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Moses Hayim Luzzatto's Quest for Providence
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 'Like Iron to a Magnet': Moses Hayim Luzzatto's Quest for Providence David Sclar Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/380 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “Like Iron to a Magnet”: Moses Hayim Luzzatto’s Quest for Providence By David Sclar A Dissertation Submitted to the Graduate Faculty in History in Partial Fulfillment of the Requirement for the Degree of Doctor of Philosophy The City University of New York 2014 © 2014 David Sclar All Rights Reserved This Manuscript has been read and accepted by the Graduate Faculty in History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy Prof. Jane S. Gerber _______________ ____________________________________ Date Chair of the Examining Committee Prof. Helena Rosenblatt _______________ ____________________________________ Date Executive Officer Prof. Francesca Bregoli _______________________________________ Prof. Elisheva Carlebach ________________________________________ Prof. Robert Seltzer ________________________________________ Prof. David Sorkin ________________________________________ Supervisory Committee iii Abstract “Like Iron to a Magnet”: Moses Hayim Luzzatto’s Quest for Providence by David Sclar Advisor: Prof. Jane S. Gerber This dissertation is a biographical study of Moses Hayim Luzzatto (1707–1746 or 1747). It presents the social and religious context in which Luzzatto was variously celebrated as the leader of a kabbalistic-messianic confraternity in Padua, condemned as a deviant threat by rabbis in Venice and central and eastern Europe, and accepted by the Portuguese Jewish community after relocating to Amsterdam. -
Autonomy As State Prevention: the Palestinian Question After Camp David, 1979–1982
Autonomy as State Prevention: The Palestinian Question after Camp David, 1979–1982 Seth Anziska Humanity: An International Journal of Human Rights, Humanitarianism, and Development, Volume 8, Number 2, Summer 2017, pp. 287-310 (Article) Published by University of Pennsylvania Press DOI: https://doi.org/10.1353/hum.2017.0020 For additional information about this article https://muse.jhu.edu/article/665530 Access provided by University College London (UCL) (26 Sep 2017 09:59 GMT) Seth Anziska Autonomy as State Prevention: The Palestinian Question after Camp David, 1979–1982 Introduction Scholars have long explored the legal and institutional continuities that inhere in the transition from the era of late empire to the rise of nation-states, underscoring how external rule produced particular trajectories of Arab state formation.1 Extensive violence in Iraq and Syria today has directed much of that attention to the influence of British and French mandatory rule on the emergence of nation-states in the region.2 One striking feature of this transition was the rhetoric of self-determination and purportedly time-limited, developmental intervention that the mandatory powers used to extend control over local populations after the fall of the Ottoman Empire in 1918. In asserting a role as protector of nations emerging from the postwar partitions, the League of Nations helped neutralize local struggles for independence.3 The conceptual framework of “transformative occupation” in the modern Middle East illuminates the techniques of foreign rule within these wider imperial histories while linking them to ambitious programs of development.4 Whether in the name of civilization or modernity, whether by a colonial or mandated power, imposing the practices of Western governance on “backward” peoples and space characterized trans- formative occupation regimes.5 In this essay, I examine how a particular practice within the political and diplomatic repertoire of transformative occupation—the promotion of local autonomy—was successfully deployed in the Israeli-Palestinian arena. -
The Greater (Grater) Divide: Considering Recent
