Inspire, Summer 2009: Classroom Moments
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Pop Music with a Purpose: the Organization Of
Pop Music with a Purpose: The Organization of Contemporary Religious Music in the United States by Adrienne Michelle Krone Department of Religion Duke University Date: __________________________ Approved: _______________________________ David Morgan, Supervisor _______________________________ Yaakov Ariel _______________________________ miriam cooke Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Religion in the Graduate School of Duke University 2011 Copyright by Adrienne Michelle Krone 2011 ABSTRACT Pop Music with a Purpose: The Organization of Contemporary Religious Music in the United States by Adrienne Michelle Krone Department of Religion Duke University Date:_______________________ Approved: ___________________________ David Morgan, Supervisor ___________________________ Yaakov Ariel ___________________________ miriam cooke An abstract of a thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Religion in the Graduate School of Duke University 2011 Abstract Contemporary Religious Music is a growing subsection of the music industry in the United States. Talented artists representing a vast array of religious groups in America express their religion through popular music styles. Christian Rock, Jewish Reggae and Muslim Hip-Hop are not anomalies; rather they are indicative of a larger subculture of radio-ready religious music. This pop music has a purpose but it is not a singular purpose. This music might enhance the worship experience, provide a wholesome alternative to the unsavory choices provided by secular artists, infiltrate the mainstream culture with a positive message, raise the level of musicianship in the religious subculture or appeal to a religious audience despite origins in the secular world. -
Report Musical Effect Which Is Consistently Fine
RReeppoorrtt Douglas Stotter, editor Summer 1999 From the Podium If your summers are anything like mine, they usually be- schedules. For me, the goal of the summer is not to be inac- gin with a bit of reflection about the school year that has just tive, but to be in control of my activity. Remaining produc- been completed. I believe that all too often, we do not take tive is important, so to is being able to determine the pace of the time to savor what we have accomplished. We jump right that productivity. There are days when I get absolutely noth- into planning the next season before the dust has even settled ing done. I have learned to enjoy those times with the knowl- on this one. I want to encourage you to set some time aside edge that energy is very often cyclic and that there will be this summer to reflect on the successes of last year. This is plenty of days of high productivity ahead to balance out the time well spent, for it often yields insight which can be a relaxed times. powerful ally when making new plans. We all want next year to be even better than this year and sometimes in our Our psychic energy can very easily be at its low ebb by haste to "get on with it" we miss valuable opportunities to this time of year. It is important to replenish and re-charge. appreciate and evaluate our own work, as well as the work Our profession demands incredible amounts of time and of others. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
HAYES by ROB BOWMAN
i S f ? PERFORMERS HAYES By ROB BOWMAN IN THE PAST FIFTY YEARS, THERE HAVE BEEN A HAND- Hayes’s story is one of epic proportions. Begin ful of seminal, innovative albums that truly changed ning in 1969, with the release of Hot Buttered Soul, the course of popular-music history. LPs such as he became the biggest artist Stax Records ever pro Miles Davis’s Kind of Blue, James Brown’s Live at the duced and one of the most important artists in the Apollo, the Beatles’ Sgt. Pepper’s Lonely Hearts Club history of rhythm & blues. In the first few years of Band and the Sex Pistols’ Never Mind the Bollocks the 1970s, he single-handedly redefined the sonic opened new doors, created new possibilities and possibilities for black music, in the process opening suggested new directions to other musicians, record