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RFI20090644 Travel (Public Business Phone Calls Hospitality Mileage Travel (Other Costs) Facility Fees Transport)
RFI20090644 Travel (Public Business Phone Calls Hospitality Mileage Travel (Other Costs) Facility Fees Transport) Depart - Depart - Depart - Depart - Depart - Depart - Own Own Own Own Own Own mental mental mental mental mental mental Claimant Title Mark Thompson Director General 253.48 8,040.73 3,954.49 2,784.20 694.17 Mark Byford Deputy Director General 1,429.24 12.00 477.57 Timothy Davie Director, Audio & Music 5,218.99 567.20 435.95 Jana Bennett Director BBC Vision 4,017.54 135.49 34.85 483.91 Zarin Patel Chief Financial Officer 4,223.76 15.50 533.11 John Smith Chief Executive, BBC Worldwide 3.54 3,080.05 172.02 556.20 857.00 Caroline Thomson Chief Operating Officer 3,072.38 32.00 1,675.90 Adrian Van Klaveren Controller, 5 Live, Audio & Music 1,233.41 585.59 241.36 Alan Yentob Creative Director, BBC Finance 2,016.25 516.26 Andrew Parfitt Controller, R1/1Xtra/Asian Network, Audio & Music 7,044.60 1,430.90 Andy Griffee Editorial Director, Project W1, Operations 21.35 926.69 321.00 476.70 Anne Morrison Controller, Network Production, Nations & Regions 1,248.26 398.20 Balraj Samra Director of Vision Operations, BBC Vision 3,560.49 13.60 64.00 737.10 Chris Day Group Financial Controller, BBC Finance 350.64 99.54 93.00 520.53 Chris Kane Head of Corporate Real Estate, Operations Group 2.44 2,857.01 61.20 43.80 364.98 Daniel Cohen Controller, BBC Three, BBC Vision 611.03 3,148.19 150.00 15.96 338.10 189.60 Dominic Coles Chief Operating Officer, Journalism, BBC Finance 942.63 111.25 155.30 504.13 Dorothy Prior Controller Production Resource, -
FOTV-Report-Online-SP.Pdf
A FUTURE FOR PUBLIC SERVICE TELEVISION: CONTENT AND PLATFORMS IN A DIGITAL WORLD A report on the future of public service television in the UK in the 21st century www.futureoftv.org.uk 1 2 Contents Foreword by David Puttnam 4 Introduction 7 Chapter 1: Television and public service 14 Chapter 2: Principles of public service for the 21st century 28 Chapter 3: Television in a rapidly changing world: channels, content and platforms 38 Chapter 4: The BBC 50 Chapter 5: Channel 4 66 Chapter 6: ITV and Channel 5 78 Chapter 7: New sources of public service content 90 Chapter 8: TV: a diverse environment? 102 Chapter 9: Nations and regions 114 Chapter 10: Content diversity 128 Chapter 11: Talent development and training 144 Chapter 12: Conclusion and recommendations 152 Appendix 1: Sir David Normington’s proposals for appointing the BBC board 160 Appendix 2: BAFTA members’ survey 164 Appendix 3: Onora O’Neill, ‘Public service broadcasting, public value and public goods’ 172 Appendix 4: Inquiry events 176 Acknowledgements 179 3 Foreword by Lord Puttnam Public service broadcasting is a noble 20th If only the same could be said of much of century concept. Sitting down to write this our national popular press. Our democracy preface just a few days before the most suffers a distorting effect in the form of significant British political event of my mendacious axe-grinding on the part of most lifetime, with no idea of what the result might of the tabloid newspapers. In his brilliant be, there is every temptation to escape into new book, Enough Said, the former director neutral generalities. -
BBC AR Front Part 2 Pp 8-19
Executive Committee Greg Dyke Director-General since Jana Bennett OBE Director of Mark Byford Director of World customer services and audience January 2000, having joined the BBC Television since April 2002. Service & Global News since research activities. Previously as D-G Designate in November Responsible for the BBC’s output October 2001. Responsible for all European Director for Unilever’s 1999. Previously Chairman and Chief on BBC One, BBC Two, BBC Three the BBC’s international news and Food and Beverages division. Former Executive of Pearson Television from and BBC Four and for overseeing information services across all media positions include UK Marketing 1995 to 1999. Former posts include content on the UKTV joint venture including BBC World Service radio, Director then European Marketing Editor in Chief of TV-am (1983); channels and the international BBC World television and the Director with Unilever’s UK Food Director of Programmes for TVS channels BBC America and BBC international-facing online news and Beverages division and (1984), and Director of Programmes Prime. Previously General Manager sites. Previously Director of Regional Chairman of the Tea Council. (1987), Managing Director (1990) and Executive Vice President at Broadcasting. Former positions and Group Chief Executive (1991) at Discovery Communications Inc. include Head of Centre, Leeds and Carolyn Fairbairn Director of London Weekend Television. He has in the US. Former positions include Home Editor Television News. Strategy & Distribution since April also been Chairman of Channel 5; Director of Production at BBC; Head 2001. Responsible for strategic Chairman of the ITA; a director of BBC Science; Editor of Horizon, Stephen Dando Director of planning and the distribution of BBC of ITN, Channel 4 and BSkyB, and and Senior Producer on Newsnight Human Resources & Internal services. -