4/22/2021 The Greater (Grater) Divide – Guernica COMMENTARY ARTS & CULTURE MENA June 19, 2017 The Greater (Grater) Divide Considering recent contemporary art in Israel. By Roslyn Bernstein 1 Raida Adon, "Strangeness" n the kitchen of the No Place Like Home exhibit at the Israel Museum in Jerusalem, where the I galleries are transformed into a domestic apartment, curator Adina Kamien-Kazhdan has installed a sculpture of a two-meter-high food grater. Entitled The Grater Divide (2002), the work, by Lebanese-born Palestinian-British artist Mona Hatoum, speaks to the current climate and context of Israeli contemporary art, where the Ministry of Culture has frequently clashed with left-leaning arts groups and where the effects of the Boycott, Divestment, and Sanctions (BDS) movement, which tries to block Israeli artists and Israeli funded groups from exhibiting https://www.guernicamag.com/the-greater-grater-divide/ 1/11 4/22/2021 The Greater (Grater) Divide – Guernica globally, on the Israeli art world are being debated everywhere. Palestinian and Israeli artists alike are wrestling with issues of identity and home. Whether the venue is the Israel Museum, an international institution that receives less than 15 percent of its annual income from the state; the Petach Tikva Museum, funded by the municipality; the Ein Harod Museum, funded by kibbutzim; the Umm El Fahem Gallery of Palestinian Art, funded by the Israeli government; nonprot arts collectives, who piece together modest funding from diverse private and public sources; or commercial galleries who are in active pursuit of global collectors, funding is precarious, and political and economic issues are often inextricably intertwined with aesthetic concerns. -
Staring Back at the Sun: Video Art from Israel, 1970-2012 an Exhibition and Public Program Touring Internationally, 2016-2017
Staring Back at the Sun: Video Art from Israel, 1970-2012 An Exhibition and Public Program Touring Internationally, 2016-2017 Roee Rosen, still from Confessions Coming Soon, 2007, video. 8:40 minutes. Video, possibly more than any other form of communication, has shaped the world in radical ways over the past half century. It has also changed contemporary art on a global scale. Its dual “life” as an agent of mass communication and an artistic medium is especially intertwined in Israel, where artists have been using video artistically in response to its use in mass media and to the harsh reality video mediates on a daily basis. The country’s relatively sudden exposure to commercial television in the 1990s coincided with the Palestinian uprising, or Intifada, and major shifts in internal politics. Artists responded to this in what can now be considered a “renaissance” of video art, with roots traced back to the ’70s. An examination of these pieces, many that have rarely been presented outside Israel, as well as recent, iconic works from the past two decades offers valuable lessons on how art and culture are shaped by larger forces. Staring Back at the Sun: Video Art from Israel, 1970-2012 traces the development of contemporary video practice in Israel and highlights work by artists who take an incisive, critical perspective towards the cultural and political landscape in Israel and beyond. Showcasing 35 works, this program includes documentation of early performances, films and videos, many of which have never been presented outside of Israel until now. Informed by the international 1 history of video art, the program surveys the development of the medium in Israel and explores how artists have employed technology and material to examine the unavoidable and messy overlap of art and politics. -
אוסף מרמורשטיין the Marmorstein Collection
אוסף מרמורשטיין The Marmorstein Collection Brad Sabin Hill THE JOHN RYLANDS LIBRARY UNIVERSITY OF MANCHESTER Manchester 2017 1 The Marmorstein Collection CONTENTS Acknowledgements Note on Bibliographic Citations I. Preface: Hebraica and Judaica in the Rylands -Hebrew and Samaritan Manuscripts: Crawford, Gaster -Printed Books: Spencer Incunabula; Abramsky Haskalah Collection; Teltscher Collection; Miscellaneous Collections; Marmorstein Collection II. Dr Arthur Marmorstein and His Library -Life and Writings of a Scholar and Bibliographer -A Rabbinic Literary Family: Antecedents and Relations -Marmorstein’s Library III. Hebraica -Literary Periods and Subjects -History of Hebrew Printing -Hebrew Printed Books in the Marmorstein Collection --16th century --17th century --18th century --19th century --20th century -Art of the Hebrew Book -Jewish Languages (Aramaic, Judeo-Arabic, Yiddish, Others) IV. Non-Hebraica -Greek and Latin -German -Anglo-Judaica -Hungarian -French and Italian -Other Languages 2 V. Genres and Subjects Hebraica and Judaica -Bible, Commentaries, Homiletics -Mishnah, Talmud, Midrash, Rabbinic Literature -Responsa -Law Codes and Custumals -Philosophy and Ethics -Kabbalah and Mysticism -Liturgy and Liturgical Poetry -Sephardic, Oriental, Non-Ashkenazic Literature -Sects, Branches, Movements -Sex, Marital Laws, Women -History and Geography -Belles-Lettres -Sciences, Mathematics, Medicine -Philology and Lexicography -Christian Hebraism -Jewish-Christian and Jewish-Muslim Relations -Jewish and non-Jewish Intercultural Influences -
