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The Pennsylvania State University
The Pennsylvania State University The Graduate School College of the Liberal Arts REVENGE AND STORYTELLING IN ENGLISH DRAMA, 1580-1640 A Dissertation in English by Heather Janine Murray © 2008 Heather Janine Murray Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2008 ii The dissertation of Heather Janine Murray was reviewed and approved* by the following: Linda Woodbridge Josephine Berry Weiss Chair in the Humanities and Professor of English Thesis Advisor Chair of Committee Laura Knoppers Professor of English Garrett Sullivan Professor of English Marcy North Associate Professor of English Christine Clark-Evans Associate Professor of French, Women's Studies, and African and African American Studies Robert R. Edwards Edwin Erle Sparks Professor of English and Comparative Literature Director of Graduate Studies Department of English *Signatures are on file in the Graduate School. iii ABSTRACT This dissertation proposes that storytelling functions as a catalyst for revenge in early modern English revenge tragedy. Chapters on Kyd’s The Spanish Tragedy, Shakespeare’s first tetralogy, Cary’s The Tragedy of Mariam, and Ford’s ‘Tis Pity She’s a Whore examine the ways in which storytelling perpetuates acts of vengeance by individuals, families, and nations. Two premises shape the central argument. First, revengers come from within an intimate circle of family and friends; second, the desire for revenge is maintained, and the act of revenge later justified, through story-telling within this circle. Crimes ostensibly committed against an individual affect those nearest to the injured party, particularly close friends and family. Consequently, the revenger almost always comes from one of these two groups. -
Clint Eastwood's Unforgiven, the "Alternative" Western, and the American Romance Tradition
Journal X Volume 7 Number 1 Autumn 2002 Article 5 2020 Clint Eastwood's Unforgiven, the "Alternative" Western, and the American Romance Tradition Steven Frye California State University, Bakersfield Follow this and additional works at: https://egrove.olemiss.edu/jx Part of the American Film Studies Commons Recommended Citation Frye, Steven (2020) "Clint Eastwood's Unforgiven, the "Alternative" Western, and the American Romance Tradition," Journal X: Vol. 7 : No. 1 , Article 5. Available at: https://egrove.olemiss.edu/jx/vol7/iss1/5 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Journal X by an authorized editor of eGrove. For more information, please contact [email protected]. Frye: Clint Eastwood's Unforgiven, the "Alternative" Western, and the A Clint Eastwood's Unforgiven, the "Alternative" Western, and the American Romance Tradition Steven Frye Steven Frye is Asso Much criticism of Clint Eastwood's Unforgiven ciate Professor of focuses on the way the film dismantles or decon English at structs traditional western myths. Maurice California State Yacowar argues that Unforgiven is a myth "disre- University, Bakers membered and rebuilt, to express a contempo field, and author of Historiography rary understanding of what the west and the and Narrative Western now mean" (247). Len Engel explores Design in the the film's mythopoetic nature, stating that direc American tor Eastwood and scriptwriter David Webb Peo Romance: A Study ples "undermine traditional myths" in a tale of Four Authors that evokes Calvinist undertones of predestina (2001). tion (261). Leighton Grist suggests that the film "problematizes the familiar ideological assump tions of the genre" (294). -
Modernizing the Greek Tragedy: Clint Eastwood’S Impact on the Western
