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VIEW Nominates Its Keynote Speakers!
This page was exported from - Digital meets Culture Export date: Wed Sep 29 3:14:46 2021 / +0000 GMT VIEW nominates its keynote speakers! Pixar's short "Lava" Italy's premiere computer graphics conference proudly announces: Mark Osborne, director of "The Little Prince" and two-time Oscar nominee Randy Thom, director of Sound at Skywalker Sound and two-time Oscar winner Jorge R. Gutierrez, director of "The Book of Life", Annie and Emmy award winner Shannon Tindle, director of the Google Spotlight Story ?On Ice? and a Primetime Emmy award winner. Turin, Italy, September 2, 2015 ? «We are honoured and thrilled to welcome these four amazing artists to Turin for the VIEW conference» Professor Maria Elena Gutierrez, director of the annual conference, declares. «I know their presence will inspire our audience of students and professionals». The VIEW conference will take place on October from 19 to 23 in Turin, Italy. The curated conference, which celebrates its 16th year, features talks, panel sessions, workshops, awards for outstanding work and this year four remarkable keynote speakers: ?Mark Osborne, multiple award-winning director of a beloved animated feature film, recently directed the animated feature film version of a beloved novel. Osborne received Oscar nominations for directing the animated feature film "Kung Fu Panda" and for the short animated film "More". He also won an Annie award for directing "Kung Fu Panda" as well as many film festival awards. His latest film is "The Little Prince", based on Antoine de Saint-Exupéry's novel. After initial screenings, the animated story of a pilot who meets a little boy from another planet received a 100% approval rating from critics, tallied on the Rotten Tomatoes website. -
Introduction the American Movie Industry Has Been Much Studied, As Befits What Is Not Only a Cultural Institution in Its Native
Introduction The American movie industry has been much studied, as befits what is not only a cultural institution in its native country, but a major export to other nations as well. Academic articles on film have frequently been critical or historical studies focused on one or a few films (Bordwell & Caroll 2012). At the same time, film studios and distributors, and the consultants they hire, have compiled detailed sales and marketing analyses of movie performance - but these studies remain proprietary and do not appear in the open literature. We submit that there is a clear need for studies of American movies as a whole, looking for trends in both the film industry and popular culture, and including as many movies as possible. Quantitative methods are ideal for such a study, because they make relatively few theoretical assumptions and easily scale up to incorporate many data sources. The key to such studies is to identify measurable quantities of interest (variables) that provide insight into research questions, and to use as large and complete a dataset as possible. The main research question we seek to answer in this paper is: What, if anything, are the relationships between a movie’s perceived artistic merit as ranked by critics, a movie’s quality as ranked by viewers, a movie’s gross box office take, and its release date? The relationship between these four categories is an important one. As much as one may decry the ties between art and commerce, they always exist, and perhaps nowhere more so than in film. Even as the word “film” itself becomes increasingly obsolete with the rising prominence of digital video, movies remain fantastically expensive, with professional product well beyond the reach of almost any one person to fund. -
Communication & Media
