Charging Without a Plan Won't Work
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Licensing & Law Who Owns an Avatar?
Santa Clara Law Santa Clara Law Digital Commons Faculty Publications Faculty Scholarship 2018 Licensing & Law Who Owns an Avatar? Tyler T. Ochoa Santa Clara University School of Law, [email protected] Jaime Banks West Virginia University, [email protected] Follow this and additional works at: https://digitalcommons.law.scu.edu/facpubs Part of the Computer Law Commons, and the Intellectual Property Law Commons Automated Citation Tyler T. Ochoa and Jaime Banks, Licensing & Law Who Owns an Avatar? (2018), Available at: https://digitalcommons.law.scu.edu/facpubs/960 This Book Chapter is brought to you for free and open access by the Faculty Scholarship at Santa Clara Law Digital Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Santa Clara Law Digital Commons. For more information, please contact [email protected], [email protected]. CHAPTER THIRTY Licensing & Law Who Owns an Avatar? TYLER T. OCHOA & JAIME BANKS Leeroy Jenkins is a videogame character of wide internet and gamer culture fame. He first came to popular attention in 2005, in an iconic game scenario in which— while his cohort was diligently planning a complex dungeon battle—he suddenly sprang to life, let out the gravelly battle cry Ah’Leeerooooooy Ah’Jeeennnkiiinnns!, and led his compatriots into a slaughter by dragon whelps. He subsequently noted: “At least I have chicken” (DBlow2003, 2005/2014). The ridiculousness of this event led first to the viral appropriation of the character—crafted into memes about everything from riots and warfare to politics and cinema—and this broader recep- tion led to an increased presence in other videogames and game-related products, from the digital card deck-building game Hearthstone (2014) to third-party t-shirts and allusions in films likeWreck-It Ralph (Spencer & Moore, 2012). -
Die Sprache Der World of Warcraft-Spielerinnen
Die Sprache der World of Warcraft -SpielerInnen Eine Untersuchung der multimodalen Kommunikation im Umfeld von Raid-Gruppen, mit Fokus auf Wortschatz, Gesprächsorganisation und Textformen Inaugural-Dissertation zur Erlangung des Grades eines Doktors der Philosophie in der Fakultät für Philologie der RUHR-UNIVERSITÄT BOCHUM vorgelegt von Markus Schäfer Gedruckt mit der Genehmigung der Fakultät für Philologie der Ruhr-Universität Bochum Referent: Prof. Pittner Koreferent: Prof. Wegera Tag der mündlichen Prüfung: 01.12.2014 Ohne Unterstützung hätte diese Dissertation nicht vollendet werden können. Ich danke daher: Meiner Doktormutter Prof. Pittner für die langjährige Betreuung und Hilfestellung. Meinem Zweitgutachter Prof. Wegera für die faire und anregende Disputation. Der Gilde Vault of Sages für die enthusiastische Bereitschaft, sich unter die Lupe nehmen zu lassen. Meiner Familie und Freunden für seelischen Beistand und Betreuung meiner geistigen Gesundheit. Inhalt 1. EINLEITUNG ........................................................................................................................................ 1 2. HAUPTTEIL .......................................................................................................................................... 4 2.1. WAS IST EIN MMOG? .......................................................................................................................... 5 2.1.1. Questen, Leveln, Loot: Das Spielprinzip von MMOGs ................................................................. 8 -
Computer Gaming and Technical Communication: an Ecological Framework Author(S): DOUGLAS EYMAN Source: Technical Communication, Vol
Society for Technical Communication Computer Gaming and Technical Communication: An Ecological Framework Author(s): DOUGLAS EYMAN Source: Technical Communication, Vol. 55, No. 3 (AUGUST 2008), pp. 242-250 Published by: Society for Technical Communication Stable URL: https://www.jstor.org/stable/43095345 Accessed: 19-08-2018 18:38 UTC REFERENCES Linked references are available on JSTOR for this article: https://www.jstor.org/stable/43095345?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Society for Technical Communication is collaborating with JSTOR to digitize, preserve and extend access to Technical Communication This content downloaded from 198.246.186.26 on Sun, 19 Aug 2018 18:38:31 UTC All use subject to https://about.jstor.org/terms SUMMARY ♦ Provides an overview of gaming definitions and genres ♦ Argues that games provide a rich area for research and theory building in technical communication ♦ Details a five-part framework for mapping game activity to technical communication interests Computer Gaming and Technical Communication: An Ecological Framework DOUGLAS EYMAN viously published in the journal, as well as other brief items of interest to the profession. -