Modernizing the Greek Tragedy: Clint Eastwood’s Impact on the Western Jacob A. Williams A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary Studies University of Washington 2012 Committee: Claudia Gorbman E. Joseph Sharkey Program Authorized to Offer Degree: Interdisciplinary Arts and Sciences Table of Contents Dedication ii Acknowledgements iii Introduction 1 Section I The Anti-Hero: Newborn or Reborn Hero? 4 Section II A Greek Tradition: Violence as Catharsis 11 Section III The Theseus Theory 21 Section IV A Modern Greek Tale: The Outlaw Josey Wales 31 Section V The Euripides Effect: Bringing the Audience on Stage 40 Section VI The Importance of the Western Myth 47 Section VII Conclusion: The Immortality of the Western 49 Bibliography 53 Sources Cited 62 i Dedication To my wife and children, whom I cherish every day: To Brandy, for always being the one person I can always count on, and for supporting me through this entire process. You are my love and my life. I couldn’t have done any of this without you. To Andrew, for always being so responsible, being an awesome big brother to your siblings, and always helping me whenever I need you. You are a good son, and I am proud of the man you are becoming. To Tristan, for always being my best friend, and my son. You never cease to amaze and inspire me. Your creativity exceeds my own. To Gracie, for being my happy “Pretty Princess.” Thank you for allowing me to see the world through the eyes of a nature-loving little girl. -
The Rapture in Twenty Centuries of Biblical Interpretation
TMSJ 13/2 (Fall 2002) 149-171 THE RAPTURE IN TWENTY CENTURIES OF BIBLICAL INTERPRETATION James F. Stitzinger Associate Professor of Historical Theology The coming of God’s Messiah deserves closer attention than it has often received. The future coming of the Messiah, called the “rapture,” is imminent, literal and visible, for all church saints, before the hour of testing, premillennial, and, based on a literal hermeneutic, distinguishes between Israel and the church. The early church fathers’ views advocated a sort of imminent intra- or post- tribulationism in connection with their premillennial teaching. With a few exceptions, the Medieval church writers said little about a future millennium and a future rapture. Reformation leaders had little to say about prophetic portions of Scripture, but did comment on the imminency of Christ’s return. The modern period of church history saw a return to the early church’s premillennial teaching and a pretribulational rapture in the writings of Gill and Edwards, and more particularly in the works of J. N. Darby. After Darby, pretribulationism spread rapidly in both Great Britain and the United States. A resurgence of posttribulationism came after 1952, accompanied by strong opposition to pretribulationism, but a renewed support of pretribulationism has arisen in the recent past. Five premillennial views of the rapture include two major views—pretribulationism and posttribulation-ism—and three minor views—partial, midtribulational, and pre-wrath rapturism. * * * * * Introduction The central theme of the Bible is the coming of God’s Messiah. Genesis 3:15 reveals the first promise of Christ’s coming when it records, “He shall bruise you on the head, And you shall bruise him on the heel.”1 Revelation 22:20 unveils the last promise when it records “He who testifies to these things says, ‘Yes, I am coming quickly,’ Amen. -
National Film Registry Titles Listed by Release Date
National Film Registry Titles 1989-2017: Listed by Year of Release Year Year Title Released Inducted Newark Athlete 1891 2010 Blacksmith Scene 1893 1995 Dickson Experimental Sound Film 1894-1895 2003 Edison Kinetoscopic Record of a Sneeze 1894 2015 The Kiss 1896 1999 Rip Van Winkle 1896 1995 Corbett-Fitzsimmons Title Fight 1897 2012 Demolishing and Building Up the Star Theatre 1901 2002 President McKinley Inauguration Footage 1901 2000 The Great Train Robbery 1903 1990 Life of an American Fireman 1903 2016 Westinghouse Works 1904 1904 1998 Interior New York Subway, 14th Street to 42nd Street 1905 2017 Dream of a Rarebit Fiend 1906 2015 San Francisco Earthquake and Fire, April 18, 1906 1906 2005 A Trip Down Market Street 1906 2010 A Corner in Wheat 1909 1994 Lady Helen’s Escapade 1909 2004 Princess Nicotine; or, The Smoke Fairy 1909 2003 Jeffries-Johnson World’s Championship Boxing Contest 1910 2005 White Fawn’s Devotion 1910 2008 Little Nemo 1911 2009 The Cry of the Children 1912 2011 A Cure for Pokeritis 1912 2011 From the Manger to the Cross 1912 1998 The Land Beyond the Sunset 1912 2000 Musketeers of Pig Alley 1912 2016 Bert Williams Lime Kiln Club Field Day 1913 2014 The Evidence of the Film 1913 2001 Matrimony’s Speed Limit 1913 2003 Preservation of the Sign Language 1913 2010 Traffic in Souls 1913 2006 The Bargain 1914 2010 The Exploits of Elaine 1914 1994 Gertie The Dinosaur 1914 1991 In the Land of the Head Hunters 1914 1999 Mabel’s Blunder 1914 2009 1 National Film Registry Titles 1989-2017: Listed by Year of Release Year Year -