Academy the State of Product Management 2010
The State of Product Management 2010 Nic Newman Academy The State of Product Management 2010 A study of product management best practice in UK digital media CONTENTS Methodology and acknowledgments Executive summary and conclusions 1. The role of product management 2. The emerging product development process 3. Case studies 3.1. The Guardian 3.2. BBC iPlayer 3.3. Channel 4.com 3.4. Huddle.com 3.5. BBC Weather 3.6. Mobile IQ 3.7. BBC Wildlife Finder 4. Masterclass interviews 4.1. Anthony Rose – BBC (iPlayer/YouView) 4.2. Hunter Walk ‐ YouTube 5. Conclusions: The secrets of product success Glossary Interviewees Bibliography 1 THE AUTHOR: Nic Newman played a key role in shaping the BBC’s internet services over more than a decade. He was a founding member of the BBC News Website, leading international coverage as World Editor (1997‐2001). As Head of Product Development for BBC News he helped introduce innovations such as blogs, podcasting and on‐demand video. Most recently he led digital teams, developing websites, mobile and interactive TV applications for News, Sport, Weather and Local. Nic is currently a Visiting Fellow at the Reuters Institute for the Study of Journalism where he has published two recent reports on social media and mainstream media. He is a trainer, writer and consultant on digital media at the interface between technology and journalism. METHODOLOGY AND ACKNOWLEDGMENTS: This study was completed in June and July 2010 and aims to explore product management best practice in the digital media industry. It aims to raise the profile and understanding of the importance of the role of the product manager in the creation of successful digital products through interviews and case studies. -
E-Petition Session: TV Licensing, HC 1233
Petitions Committee Oral evidence: E-petition session: TV Licensing, HC 1233 Monday 1 March 2021 Ordered by the House of Commons to be published on 1 March 2021. Watch the meeting Members present: Catherine McKinnell (Chair); Tonia Antoniazzi; Jonathan Gullis. Other Members present: Rosie Cooper; Damian Collins; Gill Furniss; Gareth Bacon; Jamie Stone; Ben Bradley; Tahir Ali; Brendan Clarke-Smith; Allan Dorans; Virginia Crosbie; Mr Gregory Campbell; Simon Jupp; Jeff Smith; Huw Merriman; Chris Bryant; Mark Eastwood; Ian Paisley; John Nicolson; Chris Matheson; Rt Hon Mr John Whittingdale OBE, Minister for Media and Data. Questions 1-21 Chair: Thank you all for joining us today. Today’s e-petition session has been scheduled to give Members from across the House an opportunity to discuss TV licensing. Sessions like this would normally take place in Westminster Hall, but due to the suspension of sittings, we have started holding these sessions as an alternative way to consider the issues raised by petitions and present these to Government. We have received more requests to take part than could be accommodated in the 90 minutes that we are able to schedule today. Even with a short speech limit for Back- Bench contributions, it shows just how important this issue is to Members right across the House. I am pleased to be holding this session virtually, and it means that Members who are shielding or self-isolating, and who are unable to take part in Westminster Hall debates, are able to participate. I am also pleased that we have Front-Bench speakers and that we have the Minister attending to respond to the debate today. -
BARB Establishment Survey Annual Data Report Volume 2: BBC Areas
BARB Establishment Survey Annual Data Report Volume 2: BBC Areas January 2011 to December 2011 BARB ESTABLISHMENT SURVEY OF TV HOMES Page 1 DATA PERIOD: ANNUAL January - December 2011 Contents Page Introduction 2 Annual Data Tables: Volume 2 - BBC areas BBC London 3 BBC South East 31 BBC Midlands 59 BBC East 87 BBC West 115 BBC South West 143 BBC South 171 BBC Yorkshire and Lincolnshire 199 BBC North East & Cumbria 227 BBC North West 255 BBC Scotland 283 BBC Ulster 311 BBC Wales 339 BBC Midlands West 367 BBC Midlands East 395 See also Volume 1 - Total Network and Appendices Volume 3 - ITV areas Introduction Page 2 This reports contains the weighted data results from the Establishment survey for the period January - December 2011 Data is presented at different levels Household Set Individual Accordingly; bases do vary. Appendices can be found in the Volume 1 report. These contain details of the survey objectives, sample design, response rates and standard definitions. A copy of the questionnaire is also included at the end of the report. BBC London Page 3 Contents Page Household Table 1.1: Social Grade 4 Table 1.2: Housewife Age 5 Table 1.3: Size of Household 6 Table 1.4: Presence of Children 7 Table 1.5: Number of TV sets in household 8 Table 1.6: Screen size 9 Table 1.7: Location of ANY set in household 10 Table 1.8: Recorders 11 Table 1.9: Other TV equipment 12 Table 1.10: Computers and Internet 13 Sets Table 1.11: Screen Size 14 Table 1.12: Location of set 15 Table 1.13: Recorders 16 Table 1.14: Other TV equipment 16 Table 1.15: Main -