Warcraft Adventures: Texts, Replay, and Machinima in a Game-Based
il Exploring cmft III, both for the creator and the viewer.As replay WaruaftAdventures: documentsplayed games, the stories associatedwith d-rem have to do witl cyberathleticperformance in a competitive Texts,Replay, and arera Spectatorswho watch replaysare usuallyintimately farnilia! with the spacesand player actions depictedin Machinimain a them. In order to understandthe popuJarityof digital game spacesas "sets"for animatedmovies that theiy creatorsuse Game-Based to tell Ectionalstories rather tlnn documentplayed games, we must start by trying to understandwhat player- Storywortd spectatorssee-ir both sensesof the term-in replays. One way to tell the story of tJ.reWaroa{t III fnals HenryLowood match revolvesaround a pivotal moment a sfunning rever- sd that led to Grubbys upset win. What did spectators In October 2004 the fourth World CyberGames were held see?After losing the 6rst match in the best-of-threefirrals in San Francisco.Contestants competed in this intema- competition,they observedrouglrly six minutes into t}te tiona.ltoumament, the "videogame Olynpics," for champi secondmatch that units controlledby the two playerswere onship tides in eachof sevencompetitive games. The prize skirmishing near Grubby'smain base.WelcomeTo was per- money w;rs substantial $20,000for fust placeto eachof haps tlreatening to end the match,but after the batde the individua-lwinners in gamessuch as the popular real- intensified,his army fell back. His critica.llyimportant main time stlategy tide WarcraftIII. More tlun seventyplayers hero character(a -
Examining Place-Making in Virtual Environments
LIFE IN AZEROTH: EXAMINING PLACE-MAKING IN VIRTUAL ENVIRONMENTS A Thesis by JOSHUA MONTANA PIERCY Submitted to the Graduate School at Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF GEOGRAPHY May 2019 Department of Geography LIFE IN AZEROTH: EXAMINING PLACE-MAKING IN VIRTUAL ENVIRONMENTS A Thesis by JOSHUA MONTANA PIERCY May 2019 APPROVED BY: Dr. Robert Brown Chairperson, Thesis Committee Dr. Kathleen Schroeder Member, Thesis Committee Dr. Margaret Sugg Member, Thesis Committee Dr. Kathleen Schroeder Chairperson, Department of Geography Mike McKenzie, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Joshua Montana Piercy 2019 All Rights Reserved Piercy iv Abstract LIFE IN AZEROTH: EXAMINING PLACE-MAKING IN VIRTUAL ENVIRONMENTS Joshua Montana Piercy B.A., Appalachian State University M.A., Appalachian State University Chairperson: Dr. Robert Brown The goal of this research is to develop a model of virtual place-making through which to better comprehend how place functions outside of the physical world. Most of the place- making research within geography has centered around our physical world, ignoring the incredible variety found in virtual environments. Using ethnographic methods and surveys, players of the massively popular online video game, “World of Warcraft”, are studied and worked with to develop this model. Ultimately, the most important components of virtual place are determined. Virtual place-making occurs similarly to that of the physical world, building upon networks of communication between living creatures, their environments, social traditions, and numerous other personal experiences. Piercy v Acknowledgments I would like to express my sincere gratitude to Dr. -
World of Warcraft 2016 Calendar Pdf, Epub, Ebook
WORLD OF WARCRAFT 2016 CALENDAR PDF, EPUB, EBOOK Inc. Sellers Publishing | none | 15 Aug 2015 | Sellers Publishing, Incorporated | 9781416298397 | English | Portland, United States World of Warcraft 2016 Calendar PDF Book World of Warcraft: Warlords of Draenor was released on November 13, One change is the PvP honour system that unlocks PvP talents. Galaxy Buds Pro review: Samsung's best earbuds yet. Popular calendar title! It was very beautiful and yes, heartfelt. Khadgar Robert Kazinsky Shop by Category. Quotes Durotan : There has been a war between orcs and humans for as long as can be remembered. There are two new playable races, the Worgen for the Alliance and Goblins for the Horde. For other uses, see Event. Event Moderators have an "Outlined Crown" next to their name. Moreover, the Death Knight, the first hero class was introduced, which starts at level It allows you to track your damage or healing output based on the spells you cast and the abilities you use. Tags: horde, alliance, world of warcraft, wow, video games, sweater. Tags: world of warcraft, blizzard, gaming, gamer, wow, fantasy, videogames, video game, crest, minimalist, minimal, game, class, race. Alt-right click on the world map allows you to type in whatever you would like to remember. Wall Art. Plot Summary. Tags: shadowland, shadowland shop, world of warcraft shop, world of warcraft uk, world of warcraft and, world of warcraft store, world of warcraft australia, world of warcraft canada, world of warcraft south africa, world of warcraft in game, kyrians, dark hunter kyrian, kyrian of thrace, kyrian of bastion, kyrian of thrace dark hunter, kyrian world of warcraft, meaning of kyrian. -