Pro Wrestling Over -Sell
TTHHEE PPRROO WWRREESSTTLLIINNGG OOVVEERR--SSEELLLL™ a newsletter for those who want more Issue #1 Monthly Pro Wrestling Editorials & Analysis April 2011 For the 27th time... An in-depth look at WrestleMania XXVII Monthly Top of the card Underscore It's that time of year when we anything is responsible for getting Eddie Edwards captures ROH World begin to talk about the forthcoming WrestleMania past one million buys, WrestleMania, an event that is never it's going to be a combination of Tile in a shocker─ the story that makes the short of talking points. We speculate things. Maybe it'll be the appearances title change significant where it will rank on a long, storied list of stars from the Attitude Era of of highs and lows. We wonder what will wrestling mixed in with the newly Shocking, unexpected surprises seem happen on the show itself and gossip established stars that generate the to come few and far between, especially in the about our own ideas and theories. The need to see the pay-per-view. Perhaps year 2011. One of those moments happened on road to WreslteMania 27 has been a that selling point is the man that lit March 19 in the Manhattan Center of New York bumpy one filled with both anticipation the WrestleMania fire, The Rock. City. Eddie Edwards became the fifteenth Ring and discontent, elements that make the ─ So what match should go on of Honor World Champion after defeating April 3 spectacular in Atlanta one of the last? Oddly enough, that's a question Roderick Strong in what was described as an more newsworthy stories of the year. -
British Bulldogs, Behind SIGNATURE MOVE: F5 Rolled Into One Mass of Humanity
MEMBERS: David Heath (formerly known as Gangrel) BRODUS THE BROOD Edge & Christian, Matt & Jeff Hardy B BRITISH CLAY In 1998, a mystical force appeared in World Wrestling B HT: 6’7” WT: 375 lbs. Entertainment. Led by the David Heath, known in FROM: Planet Funk WWE as Gangrel, Edge & Christian BULLDOGS SIGNATURE MOVE: What the Funk? often entered into WWE events rising from underground surrounded by a circle of ames. They 1960 MEMBERS: Davey Boy Smith, Dynamite Kid As the only living, breathing, rompin’, crept to the ring as their leader sipped blood from his - COMBINED WT: 471 lbs. FROM: England stompin’, Funkasaurus in captivity, chalice and spit it out at the crowd. They often Brodus Clay brings a dangerous participated in bizarre rituals, intimidating and combination of domination and funk -69 frightening the weak. 2010 TITLE HISTORY with him each time he enters the ring. WORLD TAG TEAM Defeated Brutus Beefcake & Greg With the beautiful Naomi and Cameron Opponents were viewed as enemies from another CHAMPIONS Valentine on April 7, 1986 dancing at the big man’s side, it’s nearly world and often victims to their bloodbaths, which impossible not to smile when Clay occurred when the lights in the arena went out and a ▲ ▲ Behind the perfect combination of speed and power, the British makes his way to the ring. red light appeared. When the light came back the Bulldogs became one of the most popular tag teams of their time. victim was laying in the ring covered in blood. In early Clay’s opponents, however, have very Originally competing in promotions throughout Canada and Japan, 1999, they joined Undertaker’s Ministry of Darkness. -
Aum Shinrikyo, Al Qaeda, and the Kinshasa Reactor: Implications of Three Case Studies for Combating Nuclear Terrorism