Twenty-Five Years at the Valmadonna Trust Library
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Hochschulschriftenserver - Universität Frankfurt am Main Twenty-Five Years at the Valmadonna Trust Library by Pauline Malkiel Librarian – Valmadonna Trust Library (London, England) When I first walked into the library in May 1982 I was struck initially by the smell of leather, then by the rows upon rows of fine bindings in burgundies, browns, beiges and creams packed neatly and tastefully on elegant open wooden shelves. Looking more closely I began to identify groupings: 16th century Italian locations with exciting names like Riva di Trento, Sabbionetta and Ferrara; whole areas of early Venetian printers – Bomberg, di Gara, Zanetti, each in its own space; a whole wall devoted to early Mediterranean printing in Salonika, Constantinople, and Prague, Lublin and Cracow. Then there were vast ranges of small liturgies of many different rites – Italian, Spanish, Roman, Ashkenazic, Aleppo, Karaite - sitting chronologically on shelves in beautiful bindings. Another area was devoted to Bibles printed in Venice starting in the year 1517. Placed in their own taller alcoves were stately volumes of Rabbinic Bibles and Maimonides Commentaries, Mishneh Torahs, Alfassi Commentaries in different editions, and, on closer inspection of the spines, many recurring titles such as ‘Semag,’ ‘Mizrachi,’’Rabenu Bechai,’’Perush HaTorah’ and endless Responsa. It was a thrill to see the word ‘unicum’ or ‘unique copy’ on a spine, and there were numerous slipcases containing ‘Variant 1’ and ‘Variant 2’ copies, promising intriguing revelations. Examining the spines one could decipher an exotic array of practically unheard-of place names: Kuru Tschesme, Prostitz, Isny, Constanz, Trino, Dordrecht, Pforzheim, Alcala de Henares and then, tucked away in a corner, all the very early 16th century Latin works printed by the Soncinos in Fano, Ortona, Pesaro, Cesena and so on. -
A Western Or Eastern Nation the Case of Israel
32nd ANNUAL MEETING OF THE ASSOCIATION FOR ISRAEL STUDIES A WESTERN OR EASTERN NATION THE CASE OF ISRAEL JUNE 20-22, 2016 JERUSALEM Yad Izhak Ben-Zvi | Menachem Begin Heritage Center With the support of the Research Insitute for Zionism and Setlement, Jewish Naional Fund (KKL) YAD IZHAK BEN-ZVI Institute for Research on Eretz Israel Association for Israel Studies - 32nd Annual Conference A WESTERN OR EASTERN NATION? THE CASE OF ISRAEL Jerusalem, June 2016 Program Committee First Term Board Members, 2015-2019: Arie Naor, Chair Dr. Yael Aronof (Michigan State University) Judith Goldstein & Michael Feige, Anthropology Dr. Oded Haklai (Queen’s University) Tamar Horowitz & Len Saxe, Communal Studies Dr. Badi Hasisi (The Hebrew University of Jerusalem) Yoram Peri & Oranit Klein Shagrir, Communicaion Dr. Amal Jamal (Tel Aviv University) Na’ama Shei & Rachel Harris, Film and Theatre Dr. Paula Kabalo (Sede Boqer, Ben-Gurion University of the Negev) Shula Reinharz & Sylvie Fogel-Bijaoui, Gender Studies Dr. Derek Penslar (University of Oxford) Ilana Szobel & Ranen Omer-Sherman, Hebrew Literature Dr. Joel Peters (Virginia Tech) Alon Kadish & Meir Chazan, History Dr. Sandy Kedar (University of Haifa) Galia Golan & Joel Peters, Internaional Relaions Dr. Arieh Saposnik (Sede Boqer, BGU) Gur Alroey & Theodore Sasson, Israel-Diaspora Relaions Dr. Orna Sasson-Levy (Bar-Ilan University) Pnina Lahav & Mohammed Watad, Law Dr. Mohammed Watad (Zefat Academic College) Ariel Ahram & Oren Barak, Naional Security Oded Haklai & Mustafa Abbasi, Non-Jewish Minoriies Ami Pedahzur & Assaf Meydani, Poliical Science Second Term Board Members, 2013-2017: Boaz Huss & Mordechai Inbari, Religious Studies Sammy Smooha & Russell Stone, Sociology Dr. Michael Brenner (American University and University of Alan Dowty & Tamar Hermann, The Arab-Israeli Conlict Munich) Colin Shindler & Reuven Gafni, Zionism Dr. -
Global Conference for Jewish Museums