Diversity and Inclusion in the European Audiovisual Sector European Audiovisual Observatory, Strasbourg, 2021 ISSN 2079-1062 ISBN 978-92-871-9054-3 (Print Version)
Diversity and inclusion in the European audiovisual sector IRIS Plus IRIS Plus 2021-1 Diversity and inclusion in the European audiovisual sector European Audiovisual Observatory, Strasbourg, 2021 ISSN 2079-1062 ISBN 978-92-871-9054-3 (Print version) Director of publication – Susanne Nikoltchev, Executive Director Editorial supervision – Maja Cappello, Head of Department for Legal Information Editorial team – Francisco Javier Cabrera Blázquez, Julio Talavera Milla, Sophie Valais Research assistant - Léa Chochon European Audiovisual Observatory Authors (in alphabetical order) Francisco Javier Cabrera Blázquez, Maja Cappello, Julio Talavera Milla, Sophie Valais Translation Marco Polo Sarl, Sonja Schmidt Proofreading Jackie McLelland, Johanna Fell, Catherine Koleda Editorial assistant – Sabine Bouajaja Press and Public Relations – Alison Hindhaugh, [email protected] European Audiovisual Observatory Publisher European Audiovisual Observatory 76, allée de la Robertsau, 67000 Strasbourg, France Tel.: +33 (0)3 90 21 60 00 Fax: +33 (0)3 90 21 60 19 [email protected] www.obs.coe.int Cover layout – ALTRAN, France Please quote this publication as Cabrera Blázquez F.J., Cappello M., Talavera Milla J., Valais S., Diversity and inclusion in the European audiovisual sector, IRIS Plus, European Audiovisual Observatory, Strasbourg, April 2021 © European Audiovisual Observatory (Council of Europe), Strasbourg, 2021 Opinions expressed in this publication are personal and do not necessarily represent the views of the Observatory, its members or the Council of Europe. Diversity and inclusion in the European audiovisual sector Francisco Javier Cabrera Blázquez, Maja Cappello, Julio Talavera Milla, Sophie Valais Foreword Let me tell you a few stories about extraordinary people. Artemisia Gentileschi was a seventeenth century painter, and quite a talented one at that. -
ANNIE LEVY Make-Up Designer and Hair Stylist Special FX Artist Visa and Social Security for North America
ANNIE LEVY Make-Up Designer and Hair Stylist Special FX Artist Visa and Social Security for North America FILM & TV STARSTRUCK – SEASON 2 Hair and Make-up Designer Avalon Television / HBO / BBC1 Director: Jamie Jay Johnson SEXY BEASTS Hair and Make-up Designer Lion TV / Netflix Directors: Sam Campbell, Roman Green THE ROYAL WEDDING LIVE WITH CORD & Personal Hair, Make-Up & SFX to Kristen Wiig TISH Director: Andrew Steele HBO & Sky Atlantic WHO DO YOU THINK YOU ARE (USA) Personal Hair & Make-up to Josh Duhamel TLC / Shed Media US Director: Graham Sherrington MY FAVOURITE SKETCH Personal Hair & Make-up to Sally Phillips ITV/ Potato Director: Richard Pengelley A LEAGUE OF THEIR OWN XMAS SPECIAL Personal Hair, Make-up & SFXto Jack Whitehall SKY ONE/ CPL Productions Director: David Taylor JAMES ACASTER: REPERTOIRE Personal Hair & Make-up to James Acaster Netflix/ Turtle Canyon Media Director: Stuart Laws PROFESSOR GREEN: DANGEROUS DOGS Personal Hair & Make-up to Professor Green BBC Three/ Antidote Director: Matt Pelly JOLT Crowd Supervisor, Hair & Make-up Metropolitan Studios Director: Tanya Wexler THE FAST SHOW CELEBRATION Hair & Make-Up Designer Gold/ Crook Productions Director: Paul King/ Angus McIntyre GRINGOLANDIA Hair & Make-Up Designer (series 2-3) Netflix/Lone Star Productions Director: Cristobal Ross CLASS DISMISSED Hair & Make-Up Designer (Series 2-4) BBC ONE Director: Dermot Canterbury STATH LETS FLATS Hair & Make-Up Designer (Pilot) Channel 4 Director Dan Clarke JONNY PELHAM’S COMEDY SHORT Hair & Make-Up Designer Sky One Director: -
Weekly Highlights Week 47/48: Sat 21St - Fri 27Th November 2020
