Scholarship Errante Bridget ART NJ The Av and Janet Posner Scholarship deVries Joshua MSFO NY The Chautauqua Golf Club Scholarship Bernard Molly CTC NY The Crowder Family Theater Award Lee Hyanggee MSFO PA The Fayette S. Olmstead Foundation/Pittsburgh Bischoff Sara-Ashley CTC CA The Crowder Family Theater Award National Bank Charitable Trust Fund Durbin Hope-Margaret ART OH Mr. and Mrs. Stacey Berger Scholarship Geiger Christine MSFO NV The Lillian B. Bullock Scholarship Farson Jason ART OH Karin A. and Melvin H. Johnson Scholarship Lipstone Jessica MSFO CA The Elmer G. Molyneaux Scholarship Yen Emmeline ART CA Karin A. and Melvin H. Johnson Scholarship Young Maureen MSFO WI The Mary Louise Molyneaux Scholarship Urbanowicz Daniel MSFO PA Mr. Jack Armstrong Scholarship Lettie Christopher MSFO TX The Augusta L. Eleert Molyneaux Scholarship Anderson Leah CTC RI Bill and Chloe Cornell Scholarship Smoak Jenny MSFO NC The Douglas A. Raynow Memorial Scholarship Liu Yuyang MUSIC China Mr. and Mrs. Martin R. Leinwand Scholarship Suzuki Kimiko MSFO Canada The Luella Morris Forney Memorial Scholarship Fund Jones Christopher ART CA The Gloria and Leon Plevin Scholarship Salvito Christopher MSFO NJ The Wilbur D. Forney Memorial Scholarship Fund Carter Austin DANCE GA Scholarship in honor of Abigail Simon Bergmann Bailey DANCE PA The Margaret B. Blossom Scholarship Gee Michelle Goike ART MI Mr. and Mrs. David Bower Scholarship Park Min MSFO TX Alexander W. Bouchal Memorial Scholarship Quay David CTC NY Dr. and Mrs. Robert McClure Scholarship Lee Daniel MSFO MI The Harriet B. and Ralph T. Geller Memorial Smolokoff David VOICE NJ Dr. and Mrs. Joseph Rait Scholarship Scholarship Fund Thursday, August 2, 2012 The Chautauquan Daily Page 13 SCHOLARSHIPs

Endowed Scholarship Recipients (cont’d) General Scholarship Recipients (cont’d)