UPHEAVAL GLOBAL CONFERENCE FOR JEWISH MUSEUMS COUNCIL OF AMERICAN JEWISH MUSEUMS ASSOCIATION OF EUROPEAN JEWISH MUSEUMS APRIL 2021 Throughout the past year of the pandemic, Jewish museums have faced unprecedented challenges and have responded. They have worked together in new configurations, have been resources for new communities, and are envisioning new ways to be museums for the present and the future. The Council of American Jewish Museums is proud to present its first online, global conference for Jewish museums—developed in partnership with the Association of European Jewish Museums. This year, we are collectively unpacking the topic of Upheaval—recognizing that our profession has been greatly impacted by pressing issues and the crises of our times. At the same time, however, museums are creating their own upheavals—through innovation, reconfiguration, and approaches that will reshape our work for years to come. GLOBAL CONFERENCE FOR JEWISH MUSEUMS | APRIL 2021 2 PROGRAM TUESDAYUPHEAVAL APRIL 20 11:00 AM EDT WELCOME 11:10 AM EDT JEWISH MUSEUMS: CONTEXT MATTERS For this year’s program we have come together as a global community: to address common challenges and opportunities, to build a collegial community, and to articulate implications for the worldwide field of Jewish museums. While Jewish museums around the world share many mutual concerns, each one operates within its own geographic, political, and social realities. This session explores, from various angles, how context profoundly shapes the work of Jewish museums—from Tel Aviv and Sydney, to Hohenems and Washington, DC. Speakers AVRIL ALBA Consulting Scholar, Holocaust Memorial Museum–Sydney Jewish Museum KARA BLOND Executive Director, Capital Jewish Museum HANNO LOEWY Director, Jewish Museum Hohenems DAN TADMOR CEO, ANU—Museum of the Jewish People Moderated by BARBARA KIRSHENBLATT-GIMBLETT Ronald S. -
Avi Shlaim ISRAEL BETWEEN EAST and WEST, 1948–56
xxx cj853a-07 July 20, 2004 18:39 Int. J. Middle East Stud. 36 (2004), 657–673. Printed in the United States of America DOI: 10.1017.S002074380436407X Avi Shlaim ISRAEL BETWEEN EAST AND WEST, 1948–56 The two main issues in Israel’s foreign policy are relations with the Arab world and relations with the Great Powers, and there is extensive literature on both. But whereas the literature on relations with the Great Powers is marked by a broad consensus, the literature on relations with the Arab world is dominated by a deep and often acrimonious debate. A major landmark in the evolution of this debate was the emergence in the late 1980s of a school of “new,” or revisionist, Israeli historians. Among the members of this group were Simha Flapan, Benny Morris, Ilan Pappe, and the present author.1 We were called the “new historians” because we challenged the traditional Zionist narrative of the birth of Israel and of the first Arab–Israeli war. The momentous events that unfolded in 1948 were the main focus of the debate.2 Subsequent books by some of these authors extended the critique of Israel’s policy in the conflict to the post-independence period.3 The debate between the “old” and the “new” historians has been going on for nearly two decades, and it is still going strong. By contrast, the literature on Israel’s international orientation has been much less con- tentious and much less controversial. While differences on specific issues and episodes undoubtedly exist, there is no alternative school of thought about the shift in Israel’s posture from non-alignment in 1948 to close alignment with the West by 1956. -
Treasures of the Valmadonna Trust Library
TREASURES OF THE VALMADONNA TRUST LIBRARY A CATALOGUE OF 15TH-CENTURY BOOKS AND FIVE CENTURIES OF DELUXE HEBREW PRINTING EDITED BY DAVID SCLAR WITH BIBLIOGRAPHIC STUDIES BY BRAD SABIN HILL ADRI K. OFFENBERG ISAAC YUDLOV David Sclar, Editor אוצרות יעקב Sharon Liberman Mintz, Project Director Pauline Malkiel, Librarian of the Valmadonna Trust Library CONTRIBUTORS: Brad Sabin Hill, Curator of the I. Edward Kiev Judaica Collection, The George Washington University, Washington, DC Adri K. Offenberg, Emeritus Curator of the Bibliotheca Rosenthaliana, University of Amsterdam Isaac Yudlov, Director of the Institute for Hebrew Bibliography, Jerusalem ACKNOWLEDGMENTS: Shimon Iakerson, Head Researcher, Institute of Oriental Manuscripts of the Russian Academy of Sciences Ari Kinsberg, Independent Scholar David N. Redden, Vice Chairman, Sotheby’s NY, and the Staff of the Sotheby’s NY Book Department Jerry Schwarzbard, Librarian for Special Collections, The Library of The Jewish Theological Seminary David Wachtel, Senior Consultant for Judaica, Sotheby’s NY Design: Jean Wilcox, Wilcox Design Photography: Ardon Bar-Hama Indexes: Warren Klein Printing: Kirkwood Printing © 2011 London & New York Valmadonna Trust Library FOREWORD 6 INTRODUCTION David Sclar 7 Dedicated to the memory of my teacher and friend, THE HONEYCOMB’S FLOW: H E B R E W I N C U N A B L E S IN THE VALMADONNA TRUST LIBRARY Adri K. Offenberg Professor Chimen Abramsky. 