up the album market as a commercially viable me company personnel and fans alike. Each of these al dium for black artists. Earlier, Hayes, alongside bums, in its own way, defined a moment in time, cap partner David Porter, had helped shape the sound tured the Zeitgeist of an era and helped create a mu of soul music in the 1960s with such definitive com sical subgenre in the process. To have created one positions as “Hold On! I’m a Cornin’,” “Soul Man,” such album over the course of a career “When Something Is Wrong With My Isaac Hayes: (Opposite) is a heady accomplishment. To have Baby,” “B-A-B-Y,” “I T hank You” and In 1972, in Shaft mode, and “Wrap It Up.” The fact that one artist done it twice, as Isaac Hayes did with (above) as Black Moses, Hot Buttered Soul and Shaft, puts one in the title of one of three could be responsible for such disparate extremely rarefied company indeed. -
Report Malcolm W
RReeppoorrtt Douglas Stotter, editor Summer 2000 From the Podium Now that the region conferences, which were a tremendous suc- University of Calgary Wind Ensemble cess, are completed, we can begin to turn our attention towards Glenn Price, conductor st the first National Conference of the 21 century. University of North Texas Wind Symphony The 2001 Conference will be held in conjunction with a week Eugene Migliaro Corporon, conductor long celebration of wind music sponsored by the College of Mu- The National Intercollegiate Symphonic Band sic, the Denton Arts Council, and the University Fine Arts Series. Allan McMurray, conductor All events will be held at the new state-of-the art Murchison Per- formance Center on the campus of the University of North Texas Following up on a number of good suggestions, we have in- in Denton, Texas. For those of you who are unfamiliar with the vited the following people to spend some time with us at the con- Metroplex area, Denton is located about 30 miles north of Dallas ference. and is a short drive from the Dallas/Ft. Worth International Air- James Jordan – noted conductor from Westminster Choir College port. While the festivities begin on Monday evening, the actual and author of the wonderful book, The Musician’s Soul. conference runs from Wednesday, February 21 through Saturday, David Neumeyer – noted Hindemith scholar from Indiana Uni- February 24. The University of North Texas College of Music versity speaking on the Symphony in B-flat on the occasion of its th and hosts Dennis Fisher and Bradley Genevro are looking for- 50 anniversary. -
Sixth Sunday of Eastertide Edition 9 Christ Is Risen—Risen, Indeed! Alleluia!
First Baptist Church in Needham 858 Great Plain Avenue, Needham MA 02492 www.fbcneedham.org Meditations for Sunday, May 17, 2020 (or whenever you are so led to pause, reflect, and pray) Sixth Sunday of Eastertide Edition 9 Christ is risen—risen, indeed! Alleluia! Lighting the Candle of Life You may wish to light a candle or use the candle photo as a focus. ALL: We light the Candle of Life — a candle that represents community, spirit, and the fullness of all of life — birth and death and all of the transitions in between and beyond. My God, Holy & Uncontainable… The lectionary offers us texts in John and Acts this week asserting both that God is larger than any of our labels, name, imaginings, or traditions and that God’s Spirit indwells in us. As we continue to live through the time of COVID19, we first pause to consider the images and names of God and Christ that are most familiar and comfortable for us alongside ways of knowing and perceiving our Creator that are less familiar or challenge us to let go of our labels and boxes for our God who is, indeed, Uncontainable and for whom no image, pronoun, or name is fully adequate. What are the names, images, and pronouns I find most comfortable for referring to God? To Christ? What names, images, and pronouns for God and Christ do I find are growing edges for me to use? Why do they challenge me? Am I willing to know God and Christ more fully and deeply by broadening how I speak, think, and imagine God and Christ to be? 1 Reflective Song El Shaddai Michael Card and John Thompson drew directly from Hebrew and Christian scripture to write El Shaddai in 1981. -