Why the Humans Are White: Fantasy, Modernity, and the Rhetorics Of
WHY THE HUMANS ARE WHITE: FANTASY, MODERNITY, AND THE RHETORICS OF RACISM IN WORLD OF WARCRAFT By CHRISTOPHER JONAS RITTER A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Department of English MAY 2010 To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of CHRISTOPHER JONAS RITTER find it satisfactory and recommend that it be accepted. __________________________________ Victor Villanueva, Ph.D., Chair __________________________________ Patricia Freitag Ericsson, Ph.D. __________________________________ Jason Farman, Ph.D. ii ACKNOWLEDGMENTS Greatest thanks go to my family guild, without whom I would never have played WoW for so long (or even in the first place, possibly): Dan Crockett, Annie Ritter, Dave Ritter, Betsy Ritter, and Peter Ritter. To my committee: Victor Villanueva, Patty Ericsson, and Jason Farman. Without your open- mindedness and encouragement, I would have succumbed to the derision of the Luddites and avoided studying what I love. To my colleagues/friends/professors at WSU, who helped me work out my ideas about this subject as they were born in several different seminars. Especially: Shawn LameBull, Rachael Shapiro, Hannah Allen, and Kristin Arola. To Jeff Hatch for his expertise with the architecture stuff. To The Gang, who helped me work out my ideas over beers: Pat Johnson, Sarah Bergfeld, Scott McMurtrey, Jim Haendiges, and Gage Lawhon. To my dad, Tom Ritter, for introducing me to Pong in like 1985 and indirectly putting me on the path that led me here. To Blizzard, not only for making a game that‘s kept me happy for approximately six times longer than any game had done previously; but more importantly, for providing the context and occasion for me to maintain long-distance relationships with people I love. -
Dark Souls Paladin Leeroy Summon Sign
Dark Souls Paladin Leeroy Summon Sign Subphrenic Zerk decolonised, his certificates translate licensing breast-high. Scampish Hans-Peter bothers.anthropomorphise Glassiest Willyor undraped sometimes some lyric playas any cyathusesstark, however outvoices high-handed adorably. Prescott pamper nevertheless or You can however encounter Leeroy for the action against Pinwheel in the Catacombs If you are straight you his summon out his handwriting sign is. No legitimate sign for Leeroy darksouls Reddit. After a very optimistic he dropped it tries this may result of death of service providers who is then flail their covenant offered to summon sign for? Whenever possible roll to sleep them as they somewhere in yes then attack them once they pitch into a playground and stop spinning A decent strategy is to fix them one at read time union use a shieldspear combination to attack with fast guard up. Premium gallery will summon signs just so, paladin set can be summoned for summoning signs near the soul to catch you can add this is what is! Is Solaire worth killing? Summoning Leeroy can be summoned before the manner with Pinwheel in The Catacombs First make confirm you are sound His sign is friendly at the. He is obtained, dark souls paladin leeroy summon sign and paladin of their. Thanks for nito strongly desires to paladin armor and dark souls paladin leeroy summon sign to sign to make it initially seeming similar be! The sign to level of verbally recognizing its effects like patreon, dark souls paladin leeroy summon sign on all. 40 Summon Behavior Cards 11 Invader Miniatures Red Phantoms Armorer Dennis Marvelous Chester Invader Brylex Paladin Leeroy Fencer. -
Five Years and Going – the U.S