SMC ASSOCIATES SPRING 2019 LECTURE SERIES COMMUNICATION & MEDIA 02.28.19 A CONVERSATION WITH: Former LA Radio Personality Ben Kelly and Entertainment Project Manager Joi Hardy 03.26.19 Seating is on a first arrival basis. Public parking is limited during the RAHA LEWIS day at SMC. Please allow extra time A Career in Journalism with when attending events. See smc.edu/ Entertainment Reporter Raha Lewis transportation for parking options. If you need an accommodation due to a disability to participate in 03.28.19 any of these events, please contact Stephanie Schlatter at schlatter_ [email protected] or 310-434-4313, ADELE LIM at least 5 business days in advance. Crazy Rich Asians Behind-the-Scenes with Co-writer Adele Lim The Santa Monica College Associates is a community-based support group that brings outstanding speakers, performers, and special events to 05.07.19 SMC to enhance student excellence. Associates members receive UNDOCUMENTED AND invitations to special receptions and advance notices of lectures. Annual MUÑECAS Associates memberships are entirely tax-deductible. Call 310-434-4100 or Short Film Screenings and visit smc.edu/associates for Q&A with SMC Student and Alumni Filmmakers more information. A CONVERSATION WITH: ADELE LIM Former LA Radio Personality Crazy Rich Asians Ben Kelly and Entertainment Behind-the-Scenes with Project Manager Joi Hardy Co-writer Adele Lim Ben Kelly and Joi Hardy will talk Screenwriter Adele Lim presents behind-the-scenes about career strategies in radio and stories and clips from Crazy Rich Asians, which she entertainment media. Kelly covered co-wrote with Peter Chiarelli, based on the novel benchmark events like the O.J. -
List of Brands
Global Consumer 2019 List of Brands Table of Contents 1. Digital music 2 2. Video-on-Demand 4 3. Video game stores 7 4. Digital video games shops 11 5. Video game streaming services 13 6. Book stores 15 7. eBook shops 19 8. Daily newspapers 22 9. Online newspapers 26 10. Magazines & weekly newspapers 30 11. Online magazines 34 12. Smartphones 38 13. Mobile carriers 39 14. Internet providers 42 15. Cable & satellite TV provider 46 16. Refrigerators 49 17. Washing machines 51 18. TVs 53 19. Speakers 55 20. Headphones 57 21. Laptops 59 22. Tablets 61 23. Desktop PC 63 24. Smart home 65 25. Smart speaker 67 26. Wearables 68 27. Fitness and health apps 70 28. Messenger services 73 29. Social networks 75 30. eCommerce 77 31. Search Engines 81 32. Online hotels & accommodation 82 33. Online flight portals 85 34. Airlines 88 35. Online package holiday portals 91 36. Online car rental provider 94 37. Online car sharing 96 38. Online ride sharing 98 39. Grocery stores 100 40. Banks 104 41. Online payment 108 42. Mobile payment 111 43. Liability insurance 114 44. Online dating services 117 45. Online event ticket provider 119 46. Food & restaurant delivery 122 47. Grocery delivery 125 48. Car Makes 129 Statista GmbH Johannes-Brahms-Platz 1 20355 Hamburg Tel. +49 40 2848 41 0 Fax +49 40 2848 41 999 [email protected] www.statista.com Steuernummer: 48/760/00518 Amtsgericht Köln: HRB 87129 Geschäftsführung: Dr. Friedrich Schwandt, Tim Kröger Commerzbank AG IBAN: DE60 2004 0000 0631 5915 00 BIC: COBADEFFXXX Umsatzsteuer-ID: DE 258551386 1. -
EDITED TRANSCRIPT CMCSA.OQ - Q3 2020 Comcast Corp Earnings Call
REFINITIV STREETEVENTS EDITED TRANSCRIPT CMCSA.OQ - Q3 2020 Comcast Corp Earnings Call EVENT DATE/TIME: OCTOBER 29, 2020 / 12:30PM GMT OVERVIEW: Co. reported 3Q20 consolidated revenue of $25.5b. REFINITIV STREETEVENTS | www.refinitiv.com | Contact Us ©2020 Refinitiv. All rights reserved. Republication or redistribution of Refinitiv content, including by framing or similar means, is prohibited without the prior written consent of Refinitiv. 'Refinitiv' and the Refinitiv logo are registered trademarks of Refinitiv and its affiliated companies. OCTOBER 29, 2020 / 12:30PM, CMCSA.OQ - Q3 2020 Comcast Corp Earnings Call CORPORATE PARTICIPANTS Brian L. Roberts Comcast Corporation - Chairman & CEO David N. Watson Comcast Corporation - President & CEO, Comcast Cable Jeff Shell Comcast Corporation - CEO, NBCUniversal Jeremy Darroch Comcast Corporation - Group Chief Executive, Sky Marci Ryvicker Comcast Corporation - SVP of IR Michael J. Cavanagh Comcast Corporation - CFO CONFERENCE CALL PARTICIPANTS Benjamin Daniel Swinburne Morgan Stanley, Research Division - MD Craig Eder Moffett MoffettNathanson LLC - Founding Partner Douglas David Mitchelson Crédit Suisse AG, Research Division - MD Jessica Jean Reif