Last First Area Home Scholarship Last First Area Home Scholarship

Walker York CTC CA The Elizabeth and Jack Gellman and Deborah and Calebaugh Kasey MSFO AZ Chautauqua General Scholarship Allen Zaretsky Scholarship Fund Carpio Shannon MSFO VA Chautauqua General Scholarship Wissler Thomas MSFO PA The Kaylor Family Scholarship Casey Jacob DANCE NY Chautauqua General Scholarship Ericsson Samuel MSFO MA The Edwin L. Bullock Scholarship Cha Jeongcheol VOICE NJ Chautauqua General Scholarship Han Austin MSFO UT The Michael and Jane Eisner Scholarship Fund Chandler Theophilus MSFO NC Chautauqua General Scholarship Casey Jacob DANCE NY The Harriet G. Yanes Dance Scholarship Chen Yi-Chung CTC MA Chautauqua General Scholarship Truyts Britt VOICE Belgium The Sabina Mooney Seifert Memorial Scholarship Choi Grace DANCE PA Chautauqua General Scholarship Dunn Rachel DANCE NC The Mark W. Williams Scholarship Clark Colby DANCE NY Chautauqua General Scholarship Ensey Paul MSFO AZ Lappenna-Koch Scholarship Clawson Ryan DANCE SC Chautauqua General Scholarship Vucekovich Joy MSFO IL Madge Ryan Stirniman Scholarship Connors Christopher MSFO OH Chautauqua General Scholarship Bao Billy MSFO Canada The Ernest W. and Jeannette McClure Polley Cordray Perri MSFO OH Chautauqua General Scholarship Scholarship Covington Christian MSFO NC Chautauqua General Scholarship She Xiaoxue MSFO CA The Henrietta W. Schlager Scholarship Davids Carrie MSFO CT Chautauqua General Scholarship Lewis Alexander VOICE NY The Toni and Joseph Goldfarb Scholarship Fund De La Fuente Fernando MSFO CA Chautauqua General Scholarship for the Fine and Performing Arts Delfin Michael MUSIC CA Chautauqua General Scholarship Luebke Matthew MSFO TX The Lucile J. McClure Memorial Music Scholarship deVries Joshua MSFO NY Chautauqua General Scholarship Fund Dickinson Scott MSFO IL Chautauqua General Scholarship Gu Tingting MSFO CA The Theodore R. Colborn Scholarship Didion Kelsey CTC NC Chautauqua General Scholarship Carpio Shannon MSFO VA Drs. Frits and Corrie Wiebenga Scholarship Dugan Anna VOICE NJ Chautauqua General Scholarship Ferguson Jr James DANCE FL The Bernard Paul Memorial Scholarship Fund Dunn Rachel DANCE NC Chautauqua General Scholarship King Davis MSFO NY The Nancy and Norman Karp Scholarship Fund Durbin Hope-Margaret ART OH Chautuaqua General Scholarship Jones Kathryn MSFO TX The Barakat Scholarship Ensey Paul MSFO AZ Chautauqua General Scholarship Holding Carolyn CTC NY The Frances Black Scholarship Fund Ericsson Samuel MSFO MA Chautauqua General Scholarship Casey Jacob DANCE NY The Miriam Yanes Eddleman Dance Scholarship Errante Bridget ART NJ Chautauqua General Scholarship Ott Jarrett VOICE PA Katherine Karslake White School of Music Evans Leland MSFO GA Chautauqua General Scholarship Scholarship Everett Stephanie MSFO TX Chautauqua General Scholarship Holmberg Mackenzie MSFO AK The Bettsy and Ellis Cowling Scholarship for Music Farson Jason ART OH Chautauqua General Scholarship Zhang Jizhe MSFO Canada The Moore Scholarship Fund for Music Ferguson Jr James DANCE FL Chautauqua General Scholarship Zhang Tong MUSIC China Kuniko Washio Scollard Scholarship Fund for Music Garvin Alessandra MSFO MD Chautauqua General Scholarship Kay Benjamin DANCE FL The Joseph W. and Marilyn Hyder Richey Gee Michelle Goike ART MI Chautauqua General Scholarship Scholarship Endowment Geiger Christine MSFO NV Chautauqua General Scholarship Roll Max CTC CT The Agnes H. and Hal A. Fausnaugh Chautauqua Germer Molly MSFO PA Chautauqua General Scholarship Conservatory Theater Scholarship Gildea Justine DANCE PA Chautauqua General Scholarship Pederson Hanna MSFO PA The Bina Edkin Eckerd Memorial Fund for the Fine Goldberg-Leopold Shona MSFO PA Chautauqua General Scholarship and Performing Arts Gonzalez Raquel VOICE KS NFMC-Dorothy Dann Bullock Award Didion Kelsey CTC NC Jill W. Bellowe Chautauqua Conservatory Theater Gracco Michael VOICE CT Chautauqua General Scholarship Scholarship Grina Bjorn MSFO MN Chautauqua General Scholarship Paeratakul Jessada MSFO LA The Barbara J. Morris Memorial Cello Scholarship Grippando Kaylee DANCE FL Chautauqua General Scholarship Carpio Shannon MSFO VA Dr. William T. and Virginia W. Smyth Fund Gu Tingting MSFO CA Chautauqua General Scholarship Landon Leicester CTC LA The Andrew L. and Gayle Shaw Camden Fund for Habony Laine DANCE TX Chautauqua General Scholarship Theater Arts Han Austin MSFO UT Chautauqua General Scholarship Pikler Amy MSFO IL The Falk Scholarship Fund Haritan Tyler DANCE NC Chautauqua General Scholarship Hayashi Kiyoshi MSFO IL The Marilyn G. Levinson and Nathan Gottschalk Harrison Kelsey DANCE NY Chautauqua General Scholarship first chair award for Endowment Hawthorne Sean MSFO NY Chautauqua General Scholarship Lin Peiming MSFO MI Bruce and Beverly Conner Scholarship Fund Hayashi Kiyoshi MSFO IL Chautauqua General Scholarship Swike Curtis MSFO NY Charles John Petre Memorial Fund Trombone Award Hempel Hillary MSFO IL Chautauqua General Scholarship Evans Leland MSFO GA Joseph Clarke Scholarship Fund Hess Amy MSFO PA NFMC-Dorothy Dann Bullock Award Lettie Christopher MSFO TX The Ralph E. Miller Memorial Scholarship for Music Hess Amy MSFO PA Chautauqua General Scholarship Alegria Juan & Kristine IL The Golay-Bradford Endowment for Families Heubusch Jayson MSFO FL Chautauqua General Scholarship Miodragovic Monika MUSIC IL Mary Chenoweth Wright Scholarship Endowment Hofmann Michael VOICE NJ NFMC-Dorothy Dann Bullock Award Suzuki Kimiko MSFO Canada Burden-Staples Music Scholarship Holding Carolyn CTC NY Chautauqua General Scholarship Kroeger Paul VOICE