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A Manifesto Creative K OHL Creative Multilingualism ET AL . A Manifesto Creative EDITED BY KATRIN KOHL, RAJINDER DUDRAH, ANDREW GOSLER, SUZANNE GRAHAM, MARTIN MAIDEN, WEN-CHIN OUYANG AND MATTHEW REYNOLDS Multilingualism Mul� lingualism is integral to the human condi� on. Hinging on the concept of Crea� ve Mul� lingualism — the idea that language diversity and crea� vity are mutually enriching — this � mely and thought-provoking volume shows how the concept provides a matrix for experimenta� on with ideas, approaches and methods. C The book presents four years of joint research on mul� lingualism across REATIVE disciplines, from the humani� es through to the social and natural sciences. It is structured as a manifesto, comprising ten major statements which are unpacked through various case studies across ten chapters. They encompass M areas including the rich rela� onship between language diversity and diversity ULTILINGUALISM of iden� ty, thought and expression; the interac� on between language diversity and biodiversity; the ‘prisma� c’ unfolding of meaning in transla� on; the benefi ts of linguis� c crea� vity in a classroom-se� ng; and the ingenuity underpinning ‘conlangs’ (‘constructed languages’) designed to give imagined peoples a dis� nc� ve medium capable of expressing their cultural iden� ty. This book is a welcome contribu� on to the fi eld of modern languages, highligh� ng the intricate rela� onship between mul� lingualism and crea� vity, and, crucially, reaching beyond an Anglo-centric view of the world. Intended to spark further research and discussion, this book appeals to young people interested in languages, language learning and cultural exchange. It will be a valuable resource for academics, educators, policy makers and parents of bilingual or mul� lingual children. Its accessible style also speaks to general readers interested in the role of language diversity in our everyday lives, and A Manifesto the untapped crea� ve poten� al of mul� lingualism. EDITED BY KATRIN KOHL, As with all Open Book publica� ons, this en� re book is available to read for free on the publisher’s website. Printed and digital edi� ons, together with supplementary digital material, RAJINDER DUDRAH, can also be found at www.openbookpublishers.com NDREW OSLER Cover image: Cedoux Kadima, Mappa Mundi (2017), mixed media on canvas. Cover design by Anna Ga� . A G , book SUZANNE GRAHAM, eebook and OA edi� ons ARTIN AIDEN also available M M , WEN-CHIN OUYANG OBP www.openbookpublishers.com AND MATTHEW REYNOLDS To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: htps://www.openbookpublishers.com/product/1166 Open Book Publishers is a non-proft independent initiative. We rely on sales and donations to continue publishing high-quality academic works. CREATIVE MULTILINGUALISM Creative Multilingualism A Manifesto Edited by Katrin Kohl, Rajinder Dudrah, Andrew Gosler, Suzanne Graham, Martin Maiden, Wen-chin Ouyang and Matthew Reynolds © Katrin Kohl, Rajinder Dudrah, Andrew Gosler, Suzanne Graham, Martin Maiden, Wen- chin Ouyang and Matthew Reynolds. Copyright of individual chapters is maintained by the chapters’ authors. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the author (but not in any way that suggests that they endorse you or your use of the work). Some of the material in this book has been reproduced according to the fair use principle which allows use of copyrighted material for scholarly purposes. Attribution should include the following information: Katrin Kohl, Rajinder Dudrah, Andrew Gosler, Suzanne Graham, Martin Maiden, Wen-chin Ouyang and Matthew Reynolds (eds), Creative Multilingualism: A Manifesto. Cambridge, UK: Open Book Publishers, 2020. https://doi.org/10.11647/OBP.0206 In order to access detailed and updated information on the license, please visit https:// doi.org/10.11647/OBP.0206#copyright Further details about CC BY licenses are available at http://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Any digital material and resources associated with this volume are available at https:// doi.org/10.11647/OBP.0206#resources Every efort has been made to identify and contact copyright holders and any omission or error will be corrected if notifcation is made to the publisher. ISBN Paperback: 978-1-78374-929-4 ISBN Hardback: 978-1-78374-930-0 ISBN Digital (PDF): 978-1-78374-931-7 ISBN Digital ebook (epub): 978-1-78374-932-4 ISBN Digital ebook (mobi): 978-1-78374-933-1 ISBN Digital (XML): 978-1-78374-934-8 DOI: 10.11647/OBP.0206 Cover image: Cedoux Kadima, Mappa Mundi (2017), mixed