Ehrlich BofA Merrill Lynch, Research Division - MD in Equity Research John Christopher Hodulik UBS Investment Bank, Research Division - MD, Sector Head of the United States Communications Group and Telco & Pay TV Analyst Philip A. Cusick JPMorgan Chase & Co, Research Division - MD and Senior Analyst PRESENTATION Operator Good morning, ladies and gentlemen, and welcome to Comcast's Third Quarter 2020 Earnings Conference Call. (Operator Instructions) Please note that this conference call is being recorded. I will now turn the call over to Senior Vice President, Investor Relations, Ms. Marci Ryvicker. Please go ahead, Ms. Ryvicker. Marci Ryvicker - Comcast Corporation - SVP of IR Thank you, operator, and welcome, everyone. -
Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011)
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2011 Film Review Aggregators and Their ffecE t on Sustained Box Officee P rformance Nicholas Krishnamurthy Claremont McKenna College Recommended Citation Krishnamurthy, Nicholas, "Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011). CMC Senior Theses. Paper 291. http://scholarship.claremont.edu/cmc_theses/291 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT McKENNA COLLEGE FILM REVIEW AGGREGATORS AND THEIR EFFECT ON SUSTAINED BOX OFFICE PERFORMANCE SUBMITTED TO PROFESSOR DARREN FILSON AND DEAN GREGORY HESS BY NICHOLAS KRISHNAMURTHY FOR SENIOR THESIS FALL / 2011 November 28, 2011 Acknowledgements I would like to thank my parents for their constant support of my academic and career endeavors, my brother for his advice throughout college, and my friends for always helping to keep things in perspective. I would also like to thank Professor Filson for his help and support during the development and execution of this thesis. Abstract This thesis will discuss the emerging influence of film review aggregators and their effect on the changing landscape for reviews in the film industry. Specifically, this study will look at the top 150 domestic grossing films of 2010 to empirically study the effects of two specific review aggregators. A time-delayed approach to regression analysis is used to measure the influencing effects of these aggregators in the long run. Subsequently, other factors crucial to predicting film success are also analyzed in the context of sustained earnings. -
Rotten Tomatoes and Chill? Mras and Their Impact on Decision-Making
Allman & Medeiros, Rotten Tomatoes and Chill? MRAs and Their Impact on Decision-making Rotten Tomatoes and Chill? MRAs and Their Impact on Decision-Making Sharon Allman and Jenny Lee-De Medeiros Abstract : The purpose of this research was to examine whether young adults (aged 18-32) look at user- and/or critic-generated movie review aggregates (MRAs) to decide which film to watch, or whether other factors impact their decision-making. The literature on this topic most notably shows a correlation between highly rated movies and better box office results, a preference for MRAs, and potential market benefits of MRAs. This research, which fo- cused on the North American context, contained both quantitative and qualitative methods in the form of an online survey, focus groups, and key informant interviews. The results in- dicate that MRAs are not the preferred method to decide what movie to watch, and instead factors such as family or friends’ recommendations and marketing decisions of the film most affect young adults’ decisions about which films to watch. Keywords: movie review aggregate, MRA, movies, ratings, rating metric, scoring system DOI 10.33137/ijournal.v6i1.35269 © 2020 Allman, S. Medeiros, J. Rotten Tomatoes and Chill? MRAs and Their Impact on Decision-Making. This is an Open Access article distributed under CC-BY. iJournal, Vol 6, No. 1, 1 Allman & Medeiros, Rotten Tomatoes and Chill? MRAs and Their Impact on Decision-making Introductory Statement of Significance Rotten Tomatoes is a movie review aggregate (MRA) available online that assigns a score to a movie based on critic and/or user reviews. -
Downloading of Movies, Television Shows and Other Video Programming, Some of Which Charge a Nominal Or No Fee for Access