TX Burden-Staples Music Scholarship Holmberg Mackenzie MSFO AK Chautauqua General Scholarship Dickinson Scott MSFO IL Ted and Deborah First Scholarship Hotaling Matthew ART NY Chautauqua General Scholarship Cohon Maya MSFO WA The A. Chace Anderson and Josephine B. Huls Victor MSFO MI Chautauqua General Scholarship Anderson Scholarship Hunninghake Patrick MSFO IN Chautauqua General Scholarship Haritan Tyler DANCE NC The Abe Neches Scholarship for Dance Husby David MSFO MN Chautauqua General Scholarship Calebaugh Kasey MSFO AZ The John B. Yoder Music Scholarship Ittoop Elisheba CTC DC Chautauqua General Scholarship Yen Emmeline ART CA The Franklin P. and Fern Green Art & William P. Jones Kathryn MSFO TX Chautauqua General Scholarship and Ruth Bates Scholarship Kay Benjamin DANCE FL Chautauqua General Scholarship Parsons Charles MUSIC CA James and Barbara Copeland Scholarship Fund Kellogg Laura MSFO MI Chautauqua General Scholarship Tiesi Christopher VOICE FL Sheila Gitlitz Scholarship Endowment Kim Sofia MSFO CA Chautauqua General Scholarship Wallin Natasha MSFO CO George and Marianne Strother Scholarship Fund King Davis MSFO NY Chautauqua General Scholarship Gonzalez Raquel VOICE KS Konneker Scholarship Koppa Macy DANCE NY Chautauqua General Scholarship Chandler Theophilus MSFO NC The Rachel Wilder and Phil Lerman Scholarship Kostic Claire MSFO NY Chautauqua General Scholarship Hayashi Kiyoshi MSFO IL Daley Family Fund Kroeger Paul VOICE TX Chautauqua General Scholarship Bastow Jarrett MSFO IL The William and Jane Pfefferkorn Scholarship for LaFreniere Isabella DANCE MI Chautauqua General Scholarship Music Landon Leicester CTC LA Chautauqua General Scholarship Xue Mei Lun ART WA Chadwick Young Scholarship Lee Jisun MSFO IL NFMC-Dorothy Dann Bullock Award Martin-Nielson Philip DANCE NY A. Pope and Peggy B. Shuford Dance Scholarship Lee Daniel MSFO MI Chautauqua General Scholarship Ashcroft Sarah VOICE MI Grover Family Scholarship Fund Lee Jisun MSFO IL Chautauqua General Scholarship Ensey Paul MSFO AZ The Suzanne Gaidier Sroka Scholarship Lee Hyanggee MSFO PA Chautauqua General Scholarship Grina Bjorn MSFO MN William and Pauline Higie School of Music Lepson Benjamin DANCE NY Chautauqua General Scholarship Scholarship Lese Timothy DANCE NY Chautauqua General Scholarship LaFreniere Isabella DANCE MI William and Pauline Higie School of Dance Lettie Christopher MSFO TX Chautauqua General Scholarship Scholarship Lewis Alexander VOICE NY Chautauqua General Scholarship Errante Bridget ART NJ Av and Janet Posner Art Scholarship Lin Peiming MSFO MI Chautauqua General Scholarship Rollins Hannah DANCE SC The Victoria Willen Scholarship Fund for the Arts Lipstone Jessica MSFO CA Chautauqua General Scholarship Huls Victor MSFO MI Harris Scholarship for Performing Arts Lisbin Andrew MSFO NY Chautauqua General Scholarship Smith Matthew ART IN Innes Family Scholarship for Studio Arts Luebke Matthew MSFO TX Chautauqua General Scholarship Hofmann Michael VOICE NJ The John and Mary Lou Kookogey Scholarship Lynn Deanna MSFO CA Chautauqua General Scholarship Gracco Michael VOICE CT The Marian A. Neubauer Scholarship Malamud Jack DANCE NY Chautauqua General Scholarship Goldberg-Leopold Shona MSFO PA The Michael L. Barnett Scholarship Fund Marcin John MUSIC MD Chautauqua General Scholarship Koppa Macy DANCE NY The June and Albert Bonyor Scholarship Fund for Martin-Nielson Philip DANCE NY Chautauqua General Scholarship Ballet Maus Lyndsi MUSIC LA Chautauqua General Scholarship Connors Christopher MSFO OH The Sack Family Scholarship Mavroleon Nicolette VOICE NJ Chautauqua General Scholarship Chen Yi-Chung CTC MA The Chautauqua Theater Scholarship McDermott Hannah VOICE CA Chautauqua General Scholarship Mavroleon Nicolette VOICE NJ The Chautauqua Voice Scholarship Meng Melissa DANCE NY Chautauqua General Scholarship Arnold Torrell ART NY The Chautauqua Art Scholarship Miodragovic Monika MUSIC IL Chautauqua General Scholarship Ren Jie MUSIC FL The Danny Kayne Music Scholarship Fund Moafi Sepideh CTC CA Chautauqua General Scholarship Benjamin Rebecca MSFO IN The Catherine Prussing Rodgers Scholarship Mor Aaron VOICE NY Chautauqua General Scholarship Hunninghake Patrick MSFO IN The Chuck Berginc Scholarship Morales Astrid MUSIC Mexico Chautauqua General Scholarship Meng Melissa DANCE NY Edith Reid Flaster Memorial Dance Scholarship Morton Laura DANCE TN Chautauqua General Scholarship Mor Aaron VOICE NY David and Miriam Yanes Eddleman Voice Scholarship Murphy Arriana DANCE NY chautauqua General Scholarship Wissler Thomas MSFO PA The Lucinda Ely Johnson Scholarship Norman Matthew MSFO ID Chautauqua General Scholarship Delfin Michael MUSIC CA Rachel W. Eaton Scholarship Fund Oliver Kali DANCE OH Chautauqua General Scholarship Tran Sarah MSFO TX The Arthur and Arlene Holden Scholarship for Omage Olivia DANCE NY Chautauqua General Scholarship Chautauqua Orazi Cecilia MSFO OH Chautauqua General Scholarship Hempel Hillary MSFO IL The Josette and Ronald Rolley Scholarship Ott Jarrett VOICE PA Chautauqua General Scholarship Subramaniam Leela VOICE CA The Alfred E. Goldman Scholarship Paeratakul Jessada MSFO LA Chautauqua General Scholarship Hotaling Matthew ART NY The Gitlitz Scholarship Fund for Visual Arts Park Min MSFO TX Chautauqua General Scholarship Ittoop Elisheba CTC DC The Charles and Ethel Brody Theater Scholarship Park Laura MSFO IL Chautauqua General Scholarship Cha Jeongcheol VOICE NJ G. Thomas and Kathleen Harrick Music Scholarship Parsons Charles MUSIC CA Chautauqua General Scholarship Bradley Kathryn MSFO MO Everett and Sarah Holden McLaren