New Age Tower of Babel Copyright 2008 by David W
The New Age Tower of Babel Copyright 2008 by David W. Cloud ISBN 978-1-58318-111-9 Published by Way of Life Literature P.O. Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) • [email protected] (e-mail) http://www.wayoflife.org (web site) Canada: Bethel Baptist Church, 4212 Campbell St. N., London, Ont. N6P 1A6 • 519-652-2619 (voice) • 519-652-0056 (fax) • [email protected] (e-mail) Printed in Canada by Bethel Baptist Print Ministry 2 CONTENTS I. The New Age’s Vain Dream ....................................................5 II. Oprah Winfrey: The New Age High Priestess ......................10 III. My Experience in the New Age ..........................................27 IV. The New Age and the Mystery of Iniquity ..........................32 V. What Is the New Age? ..........................................................36 VI. The Origin of the New Age .................................................47 VII. How the New Age Evolved over the Past 100 Years .........61 The Stage Was Set at the Turn of the 20th Century The Mind Science Cults ................................................62 Christian Science ...........................................................64 Unity School of Christianity .........................................69 Helena Blavatsky and Theosophy .................................72 Alice Bailey ...................................................................80 The New Thought Positive-Confession Movement ......85 Aldous Huxley ..............................................................91 Alan -
Johnson Genealogy: Records of the Descendants of John Johnson of Ipswich and Andover, MA
JOHNSON GENEALOGY. RECORDS — — OF THE DESCENDANTS — OF— John Johnson Of Ipswich and Andover, Mass. 1635—1892. WITHAN APPENDIX CONTAINING RECORDS OF DESCENDANTS OF TIMOTHY JOHNSON, OF ANDOVER, /^^ ANDPOEMS OF JOHNSON DESCENDANTS. ( IPQC COMPILED Byn^' REV. WILLIAMwfJOHNSON, COMPILER OF "RECORDS OF THE DESCENDANTS OF DAVID*JOHNSON, OF LEOMINSTER, MASS." / AND "RECORDS OF THE DESCENDANTS .OF THOMAS CLARKE, PLYMOUTH,1623—1697." One generation passeth away, and another generation cometh: Theae^vorda which Icommand thee tbia day ahall he in thy heart; aud thou shnlt teach them diligentlyto thychildren. Tell ye your children ofit,—and let yonr children tell their children, and their children' another generation. Bible. Published by the Compiler, NORTH GREENFIELD, WISCONSIN. 1892. PR.OV yxrt-6 I JOHNSON. PREFACE. From the summit of Sinai thousands of years ago, in the midst of thunderings and lightnings, Jehovah gave to the human race a moral code to be observed by the people of every land, and of every clime throughout all ages, and a part of this code proclaimed to every man and woman and child, "Honor thy father and thy mother that thy days may be long upon the land which the Lord thy God giveth thee." The duty enjoined in this commandment includes in its requirement not only respect, and kindness and honor to parents while living, but a kind and honorable remembrance also of ancestors who have departed. Hence it is becoming and appropriate in the members of a family line to collect and pre serve and transmit to posterity the history of their progenitors. The work of the genealogist is to trace ancestral lines, and to connect one generation withanother during a succession of years, to gather items ofinterest in connection with each family, and to preserve a correct and reliable history of the descendants of a remote ancestor. -
Spring 2016 Commencement Program Book
Spring 2016 Fayetteville, Arkansas Schedule of Ceremonies & Locations Friday, May 13, 2016 Bud Walton Arena J. William Fulbright College of Arts & Sciences 3:00 p.m. Saturday, May 14, 2016 Bud Walton Arena All University Commencement Ceremony 8:30 a.m. Sam M. Walton College of Business 1:00 p.m. College of Education and Health Professions 5:00 p.m. Faulkner Perfoming Arts Center Fay Jones School of Architecture 1:00 p.m. John Barnhill Arena College of Engineering 12:00 p.m. Dale Bumpers College of Agricultural, Food and Life Sciences 3:30 p.m. Saturday, May 21, 2016 Fayetteville Town Center School of Law 2:00 p.m. Contents: Commencement