10 Jack V. Lunzer I N C U N A B L E S 28 HEBREW BOOKS PRINTED ON VELLUM IN THE VALMADONNA TRUST LIBRARY Isaac Yudlov 52 BOOKS PRINTED ON VELLUM 62 HEBREW PRINTING ON BLUE AND OTHER COLOURED PAPERS Brad Sabin Hill 84 BOOKS PRINTED ON COLOURED PAPER 112 BOOKS PRINTED ON SILK 148 BOOKS PRINTED IN RED INK 150 INDEXES 152 BIBLIOGRAPHY 164 6 7 FOREWORD INTRODUCTION This volume is the tenth in a series of bibliophile editions, facsimiles, and catalogues of early and ‘Make your books your companions. -
The 1967 Arab-Israeli War Origins and Consequences
The 1967 Arab-Israeli War Origins and Consequences The June 1967 War was a watershed moment in the history of the mod- ern Middle East. In six days, the Israelis defeated the Arab armies of Egypt, Syria, and Jordan and seized large portions of territory includ- ing the West Bank, East Jerusalem, the Gaza Strip, the Sinai Peninsula, and the Golan Heights. With the hindsight of four decades and access to recently declassified documents, two veteran scholars of the Middle East bring together some of the most knowledgeable experts in their fields to reassess the origins of the war and its regional reverberations. Each chapter takes a different perspective from the vantage point of a different participant, those that actually took part in the war, and the world powers – the United States, Soviet Union, Britain, and France – that played important roles behind the scenes. Their conclusions make for sober reading. At the heart of the story was the incompetence of the Egyptian high command under the leadership of Gamal Abdel Nasser and the rivalry between various Arab players who were deeply suspi- cious of each other’s motives. Israel, on the other side, gained a resound- ing victory for which, despite previous assessments to the contrary, there was no master plan. Wm. Roger Louis is the Kerr Professor of English History and Cul- ture at the University of Texas at Austin and Honorary Fellow of St. Antony’s College, Oxford. A past President of the American His- torical Association, he is the editor-in-chief of The Oxford History of the British Empire. -
F Ine J Udaica
F INE J UDAICA . PRINTED BOOKS, AUTOGRAPHED LETTERS, MANUSCRIPTS AND CEREMONIAL &GRAPHIC ART K ESTENBAUM & COMPANY TUESDAY, FEBRUARY 8TH, 2005 K ESTENBAUM & COMPANY . Auctioneers of Rare Books, Manuscripts and Fine Art Lot 7 Catalogue of F INE J UDAICA . PRINTED BOOKS, AUTOGRAPHED LETTERS, MANUSCRIPTS AND CEREMONIAL &GRAPHIC ART From the Collection of Daniel M. Friedenberg, Greenwich, Conn. To be Offered for Sale by Auction on Tuesday, 8th February, 2005 at 2:00 pm precisely ——— Viewing Beforehand on Sunday, 6th February: 10:00 am–5:30 pm Monday, 7th February: 10:00 am–6:00 pm Tuesday, 8th February: 10:00 am–1:30 pm Important Notice: A Digital Image of Many Lots Offered in This Sale is Available Upon Request This Sale may be referred to as “Highgate” Sale Number Twenty Seven. Illustrated Catalogues: $35 • $42 (Overseas) KESTENBAUM & COMPANY Auctioneers of Rare Books, Manuscripts and Fine Art . 12 West 27th Street, 13th Floor, New York, NY 10001 • Tel: 212 366-1197 • Fax: 212 366-1368 E-mail: [email protected] • World Wide Web Site: www.Kestenbaum.net K ESTENBAUM & COMPANY . Chairman: Daniel E. Kestenbaum Operations Manager : Margaret M. Williams Client Accounts: S. Rivka Morris Press & Public Relations: Jackie Insel Printed Books: Rabbi Bezalel Naor Manuscripts & Autographed Letters: Rabbi Eliezer Katzman Ceremonial Art: Aviva J. Hoch (Consultant) Catalogue Art Director & Photographer: Anthony Leonardo Auctioneer: Harmer F. Johnson (NYCDCA License no. 0691878) ❧ ❧ ❧ For all inquiries relating to this sale please contact: Daniel E. Kestenbaum ❧ ❧ ❧ ORDER OF SALE Printed Books: Lots 1 – 222 Autographed Letters & Manuscripts: Lots 223 - 363 Ceremonial Arts: Lots 364 - End of Sale A list of prices realized will be posted on our Web site, www.kestenbaum.net, following the sale.