Weekly Highlights Week 47/48: Sat 21st - Fri 27th November 2020 Who Wants to Be a Millionaire: The Million Pound Question Sunday, 8pm A new series looking at the programme’s biggest winners. This information is embargoed from reproduction in the public domain until Tue 3rd November 2020. Press contacts Further programme publicity information: ITV Press Office [email protected] www.itv.com/presscentre @itvpresscentre ITV Pictures [email protected] www.itv.com/presscentre/itvpictures ITV Billings [email protected] www.ebs.tv This information is produced by EBS New Media Ltd on behalf of ITV +44 (0)1462 895 999 Please note that all information is embargoed from reproduction in the public domain as stated. Weekly highlights Celebrity Supermarket Sweep Saturday, 5.15pm 21st November ITV The new series in which Rylan Clark-Neal welcomes some famous faces into his superstore continues. Have they got what it takes to win big money for charity? JLS heart-throbs Aston and JB, actress and singer Martine McCutcheon and husband Jack McManus and pals Joel Dommett and Denise Van Outen are primed and ready to race around the aisles of Rylan’s store. Will any of them win £10,000 for charity? Catchphrase: Catchiest Moments Saturday, 6.45pm 21st November ITV Stephen Mulhern takes a hilarious look back at some of the most memorable moments of the game show - joined as ever by his animated friend Mr Chips. We’re treated to the very best, funniest and strangest moments in the host’s time on the programme. Expect unseen footage, incredible wins, some frankly unbelivable answers and plenty of chance to play along at home, just ‘say what you see’. -
A Better Death in a Digital Age: Post
Publishing Office Aims and scope Abramis Academic ASK House Communication ethics is a discipline that supports communication Northgate Avenue practitioners by offering tools and analyses for the understanding of Bury St. Edmunds ethical issues. Moreover, the speed of change in the dynamic information Suffolk environment presents new challenges, especially for communication IP32 6BB practitioners. UK Tel: +44 (0)1284 700321 Ethics used to be a specialist subject situated within schools of philosophy. Fax: +44 (0)1284 717889 Today it is viewed as a language and systematic thought process available Email: [email protected] to everyone. It encompasses issues of care and trust, social responsibility and Web: www.abramis.co.uk environmental concern and identifies the values necessary to balance the demands of performance today with responsibilities tomorrow. Copyright All rights reserved. No part For busy professionals, CE is a powerful learning and teaching approach that of this publication may be reproduced in any mate- encourages analysis and engagement with many constituencies, enhancing rial form (including pho- relationships through open-thinking. It can be used to improve organization tocopying or storing it in performance as well as to protect individual well-being. any medium by electronic means, and whether or not transiently or incidentally Submissions to some other use of this Papers should be submitted to the Editor via email. Full details on submission – publication) without the along with detailed notes for authors – are available online in PDF format: written permission of the www.communication-ethics.net copyright owner, except in accordance with the provisions of the Copyright, Subscription Information Designs and Patents Act Each volume contains 4 issues, issued quarterly. -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
Programme Specification – Postgraduate Programmes
PROGRAMME SPECIFICATION – POSTGRADUATE PROGRAMMES KEY FACTS Programme name Journalism (Television) Award MA School School of Arts and Social Sciences Department or equivalent Journalism Programme code PSTVCM Type of study Full Time Total UK credits 180 Total ECTS 90 PROGRAMME SUMMARY The programme benefits from the following: contacts network in the UK and overseas. Graduates include Dermot Murhagnan (Sky News), Sophie Raworth (BBC) and Caroline Faraj (Editor of CNNArabic.com) Industry recognition: an outstanding departmental reputation with excellent contacts and access to the industry. This is a relatively new course which began in 2033 and has already educated journalists working in all major TV newsrooms. Location: in the heart of London and on the doorstep of the world's major news and media organisations Faculty: highest-quality teaching staff, led by Lis Howell, an award winning TV journalist, and including renowned media commentator Roy Greenslade, and the former Editor-in-Chief of ITN Stewart Purvis, plus the former Head of News and Current Affairs for Channel 4, David Lloyd. Facilities: facilities include state-of-the-art multimedia studios and newsrooms This programme is designed to meet the need for entry-level workers in television. News reporting plays a large part but the course is also pitched for people who wish to enter the television industry as news assistants, researchers and assistant producers. The programme is accredited by the Broadcast Journalism Training Council (BJTC). The programme prepares you for a first job in television journalism, across a broad range of television factual programmes ranging from hard news to light topical daytime or 'how-to' shows, to issue-led discussion programmes, documentary films and serious news analysis.