CHILD POLICY This PDF document was made available from www.rand.org as a public CIVIL JUSTICE service of the RAND Corporation. EDUCATION ENERGY AND ENVIRONMENT Jump down to document HEALTH AND HEALTH CARE 6 INTERNATIONAL AFFAIRS NATIONAL SECURITY The RAND Corporation is a nonprofit research POPULATION AND AGING PUBLIC SAFETY organization providing objective analysis and effective SCIENCE AND TECHNOLOGY solutions that address the challenges facing the public SUBSTANCE ABUSE and private sectors around the world. TERRORISM AND HOMELAND SECURITY TRANSPORTATION AND INFRASTRUCTURE Support RAND Purchase this document Browse Books & Publications Make a charitable contribution For More Information Visit RAND at www.rand.org Explore RAND Project AIR FORCE View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non-commercial use only. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents for commercial use. This product is part of the RAND Corporation documented briefing series. RAND documented briefings are based on research briefed to a client, sponsor, or targeted au- dience and provide additional information on a specific topic. Although documented briefings have been peer reviewed, they are not expected to be comprehensive and may present preliminary findings. Aum Shinrikyo, Al Qaeda, and the Kinshasa Reactor Implications of Three Case Studies for Combating Nuclear Terrorism Sara Daly, John Parachini, William Rosenau Prepared for the United States Air Force Approved for public release; distribution unlimited The research described in this report was sponsored by the United States Air Force under Contract F49642-01-C-0003. -
The Rapture and the Book of Revelation
TMSJ 13/2 (Fall 2002) 215-239 THE RAPTURE AND THE BOOK OF REVELATION Keith H. Essex Assistant Professor of Bible Exposition The relevance of the book of Revelation to the issue of the timing of the rapture is unquestioned. Assumptions common to many who participate in discussing the issue include the authorship of the book by John the apostle, the date of its writing in the last decade of the first century A.D., and the book’s prophetic nature in continuation of OT prophecies related to national Israel. Ten proposed references to the rapture in Revelation include Rev 3:10-11; 4:1-2; 4:4 and 5:9-10; 6:2; 7:9-17; 11:3-12; 11:15-19; 12:5; 14:14-16; and 20:4. An evaluation of these ten leads to Rev 3:10-11 as the only passage in Revelation to speak of the rapture. Rightly understood, that passage implicitly supports a pretribulational rapture of the church. That understanding of the passage fits well into the context of the message to the church at Philadelphia. * * * * * “As the major book of prophecy in the NT, Revelation has great pertinence to discussion of the rapture.”1 Participants in the discussion concerning the timing of the rapture would concur with this statement. Proponents of a pretribulational, midtribulational, pre-wrath, and posttribulational rapture all seek support for their positions in the book of Revelation.2 Many suggestions as to where Revelation 1Robert H. Gundry, The Church and the Tribulation (Grand Rapids: Zondervan, 1973) 64. 2Many books dealing with the rapture include sections specifically discussing the book of Revelation. -
Developments in Revenge, Justice and Rape in the Cinema
Int J Semiot Law https://doi.org/10.1007/s11196-019-09614-7 Developments in Revenge, Justice and Rape in the Cinema Peter W. G. Robson1 © The Author(s) 2019 Abstract The index to the 2018 VideoHound Guide to Films suggests that under the broad heading of “revenge” there have been something in excess of 1000 flms. This appears to be the largest category in this comprehensive guide and suggests that this is, indeed, a theme which permeates the most infuential sector of popular cul- ture. These flms range from infuential and lauded flms with major directors and stars like John Ford (The Searchers (1956) and Alejandro González Iñárritu (The Revenant (2015)) to “straight to video” gorefests with little artistic merit and a spe- cifc target audience (The Hills Have Eyes (1977)). There is, as the Film Guide numbers suggest much in between like Straw Dogs (1972) and Outrage (1993). The making and re-making of “revenge” flms continues with contributions in 2018 from such major stars as Denzel Washington in The Equalizer 2 and Brue Willis in Death Wish. Within this body of flm is a roster of flms which allow us to speculate on the nature of the legal system and what individual and to a lesser extent commu- nity responses are likely where there appears to be a defcit of justice. One of the sub-groups within the revenge roster is a set of flms which focus on revenge by the victim for rape which are discussed for their rather diferent approach to the issue of justice. -