Scholarship Pederson Hanna MSFO PA Chautauqua General Scholarship Uchida Yuri MSFO IL Ann and Isidor Saslav Violin Scholarship in Honor Peters Timothy ART NY Chautuaqua General Scholarship of Mischa Mischakoff Pikler Amy MSFO IL Chautauqua General Scholarship Smith Taylor MSFO MO Shreveport Friends’ Music Scholarship Quay David CTC NY Chautauqua General Scholarship Jones Kathryn MSFO TX Glendorn Foundation Scholarship Fund Ren Jie MUSIC FL Chautauqua General Scholarship Wang Dorothy MSFO Taiwan The William Cole/King Scholarship Roll Max CTC CT Chautauqua General Scholarship Ashcroft Sarah VOICE MI The Anne C. Britton Memorial Scholarship Rollins Hannah DANCE SC Chautauqua General Scholarship Truyts Britt VOICE Belgium Bennett and Mary Jo Burgoon Memorial Scholarship Ruf-Maldonado Clara DANCE NY Chautauqua General Scholarship Bogard Andrew VOICE OH The Indiana-Peggy Hoover Bryan Voice Scholarship Sagiv Tamar MSFO Israel Chautauqua General Scholarship Wallin Natasha MSFO CO Dietrich Family Endowment for Music at Chautauqua Salvito Christopher MSFO NJ Chautauqua General Scholarship Urbanowicz Daniel MSFO PA Mary McQueen Ross Scholarship to honor Dr. and Sanchez Mia DANCE IL Chautauqua General Scholarship Mrs. Ross Mackenzie Savage Jessica CTC NY Chautauqua General Scholarship Rollins Hannah DANCE SC Bonnefoux/McBride Dance Scholarship She Xiaoxue MSFO CA Chautauqua General Scholarship Gee Michelle Goike ART MI The David L. and Jane K. Miller Art Scholarship Sims Allison ART PA Chautauqua General Scholarship Bokulic Ivo MSFO IL Lillian B. Hersh Music Scholarship Sloat Kathryn MSFO NY Chautauqua General Scholarship Meng Melissa DANCE NY Rosalie H. Pembridge Dance Scholarship Smith Chloe DANCE NY Chautauqua General Scholarship Harrison Kelsey DANCE NY Marjorie Geller Memorial Dance Scholarship Smith Matthew ART IN Chautauqua General Scholarship Chandler Theophilus MSFO NC Ruth Higby Haver and Della and David Higby Smith Taylor MSFO MO Chautauqua General Scholarship Music Scholarship Smoak Jenny MSFO NC Chautauqua General Scholarship Davids Carrie MSFO CT Dr. Stephen Fudell Memorial Scholarship Endowment Soares Tomaz MSFO RJ Chautauqua General Scholarship Gu Tingting MSFO CA Elke Kieserling Hoppe Scholarship Spencer Stephen CTC OH Chautauqua General Scholarship McDermott Hannah VOICE CA Audrey and Kenny Koblitz Scholarship Sridharan Sathya CTC NY Chautauqua General Scholarship Morales Astrid MUSIC Mexico W.T. Holland Memorial Piano Scholarship Stammer Peter (Murray) MSFO NY Chautauqua General Scholarship Endowment Subramaniam Leela VOICE CA Chautauqua General Scholarship Sanchez Mia DANCE IL The Peggy and Andy Anderson Family Scholarship Suzuki Kimiko MSFO Canada Chautauqua General Scholarship Fund Swike Curtis MSFO NY Chautauqua General Scholarship Cordray Perri MSFO OH The Peggy and Andy Anderson Family Scholarship Tashjian Hans VOICE NY Chautauqua General Scholarship Fund Thompson Reid CTC CT Chautauqua General Scholarship Wright Autumn ART PA The Peggy and Andy Anderson Family Scholarship Tiesi Christopher VOICE FL Chautauqua General Scholarship Fund Tobin Josh CTC NC Chautauqua General Scholarship Wu Kevin MUSIC NV Richard W. Antemann Memorial Scholarship Tran Sarah MSFO TX Chautauqua General Scholarship McIlnay Erika ART IL The Roberta J. McKibbin Memorial Scholarship for Truyts Britt VOICE Belgium Chautauqua General Scholarship Visual Arts Uchida Yuri MSFO IL Chautauqua General Scholarship Urbanowicz Daniel MSFO PA Chautauqua General Scholarship Vucekovich Joy MSFO IL Chautauqua General Scholarship Walker York CTC CA Chautauqua General Scholarship Wallin Natasha MSFO CO Chautauqua General Scholarship General Scholarship Recipients Wang Dorothy MSFO Taiwan Chautauqua General Scholarship Williams Sophia DANCE NY Chautauqua General Scholarship Alexander Jonathan DANCE NY Chautauqua General Scholarship Wissler Thomas MSFO PA Chautauqua General - NFMC Directors Anderson Leah CTC RI Chautauqua General Scholarship Wissler Thomas MSFO PA Chautauqua General Scholarship Arnold Torrell ART NY Chautauqua General Scholarship Woertendyke Max CTC NY Chautauqua General Scholarship Ashcroft Sarah VOICE MI Chautauqua General Scholarship Wright Autumn ART PA Chautauqua General Scholarship Bandura Stephanie DANCE PA Chautauqua General Scholarship Wu Kevin MUSIC NV NFMC-Dorothy Dann Bullock Award Bao Billy MSFO Canada Chautauqua General Scholarship Xiong Xiaoyi MUSIC FL Chautauqua General Scholarship Bastow Jarrett MSFO IL Chautauqua General Scholarship Xue Mei Lun ART WA Chautauqua General Scholarship Benjamin Rebecca MSFO IN Chautauqua General Scholarship Yen Emmeline ART CA Chautauqua General Scholarship Bergmann Bailey DANCE PA Chautauqua General Scholarship Young Maureen MSFO WI Chautauqua General Scholarship Bernard Molly CTC NY Chautauqua General Scholarship Zain Sabrina CTC CA Chautauqua General Scholarship Bischoff Sara-Ashley CTC CA Chautauqua Scholarship honoring Pierre Lefevre Zhang Jizhe MSFO Canada Chautauqua General Scholarship Bischoff Sara-Ashley CTC CA Chautauqua General Scholarship Zhang Tong MUSIC China Chautauqua General Scholarship Bish Sarah MSFO NY Chautauqua General Scholarship Zimmerman Tyler VOICE PA Chautauqua General Scholarship Bogard Andrew VOICE OH Chautauqua General Scholarship Bokulic Ivo MSFO IL Chautauqua General Scholarship Bradley Kathryn MSFO MO Chautauqua General Scholarship Braga Caroline VOICE NJ Chautauqua General Scholarship Brody Lynda ART PA Chautauqua General Scholarship Bunch Kelly MSFO CA Chautauqua General Scholarship Page 14 The Chautauquan Daily Thursday, August 2, 2012 classifieds