media on canvas. Cover design by Anna Gatti. Contents Creative Multilingualism — A Manifesto ix Introducing Creative Multilingualism 1 Katrin Kohl and Wen-chin Ouyang 1. The Creative Power of Metaphor 25 Katrin Kohl, Marianna Bolognesi and Ana Werkmann Horvat 2. Creating a Meaningful World: Nature in Name, Metaphor 47 and Myth Karen Park, Felice S. Wyndham, Andrew Gosler and John Fanshawe 3. Not as ‘Foreign’ as You Think: Creating Bridges of 69 Understanding across Languages Martin Maiden, Chiara Cappellaro and Aditi Lahiri 4. A Breath of Fresh Air… Ivan Vyrypaev’s Oxygen (2002): 87 From Moscow to Birmingham via Oxford Rajinder Dudrah, Julie Curtis, Philip Ross Bullock and Noah Birksted-Breen 5. Multilingualism and Creativity in World Literature 109 Wen-chin Ouyang 6. Prismatic Translation 131 Matthew Reynolds, Sowon S. Park and Kate Clanchy 7. Getting Creative in the Languages Classroom 151 Suzanne Graham, Linda Fisher, Julia Hofweber and Heike Krüsemann 8. Inspiring Language Learners 177 Jane Hiddleston, Laura Lonsdale, Chiara Cappellaro and Daniel Tyler-McTighe vi Creative Multilingualism 9. Languages at Work 203 Katrin Kohl and Jonathan Black 10. Creating Languages 223 Katrin Kohl Why Learn a Language? 249 Find Out More 255 Bibliography 271 List of Illustrations 291 Notes on the Authors and Contributors 299 Acknowledgements 309 Index 311 We dedicate this manifesto to all young people who are challenging the older generations in many languages to make our shared world sustainable Creative Multilingualism – A Manifesto 1. Language diversity nurtures diversity of identity, thought and expression 2. Language diversity protects biodiversity 3. We’re more multilingual than we think 4. Language diversity inspires creativity in performance 5. Languages travel and migrate 6. Translation is inherently creative 7. Language learning opens your mind 8. Languages hold infnite potential for creativity 9. Languages create connections with people 10. We create language every day Introducing Creative Multilingualism Katrin Kohl and Wen-chin Ouyang Creative Multilingualism is a manifesto. It signals that multilingualism is fundamental to the human condition and that we are all in some way multilingual — both in terms of talent and in terms of our daily ‘language lives’. It also points to the key role languages play as a creative force in our thought and emotions, our expression and social interaction, and our activity in the world — languages are a creative force in how we live. This volume presents fruits of collaborative research conducted over four years across disciplines ranging from the humanities through the social sciences to the natural sciences. It is designed to illuminate how multifariously language diversity intersects with creativity, though the book is not intended to ofer a coherent, watertight theory or closed set of fndings. Rather, it is framed in exploratory terms, inviting further research. And it is a manifesto calling for change on two fronts: • Language needs to be understood as intrinsically diverse — as languages. The entitlement of individuals and cultural groups to express themselves in their distinctive language must be supported as a fundamental human right, and must be nurtured as vital to the sustainability of the natural and cultural world. • Creativity needs to be understood as intrinsically bound up with our capacity for linguistically diverse thought, expression and action. Languages are far more than communicative ‘tools’: they are creative. Language diversity and creativity are mutually enriching. © Katrin Kohl and Wen-chin Ouyang, CC BY 4.0 https://doi.org/10.11647/OBP.0206.12 2 Creative Multilingualism Our ten manifesto statements highlight interactions between language diversity and creativity. Over four years, these interactions have stimulated our joint research on Creative Multilingualism, taking us into diferent disciplinary felds, prompting us to try out new methodologies, and fuelling productive debate about connections between languages and creativity. The research was conducted in seven strands, and their work forms the basis for Chapters 1 to 7, which were written by the respective research teams. Each of these chapters has a particular disciplinary focus and associated methodological principles, suggesting new ways of seeing languages through the lens of creativity. The multiplicity of perspectives and approaches is refected in diverse styles and modes of presenting the research. This pluralism refects our belief that all academic disciplines have something
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