Program – 6 The Academic Procession – 7 The Official Party – 8 Notes on Ceremony – 9 Honorary Degree Recipients – 10 Degree Candidates – 11 Past Honorary Degree Recipients – 116 Board of Trustees – 118 Colleges: Graduate School and International Education – 11 College of Education and Health Professions – 70 College of Engineering – 84 Dale Bumpers College of Agricultural, Food and Life Sciences – 34 Fay Jones School of Architecture and Design – 48 J. William Fulbright College of Arts and Sciences – 54 Sam M. Walton College of Business – 98 School of Law –28 3 GRADUATE SCHOOL MAY 14, 2016 Bud Walton Arena • Fayetteville, Arkansas COMMENCEMENT PROGRAM University of Arkansas • 8:30 a.m. • Saturday, May 14, 2016 Pre-ceremony Concert (8:00 a.m.) ............................................................................................... University Wind Symphony Professor W. Dale Warren, Conductor Processional -
Buntgemischt 7356 Titel, 19,2 Tage, 43,26 GB
Seite 1 von 284 -BuntGemischt 7356 Titel, 19,2 Tage, 43,26 GB Name Dauer Album Künstler 1 Hey, hey Helen 3:15 ABBA - ABBA - 1975 (LP-192) ABBA 2 Eagle 5:48 The Album - ABBA -1977 (LP-192) ABBA 3 Take a chance on me 4:00 The Album - ABBA -1977 (LP-192) ABBA 4 One man, one woman 4:34 The Album - ABBA -1977 (LP-192) ABBA 5 The name of the game 4:53 The Album - ABBA -1977 (LP-192) ABBA 6 Move on 4:39 The Album - ABBA -1977 (LP-192) ABBA 7 Thank you for the music 3:47 The Album - ABBA -1977 (LP-192) ABBA 8 I wonder 4:31 The Album - ABBA -1977 (LP-192) ABBA 9 When i kissed the teacher 3:01 Arrival - ABBA - 1976 (LP) ABBA 10 Dancing queen 3:51 Arrival - ABBA - 1976 (LP) ABBA 11 My love, my life 3:51 Arrival - ABBA - 1976 (LP) ABBA 12 Knowing me, knowing you 4:01 Arrival - ABBA - 1976 (LP) ABBA 13 Money money money 3:06 Arrival - ABBA - 1976 (LP) ABBA 14 That's me 3:16 Arrival - ABBA - 1976 (LP) ABBA 15 Why did it have to be me 3:19 Arrival - ABBA - 1976 (LP) ABBA 16 Tiger 2:54 Arrival - ABBA - 1976 (LP) ABBA 17 The winner takes it all 4:56 Golden Love Songs 15 - I'll Write A Song For You (RS) ABBA 18 Fernando 4:15 Greatest Hits (30th Anniversary Edition) - ABBA - Comp 2006 (… ABBA 19 S.O.S. 3:22 Greatest Hits (30th Anniversary Edition) - ABBA - Comp 2006 (… ABBA 20 Ring ring 3:07 Greatest Hits (30th Anniversary Edition) - ABBA - Comp 2006 (… ABBA 21 Nina, pretty ballerina 2:53 Greatest Hits (30th Anniversary Edition) - ABBA - Comp 2006 (… ABBA 22 Honey honey 2:57 Greatest Hits (30th Anniversary Edition) - ABBA - Comp 2006 (… ABBA 23 So long -
Hymns of the Ages for Public and Social Worship
HYMNS OF THE AGES PUBLlC AND SOCIAL WORSHlP. Approved and Recommended to all the Churches by the General Assembly of the Presbyterian Church in the United States, at its Meeting in Macon, Ga., May 20, 1893, RICHMOND, VA. : Presbyterian Committee of Publication. Compiled and Edited uy ROBERT P. KERR, D. D., Assisted by Rev. M. D. Hoge, D. D. Rev. W. A. Campbell, D. D. Rev. W. S. Lacy, D. D. Rev. T. D. Witherspoon, D.D. Rev. J. P. Smith, D. D. Prop. N. Bowditch Clapp, Copyright, 1893, BY Robert P. Kerr. Printed By Whittet & Shepperson, Richmond, Va. ORDER OF ARRANGEMENT. Hymns. Hymns of Praise 1 — 23 Hymns of Devotion, 24 — 199 Believers' Comport, 200 — 210 Miscellaneous and Occasional, . 211 — 220 Peayee foe Those at Sea, . 221 — 224 Opening and Closing Hymns, . 225 — 303 The Scriptuees, 304 — 312 The Holy Spirit, 313 — 329 Christian Activity 330 — 842 The Advent, 343 — 859 The Passion 360 — 377 Peaise to the Risen Lord, .... 378 — 419 Love to Christ 420 — 472 Invitations, 473 — 500 Communion Hymns 501 — 525 The Church, 526 — 532 Missions 533 — 554 Youth 555 — 557 The Death of a Child 558 — 559 The Judgment 560 — 568 Heavenly Anticipations, 569 — 583 Time and Eternity, ." 584 — 627 Death of a Christian, 628 — 644 Chants, 645 — 655 Doxologies, 656 — 682 HYMNS OF THE AGES. I Psalm c. L. M. 1 All people that cn earth do dwell, Sing to the Lord with cheerful voice ; Him serve with mirth, his praise forth tell, Come ye before him and rejoice. 2 Know that the Lord is God indeed ; Without our aid he did us make ; We are his flock, he doth us feed, And for his sheep he doth us take. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.