2013 SEASON 2012 SEASON BOATS FOR SALE HOUSES FOR SALE A Luxury condo near plaza. AUGUST SPECIAL weeks 7&8, OUR RENTAL BOAT FLEET is TWO MINUTE WALK, bike, or 3 bdr., 3 baths, Central Air, Chautauqua style apartment, for Sale! Pontoon Boats-its like motorized scooter trip to beautiful porch, wifi, great for Agape 3A, 23 Waugh, sleeps 4, getting a new boat for a used Chautauqua! Out SOUTH GATE, multiple couples or multigenera- 2 twin bedded rooms, bathroom boat price. Pontoon and Power left on paved path to Canterbury tional family. Available weeks with shower, kitchen, living/din- Boats-New and Used. Drive. Left to 4566. 4 bedroom/2 1,5,6,7,9. 716-510-8993 ing room, deck, TV, A/C, 3rd Chautauqua Marina-Mayville bath/den/guest suite. Cathedral floor, prefer children above age 716-753-3913 ceilings/great room. Dock slip/ A LOVELY Efficiency apartment 7, no pets. Rate: Weeks 7&8 lake view. 2 car or car/boat at 24 Cookman near Hall of together $800/week. Weeks 7 or garage. Large driveway to park Philosophy, sleeps 2, all ameni- 8 single $900/week. Call 607- EDUCATION cars. Move-in ready. $344,700. ties including W/D, pet-friendly, 761-5388. 517-449-3607 $4500/season or $600/week F REE MUSKY FISHING with minimum two weeks stay. LAKEVIEW 3 bedroom 2 bath SEMINAR Sat. Aug. 4 12:30pm 3 ROOT CONDO 3 Modern, Top 357-3440 condo, ground floor, A/C, W/D, at Chautauqua Marina with Condition, 2 Bedrooms, 2 Baths, wi-fi, available weeks 7 & 8. 201- Guide Mike Speery. Pre-register Large Treehouse Deck,All APARTMENT-COZY NEW One- 314-7931. 716-753-3913 or email boat- Amenities, $300K. Good rental bedroom gem! Ground floor, [email protected] income. 716-357-2111 A/C, cable, WiFi, W/D, new fur- QUIET 1-BEDROOM first-floor nishings and beds. On the plaza apartment, near bus and tram FREE YOUTH FISHING and tram route. 7 Roberts. routes, easy walk to Bestor CONTEST-prizes awards and NOTICES Discount for season/half-sea- Plaza. A/C, WiFi, on-site park- lunch-Sat. Aug. 4-10:30am son. 716-357-5557 ing, private outside. $700/week, Chautauqua Marina. Pre- CANADIAN? Seeking interview Weeks 8&9. 716-753-2473 or Registration 753-3913. Ages 12 subjects for Chautauqua Travel COLLINGWOOD-11 FOSTER. cell 716-969-4744. and under-Complimentary Article. Lynn at 416-450-4090 or Week 9,(One bedroom); weeks Chautauqua Suites Van pick up [email protected] 4,7-9 (three bedroom, two bath) WEEK 9 STUDIO at St. Elmo. at the main gate 10am. Great porches, Canoe, Kayak, Make offer. Larry 972-571-1885. FREE BOAT SAFETY CHECKS Amenities 716.570.4283 LAST: NYS SAFE BOATING USCG Auxiliary Sat. Aug. 4 [email protected] 17 CENTER. Near Bestor Plaza, CLASS August 3-5pm and Aug. 10am-2pm @ Chautauqua Amp. On tram route. Parking, 4-8:30am (2 Day Class) at Marina during the Lake Day- LAKEVIEW 3 bedroom 2 bath int, cable, D/W, micro, laundry, Chautauqua Marina, 104 W. National Marina Celebration. condo, ground floor, A/C, W/D, grill, porch. No A/C. 216-978- Lake Rd. (716)753-3913, boat- 716-753-3913. wi-fi, available weeks 1,7,8,9. 4441. Avail. Week 6. 2,200. [email protected], ages 10 to 201-314-7931. adult. 18 CENTER. Two apartments SERVICES ST. ELMO: Weeks 1 to 3 and 9. with porches available. Pet- Beautifully appointed first floor friendly. Near Bestor Plaza & FOR RENT HOUSEKEEPING SERVICE- I a/c studio apartment with queen Amp. On tram route. Living/din- will clean your home while you bed, street access, and all ame- ing/kitchen areas. Full bath. AC, 2012 & 2013 Season: 5 bedroom enjoy your time in Chautauqua. nities. $1,450 per week. 716- ceiling fan, wifi, cable TV. home, sleeps 9 in new section of Kate 753-2408, Tammie 499- 357-3890 Washer/drier access. No smok- Chautauqua. Very modern, 1261 ing. 2nd floor Studio sleeps one. beautifully furnished. Tram route WEEKS 1-9, 3B Oak. 2B-1B. Week 9 $750/wk. 3rd floor 2 right outside the door. Call Parking, patio, between Pratt bedroom sleeps four. Weeks 8 & Chautauqua Area Real Estate, and North Lake. Call 440-759- 9 $1,110.00/wk. 303-915-4156 716-357-3566 0069 or [email protected] WEEKS 2,5,8. Albion A, 5 South FOR SALE Terrace. Charming modern 2 APARTMENTS FOR bdrm, 2 ba, porch on Miller Park, BABY GRAND PIANO, Samick, Central A/C, W/D, WiFi. $2,200 RENT Ebony 5’7” Grand; Cabinet- week. 716-357-5813 good-excellent condition; Brand New Upscale, One Mechanically-good-to excellent 18 CENTER. 2nd floor studio w/ Bedroom Apartment 2012/2013, condition(soundboard, pin block, porch. Pet-friendly. Sleeps one. Mile From Gate, Handicap action). Needs tuning and clean- Near Bestor Plaza & Amp. On Access, Central Air/Heat, ing. 15-20 years old. $5,000. tram route. Living/dining/kitchen Beautiful Kitchen, Bath/Walk in 859-582-0028. areas. Full bath. AC, ceiling fan, Shower, Individual patio facing wifi, cable TV. Washer/drier Golf Course, 800/WK KAYAK 14’ sit on top aquaterra access. No smoking. Available 845.216.7899 prism with rudder $275 716- weeks 1,5,6,7,8,9. $750/wk. 570-4283 carolcollins53@gmail. 34 MILLER: 1,2,&3BR com 303-915-4156 or red1184@aol. Apartments, near amphitheater, com well-equipped kitchen, private NEEDLEPOINT KITS of Old 5 BEDROOM, 2 bath updated porch, D/W, A/C, TV/Wifi, Weeks First Night T-shirts available at home near Amp. No pets, no 6,8,9 and 2013 season. $795- Gretchen’s Gallery and 34 Miller. smoking. 357-2716. Weeks 5-7. $1495. 412-425-9658. 412-425-9658.