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 2011 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO Commission file number 001-32871 COMCAST CORPORATION (Exact name of registrant as specified in its charter) PENNSYLVANIA 27-0000798 (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) One Comcast Center, Philadelphia, PA 19103-2838 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (215) 286-1700 SECURITIES REGISTERED PURSUANT TO SECTION 12(b) OF THE ACT: Title of Each Class Name of Each Exchange on which Registered Class A Common Stock, $0.01 par value NASDAQ Global Select Market Class A Special Common Stock, $0.01 par value NASDAQ Global Select Market 2.0% Exchangeable Subordinated Debentures due 2029 New York Stock Exchange 5.50% Notes due 2029 New York Stock Exchange 6.625% Notes due 2056 New York Stock Exchange 7.00% Notes due 2055 New York Stock Exchange 8.375% Guaranteed Notes due 2013 New York Stock Exchange 9.455% Guaranteed Notes due 2022 New York Stock Exchange SECURITIES REGISTERED PURSUANT TO SECTION 12(g) OF THE ACT: NONE Indicate by check mark if the Registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the Registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. -
Fox and Nbcuniversal in Talks to Acquire Streaming Platforms: Report 22 February 2020
Fox and NBCUniversal in talks to acquire streaming platforms: report 22 February 2020 NBCUniversal, a subsidiary of Comcast, is meanwhile engaged in what the WSJ called advanced talks with Vudu, a Walmart-owned, ad- supported service that allows users to rent and buy movies or watch them online via a free streaming platform. NBCUniversal already has plans to launch a new streaming television service called Peacock in April, which can be accessed both ad-free or with ads at different payment tiers. The potential Fox and NBCUniversal acquisitions come as internet platforms and entertainment groups are launching streaming and on-demand The ad-supported free streaming service Tubi is drawing services as part of a larger trend to attract viewers interest from Rupert Murdoch's Fox Corp., according to who are veering away from traditional television. a report Media groups Fox Corp. and NBCUniversal are looking to buy ad-supported streaming platforms meant to lure customers who don't want to spend money on subscriptions, the Wall Street Journal reported Friday. Fox, the Murdoch-family controlled media group which owns the Fox News Channel, has said it would be willing to shell out some $500 million for Tubi, a streaming platform which airs mostly older movies and TV shows, the report said. A tie-up could help expand the footprint of Fox, NBCUniversal, a subsidiary of Comcast, is engaged in which last year sold much of its film and television what the WSJ called advanced talks with video platform assets to Disney but retained its broadcast Vudu television network in the deal. -
Auf Deutsch Dernière Mise À Jour : 18 Août 2020 La Présente Poli
Télécharger les traductions en Español | en français | auf Deutsch Dernière mise à jour : 18 août 2020 La présente Politique de confidentialité explique comment Fandango Media, LLC et ses filiales, y compris les entreprises opérant sous les marques Fandango, FandangoNOW, Vudu, Rotten Tomatoes, Flixster, Movieclips, Movies.com, Activaterewards.com, MovieTickets.com, ou M- GO (« Fandango », « nous », « nos » ou « notre ») recueillent, utilisent et partagent des informations obtenues de votre part ou à votre sujet, lorsque vous utilisez nos sites Web, applications téléchargeables, applications télévisuelles interactives, compétences à commande vocale, et d’autres services numériques, appareils connectés et services hors ligne rattachés à cette politique, ou si vous générez des évaluations/critiques/commentaires publics/contenus sur nos outils propriétaires ou entrez dans une relation d’affaires avec nous (les « Services »). Veuillez noter que la présente Politique de confidentialité ne s’applique pas à notre activité de billetterie de films qui opère en Amérique latine, cette activité étant régie par une politique de confidentialité distincte. Nos propriétaires Lorsque les Services reçoivent ou collectent des informations, ces informations sont reçues et collectées, et sont la propriété, de Fandango et de chacun des « Propriétaires de Fandango » (c.