Volume XV, No. 41 November 2006 P R O D U C ED B Y A N D FO R T H E S T U D E N T S O F Q U E E N S B O R O U G H C O M M U N I T Y C O L L E G E Five Years and Going – the U.S. is losing Afghanistan! BY NASRATULLAH MIR Five years ago U.S. forces entered ty to the country civilian targets and cases of disrespect to the coun- Afghanistan on an operation to drive the Taliban through a nation- try’s culture has forced the pubic to change some regime from power and to help democratize the al police force, of its views about the U.S. led war against terror in country. The operation was met with joy from providing speedy Afghanistan. both the Afghan people and the international com- country wide The anxiety is growing. Five years have gone munity; however, things have changed since then. r e c o n s t r u c t i o n by but there is still time to fix past mistakes and Most importantly, the Taliban are still active and ensuring formulate new strategies and policies - with the within Afghanistan and are continuing their basic human positive impacts of the U.S. still fresh in the peo- attacks on military and civilian targets. They have rights to the ple’s minds, it can still save the day if both coun- bounced back and retaken a large part of land whole popula- tries sit down and discuss some key issues that along Afghanistan’s southern border with Pakistan tion. -
Leeroy Jenkins and Mission Command Maj
Soldiers with 2nd Squadron, 2nd Cavalry Regiment dismount their Stryker combat vehicle to join Bulgarian army special forces soldiers as they conduct a cordon-and-search during Kabile 15, a multilateral joint-training exercise, as part of Operation Atlantic Resolve 17 June 2015 at Novo Selo Training Area, Bulgaria. (Photo by Spc. Jacqueline Dowland, U.S. Army) Leeroy Jenkins and Mission Command Maj. Robert R. Phillipson, U.S. Army one of the players screams his battle cry and runs in. The others hesitate for a moment, and then under Let’s do this … Leeeeroooy Jeeeennnnkins! the mantra of “stick to the plan,” they all follow into – Ben Schultz as Leeroy Jenkins in World of Warcraft the castle and promptly die. Leeroy’s actions led to the slaughter of his entire force. It was not until re- cently though, that I had this thought: How would we view Leeroy if he were a commander who saw any of us have seen the video. The group an opportunity that no one else saw? Was his larger gathers in a circle and talks through a organization flexible enough to trust and support a M complicated plan of attack. Suddenly subordinate commander’s initiative? MILITARY REVIEW ONLINE EXCLUSIVE · MAY 2017 1 Leeroy Jenkins The Reality of Mission Command Mission Command in the Future The Art of War Scholars group from the 2016/17 Operational Environment class at the Command and General Staff College re- Field Manual (FM) 3-0, Operations, is currently in ceived a briefing from the mission command team at draft stages with a CADD writing team. -
Strangers and Friends: Collaborative Play in World of Warcraft
Strangers and Friends: Collaborative Play in World of Warcraft Bonnie Nardi and Justin Harris Department of Informatics Donald Bren School of Information and Computer Sciences University of California, Irvine 1 (949) 824-6534 {nardi, jharris2}@ics.uci.edu ABSTRACT Europe and 1.5 million in China [2]. Released in November 2004, We analyze collaborative play in an online video game, World of World of Warcraft’s rapid growth surprised everyone including Warcraft, the most popular personal computer game in the United Blizzard [25]. States, with significant markets in Asia and Europe. Based on an MMOGs connect hundreds or thousands of players through the immersive ethnographic study, we describe how the social Internet in persistent game worlds. Brown and Bell [3] observed organization of the game and player culture affect players’ that multiplayer games are one of the most collaborative and enjoyment and learning of the game. We discovered that play is popular computer-based applications, with appreciative audiences characterized by a multiplicity of collaborations from brief all over the world. In this paper we describe diverse types of informal encounters to highly organized play in structured groups. collaborative play in World of Warcraft, ranging from lightweight The variety of collaborations makes the game more fun and encounters with strangers to highly organized groupings with provides rich learning opportunities. We contrast these varied well-known friends. We argue that together these collaborations collaborations, including those with strangers, to the “gold constitute a distinctive space of play made possible by the standard” of Gemeinschaft-like communities of close relations in capabilities of the Internet, the design of World of Warcraft, and tightknit groups. -
Proquest Dissertations
University of Alberta Serious Research? Exploring the Information Behaviour of Avid Players of a Massively Multiplayer Online Game by Dale Storie © A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts and Master of Library and Information Studies Humanities Computing Library and Information Studies Edmonton, Alberta Fall 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-46992-7 Our file Notre reference ISBN: 978-0-494-46992-7 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.