BOAT RENTALS HOUSES FOR SALE BOAT RENTALS-PONTOON LAKEFRONT PROPERTY 100 AND POWER --Kayaks, Fishing feet, 4 bedroom, 2 1/2 baths, air Boats and Pedal Boats! conditioned, aluminum dock. Chautauqua Marina 716-753- Just two miles from gate. Call 3913. Full Service Marina, 716-753-2608 (pumps) Non-Ethanol Fuel.

what great enthusiasm you have!

By Dave Green 1 5 2 2 3 7 4 8 9 6 2 6 9 1 7 5 8 7 9 8 4 3 ERIC SHEA | Staff Photographer The Ibis Ensemble engages the crowd at the Family Entertainment Series Tuesday evening. Isis performed a Trinidadian version of “Little 2 1 4 Inc. Syndicate, Features King by Dist. Puzzles, Conceptis 2012 Red Riding Hood,” an original composition included in their newly published book. The book has original artwork and a CD of the music by Difficulty Level 8/02 Adam Walters. “Little Red Riding Hood” is on sale at the Chautauqua Bookstore. Fifty percent of the book’s proceeds go to the Caribbean Network for Arts and Education Foundation (CANOAE), which aims to develop music and arts programs in Trinidadian schools.

sports club thursday afternoon session July 19, 2012 N orth/South 1st Sylvia Bookoff – Bernie Reiss 56.47 2nd Gail Hennessa – Grant Hennessa 55.19% Softball Schedule 3rd Rolene Pozarney – Mark Averbach 54.28% 4th Leslie Tramer – Luann Cohen 53.18% Almesl Ga played at Sharpe Field 5th Bill Blackburn – Peggy Blackburn 52.78%

M’agen s Le ue East/West 1st Kathy Roantree – Tom Roantree 63.22% 5YC A s vs 4Gents 2nd Edie Sklar – Rivona Ehrenreich 59.25% 5 p.m. Friday 3rd Martha Karslake – Edna Crissman 56.36% 4th Mary Connaro – Mary Ann Edwards 52.69% 5th Rita Paul – Jean Cooper 52.52%

Please come enjoy our friendly, non-intimidating games. 1:10 p.m. Thursdays and 6:50 p.m. Sundays at the Sports Club Thursday, August 2, 2012 The Chautauquan Daily Page 15 VISUAL ARTS The balance in the paradox: Glantzman explores the undefinable

Joanna Hamer Rhode Island School of De- lis to support their vine. And provides a process to dig into Staff Writer sign, where she received her if you choose a big trellis or a Glantzman’s idea of paradox. undergraduate degree in fine little trellis, it’s going to dic- It is like balancing in the At the center of each piece arts. Originally from Long tate what kind of vine it is,” middle of a see-saw, she said. of art is a paradox, a tension Island, she began coming to she said. “You don’t say a big You hold both ideas in your between two opposing forces Chautauqua to teach in the trellis is better or worse — it mind, and both are true, but that simultaneously negate School of Art in 1989. After would be really great to say, for one fleeting minute, you and define each other. having spent several sum- ‘Look what happens when are suspended between the “Yin-yang is a good mers away, she is back for the the trellis is little.’” two poles, accepting both “Untitled,” 1996. Super sculpey. 5½ x 8½ x 3” way to describe it,” said first time in 10 years. Teaching helps Glantzman and understanding where by seeing Picasso’s “Guernica” allows the artist to externalize Judy Glantzman, a painter “Honestly, it’s remarkably to put words around the they meet. on a residency in Spain. She teaching at the School of the same in a very sweet way,” ideas she paints, and paint- “The question the student and examine the ‘stars align’ Art this week. “One thing Glantzman said. ing helps her understand is asking is ‘What does de- combines ephemera of war, moment that has somehow is a negative space for the But her School of Art stu- the paradoxes she wants to cay look like?’” she said, “and such as guns, teeth and bones, captured the fleeting moment other. There’s a perpetual dents’ class is anything but explore in the classroom. On while they focus on this ques- with a physical sensation of of clarity,” she said. disturbance and rupture em- back-and-forth, and in that, the same. the first day of class, she as- tion, the real question of mor- Glantzman said she be- bodied in her layers of torn there’s a space for meaning.” “I don’t want everybody to signed her students atypical tality might be being exam- lieves art answers no ques- Glantzman is speaking at 7 do the same thing, because I paper collaged and torn again. homework: to make five im- ined, on an unconscious level.” tions and illustrates no ideas, p.m. tonight in the Hultquist am confident that if everybody ages that explore a polarity. Glantzman’s own work “My process is as if I am Center, giving a talk she has does the same thing, they will “You go from black and combines horror with attrac- in battle with the drawings,” but only raises more ques- never before given. not yield individual results,” white to white and black, and tion, containing representa- Glantzman said in an artist’s tions and presenting meta- “I’ll just put up image after she said. “I don’t think ev- you go through all the stages tional images in an abstract statement for the work. phors to outline a truth that image and try to use visual in- eryone needs to learn about in between,” she said. “So and detached setting. The chance to portray can only be understood cir- formation to tell you what that gravity, because if everyone you take this idea and you “The imagery is often jar- something unfamiliar helped cumspectly and temporarily. means to me,” she said. learned about gravity, then no try, in very small incremental ring and disturbing, but the Glantzman to step outside her- “The truth is fleeting and self, to visualize from a close She will not structure her one would make sculptures stages, to riff on it, to under- way that it’s made is different by nature indefinable,” she talk chronologically or the- without gravity.” stand what it is.” — maybe the colors are seduc- vantage point the pull between said. “As an artist, though ar- matically, but rather will use Glantzman espouses an That inversion of contrast tive,” she said. diametrically opposed poles the assorted slides to prove her open approach to teaching, — whether in materials, size, Those abutting and con- too distant to see. ticulating the opposites, the belief that the balance of a par- dwelling on the skills or inter- color, subject, realism of rep- trasting elements found a “Like not being able to smell two sides of a coin, the im- adox is at the heart of all work. ests of her individual students. resentation or any number of particular voice in her newest your own smell, the physical possible to coexist, we make Glantzman teaches at the “I’m trying to give the trel- other specifiable qualities — work, the War Series, inspired manifestation of the artwork a space for the unspeakable.” Digitell’s Zambotti speaks with Men’s Club Friday on technology advances Jim Zambotti, media di- years and how Digitell has and mobile devices, and In- live streaming, on-demand active design and a minor The Men’s Club talks are rector with Digitell, Inc. utilized that technology in ternet marketing. archiving and content distri- in graphic design. He has held in the United Methodist will be the speaker for the the professional market. Digitell is a multimedia bution for more than 100 as- worked for Digitell for 11 House, near the Amphithe- Chautauqua Men’s Club at Specific issues include e- company involved in the sociations. years and has experience ater. Anyone who would like 9 a.m. Friday in the United learning, live-streamed ed- capture and distribution of Zambotti is a graduate in CD-ROM development, to recommend a speaker for Methodist House. Zambotti ucation, 3D immersive edu- educational content for the of the State University of interactive design, advertis- next year’s program can con- will discuss technology ad- cation, social networking, nonprofit sector. Digitell’s New York Fredonia with a ing and Web-based devel- tact Clem Reiss at creiss58@ vances during the past 15 education through iPads services expand to include bachelor’s degree in inter- opment. gmail.com.