-à-d. chaque société qui détient un droit de propriété dans Fandango). Alors que l’utilisation, le traitement, la divulgation et les pratiques de Fandango en rapport avec ces informations sont régis par la présente Politique de confidentialité, l’utilisation, le traitement, la divulgation et les pratiques de chaque propriétaire de Fandango en rapport avec ces informations seront régis par la politique de confidentialité du propriétaire de Fandango respectif. -
Privacy of Streaming Apps and Devices
2021 PRIVACY OF STREAMING APPS AND DEVICES: WATCHING TV THAT WATCHES US Common Sense is the nation's leading nonprofit organization dedicated to improving the lives of kids and families by providing the trustworthy information, education, and independent voice they need to thrive in the 21st century. www.commonsense.org Common Sense is grateful for the generous support and underwriting that funded this report from the Michael and Susan Dell Foundation, the Bill and Melinda Gates Foundation, and the Chan Zuckerberg Initative. CREDITS Authors: Girard Kelly, Common Sense Media Jeff Graham, Common Sense Media Jill Bronfman, Common Sense Media Steve Garton, Common Sense Media Data analysis: Girard Kelly, Common Sense Media Jeff Graham, Common Sense Media Copy editor: Jennifer Robb Designer: Jeff Graham, Common Sense Media Suggested citation: Kelly, G., Graham, J., Bronfman, J., & Garton, S. (2021). Privacy of Streaming Apps and Devices: Watching TV that Watches Us. San Francisco, CA: Common Sense Media This work is licensed under a Creative Commons Attribution 4.0 International Public .License TABLE OF CONTENTS Privacy of streaming apps and devices 1 What are streaming services? ......................................... 1 Apps we rated ............................................... 1 How do streaming services make money? ............................... 2 How we rate privacy ........................................... 2 What we found .............................................. 6 Compare privacy ratings ........................................ -
What Is Hollywood Hiding?
WHAT IS HOLLYWOOD HIDING? How the entertainment industry downplays the danger to kids from smoking on screen Jonathan R. Polansky Onbeyond LLC, Fairfax, California Stanton A. Glantz, PhD University of California, San Francisco _______________________________ University of California, San Francisco This publication is available at https://escholarship.org/uc/item/3pw661mg April 2020 What is Hollywood Hiding? | 1 EXECUTIVE SUMMARY • The U.S. Surgeon General has concluded that exposure to onscreen tobacco imagery causes young people to smoke. The U.S. CDC has projected that this exposure will recruit more than six million new young smokers in the U.S. in this generation, of whom two million will die from tobacco-induced diseases. • More than half of U.S. top-grossing films released since 2002 include smoking,1 including 51 percent of films in 2019. The number of tobacco incidents in youth-rated films has grown by 63% since 2015. • By 2019, three-quarters of U.S. households subscribed to at least one video-in-demand (VOD) channel. Films comprise the majority of the titles offered on popular video-on-demand (VOD) services, while TV series account for the majority of programming hours they offer. • Per capita, in 2019 films were viewed fourteen times more on digital media than in theaters. Advance notice to parents • Neither the Motion Picture Association (MPA) nor TV Parental Guidelines (TVPG) treat tobacco as an explicit rating factor. The MPA only applies its bland “smoking” descriptors to 13 percent of top-grossing youth-rated films with tobacco content. • A survey of nine popular VOD services finds that three VOD services do not display film and TV ratings reasons with their video content and six other VOD services show ratings reasons only after the user selects a film or TV show and the video is rolling.