2020 WWE Transcendent
BASE ROSTER BASE CARD 1 Adam Cole NXT 2 Andre the Giant WWE Legend 3 Angelo Dawkins WWE 4 Bianca Belair NXT 5 Big Show WWE 6 Bruno Sammartino WWE Legend 7 Cain Velasquez WWE 8 Cameron Grimes WWE 9 Candice LeRae NXT 10 Chyna WWE Legend 11 Damian Priest NXT 12 Dusty Rhodes WWE Legend 13 Eddie Guerrero WWE Legend 14 Harley Race WWE Legend 15 Hulk Hogan WWE Legend 16 Io Shirai NXT 17 Jim "The Anvil" Neidhart WWE Legend 18 John Cena WWE 19 John Morrison WWE 20 Johnny Gargano WWE 21 Keith Lee NXT 22 Kevin Nash WWE Legend 23 Lana WWE 24 Lio Rush WWE 25 "Macho Man" Randy Savage WWE Legend 26 Mandy Rose WWE 27 "Mr. Perfect" Curt Hennig WWE Legend 28 Montez Ford WWE 29 Mustafa Ali WWE 30 Naomi WWE 31 Natalya WWE 32 Nikki Cross WWE 33 Paul Heyman WWE 34 "Ravishing" Rick Rude WWE Legend 35 Renee Young WWE 36 Rhea Ripley NXT 37 Robert Roode WWE 38 Roderick Strong NXT 39 "Rowdy" Roddy Piper WWE Legend 40 Rusev WWE 41 Scott Hall WWE Legend 42 Shorty G WWE 43 Sting WWE Legend 44 Sonya Deville WWE 45 The British Bulldog WWE Legend 46 The Rock WWE Legend 47 Ultimate Warrior WWE Legend 48 Undertaker WWE 49 Vader WWE Legend 50 Yokozuna WWE Legend AUTOGRAPH ROSTER AUTOGRAPHS A-AA Andrade WWE A-AB Aleister Black WWE A-AJ AJ Styles WWE A-AK Asuka WWE A-AX Alexa Bliss WWE A-BC King Corbin WWE A-BD Diesel WWE Legend A-BH Bret "Hit Man" Hart WWE Legend A-BI Brock Lesnar WWE A-BL Becky Lynch WWE A-BR Braun Strowman WWE A-BT Booker T WWE Legend A-BW "The Fiend" Bray Wyatt WWE A-BY Bayley WWE A-CF Charlotte Flair WWE A-CW Sheamus WWE A-DB Daniel Bryan WWE A-DR Drew -
Hall Gardner
1 HALL GARDNER E-mail: [email protected] American University of Paris E-mail: [email protected] 147 Rue du Grenelle Tel.: +33-1-4062-0691 75007 Paris, France Website: www.hallgardner.com U.S. Citizen. WORK EXPERIENCE: Fall 1990-to-Present: Full Professor in International & Comparative Politics (since September 1998); Chair & Co-Chair, Department of International and Comparative Politics (Fall 2009-August 2019) & Chair, Department of International Affairs (Spring 1992-Spring 2007) at American University of Paris, France. • Responsible for curricular innovation; faculty-student-administration relations; organized and fundraised for international conferences. Manage 7-9 member department under tight budgetary constraints. • Led student Study-Tours: Brussels (NATO and European Commission); Doha, Qatar; Bangkok, Thailand; Kuwait; Istanbul, Turkey; Muscat, Oman; Belgrade, Serbia; Moscow and Saint Petersburg, Russia; Bastia, Corsica, France; Belfast, Northern Ireland; T’bilisi, Georgia. • Undergraduate Courses (since Fall 1990): World Politics; European Security; Global Hotspots and Conflict Resolution; War and Peace; Theories of International Relations (Senior Seminar); Political Philosophy. • Graduate Courses: Spring 2006-2010 at AUP-Institut Catholique de Paris, Joint M.A. Program in International Affairs, Conflict Resolution and Civil Society Development. Taught Spring 2011-to-Present at AUP M.A. in International Affairs: 1) Theories of International Relations; 2) Advanced Theories and Practice of Conflict Management, Prevention and Resolution; 3) War and Diplomacy. • Graduate Courses: Springs 2001-2005. Institut d’Études Politiques de Paris (Science Po), M.A. Level: Taught Political Philosophy Course; “Enjeux Politiques” (AUP then introduced its own M.A. Program in 2005). • Graduate Teaching: Fall 1988-Spring 1990. Visiting Assistant-Professor at both Johns Hopkins University-Nitze School of Advanced International Studies (SAIS), Washington, D.C.