Post Office

A full-service post office (716-357-3275) is located on Bestor Plaza. During the season, the lobby is open weekdays 7 a.m. to 5:15 p.m.; the window, 9 a.m. to 5 days until the p.m. On Saturdays, the lobby is open 7 a.m. to noon; the window, 10 a.m. to noon. The post office is closed Sundays. Old First Night

(Off-season, the lobby is open 7 a.m. to 5:15 p.m.; the Run/Walk/Swim window, 9 a.m. to 5 p.m. On Saturdays, the lobby is open 7 9 a.m.2 Aug. 4 at the Sports Club a.m. to noon; the window, 10 a.m. to noon.) Page 16 The Chautauquan Daily Thursday, August 2, 2012 Program

Interview Booth. St. Elmo porch 4:00 Public Shuttle Tours of Grounds. 10:30 (or 20 minutes after end of CSO Behind Colonnade Hall of Christ 12:15 Knitting. “Women4Women– Leave from Main Gate Welcome concert) Musical Theater Revue 12:15 Brown Bag Lecture. (Programmed 3:30 (3:30-5) Chautauqua Dialogues. Knitting4Peace.” UCC Reformed Center. Fee. (Purchase tickets at #2. “The Dreamland Radio Hour.” by the Writers’ Center.) “Googling (sponsored by the Dept. of Religion.) Main Gate Welcome Center.) Cabaret/Musical Theater Revue. House Porch Your Way to Good Writing.” Facilitator led group discussions. No Ms. Teddy Kern, director; Sterling 12:15 Science Brown Bag Lecture. 4:00 Artsongs. Recital with Chautauqua Jonathan Eig, prose writer-in- fee but sign up required at 2 p.m. Price-McKinney, music director/ (Programmed by the CLSC Alumni Opera Studio Artists. Hall of Christ residence. Alumni Hall Porch Interfaith Lectures. Locations to be arranger. Elizabeth S. Lenna Hall Association Scientific Circle.) 4:15 (4:15-5:15) Chautauqua 12:15 Challah Baking. (Programmed by announced Th “Trauma and the Body’s Response.” Storyteller. (Programmed by Chabad Lubavitch of Chautauqua.) THURSDAY 4:00 THEATER. New Play Workshop. Chautauqua Bird, Tree & Garden Everett Jewish Life Center Porch AUGUST 2 Dr. Kathryn A. Ford. Alumni Hall Muckrakers. (Reserved seating; Club.) Bill Flanders. (Children under 12:15 Brown Bag. “Inside look at the NPW: 12:15 (12:15 1:30) PFLAG Brown Bag purchase tickets at Main Gate 10 accompanied by adult.) Roger – Muckrakers.” Chautauqua Theater Support Meeting. (Sponsored by Welcome Center or Colonnade Tory Peterson Classroom (upper Company. Bratton Theater Chautauqua Chapter of Parents, lobby ticket offices, and 45 minutes Ravine behind Hall of Christ; rain Families and Friends of Lesbians 12:30 (12:30 1:55) Mystic Heart before curtain at the Bratton kiosk.) – location Smith Wilkes Hall.) and Gays and the Metropolitan ••• School of Art Annual Student Show Meditation: Meditation Seminar. Bratton Theater 4:30 (4:30-6:30) Chautauqua Boys’ & Community Church.) Chautauqua closes. Fowler-Kellogg Art Center “Maintaining Our Identity in the F 4:00 (4-5:30) Guest Artist Recital: Girls’ Clubs Air Band Competition. FRIDAY Women’s Clubhouse Digital Age, Part II.” 7:00 (7–11) Farmers Market Subagh Singh Jolyon Pegis, cello. (Benefits Amphitheater AUGUST 3 12:15 BTG Luncheon for Life Members. Khalsa (Sikh Dharma/Kundilini Yoga the Chautauqua Women’s Club 7:15 (7:15 8) Mystic Heart Meditation: 4:30 (4:30-6) Faculty Artist Recital. “Looking Toward 100: Some Stories – Meditation.) Donation. Hall of Missions Scholarship Program.) Elizabeth S. Spiritual Practices of World Jacques Israelievitch, violin and About the BTG” Mary Lee Talbot, guest 12:45 Chautauqua Catholic Community Lenna Hall Religions. Leaders: Subagh Singh Kanae Matsumoto, piano. (Benefits speaker. Fee. Athenaeum Hotel Parlor Seminar. “From the Journey for the Khalsa. (Sikhism/Yogic Meditation). the Chautauqua Women’s Club 7:00 (7–11) Farmers Market 4:00 Studio Artists’ Opera Scenes Journey: Reflections on Walking the 12:45 Chautauqua Catholic Community Bring gate pass. Main Gate Welcome Scholarship Program.) Fletcher Program. Joe Atella, co-director; Camino de Santiago, Spain.” Rev. 7:15 (7:15 8) Mystic Heart Meditation: Seminar. “What Makes Good Center Conference Room Music Hall – Octavio Cardenas, co-director. James Daprile, pastor, Our Lady Spiritual Practices of World Liturgy.” Rev. John Scardella, 7:45 Chapel of 6:00 (6 7:45) Chautauqua Choir Norton Hall Episcopal Holy Eucharist. of Perpetual Help, Aurora, Ohio. – Religions. Leaders: Subagh Singh pastor, St. Mary of the Assumption the Good Shepherd Methodist House Chapel Rehearsal. All singers welcome. Khalsa. (Sikhism/Yogic Meditation). Church, Baldwinsville, NY. Methodist 4:00 Public Shuttle Tours of Grounds. (Two rehearsals required to sing at Bring gate pass. Main Gate Welcome House Chapel Leave from Main Gate Welcome 8:00 Morning Meditation. (Sponsored by 1:00 (1-4) CWC Artists at the Market. Sunday worship services.) Smith Center Conference Room Center. Fee. (Purchase tickets at Unity of Chautauqua.) Hall of Missions Farmers Market 12:45 Jum’a/Muslim Prayer. Introduction Wilkes Hall Main Gate Welcome Center.) 8:45 Catholic Mass. Chapel of the Good 7:45 Episcopal Holy Eucharist. Chapel of at 12:30. Hall of Christ 1:15 Duplicate Bridge. Fee. Sports Club 6:30 Shepherd Unity Class/Workshop. the Good Shepherd 2:00 INTERFAITH LECTURE 4:00 CLSC Executive Committee (Programmed by Unity of 2:00 INTERFAITH LECTURE 8:00 Morning Meditation. (Sponsored SERIES. Rachel Wagner, asst. Meeting. (Programmed by the CLSC 8:55 (8:55 9) Chautauqua Prays For Chautauqua.) Hall of Missions – SERIES. Verity A. Jones, dir., New by Unity of Chautauqua.) Hall of professor, religion and culture, Ithaca Alumni Association.) Alumni Hall Kate Peace Through Compassion. Hall Media Project, Union Theological 6:45 Pre-Chautauqua Symphony Missions College. Hall of Philosophy Kimball Room of Missions Grove Seminary. Hall of Philosophy Orchestra Concert Lecture. Lee 8:45 Catholic Mass. Chapel of the Good 9:15 DEVOTIONAL HOUR. The Rev. 2:00 (2-4:30) Violin Master Class. 5:00 Hebrew Congregation Evening 2:00 Public Shuttle Tours of Grounds. Spear. Hurlbut Church Sanctuary Shepherd Kenneth W. Chalker, sr. pastor, (School of Music.) Ilya Kaler. Fee. Service. “Kabbalat Shabbat: Leave from Main Gate Welcome 7:00 Visual Arts Lecture Series. Judy University Circle United Methodist 8:55 (8:55 9) Chautauqua Prays For McKnight Hall Welcome the Sabbath.” Service Center. Fee. (Purchase tickets at Glantzman, faculty, Rhode Island – Church, Cleveland. Amphitheater Peace Through Compassion. Hall 2:00 (2-5) Mah Jongg. (Programmed led by Rabbi Samuel Stahl; Beth Main Gate Welcome Center.) School of Design. Hultquist Center of Missions Grove by the Chautauqua Women’s Club.) Neuman Bates, soloist. Miller Bell 9:15 Chautauqua Speaks. (Programmed 2:30 Piano Mind/Body Tune-up. (School of 7:00 Piano Lecture/Recital. (School of Memberships available at the door. by the Chautauqua Women’s Club.) 9:00 Nature Walk. (Programmed by the Tower (Pier Building in case of rain.) Music.) Fee. Sherwood-Marsh Studios Music.) Laurent Boukobza. Fee. Women’s Clubhouse ”Peace Corps: From Inception Chautauqua Bird, Tree & Garden 6:00 (6 7:45) Chautauqua Choir 3:00 Dance Lecture. (Programmed by Sherwood-Marsh Studios – to Work in Today’s World.” Bill Club.) Jack Gulvin, BTG naturalist. 2:00 Public Shuttle Tours of Grounds. Rehearsal. All singers welcome. the Chautauqua Dance Circle.) DeLancey, KeeKee Minor, Alice 7:00 Devotional Services. Meet under green awning at back Leave from Main Gate Welcome (Two rehearsals required to sing at “From Athlete to Dancer: The Story O’Grady, Laura Damon. Women’s Denominational Houses Smith Wilkes Hall Center. Fee. (Purchase tickets at Sunday worship services.) Elizabeth of LehrerDance.” Jon Lehrer, Clubhouse 7:15 (7:15 7:45) Mystic Heart 9:00 Men’s Club Speaker Series. Jim Main Gate Welcome Center.) S. Lenna Hall artistic director, LehrerDance. Smith – Meditation: Spiritual Practices Zambotti, media director with 2:30 (2:30-4) Piano Performance Class. 9:15 Maimonides–A Guide to the Wilkes Hall 7:00 (7-8:30) Piano Master Class. of World Religions. Leader: Carol Digitell, Inc. Men’s Club Meeting. Perplexed. (Programmed by Chabad (School of Music.) Fee. Sherwood- (School of Music.) Yoshikazu Nagai. 3:30 CLSC ROUNDTABLE/ McKiernan. Bring gate pass. Main United Methodist House Marsh Studios Lubavitch of Chautauqua.) Rabbi Fee. Sherwood-Marsh Studios LECTURE. “All Cry Chaos: The Gate Welcome Center Conference Zalman Vilenkin. Alumni Hall 9:15 DEVOTIONAL HOUR. The Rev. 3:30 Chautauqua Heritage Lecture Absurd Necessity of Reading.” Room 7:15 Community Shabbat Dinner. Library Kenneth W. Chalker, sr. pastor, Series. “Suffer the Little Children: Leonard Rosen, Hall (Programmed by Chabad Lubavitch All Cry Chaos. 8:00 THEATER. New Play Workshop. University Circle United Methodist How Boys’ Corn Clubs and Girls’ 10:15 Service of Blessing and Healing. of Philosophy of Chautauqua.) Reservations Muckrackers. (Reserved seating; Church, Cleveland. Amphitheater Tomato Clubs Changed Rural UCC Chapel required. Everett Jewish Life Center 3:30 Presentation. “Sustainable purchase tickets at Main Gate 9:15 The Bible Decoded. (Programmed America.” Gary Moore, Univ. of 10:45 LECTURE. Dahlia Lithwick, senior Chautauqua Lake Shoreline Action Welcome Center or Colonnade lobby by Chabad Lubavitch of North Carolina and pres., Association 8:15 SPECIAL. The Temptations and The editor, Slate. Amphitheater Plan.” Dean Gowen, landscape ticket offices, and 45 minutes before Chautauqua.) Rabbi Zalman for Career and Technical Education. Four Tops. Amphitheater 12:00 (12-2) Tell Your CHQ Story. Video architect. McKnight Hall curtain at the Bratton kiosk.) Bratton Vilenkin. Alumni Hall Library Theater 10:00 (10-12) Voice Master Class. (School 8:15 CHAUTAUQUA of Music.) John MacMurray, English SYMPHONY ORCHESTRA. Andrew National Opera. McKnight Hall. Fee Litton, guest conductor; Anne Akiko Meyers, violin. Amphitheater 10:15 Service of Blessing and Healing. UCC Chapel •Violin Concerto, Op. 64 in E Minor 10:45 LECTURE. Andrew Zolli, exec. dir. Felix Mendelssohn and curator, PopTech. Amphitheater •Symphony No. 1 in D Major (Titan) 12:00 (12 2) Flea Boutique. (Sponsored – Gustav Mahler by Chautauqua Women’s Club.)

Babysitting Services

A list of available babysitters is available to families who are looking for child care while on the grounds. The list is updated each week during the season, and is available in the Colonnade lobby, at Smith Memorial Library, at the Main Gate Welcome Center and at Turner Community Center, or by calling the Department of Youth Services at 716-357- 6290. All arrangements are made between the family and the sitter, and the office does not rate or recommend individuals.